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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5CDAA it is the complementary color #1A3255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5CDAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5CDAA shade: #EACDA5, #FBDFB8, #FFF1CB, #FFFFDE and #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5CDAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5CDAA shade: #E5CDAA, #D4BB97, #C3A984, #B29771 and #A1855E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5CDAA shade: #E4CCA9, #E4BCA9, #E4ACA9 and #E4A9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5CDAA shade: #E4CCA9, #E4DCA9, #DCE4A9, #CCE4A9 and #BCE4A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5CDAA shade matches the following richer shades: #E4CCA9, #EDCEA0 and #F6CF97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5CDAA shade: #E4CCA9, #DBCAB2, #D2C9BB, #C9C7C4 and #C0C5CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5CDAA shade: #E4ACA9, #E4BBA9, #E4CBA9, #E4DBA9 and #DDE4A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5CDAA shade: #D1A76A, #DAB989, #E4CCA9, #EEDFC8 and #F8F1E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5CDAA shade: #E5CDAA, #B6E4A9 and #B4A9E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5CDAA shade: #E5CDAA, #A9E4CB and #CBA9E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5CDAA shade: #E5CDAA, #B6E4A9, #A9C1E4 and #D7A9E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5CDAA shade: #E5CDAA, #A9E4AE, #A9C1E4 and #E4A9DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 26 / 10

HEX #E5CDAA

RGB 229 205 170

HSL 35.59, 0.53%, 0.78%

LAB 83.56, 3.09, 20.51

 

Complementary color

CMYK 69 / 41 / 0 / 67

HEX #1A3255

RGB 26 50 85

HSL 215.59, 0.53%, 0.22%

LAB 20.66, 3.54, -24.02

 

CMYK 0 / 12 / 29 / 8

HEX #EACDA5

RGB 234 205 165

HSL 34.78, 0.62%, 0.78%

LAB 83.9, 4.32, 23.68

 

CMYK 0 / 11 / 27 / 2

HEX #FBDFB8

RGB 251 223 184

HSL 34.93, 0.89%, 0.85%

LAB 90.2, 3.9, 22.66

 

CMYK 0 / 5 / 20 / 0

HEX #FFF1CB

RGB 255 241 203

HSL 43.85, 1%, 0.9%

LAB 95.36, -1.19, 20.07

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 10 / 26 / 10

HEX #E5CDAA

RGB 229 205 170

HSL 35.59, 0.53%, 0.78%

LAB 83.56, 3.09, 20.51

 

CMYK 0 / 12 / 29 / 17

HEX #D4BB97

RGB 212 187 151

HSL 35.41, 0.41%, 0.71%

LAB 77.14, 3.5, 21.52

 

CMYK 0 / 13 / 32 / 24

HEX #C3A984

RGB 195 169 132

HSL 35.24, 0.34%, 0.64%

LAB 70.62, 3.97, 22.6

 

CMYK 0 / 15 / 37 / 30

HEX #B29771

RGB 178 151 113

HSL 35.08, 0.3%, 0.57%

LAB 63.99, 4.52, 23.77

 

CMYK 0 / 17 / 42 / 37

HEX #A1855E

RGB 161 133 94

HSL 34.93, 0.26%, 0.5%

LAB 57.23, 5.16, 25.02

 

CMYK 0 / 11 / 26 / 11

HEX #E4CCA9

RGB 228 204 169

HSL 35.59, 0.52%, 0.78%

LAB 83.2, 3.1, 20.53

 

CMYK 0 / 18 / 26 / 11

HEX #E4BCA9

RGB 228 188 169

HSL 19.32, 0.52%, 0.78%

LAB 79.23, 11.52, 14.99

 

CMYK 0 / 25 / 26 / 11

HEX #E4ACA9

RGB 228 172 169

HSL 3.05, 0.52%, 0.78%

LAB 75.37, 20.06, 9.52

 

CMYK 0 / 26 / 26 / 11

HEX #E4A9A9

RGB 228 169 169

HSL 0, 0.52%, 0.78%

LAB 74.66, 21.67, 8.51

 

CMYK 0 / 11 / 26 / 11

HEX #E4CCA9

RGB 228 204 169

HSL 35.59, 0.52%, 0.78%

LAB 83.2, 3.1, 20.53

 

CMYK 0 / 4 / 26 / 11

HEX #E4DCA9

RGB 228 220 169

HSL 51.86, 0.52%, 0.78%

LAB 87.26, -5.15, 26.1

 

CMYK 4 / 0 / 26 / 11

HEX #DCE4A9

RGB 220 228 169

HSL 68.14, 0.52%, 0.78%

LAB 88.72, -12.17, 27.97

 

CMYK 11 / 0 / 26 / 11

HEX #CCE4A9

RGB 204 228 169

HSL 84.41, 0.52%, 0.78%

LAB 87.58, -17.99, 26.23

 

CMYK 18 / 0 / 26 / 11

HEX #BCE4A9

RGB 188 228 169

HSL 100.68, 0.52%, 0.78%

LAB 86.53, -23.64, 24.63

 

CMYK 0 / 11 / 26 / 11

HEX #E4CCA9

RGB 228 204 169

HSL 35.59, 0.52%, 0.78%

LAB 83.2, 3.1, 20.53

 

CMYK 0 / 13 / 32 / 7

HEX #EDCEA0

RGB 237 206 160

HSL 35.84, 0.68%, 0.78%

LAB 84.32, 4.32, 26.91

 

CMYK 0 / 16 / 39 / 4

HEX #F6CF97

RGB 246 207 151

HSL 35.37, 0.84%, 0.78%

LAB 85.23, 6.23, 32.94

 

CMYK 0 / 11 / 26 / 11

HEX #E4CCA9

RGB 228 204 169

HSL 35.59, 0.52%, 0.78%

LAB 83.2, 3.1, 20.53

 

CMYK 0 / 8 / 19 / 14

HEX #DBCAB2

RGB 219 202 178

HSL 35.12, 0.36%, 0.78%

LAB 82.12, 2.08, 14.13

 

CMYK 0 / 4 / 11 / 18

HEX #D2C9BB

RGB 210 201 187

HSL 36.52, 0.2%, 0.78%

LAB 81.33, 0.74, 8.1

 

CMYK 0 / 1 / 2 / 21

HEX #C9C7C4

RGB 201 199 196

HSL 36, 0.04%, 0.78%

LAB 80.32, 0.15, 1.73

 

CMYK 6 / 4 / 0 / 20

HEX #C0C5CD

RGB 192 197 205

HSL 216.92, 0.12%, 0.78%

LAB 79.36, -0.19, -4.6

 

CMYK 0 / 25 / 26 / 11

HEX #E4ACA9

RGB 228 172 169

HSL 3.05, 0.52%, 0.78%

LAB 75.37, 20.06, 9.52

 

CMYK 0 / 18 / 26 / 11

HEX #E4BBA9

RGB 228 187 169

HSL 18.31, 0.52%, 0.78%

LAB 78.98, 12.06, 14.64

 

CMYK 0 / 11 / 26 / 11

HEX #E4CBA9

RGB 228 203 169

HSL 34.58, 0.52%, 0.78%

LAB 82.95, 3.62, 20.18

 

CMYK 0 / 4 / 26 / 11

HEX #E4DBA9

RGB 228 219 169

HSL 50.85, 0.52%, 0.78%

LAB 87.01, -4.64, 25.75

 

CMYK 3 / 0 / 26 / 11

HEX #DDE4A9

RGB 221 228 169

HSL 67.12, 0.52%, 0.78%

LAB 88.79, -11.8, 28.09

 

CMYK 0 / 20 / 49 / 18

HEX #D1A76A

RGB 209 167 106

HSL 35.53, 0.53%, 0.62%

LAB 71.03, 7.85, 37.25

 

CMYK 0 / 15 / 37 / 15

HEX #DAB989

RGB 218 185 137

HSL 35.56, 0.52%, 0.7%

LAB 76.93, 5.16, 28.77

 

CMYK 0 / 11 / 26 / 11

HEX #E4CCA9

RGB 228 204 169

HSL 35.59, 0.52%, 0.78%

LAB 83.2, 3.1, 20.53

 

CMYK 0 / 6 / 16 / 7

HEX #EEDFC8

RGB 238 223 200

HSL 36.32, 0.53%, 0.86%

LAB 89.45, 1.42, 13.11

 

CMYK 0 / 3 / 6 / 3

HEX #F8F1E8

RGB 248 241 232

HSL 33.75, 0.53%, 0.94%

LAB 95.45, 0.82, 5.16

 

CMYK 0 / 10 / 26 / 10

HEX #E5CDAA

RGB 229 205 170

HSL 35.59, 0.53%, 0.78%

LAB 83.56, 3.09, 20.51

 

CMYK 20 / 0 / 26 / 11

HEX #B6E4A9

RGB 182 228 169

HSL 106.78, 0.52%, 0.78%

LAB 86.15, -25.7, 24.06

 

CMYK 21 / 26 / 0 / 11

HEX #B4A9E4

RGB 180 169 228

HSL 251.19, 0.52%, 0.78%

LAB 72.01, 16.05, -28.23

 

CMYK 0 / 10 / 26 / 10

HEX #E5CDAA

RGB 229 205 170

HSL 35.59, 0.53%, 0.78%

LAB 83.56, 3.09, 20.51

 

CMYK 26 / 0 / 11 / 11

HEX #A9E4CB

RGB 169 228 203

HSL 154.58, 0.52%, 0.78%

LAB 86.12, -23.82, 6.15

 

CMYK 11 / 26 / 0 / 11

HEX #CBA9E4

RGB 203 169 228

HSL 274.58, 0.52%, 0.78%

LAB 73.98, 23.23, -25.05

 

CMYK 0 / 10 / 26 / 10

HEX #E5CDAA

RGB 229 205 170

HSL 35.59, 0.53%, 0.78%

LAB 83.56, 3.09, 20.51

 

CMYK 20 / 0 / 26 / 11

HEX #B6E4A9

RGB 182 228 169

HSL 106.78, 0.52%, 0.78%

LAB 86.15, -25.7, 24.06

 

CMYK 26 / 15 / 0 / 11

HEX #A9C1E4

RGB 169 193 228

HSL 215.59, 0.52%, 0.78%

LAB 77.39, -0.42, -20.11

 

CMYK 6 / 26 / 0 / 11

HEX #D7A9E4

RGB 215 169 228

HSL 286.78, 0.52%, 0.78%

LAB 75.09, 27.07, -23.25

 

CMYK 0 / 10 / 26 / 10

HEX #E5CDAA

RGB 229 205 170

HSL 35.59, 0.53%, 0.78%

LAB 83.56, 3.09, 20.51

 

CMYK 26 / 0 / 24 / 11

HEX #A9E4AE

RGB 169 228 174

HSL 125.08, 0.52%, 0.78%

LAB 85.49, -29.2, 20.44

 

CMYK 26 / 15 / 0 / 11

HEX #A9C1E4

RGB 169 193 228

HSL 215.59, 0.52%, 0.78%

LAB 77.39, -0.42, -20.11

 

CMYK 0 / 26 / 2 / 11

HEX #E4A9DF

RGB 228 169 223

HSL 305.08, 0.52%, 0.78%

LAB 76.19, 30.36, -18.75

 

Description

Color code: HEX #E5CDAA | qconv.com Color code: HEX #E5CDAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 205 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 205 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 26 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 26% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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