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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5B5AD it is the complementary color #1A4A52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5B5AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5B5AD shade: #EAB5A8, #FBC7BB, #FFD9CE, #FFEBE1 and #FFFDF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5B5AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5B5AD shade: #E5B5AD, #D4A39A, #C39187, #B27F74 and #A16D61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5B5AD shade: #E5B5AD and #E5ADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5B5AD shade: #E5B5AD, #E5C4AD, #E5D3AD, #E5E2AD and #D8E5AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5B5AD shade matches the following richer shades: #E5B5AD, #EDAFA4 and #F6A99C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5B5AD shade: #E5B5AD, #DCBBB6, #D3C1BE, #CBC8C7 and #C2CED0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5B5AD shade: #E5ADC3, #E5ADB5, #E5B5AD, #E5C3AD and #E5D2AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5B5AD shade: #D17C6E, #DB998E, #E5B5AD, #EFD1CC and #F9EEEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5B5AD shade: #E5B5AD, #D2E5AD and #ADBCE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5B5AD shade: #E5B5AD, #ADE5B5 and #B5ADE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5B5AD shade: #E5B5AD, #D2E5AD, #ADDDE5 and #C0ADE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5B5AD shade: #E5B5AD, #C2E5AD, #ADDDE5 and #D0ADE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 24 / 10

HEX #E5B5AD

RGB 229 181 173

HSL 8.57, 0.52%, 0.79%

LAB 77.71, 16.18, 10.7

 

Complementary color

CMYK 68 / 10 / 0 / 68

HEX #1A4A52

RGB 26 74 82

HSL 188.57, 0.52%, 0.21%

LAB 28.71, -13.22, -9.57

 

CMYK 0 / 23 / 28 / 8

HEX #EAB5A8

RGB 234 181 168

HSL 11.82, 0.61%, 0.79%

LAB 78.09, 17.37, 14.01

 

CMYK 0 / 21 / 25 / 2

HEX #FBC7BB

RGB 251 199 187

HSL 11.25, 0.89%, 0.86%

LAB 84.45, 16.76, 13.05

 

CMYK 0 / 15 / 19 / 0

HEX #FFD9CE

RGB 255 217 206

HSL 13.47, 1%, 0.9%

LAB 89.55, 11.53, 10.31

 

CMYK 0 / 8 / 12 / 0

HEX #FFEBE1

RGB 255 235 225

HSL 20, 1%, 0.94%

LAB 94.36, 5.16, 7.29

 

CMYK 0 / 1 / 4 / 0

HEX #FFFDF4

RGB 255 253 244

HSL 49.09, 1%, 0.98%

LAB 99.24, -0.88, 4.52

 

CMYK 0 / 21 / 24 / 10

HEX #E5B5AD

RGB 229 181 173

HSL 8.57, 0.52%, 0.79%

LAB 77.71, 16.18, 10.7

 

CMYK 0 / 23 / 27 / 17

HEX #D4A39A

RGB 212 163 154

HSL 9.31, 0.4%, 0.72%

LAB 71.23, 16.8, 11.65

 

CMYK 0 / 26 / 31 / 24

HEX #C39187

RGB 195 145 135

HSL 10, 0.33%, 0.65%

LAB 64.65, 17.49, 12.69

 

CMYK 0 / 29 / 35 / 30

HEX #B27F74

RGB 178 127 116

HSL 10.65, 0.29%, 0.58%

LAB 57.95, 18.27, 13.82

 

CMYK 0 / 32 / 40 / 37

HEX #A16D61

RGB 161 109 97

HSL 11.25, 0.25%, 0.51%

LAB 51.13, 19.16, 15.1

 

CMYK 0 / 21 / 24 / 10

HEX #E5B5AD

RGB 229 181 173

HSL 8.57, 0.52%, 0.79%

LAB 77.71, 16.18, 10.7

 

CMYK 0 / 24 / 24 / 10

HEX #E5ADAD

RGB 229 173 173

HSL 0, 0.52%, 0.79%

LAB 75.8, 20.46, 7.97

 

CMYK 0 / 21 / 24 / 10

HEX #E5B5AD

RGB 229 181 173

HSL 8.57, 0.52%, 0.79%

LAB 77.71, 16.18, 10.7

 

CMYK 0 / 14 / 24 / 10

HEX #E5C4AD

RGB 229 196 173

HSL 24.64, 0.52%, 0.79%

LAB 81.38, 8.23, 15.87

 

CMYK 0 / 8 / 24 / 10

HEX #E5D3AD

RGB 229 211 173

HSL 40.71, 0.52%, 0.79%

LAB 85.13, 0.39, 21.1

 

CMYK 0 / 1 / 24 / 10

HEX #E5E2AD

RGB 229 226 173

HSL 56.79, 0.52%, 0.79%

LAB 88.95, -7.29, 26.35

 

CMYK 6 / 0 / 24 / 10

HEX #D8E5AD

RGB 216 229 173

HSL 73.93, 0.52%, 0.79%

LAB 88.76, -13.57, 25.92

 

CMYK 0 / 21 / 24 / 10

HEX #E5B5AD

RGB 229 181 173

HSL 8.57, 0.52%, 0.79%

LAB 77.71, 16.18, 10.7

 

CMYK 0 / 26 / 31 / 7

HEX #EDAFA4

RGB 237 175 164

HSL 9.04, 0.67%, 0.79%

LAB 76.89, 21.16, 14.53

 

CMYK 0 / 31 / 37 / 4

HEX #F6A99C

RGB 246 169 156

HSL 8.67, 0.83%, 0.79%

LAB 76.3, 26.75, 18.19

 

CMYK 0 / 21 / 24 / 10

HEX #E5B5AD

RGB 229 181 173

HSL 8.57, 0.52%, 0.79%

LAB 77.71, 16.18, 10.7

 

CMYK 0 / 15 / 17 / 14

HEX #DCBBB6

RGB 220 187 182

HSL 7.89, 0.35%, 0.79%

LAB 78.54, 10.99, 6.9

 

CMYK 0 / 9 / 10 / 17

HEX #D3C1BE

RGB 211 193 190

HSL 8.57, 0.19%, 0.79%

LAB 79.45, 5.82, 3.79

 

CMYK 0 / 1 / 2 / 20

HEX #CBC8C7

RGB 203 200 199

HSL 15, 0.04%, 0.79%

LAB 80.81, 0.86, 0.86

 

CMYK 7 / 1 / 0 / 18

HEX #C2CED0

RGB 194 206 208

HSL 188.57, 0.13%, 0.79%

LAB 81.93, -3.68, -2.41

 

CMYK 0 / 24 / 15 / 10

HEX #E5ADC3

RGB 229 173 195

HSL 336.43, 0.52%, 0.79%

LAB 76.37, 23.78, -3.21

 

CMYK 0 / 24 / 21 / 10

HEX #E5ADB5

RGB 229 173 181

HSL 351.43, 0.52%, 0.79%

LAB 76, 21.62, 3.89

 

CMYK 0 / 21 / 24 / 10

HEX #E5B5AD

RGB 229 181 173

HSL 8.57, 0.52%, 0.79%

LAB 77.71, 16.18, 10.7

 

CMYK 0 / 15 / 24 / 10

HEX #E5C3AD

RGB 229 195 173

HSL 23.57, 0.52%, 0.79%

LAB 81.13, 8.75, 15.53

 

CMYK 0 / 8 / 24 / 10

HEX #E5D2AD

RGB 229 210 173

HSL 39.64, 0.52%, 0.79%

LAB 84.88, 0.91, 20.75

 

CMYK 0 / 41 / 47 / 18

HEX #D17C6E

RGB 209 124 110

HSL 8.48, 0.52%, 0.63%

LAB 60.87, 31.5, 21.85

 

CMYK 0 / 30 / 35 / 14

HEX #DB998E

RGB 219 153 142

HSL 8.57, 0.52%, 0.71%

LAB 69.32, 23.32, 15.71

 

CMYK 0 / 21 / 24 / 10

HEX #E5B5AD

RGB 229 181 173

HSL 8.57, 0.52%, 0.79%

LAB 77.71, 16.18, 10.7

 

CMYK 0 / 13 / 15 / 6

HEX #EFD1CC

RGB 239 209 204

HSL 8.57, 0.52%, 0.87%

LAB 86.16, 9.66, 6.32

 

CMYK 0 / 4 / 5 / 2

HEX #F9EEEC

RGB 249 238 236

HSL 9.23, 0.52%, 0.95%

LAB 94.88, 3.36, 2.28

 

CMYK 0 / 21 / 24 / 10

HEX #E5B5AD

RGB 229 181 173

HSL 8.57, 0.52%, 0.79%

LAB 77.71, 16.18, 10.7

 

CMYK 8 / 0 / 24 / 10

HEX #D2E5AD

RGB 210 229 173

HSL 80.36, 0.52%, 0.79%

LAB 88.33, -15.75, 25.27

 

CMYK 24 / 18 / 0 / 10

HEX #ADBCE5

RGB 173 188 229

HSL 223.93, 0.52%, 0.79%

LAB 76.38, 3.71, -22.15

 

CMYK 0 / 21 / 24 / 10

HEX #E5B5AD

RGB 229 181 173

HSL 8.57, 0.52%, 0.79%

LAB 77.71, 16.18, 10.7

 

CMYK 24 / 0 / 21 / 10

HEX #ADE5B5

RGB 173 229 181

HSL 128.57, 0.52%, 0.79%

LAB 86.14, -27.17, 17.72

 

CMYK 21 / 24 / 0 / 10

HEX #B5ADE5

RGB 181 173 229

HSL 248.57, 0.52%, 0.79%

LAB 73.13, 14.37, -27.05

 

CMYK 0 / 21 / 24 / 10

HEX #E5B5AD

RGB 229 181 173

HSL 8.57, 0.52%, 0.79%

LAB 77.71, 16.18, 10.7

 

CMYK 8 / 0 / 24 / 10

HEX #D2E5AD

RGB 210 229 173

HSL 80.36, 0.52%, 0.79%

LAB 88.33, -15.75, 25.27

 

CMYK 24 / 3 / 0 / 10

HEX #ADDDE5

RGB 173 221 229

HSL 188.57, 0.52%, 0.79%

LAB 85.13, -13.67, -9

 

CMYK 16 / 24 / 0 / 10

HEX #C0ADE5

RGB 192 173 229

HSL 260.36, 0.52%, 0.79%

LAB 74.03, 17.77, -25.6

 

CMYK 0 / 21 / 24 / 10

HEX #E5B5AD

RGB 229 181 173

HSL 8.57, 0.52%, 0.79%

LAB 77.71, 16.18, 10.7

 

CMYK 15 / 0 / 24 / 10

HEX #C2E5AD

RGB 194 229 173

HSL 97.5, 0.52%, 0.79%

LAB 87.25, -21.42, 23.62

 

CMYK 24 / 3 / 0 / 10

HEX #ADDDE5

RGB 173 221 229

HSL 188.57, 0.52%, 0.79%

LAB 85.13, -13.67, -9

 

CMYK 9 / 24 / 0 / 10

HEX #D0ADE5

RGB 208 173 229

HSL 277.5, 0.52%, 0.79%

LAB 75.42, 22.84, -23.35

 

Description

Color code: HEX #E5B5AD | qconv.com Color code: HEX #E5B5AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 181 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 181 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 24 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 24% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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