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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5CC43 it is the complementary color #1A33BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5CC43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5CC43 shade: #EACC3E, #FBDE51, #FFF064, #FFFF77 and #FFFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5CC43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5CC43 shade: #E5CC43, #D4BA30, #C3A81D, #B2960A and #A18400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5CC43 shade: #E5CC42, #E5A042, #E57442, #E54842 and #E54242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5CC43 shade: #E5CC42, #D2E542, #A6E542, #7AE542 and #4EE542

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5CC43 shade matches the following richer shades: #E5CC42 and #F6D831

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5CC43 shade: #E5CC42, #D3C053, #C2B465, #B1A876 and #9F9C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5CC43 shade: #E57342, #E59E42, #E5CA42, #D5E542 and #A9E542

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5CC43 shade: #BBA219, #DFC21E, #E5CC42, #EAD566 and #EFDF8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5CC43 shade: #E5CC43, #42E547 and #8942E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5CC43 shade: #E5CC43, #42E5CA and #CA42E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5CC43 shade: #E5CC43, #42E547, #425DE5 and #E542DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5CC43 shade: #E5CC43, #42E578, #425DE5 and #E542AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 71 / 10

HEX #E5CC43

RGB 229 204 67

HSL 50.74, 0.76%, 0.58%

LAB 81.97, -5.85, 67.87

 

Complementary color

CMYK 86 / 73 / 0 / 26

HEX #1A33BC

RGB 26 51 188

HSL 230.74, 0.76%, 0.42%

LAB 29.96, 43.24, -73.21

 

CMYK 0 / 13 / 74 / 8

HEX #EACC3E

RGB 234 204 62

HSL 49.53, 0.8%, 0.58%

LAB 82.39, -3.96, 70.25

 

CMYK 0 / 12 / 68 / 2

HEX #FBDE51

RGB 251 222 81

HSL 49.76, 0.96%, 0.65%

LAB 88.61, -5.06, 69.81

 

CMYK 0 / 6 / 61 / 0

HEX #FFF064

RGB 255 240 100

HSL 54.19, 1%, 0.7%

LAB 93.67, -11.28, 67.55

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF8A

RGB 255 255 138

HSL 60, 1%, 0.77%

LAB 97.88, -15.67, 55.52

 

CMYK 0 / 11 / 71 / 10

HEX #E5CC43

RGB 229 204 67

HSL 50.74, 0.76%, 0.58%

LAB 81.97, -5.85, 67.87

 

CMYK 0 / 12 / 77 / 17

HEX #D4BA30

RGB 212 186 48

HSL 50.49, 0.66%, 0.51%

LAB 75.66, -4.66, 67.99

 

CMYK 0 / 14 / 85 / 24

HEX #C3A81D

RGB 195 168 29

HSL 50.24, 0.74%, 0.44%

LAB 69.25, -3.28, 67.29

 

CMYK 0 / 16 / 94 / 30

HEX #B2960A

RGB 178 150 10

HSL 50, 0.89%, 0.37%

LAB 62.76, -1.64, 65.22

 

CMYK 0 / 18 / 100 / 37

HEX #A18400

RGB 161 132 0

HSL 49.19, 1%, 0.32%

LAB 56.17, 0.28, 61.21

 

CMYK 0 / 11 / 71 / 10

HEX #E5CC42

RGB 229 204 66

HSL 50.8, 0.76%, 0.58%

LAB 81.97, -5.89, 68.23

 

CMYK 0 / 30 / 71 / 10

HEX #E5A042

RGB 229 160 66

HSL 34.6, 0.76%, 0.58%

LAB 71, 17.17, 57.2

 

CMYK 0 / 49 / 71 / 10

HEX #E57442

RGB 229 116 66

HSL 18.4, 0.76%, 0.58%

LAB 61.26, 40.25, 46.82

 

CMYK 0 / 69 / 71 / 10

HEX #E54842

RGB 229 72 66

HSL 2.21, 0.76%, 0.58%

LAB 53.69, 60.07, 38.31

 

CMYK 0 / 71 / 71 / 10

HEX #E54242

RGB 229 66 66

HSL 0, 0.76%, 0.58%

LAB 52.89, 62.27, 37.38

 

CMYK 0 / 11 / 71 / 10

HEX #E5CC42

RGB 229 204 66

HSL 50.8, 0.76%, 0.58%

LAB 81.97, -5.89, 68.23

 

CMYK 8 / 0 / 71 / 10

HEX #D2E542

RGB 210 229 66

HSL 66.99, 0.76%, 0.58%

LAB 87.06, -26.12, 72.68

 

CMYK 28 / 0 / 71 / 10

HEX #A6E542

RGB 166 229 66

HSL 83.19, 0.76%, 0.58%

LAB 84.25, -43.18, 68.96

 

CMYK 47 / 0 / 71 / 10

HEX #7AE542

RGB 122 229 66

HSL 99.39, 0.76%, 0.58%

LAB 82.15, -57.87, 66.17

 

CMYK 66 / 0 / 71 / 10

HEX #4EE542

RGB 78 229 66

HSL 115.58, 0.76%, 0.58%

LAB 80.77, -68.74, 64.32

 

CMYK 0 / 11 / 71 / 10

HEX #E5CC42

RGB 229 204 66

HSL 50.8, 0.76%, 0.58%

LAB 81.97, -5.89, 68.23

 

CMYK 0 / 12 / 80 / 4

HEX #F6D831

RGB 246 216 49

HSL 50.86, 0.92%, 0.58%

LAB 86.47, -5.45, 78.48

 

CMYK 0 / 11 / 71 / 10

HEX #E5CC42

RGB 229 204 66

HSL 50.8, 0.76%, 0.58%

LAB 81.97, -5.89, 68.23

 

CMYK 0 / 9 / 61 / 17

HEX #D3C053

RGB 211 192 83

HSL 51.09, 0.59%, 0.58%

LAB 77.38, -6.36, 55.99

 

CMYK 0 / 7 / 48 / 24

HEX #C2B465

RGB 194 180 101

HSL 50.97, 0.43%, 0.58%

LAB 72.93, -5.76, 41.85

 

CMYK 0 / 5 / 33 / 31

HEX #B1A876

RGB 177 168 118

HSL 50.85, 0.27%, 0.58%

LAB 68.5, -4.49, 27.04

 

CMYK 0 / 2 / 15 / 38

HEX #9F9C87

RGB 159 156 135

HSL 52.5, 0.11%, 0.58%

LAB 64.08, -2.63, 11.4

 

CMYK 0 / 50 / 71 / 10

HEX #E57342

RGB 229 115 66

HSL 18.04, 0.76%, 0.58%

LAB 61.06, 40.76, 46.6

 

CMYK 0 / 31 / 71 / 10

HEX #E59E42

RGB 229 158 66

HSL 33.87, 0.76%, 0.58%

LAB 70.53, 18.24, 56.7

 

CMYK 0 / 12 / 71 / 10

HEX #E5CA42

RGB 229 202 66

HSL 50.06, 0.76%, 0.58%

LAB 81.45, -4.87, 67.73

 

CMYK 7 / 0 / 71 / 10

HEX #D5E542

RGB 213 229 66

HSL 65.89, 0.76%, 0.58%

LAB 87.28, -24.9, 72.96

 

CMYK 26 / 0 / 71 / 10

HEX #A9E542

RGB 169 229 66

HSL 82.09, 0.76%, 0.58%

LAB 84.42, -42.08, 69.19

 

CMYK 0 / 13 / 87 / 27

HEX #BBA219

RGB 187 162 25

HSL 50.74, 0.76%, 0.42%

LAB 66.88, -3.75, 66

 

CMYK 0 / 13 / 87 / 13

HEX #DFC21E

RGB 223 194 30

HSL 50.98, 0.76%, 0.5%

LAB 78.67, -4.57, 75.82

 

CMYK 0 / 11 / 71 / 10

HEX #E5CC42

RGB 229 204 66

HSL 50.8, 0.76%, 0.58%

LAB 81.97, -5.89, 68.23

 

CMYK 0 / 9 / 56 / 8

HEX #EAD566

RGB 234 213 102

HSL 50.45, 0.76%, 0.66%

LAB 85.02, -6.2, 56.54

 

CMYK 0 / 7 / 42 / 6

HEX #EFDF8B

RGB 239 223 139

HSL 50.4, 0.76%, 0.74%

LAB 88.44, -5.99, 43.07

 

CMYK 0 / 11 / 71 / 10

HEX #E5CC43

RGB 229 204 67

HSL 50.74, 0.76%, 0.58%

LAB 81.97, -5.85, 67.87

 

CMYK 71 / 0 / 69 / 10

HEX #42E547

RGB 66 229 71

HSL 121.84, 0.76%, 0.58%

LAB 80.54, -70.48, 62.18

 

CMYK 40 / 71 / 0 / 10

HEX #8942E5

RGB 137 66 229

HSL 266.13, 0.76%, 0.58%

LAB 45.46, 61.36, -71.14

 

CMYK 0 / 11 / 71 / 10

HEX #E5CC43

RGB 229 204 67

HSL 50.74, 0.76%, 0.58%

LAB 81.97, -5.85, 67.87

 

CMYK 71 / 0 / 12 / 10

HEX #42E5CA

RGB 66 229 202

HSL 170.06, 0.76%, 0.58%

LAB 82.63, -47.55, 1.14

 

CMYK 12 / 71 / 0 / 10

HEX #CA42E5

RGB 202 66 229

HSL 290.06, 0.76%, 0.58%

LAB 54.14, 73.75, -56.68

 

CMYK 0 / 11 / 71 / 10

HEX #E5CC43

RGB 229 204 67

HSL 50.74, 0.76%, 0.58%

LAB 81.97, -5.85, 67.87

 

CMYK 71 / 0 / 69 / 10

HEX #42E547

RGB 66 229 71

HSL 121.84, 0.76%, 0.58%

LAB 80.54, -70.48, 62.18

 

CMYK 71 / 59 / 0 / 10

HEX #425DE5

RGB 66 93 229

HSL 230.06, 0.76%, 0.58%

LAB 45.14, 35.35, -71.9

 

CMYK 0 / 71 / 3 / 10

HEX #E542DF

RGB 229 66 223

HSL 302.21, 0.76%, 0.58%

LAB 57.93, 78.37, -47.03

 

CMYK 0 / 11 / 71 / 10

HEX #E5CC43

RGB 229 204 67

HSL 50.74, 0.76%, 0.58%

LAB 81.97, -5.85, 67.87

 

CMYK 71 / 0 / 48 / 10

HEX #42E578

RGB 66 229 120

HSL 139.88, 0.76%, 0.58%

LAB 81.05, -64.56, 41.21

 

CMYK 71 / 59 / 0 / 10

HEX #425DE5

RGB 66 93 229

HSL 230.06, 0.76%, 0.58%

LAB 45.14, 35.35, -71.9

 

CMYK 0 / 71 / 24 / 10

HEX #E542AF

RGB 229 66 175

HSL 319.88, 0.76%, 0.58%

LAB 55.74, 71.63, -22.95

 

Description

Color code: HEX #E5CC43 | qconv.com Color code: HEX #E5CC43 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 204 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 204 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 71 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 71% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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