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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5D893 it is the complementary color #1A276C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5D893. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5D893 shade: #EAD88E, #FBEAA1, #FFFCB4, #FFFFC7 and #FFFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5D893. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5D893 shade: #E5D893, #D4C680, #C3B46D, #B2A25A and #A19047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5D893 shade: #E5D894, #E5C294, #E5AC94, #E59694 and #E59494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5D893 shade: #E5D894, #DCE594, #C6E594, #B0E594 and #9AE594

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5D893 shade matches the following richer shades: #E5D894, #EFDF89 and #FAE67E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5D893 shade: #E5D894, #DAD09E, #CFC9A9, #C4C2B4 and #BABBBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5D893 shade: #E5AC94, #E5C294, #E5D794, #DDE594 and #C7E594

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5D893 shade: #D5C051, #DDCC73, #E5D894, #EDE4B5 and #F5F0D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5D893 shade: #E5D893, #94E596 and #B794E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5D893 shade: #E5D893, #94E5D7 and #D794E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5D893 shade: #E5D893, #94E596, #94A1E5 and #E594E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5D893 shade: #E5D893, #94E5AF, #94A1E5 and #E594CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 36 / 10

HEX #E5D893

RGB 229 216 147

HSL 50.49, 0.61%, 0.74%

LAB 85.94, -5.47, 35.66

 

Complementary color

CMYK 76 / 64 / 0 / 58

HEX #1A276C

RGB 26 39 108

HSL 230.49, 0.61%, 0.26%

LAB 19.03, 20.86, -41.78

 

CMYK 0 / 8 / 39 / 8

HEX #EAD88E

RGB 234 216 142

HSL 48.26, 0.69%, 0.74%

LAB 86.28, -4.08, 38.72

 

CMYK 0 / 7 / 36 / 2

HEX #FBEAA1

RGB 251 234 161

HSL 48.67, 0.92%, 0.81%

LAB 92.54, -4.51, 37.57

 

CMYK 0 / 1 / 29 / 0

HEX #FFFCB4

RGB 255 252 180

HSL 57.6, 1%, 0.85%

LAB 97.7, -9.72, 34.93

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 6 / 36 / 10

HEX #E5D893

RGB 229 216 147

HSL 50.49, 0.61%, 0.74%

LAB 85.94, -5.47, 35.66

 

CMYK 0 / 7 / 40 / 17

HEX #D4C680

RGB 212 198 128

HSL 50, 0.49%, 0.67%

LAB 79.58, -5.05, 36.83

 

CMYK 0 / 8 / 44 / 24

HEX #C3B46D

RGB 195 180 109

HSL 49.53, 0.42%, 0.6%

LAB 73.12, -4.56, 38.05

 

CMYK 0 / 9 / 49 / 30

HEX #B2A25A

RGB 178 162 90

HSL 49.09, 0.36%, 0.53%

LAB 66.55, -3.97, 39.31

 

CMYK 0 / 11 / 56 / 37

HEX #A19047

RGB 161 144 71

HSL 48.67, 0.39%, 0.45%

LAB 59.87, -3.25, 40.57

 

CMYK 0 / 6 / 35 / 10

HEX #E5D894

RGB 229 216 148

HSL 50.37, 0.61%, 0.74%

LAB 85.96, -5.35, 35.17

 

CMYK 0 / 15 / 35 / 10

HEX #E5C294

RGB 229 194 148

HSL 34.07, 0.61%, 0.74%

LAB 80.39, 6.04, 27.78

 

CMYK 0 / 25 / 35 / 10

HEX #E5AC94

RGB 229 172 148

HSL 17.78, 0.61%, 0.74%

LAB 75.01, 17.71, 20.47

 

CMYK 0 / 34 / 35 / 10

HEX #E59694

RGB 229 150 148

HSL 1.48, 0.61%, 0.74%

LAB 69.9, 29.46, 13.36

 

CMYK 0 / 35 / 35 / 10

HEX #E59494

RGB 229 148 148

HSL 0, 0.61%, 0.74%

LAB 69.45, 30.53, 12.73

 

CMYK 0 / 6 / 35 / 10

HEX #E5D894

RGB 229 216 148

HSL 50.37, 0.61%, 0.74%

LAB 85.96, -5.35, 35.17

 

CMYK 4 / 0 / 35 / 10

HEX #DCE594

RGB 220 229 148

HSL 66.67, 0.61%, 0.74%

LAB 88.63, -15.34, 38.53

 

CMYK 14 / 0 / 35 / 10

HEX #C6E594

RGB 198 229 148

HSL 82.96, 0.61%, 0.74%

LAB 87.09, -23.55, 36.21

 

CMYK 23 / 0 / 35 / 10

HEX #B0E594

RGB 176 229 148

HSL 99.26, 0.61%, 0.74%

LAB 85.71, -31.39, 34.15

 

CMYK 33 / 0 / 35 / 10

HEX #9AE594

RGB 154 229 148

HSL 115.56, 0.61%, 0.74%

LAB 84.51, -38.7, 32.34

 

CMYK 0 / 6 / 35 / 10

HEX #E5D894

RGB 229 216 148

HSL 50.37, 0.61%, 0.74%

LAB 85.96, -5.35, 35.17

 

CMYK 0 / 7 / 43 / 6

HEX #EFDF89

RGB 239 223 137

HSL 50.59, 0.76%, 0.74%

LAB 88.42, -6.19, 44.02

 

CMYK 0 / 8 / 50 / 2

HEX #FAE67E

RGB 250 230 126

HSL 50.32, 0.93%, 0.74%

LAB 90.97, -6.38, 52.71

 

CMYK 0 / 6 / 35 / 10

HEX #E5D894

RGB 229 216 148

HSL 50.37, 0.61%, 0.74%

LAB 85.96, -5.35, 35.17

 

CMYK 0 / 5 / 28 / 15

HEX #DAD09E

RGB 218 208 158

HSL 50, 0.45%, 0.74%

LAB 83.17, -4.24, 26.13

 

CMYK 0 / 3 / 18 / 19

HEX #CFC9A9

RGB 207 201 169

HSL 50.53, 0.28%, 0.74%

LAB 80.68, -3.19, 16.76

 

CMYK 0 / 1 / 8 / 23

HEX #C4C2B4

RGB 196 194 180

HSL 52.5, 0.12%, 0.74%

LAB 78.24, -1.77, 7.28

 

CMYK 3 / 2 / 0 / 25

HEX #BABBBF

RGB 186 187 191

HSL 228, 0.04%, 0.74%

LAB 75.91, 0.41, -2.15

 

CMYK 0 / 25 / 35 / 10

HEX #E5AC94

RGB 229 172 148

HSL 17.78, 0.61%, 0.74%

LAB 75.01, 17.71, 20.47

 

CMYK 0 / 15 / 35 / 10

HEX #E5C294

RGB 229 194 148

HSL 34.07, 0.61%, 0.74%

LAB 80.39, 6.04, 27.78

 

CMYK 0 / 6 / 35 / 10

HEX #E5D794

RGB 229 215 148

HSL 49.63, 0.61%, 0.74%

LAB 85.7, -4.84, 34.84

 

CMYK 3 / 0 / 35 / 10

HEX #DDE594

RGB 221 229 148

HSL 65.93, 0.61%, 0.74%

LAB 88.71, -14.96, 38.64

 

CMYK 13 / 0 / 35 / 10

HEX #C7E594

RGB 199 229 148

HSL 82.22, 0.61%, 0.74%

LAB 87.15, -23.18, 36.31

 

CMYK 0 / 10 / 62 / 16

HEX #D5C051

RGB 213 192 81

HSL 50.45, 0.61%, 0.58%

LAB 77.54, -5.65, 57.1

 

CMYK 0 / 8 / 48 / 13

HEX #DDCC73

RGB 221 204 115

HSL 50.38, 0.61%, 0.66%

LAB 81.73, -5.83, 46.21

 

CMYK 0 / 6 / 35 / 10

HEX #E5D894

RGB 229 216 148

HSL 50.37, 0.61%, 0.74%

LAB 85.96, -5.35, 35.17

 

CMYK 0 / 4 / 24 / 7

HEX #EDE4B5

RGB 237 228 181

HSL 50.36, 0.61%, 0.82%

LAB 90.24, -4.25, 24.09

 

CMYK 0 / 2 / 13 / 4

HEX #F5F0D6

RGB 245 240 214

HSL 50.32, 0.61%, 0.9%

LAB 94.56, -2.61, 13.16

 

CMYK 0 / 6 / 36 / 10

HEX #E5D893

RGB 229 216 147

HSL 50.49, 0.61%, 0.74%

LAB 85.94, -5.47, 35.66

 

CMYK 35 / 0 / 34 / 10

HEX #94E596

RGB 148 229 150

HSL 121.48, 0.61%, 0.74%

LAB 84.24, -40.27, 30.92

 

CMYK 20 / 35 / 0 / 10

HEX #B794E5

RGB 183 148 229

HSL 265.93, 0.61%, 0.74%

LAB 67.21, 28.91, -36.2

 

CMYK 0 / 6 / 36 / 10

HEX #E5D893

RGB 229 216 147

HSL 50.49, 0.61%, 0.74%

LAB 85.94, -5.47, 35.66

 

CMYK 35 / 0 / 6 / 10

HEX #94E5D7

RGB 148 229 215

HSL 169.63, 0.61%, 0.74%

LAB 85.63, -27.8, -1.02

 

CMYK 6 / 35 / 0 / 10

HEX #D794E5

RGB 215 148 229

HSL 289.63, 0.61%, 0.74%

LAB 70.37, 38.61, -31.03

 

CMYK 0 / 6 / 36 / 10

HEX #E5D893

RGB 229 216 147

HSL 50.49, 0.61%, 0.74%

LAB 85.94, -5.47, 35.66

 

CMYK 35 / 0 / 34 / 10

HEX #94E596

RGB 148 229 150

HSL 121.48, 0.61%, 0.74%

LAB 84.24, -40.27, 30.92

 

CMYK 35 / 30 / 0 / 10

HEX #94A1E5

RGB 148 161 229

HSL 230.37, 0.61%, 0.74%

LAB 67.61, 11.49, -35.79

 

CMYK 0 / 35 / 1 / 10

HEX #E594E2

RGB 229 148 226

HSL 302.22, 0.61%, 0.74%

LAB 71.78, 42.38, -27.1

 

CMYK 0 / 6 / 36 / 10

HEX #E5D893

RGB 229 216 147

HSL 50.49, 0.61%, 0.74%

LAB 85.94, -5.47, 35.66

 

CMYK 35 / 0 / 24 / 10

HEX #94E5AF

RGB 148 229 175

HSL 140, 0.61%, 0.74%

LAB 84.7, -35.98, 18.65

 

CMYK 35 / 30 / 0 / 10

HEX #94A1E5

RGB 148 161 229

HSL 230.37, 0.61%, 0.74%

LAB 67.61, 11.49, -35.79

 

CMYK 0 / 35 / 12 / 10

HEX #E594CA

RGB 229 148 202

HSL 320, 0.61%, 0.74%

LAB 70.94, 38.25, -15.14

 

Description

Color code: HEX #E5D893 | qconv.com Color code: HEX #E5D893 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 216 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 216 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 36 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 36% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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