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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5A14A it is the complementary color #1A5EB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5A14A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5A14A shade: #EAA145, #FBB358, #FFC56B, #FFD77E and #FFE991

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5A14A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5A14A shade: #E5A14A, #D48F37, #C37D24, #B26B11 and #A15900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5A14A shade: #E4A048, #E47548, #E44B48 and #E44848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5A14A shade: #E4A048, #E4CA48, #D5E448, #AAE448 and #80E448

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5A14A shade matches the following richer shades: #E4A048 and #F5A237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5A14A shade: #E4A048, #D39D58, #C39B69, #B2997A and #A1978B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5A14A shade: #E44A48, #E47448, #E49E48, #E4C848 and #D7E448

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5A14A shade: #BF771B, #DF8D23, #E4A048, #EAB26C and #EFC590

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5A14A shade: #E5A14A, #6FE448 and #5F48E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5A14A shade: #E5A14A, #48E49E and #9E48E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5A14A shade: #E5A14A, #6FE448, #488EE4 and #BD48E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5A14A shade: #E5A14A, #48E44F, #488EE4 and #E448DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 68 / 10

HEX #E5A14A

RGB 229 161 74

HSL 33.68, 0.75%, 0.59%

LAB 71.31, 17.06, 53.94

 

Complementary color

CMYK 86 / 48 / 0 / 29

HEX #1A5EB5

RGB 26 94 181

HSL 213.68, 0.75%, 0.41%

LAB 40.51, 12.5, -51.85

 

CMYK 0 / 31 / 71 / 8

HEX #EAA145

RGB 234 161 69

HSL 33.45, 0.8%, 0.59%

LAB 71.83, 18.89, 56.92

 

CMYK 0 / 29 / 65 / 2

HEX #FBB358

RGB 251 179 88

HSL 33.5, 0.95%, 0.66%

LAB 78.14, 17.5, 55.66

 

CMYK 0 / 23 / 58 / 0

HEX #FFC56B

RGB 255 197 107

HSL 36.49, 1%, 0.71%

LAB 83.05, 10.99, 52.43

 

CMYK 0 / 16 / 51 / 0

HEX #FFD77E

RGB 255 215 126

HSL 41.4, 1%, 0.75%

LAB 87.66, 3.21, 48.79

 

CMYK 0 / 9 / 43 / 0

HEX #FFE991

RGB 255 233 145

HSL 48, 1%, 0.78%

LAB 92.39, -4.16, 45.38

 

CMYK 0 / 30 / 68 / 10

HEX #E5A14A

RGB 229 161 74

HSL 33.68, 0.75%, 0.59%

LAB 71.31, 17.06, 53.94

 

CMYK 0 / 33 / 74 / 17

HEX #D48F37

RGB 212 143 55

HSL 33.63, 0.65%, 0.52%

LAB 64.9, 18.56, 55.1

 

CMYK 0 / 36 / 82 / 24

HEX #C37D24

RGB 195 125 36

HSL 33.58, 0.69%, 0.45%

LAB 58.41, 20.29, 55.85

 

CMYK 0 / 40 / 90 / 30

HEX #B26B11

RGB 178 107 17

HSL 33.54, 0.83%, 0.38%

LAB 51.86, 22.29, 55.64

 

CMYK 0 / 45 / 100 / 37

HEX #A15900

RGB 161 89 0

HSL 33.17, 1%, 0.32%

LAB 45.25, 24.55, 53.92

 

CMYK 0 / 30 / 68 / 11

HEX #E4A048

RGB 228 160 72

HSL 33.85, 0.74%, 0.59%

LAB 70.94, 17.06, 54.42

 

CMYK 0 / 49 / 68 / 11

HEX #E47548

RGB 228 117 72

HSL 17.31, 0.74%, 0.59%

LAB 61.38, 39.67, 43.85

 

CMYK 0 / 67 / 68 / 11

HEX #E44B48

RGB 228 75 72

HSL 1.15, 0.74%, 0.59%

LAB 54.02, 58.88, 35.26

 

CMYK 0 / 68 / 68 / 11

HEX #E44848

RGB 228 72 72

HSL 0, 0.74%, 0.59%

LAB 53.6, 60.04, 34.75

 

CMYK 0 / 30 / 68 / 11

HEX #E4A048

RGB 228 160 72

HSL 33.85, 0.74%, 0.59%

LAB 70.94, 17.06, 54.42

 

CMYK 0 / 11 / 68 / 11

HEX #E4CA48

RGB 228 202 72

HSL 50, 0.74%, 0.59%

LAB 81.4, -5, 65.34

 

CMYK 7 / 0 / 68 / 11

HEX #D5E448

RGB 213 228 72

HSL 65.77, 0.74%, 0.59%

LAB 87.05, -24.12, 70.63

 

CMYK 25 / 0 / 68 / 11

HEX #AAE448

RGB 170 228 72

HSL 82.31, 0.74%, 0.59%

LAB 84.23, -40.9, 66.86

 

CMYK 44 / 0 / 68 / 11

HEX #80E448

RGB 128 228 72

HSL 98.46, 0.74%, 0.59%

LAB 82.13, -55.24, 64.04

 

CMYK 0 / 30 / 68 / 11

HEX #E4A048

RGB 228 160 72

HSL 33.85, 0.74%, 0.59%

LAB 70.94, 17.06, 54.42

 

CMYK 0 / 34 / 78 / 4

HEX #F5A237

RGB 245 162 55

HSL 33.79, 0.9%, 0.59%

LAB 73.24, 22.36, 64.54

 

CMYK 0 / 30 / 68 / 11

HEX #E4A048

RGB 228 160 72

HSL 33.85, 0.74%, 0.59%

LAB 70.94, 17.06, 54.42

 

CMYK 0 / 26 / 58 / 17

HEX #D39D58

RGB 211 157 88

HSL 33.66, 0.58%, 0.59%

LAB 68.51, 12.55, 43.45

 

CMYK 0 / 21 / 46 / 24

HEX #C39B69

RGB 195 155 105

HSL 33.33, 0.43%, 0.59%

LAB 66.57, 8.44, 31.81

 

CMYK 0 / 14 / 31 / 30

HEX #B2997A

RGB 178 153 122

HSL 33.21, 0.27%, 0.59%

LAB 64.69, 4.57, 19.74

 

CMYK 0 / 6 / 14 / 37

HEX #A1978B

RGB 161 151 139

HSL 32.73, 0.1%, 0.59%

LAB 62.99, 1.56, 7.63

 

CMYK 0 / 68 / 68 / 11

HEX #E44A48

RGB 228 74 72

HSL 0.77, 0.74%, 0.59%

LAB 53.88, 59.27, 35.09

 

CMYK 0 / 49 / 68 / 11

HEX #E47448

RGB 228 116 72

HSL 16.92, 0.74%, 0.59%

LAB 61.18, 40.17, 43.62

 

CMYK 0 / 31 / 68 / 11

HEX #E49E48

RGB 228 158 72

HSL 33.08, 0.74%, 0.59%

LAB 70.47, 18.13, 53.91

 

CMYK 0 / 12 / 68 / 11

HEX #E4C848

RGB 228 200 72

HSL 49.23, 0.74%, 0.59%

LAB 80.89, -3.97, 64.82

 

CMYK 6 / 0 / 68 / 11

HEX #D7E448

RGB 215 228 72

HSL 65, 0.74%, 0.59%

LAB 87.19, -23.31, 70.82

 

CMYK 0 / 38 / 86 / 25

HEX #BF771B

RGB 191 119 27

HSL 33.66, 0.75%, 0.43%

LAB 56.44, 21.58, 57.07

 

CMYK 0 / 37 / 84 / 13

HEX #DF8D23

RGB 223 141 35

HSL 33.83, 0.75%, 0.51%

LAB 65.64, 23.61, 63.83

 

CMYK 0 / 30 / 68 / 11

HEX #E4A048

RGB 228 160 72

HSL 33.85, 0.74%, 0.59%

LAB 70.94, 17.06, 54.42

 

CMYK 0 / 24 / 54 / 8

HEX #EAB26C

RGB 234 178 108

HSL 33.33, 0.75%, 0.67%

LAB 76.32, 12.45, 43.35

 

CMYK 0 / 18 / 40 / 6

HEX #EFC590

RGB 239 197 144

HSL 33.47, 0.75%, 0.75%

LAB 82, 7.92, 32.18

 

CMYK 0 / 30 / 68 / 10

HEX #E5A14A

RGB 229 161 74

HSL 33.68, 0.75%, 0.59%

LAB 71.31, 17.06, 53.94

 

CMYK 51 / 0 / 68 / 11

HEX #6FE448

RGB 111 228 72

HSL 105, 0.74%, 0.59%

LAB 81.47, -60.18, 63.15

 

CMYK 58 / 68 / 0 / 11

HEX #5F48E4

RGB 95 72 228

HSL 248.85, 0.74%, 0.59%

LAB 42.26, 51.34, -75.97

 

CMYK 0 / 30 / 68 / 10

HEX #E5A14A

RGB 229 161 74

HSL 33.68, 0.75%, 0.59%

LAB 71.31, 17.06, 53.94

 

CMYK 68 / 0 / 31 / 11

HEX #48E49E

RGB 72 228 158

HSL 153.08, 0.74%, 0.59%

LAB 81.47, -56.43, 22.62

 

CMYK 31 / 68 / 0 / 11

HEX #9E48E4

RGB 158 72 228

HSL 273.08, 0.74%, 0.59%

LAB 48.89, 62.32, -64.89

 

CMYK 0 / 30 / 68 / 10

HEX #E5A14A

RGB 229 161 74

HSL 33.68, 0.75%, 0.59%

LAB 71.31, 17.06, 53.94

 

CMYK 51 / 0 / 68 / 11

HEX #6FE448

RGB 111 228 72

HSL 105, 0.74%, 0.59%

LAB 81.47, -60.18, 63.15

 

CMYK 68 / 38 / 0 / 11

HEX #488EE4

RGB 72 142 228

HSL 213.08, 0.74%, 0.59%

LAB 58.34, 5.57, -50.08

 

CMYK 17 / 68 / 0 / 11

HEX #BD48E4

RGB 189 72 228

HSL 285, 0.74%, 0.59%

LAB 53.01, 68.64, -58.04

 

CMYK 0 / 30 / 68 / 10

HEX #E5A14A

RGB 229 161 74

HSL 33.68, 0.75%, 0.59%

LAB 71.31, 17.06, 53.94

 

CMYK 68 / 0 / 65 / 11

HEX #48E44F

RGB 72 228 79

HSL 122.69, 0.74%, 0.59%

LAB 80.42, -68.4, 58.96

 

CMYK 68 / 38 / 0 / 11

HEX #488EE4

RGB 72 142 228

HSL 213.08, 0.74%, 0.59%

LAB 58.34, 5.57, -50.08

 

CMYK 0 / 68 / 3 / 11

HEX #E448DD

RGB 228 72 221

HSL 302.69, 0.74%, 0.59%

LAB 58.37, 75.86, -45.21

 

Description

Color code: HEX #E5A14A | qconv.com Color code: HEX #E5A14A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 161 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 161 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 68 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 68% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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