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Color name
HEX #E5A2E3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5A2E3 it is the complementary color #1A5D1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5A2E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5A2E3 shade: #EAA2DE, #FBB4F1, #FFC6FF, #FFD8FF and #FFEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5A2E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5A2E3 shade: #E5A2E3, #D490D0, #C37EBD, #B26CAA and #A15A97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5A2E3 shade: #E5A3E3, #E5A3D1, #E5A3BF, #E5A3AE and #E5A3A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5A2E3 shade: #E5A3E3, #D5A3E5, #C3A3E5, #B2A3E5 and #A3A3E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5A2E3 shade matches the following richer shades: #E5A3E3, #EE9AEC and #F890F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5A2E3 shade: #E5A3E3, #DBACDA, #D2B6D1, #C8BFC8 and #BFC9BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5A2E3 shade: #C3A3E5, #D4A3E5, #E5A3E4, #E5A3D2 and #E5A3C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5A2E3 shade: #D363CF, #DC83D9, #E5A3E3, #EEC3ED and #F7E3F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5A2E3 shade: #E5A2E3, #E5B1A3 and #A3E5CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5A2E3 shade: #E5A2E3, #E4E5A3 and #A3E4E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5A2E3 shade: #E5A2E3, #E5B1A3, #A3E5A4 and #A3D6E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5A2E3 shade: #E5A2E3, #E5C5A3, #A3E5A4 and #A3C3E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 1 / 10

HEX #E5A2E3

RGB 229 162 227

HSL 301.79, 0.56%, 0.77%

LAB 74.85, 35.15, -22.94

 

Complementary color

CMYK 72 / 0 / 70 / 64

HEX #1A5D1C

RGB 26 93 28

HSL 121.79, 0.56%, 0.23%

LAB 34.26, -35.07, 30.35

 

CMYK 0 / 31 / 5 / 8

HEX #EAA2DE

RGB 234 162 222

HSL 310, 0.63%, 0.78%

LAB 75.21, 35.88, -19.63

 

CMYK 0 / 28 / 4 / 2

HEX #FBB4F1

RGB 251 180 241

HSL 308.45, 0.9%, 0.85%

LAB 81.57, 35.21, -20.11

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234 255

HSL 300, 1%, 0.96%

LAB 94.88, 10.72, -7.54

 

CMYK 0 / 29 / 1 / 10

HEX #E5A2E3

RGB 229 162 227

HSL 301.79, 0.56%, 0.77%

LAB 74.85, 35.15, -22.94

 

CMYK 0 / 32 / 2 / 17

HEX #D490D0

RGB 212 144 208

HSL 303.53, 0.44%, 0.7%

LAB 68.39, 35.85, -22.52

 

CMYK 0 / 35 / 3 / 24

HEX #C37EBD

RGB 195 126 189

HSL 305.22, 0.37%, 0.63%

LAB 61.82, 36.58, -22.06

 

CMYK 0 / 39 / 4 / 30

HEX #B26CAA

RGB 178 108 170

HSL 306.86, 0.31%, 0.56%

LAB 55.17, 37.34, -21.55

 

CMYK 0 / 44 / 6 / 37

HEX #A15A97

RGB 161 90 151

HSL 308.45, 0.28%, 0.49%

LAB 48.42, 38.11, -20.96

 

CMYK 0 / 29 / 1 / 10

HEX #E5A3E3

RGB 229 163 227

HSL 301.82, 0.56%, 0.77%

LAB 75.08, 34.62, -22.61

 

CMYK 0 / 29 / 9 / 10

HEX #E5A3D1

RGB 229 163 209

HSL 318.18, 0.56%, 0.77%

LAB 74.48, 31.45, -13.67

 

CMYK 0 / 29 / 17 / 10

HEX #E5A3BF

RGB 229 163 191

HSL 334.55, 0.56%, 0.77%

LAB 73.94, 28.51, -4.59

 

CMYK 0 / 29 / 24 / 10

HEX #E5A3AE

RGB 229 163 174

HSL 350, 0.56%, 0.77%

LAB 73.49, 25.96, 4.1

 

CMYK 0 / 29 / 29 / 10

HEX #E5A3A3

RGB 229 163 163

HSL 0, 0.56%, 0.77%

LAB 73.22, 24.43, 9.76

 

CMYK 0 / 29 / 1 / 10

HEX #E5A3E3

RGB 229 163 227

HSL 301.82, 0.56%, 0.77%

LAB 75.08, 34.62, -22.61

 

CMYK 7 / 29 / 0 / 10

HEX #D5A3E5

RGB 213 163 229

HSL 285.45, 0.56%, 0.77%

LAB 73.54, 29.88, -26.18

 

CMYK 15 / 29 / 0 / 10

HEX #C3A3E5

RGB 195 163 229

HSL 269.09, 0.56%, 0.77%

LAB 71.86, 24.23, -28.91

 

CMYK 22 / 29 / 0 / 10

HEX #B2A3E5

RGB 178 163 229

HSL 253.64, 0.56%, 0.77%

LAB 70.4, 19.02, -31.28

 

CMYK 29 / 29 / 0 / 10

HEX #A3A3E5

RGB 163 163 229

HSL 240, 0.56%, 0.77%

LAB 69.21, 14.59, -33.21

 

CMYK 0 / 29 / 1 / 10

HEX #E5A3E3

RGB 229 163 227

HSL 301.82, 0.56%, 0.77%

LAB 75.08, 34.62, -22.61

 

CMYK 0 / 35 / 1 / 7

HEX #EE9AEC

RGB 238 154 236

HSL 301.43, 0.71%, 0.77%

LAB 74.41, 43.83, -28.44

 

CMYK 0 / 42 / 1 / 3

HEX #F890F5

RGB 248 144 245

HSL 301.73, 0.88%, 0.77%

LAB 73.87, 53.54, -34.09

 

CMYK 0 / 29 / 1 / 10

HEX #E5A3E3

RGB 229 163 227

HSL 301.82, 0.56%, 0.77%

LAB 75.08, 34.62, -22.61

 

CMYK 0 / 21 / 0 / 14

HEX #DBACDA

RGB 219 172 218

HSL 301.28, 0.39%, 0.77%

LAB 75.84, 24.85, -16.64

 

CMYK 0 / 13 / 0 / 18

HEX #D2B6D1

RGB 210 182 209

HSL 302.14, 0.24%, 0.77%

LAB 77.14, 14.73, -9.89

 

CMYK 0 / 5 / 0 / 22

HEX #C8BFC8

RGB 200 191 200

HSL 300, 0.08%, 0.77%

LAB 78.29, 4.79, -3.4

 

CMYK 5 / 0 / 5 / 21

HEX #BFC9BF

RGB 191 201 191

HSL 120, 0.08%, 0.77%

LAB 79.96, -5.27, 3.8

 

CMYK 15 / 29 / 0 / 10

HEX #C3A3E5

RGB 195 163 229

HSL 269.09, 0.56%, 0.77%

LAB 71.86, 24.23, -28.91

 

CMYK 7 / 29 / 0 / 10

HEX #D4A3E5

RGB 212 163 229

HSL 284.55, 0.56%, 0.77%

LAB 73.45, 29.57, -26.34

 

CMYK 0 / 29 / 0 / 10

HEX #E5A3E4

RGB 229 163 228

HSL 300.91, 0.56%, 0.77%

LAB 75.11, 34.8, -23.1

 

CMYK 0 / 29 / 8 / 10

HEX #E5A3D2

RGB 229 163 210

HSL 317.27, 0.56%, 0.77%

LAB 74.51, 31.62, -14.17

 

CMYK 0 / 29 / 16 / 10

HEX #E5A3C1

RGB 229 163 193

HSL 332.73, 0.56%, 0.77%

LAB 74, 28.82, -5.61

 

CMYK 0 / 53 / 2 / 17

HEX #D363CF

RGB 211 99 207

HSL 302.14, 0.56%, 0.61%

LAB 59.23, 58.34, -36.11

 

CMYK 0 / 40 / 1 / 14

HEX #DC83D9

RGB 220 131 217

HSL 302.02, 0.56%, 0.69%

LAB 66.87, 46.85, -29.77

 

CMYK 0 / 29 / 1 / 10

HEX #E5A3E3

RGB 229 163 227

HSL 301.82, 0.56%, 0.77%

LAB 75.08, 34.62, -22.61

 

CMYK 0 / 18 / 0 / 7

HEX #EEC3ED

RGB 238 195 237

HSL 301.4, 0.56%, 0.85%

LAB 83.61, 22.31, -15.01

 

CMYK 0 / 8 / 0 / 3

HEX #F7E3F6

RGB 247 227 246

HSL 303, 0.56%, 0.93%

LAB 92.29, 10.09, -6.75

 

CMYK 0 / 29 / 1 / 10

HEX #E5A2E3

RGB 229 162 227

HSL 301.79, 0.56%, 0.77%

LAB 74.85, 35.15, -22.94

 

CMYK 0 / 23 / 29 / 10

HEX #E5B1A3

RGB 229 177 163

HSL 12.73, 0.56%, 0.77%

LAB 76.53, 16.94, 14.44

 

CMYK 29 / 0 / 11 / 10

HEX #A3E5CC

RGB 163 229 204

HSL 157.27, 0.56%, 0.77%

LAB 86.1, -25.91, 5.55

 

CMYK 0 / 29 / 1 / 10

HEX #E5A2E3

RGB 229 162 227

HSL 301.79, 0.56%, 0.77%

LAB 74.85, 35.15, -22.94

 

CMYK 0 / 0 / 29 / 10

HEX #E4E5A3

RGB 228 229 163

HSL 60.91, 0.56%, 0.77%

LAB 89.48, -10.48, 32.17

 

CMYK 29 / 0 / 0 / 10

HEX #A3E4E5

RGB 163 228 229

HSL 180.91, 0.56%, 0.77%

LAB 86.47, -20.06, -7.07

 

CMYK 0 / 29 / 1 / 10

HEX #E5A2E3

RGB 229 162 227

HSL 301.79, 0.56%, 0.77%

LAB 74.85, 35.15, -22.94

 

CMYK 0 / 23 / 29 / 10

HEX #E5B1A3

RGB 229 177 163

HSL 12.73, 0.56%, 0.77%

LAB 76.53, 16.94, 14.44

 

CMYK 29 / 0 / 28 / 10

HEX #A3E5A4

RGB 163 229 164

HSL 120.91, 0.56%, 0.77%

LAB 85.25, -33.28, 25.23

 

CMYK 29 / 7 / 0 / 10

HEX #A3D6E5

RGB 163 214 229

HSL 193.64, 0.56%, 0.77%

LAB 82.67, -12.98, -12.73

 

CMYK 0 / 29 / 1 / 10

HEX #E5A2E3

RGB 229 162 227

HSL 301.79, 0.56%, 0.77%

LAB 74.85, 35.15, -22.94

 

CMYK 0 / 14 / 29 / 10

HEX #E5C5A3

RGB 229 197 163

HSL 30.91, 0.56%, 0.77%

LAB 81.42, 6.34, 21.25

 

CMYK 29 / 0 / 28 / 10

HEX #A3E5A4

RGB 163 229 164

HSL 120.91, 0.56%, 0.77%

LAB 85.25, -33.28, 25.23

 

CMYK 29 / 15 / 0 / 10

HEX #A3C3E5

RGB 163 195 229

HSL 210.91, 0.56%, 0.77%

LAB 77.56, -3.02, -20.41

 

Description

Color code: HEX #E5A2E3 | qconv.com Color code: HEX #E5A2E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 162 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 162 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 1 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 1% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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