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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E594C3 it is the complementary color #1A6B3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E594C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E594C3 shade: #EA94BE, #FBA6D1, #FFB8E4, #FFCAF7 and #FFDCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E594C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E594C3 shade: #E594C3, #D482B0, #C3709D, #B25E8A and #A14C77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E594C3 shade: #E594C3, #E594AD, #E59497 and #E59494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E594C3 shade: #E594C3, #E594D8, #DB94E5, #C594E5 and #AF94E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E594C3 shade matches the following richer shades: #E594C3, #EF89C4 and #FA7EC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E594C3 shade: #E594C3, #DA9EC1, #CFA9BF, #C4B4BE and #BABFBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E594C3 shade: #DB94E5, #E594D9, #E594C3, #E594AD and #E59498

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E594C3 shade: #D5519D, #DD73B0, #E594C3, #EDB5D5 and #F5D6E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E594C3 shade: #E594C3, #E5C694 and #94E3E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E594C3 shade: #E594C3, #C3E594 and #94C3E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E594C3 shade: #E594C3, #E5C694, #94E5B5 and #94B3E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E594C3 shade: #E594C3, #E5DE94, #94E5B5 and #949AE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 15 / 10

HEX #E594C3

RGB 229 148 195

HSL 325.19, 0.61%, 0.74%

LAB 70.72, 37.12, -11.59

 

Complementary color

CMYK 76 / 0 / 44 / 58

HEX #1A6B3C

RGB 26 107 60

HSL 145.19, 0.61%, 0.26%

LAB 39.68, -35.55, 19.61

 

CMYK 0 / 37 / 19 / 8

HEX #EA94BE

RGB 234 148 190

HSL 330.7, 0.67%, 0.75%

LAB 71.14, 38.05, -8.13

 

CMYK 0 / 34 / 17 / 2

HEX #FBA6D1

RGB 251 166 209

HSL 329.65, 0.91%, 0.82%

LAB 77.51, 37.29, -8.9

 

CMYK 0 / 28 / 11 / 0

HEX #FFB8E4

RGB 255 184 228

HSL 322.82, 1%, 0.86%

LAB 82.46, 32.23, -11.76

 

CMYK 0 / 21 / 3 / 0

HEX #FFCAF7

RGB 255 202 247

HSL 309.06, 1%, 0.9%

LAB 87.1, 26, -14.93

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 0 / 35 / 15 / 10

HEX #E594C3

RGB 229 148 195

HSL 325.19, 0.61%, 0.74%

LAB 70.72, 37.12, -11.59

 

CMYK 0 / 39 / 17 / 17

HEX #D482B0

RGB 212 130 176

HSL 326.34, 0.49%, 0.67%

LAB 64.24, 37.89, -10.85

 

CMYK 0 / 43 / 19 / 24

HEX #C3709D

RGB 195 112 157

HSL 327.47, 0.41%, 0.6%

LAB 57.68, 38.69, -10.01

 

CMYK 0 / 47 / 22 / 30

HEX #B25E8A

RGB 178 94 138

HSL 328.57, 0.35%, 0.53%

LAB 51.04, 39.51, -9.04

 

CMYK 0 / 53 / 26 / 37

HEX #A14C77

RGB 161 76 119

HSL 329.65, 0.36%, 0.46%

LAB 44.34, 40.29, -7.88

 

CMYK 0 / 35 / 15 / 10

HEX #E594C3

RGB 229 148 195

HSL 325.19, 0.61%, 0.74%

LAB 70.72, 37.12, -11.59

 

CMYK 0 / 35 / 24 / 10

HEX #E594AD

RGB 229 148 173

HSL 341.48, 0.61%, 0.74%

LAB 70.07, 33.81, -0.31

 

CMYK 0 / 35 / 34 / 10

HEX #E59497

RGB 229 148 151

HSL 357.78, 0.61%, 0.74%

LAB 69.52, 30.89, 11.16

 

CMYK 0 / 35 / 35 / 10

HEX #E59494

RGB 229 148 148

HSL 0, 0.61%, 0.74%

LAB 69.45, 30.53, 12.73

 

CMYK 0 / 35 / 15 / 10

HEX #E594C3

RGB 229 148 195

HSL 325.19, 0.61%, 0.74%

LAB 70.72, 37.12, -11.59

 

CMYK 0 / 35 / 6 / 10

HEX #E594D8

RGB 229 148 216

HSL 309.63, 0.61%, 0.74%

LAB 71.42, 40.61, -22.15

 

CMYK 4 / 35 / 0 / 10

HEX #DB94E5

RGB 219 148 229

HSL 292.59, 0.61%, 0.74%

LAB 70.8, 39.84, -30.34

 

CMYK 14 / 35 / 0 / 10

HEX #C594E5

RGB 197 148 229

HSL 276.3, 0.61%, 0.74%

LAB 68.54, 33.11, -34.02

 

CMYK 24 / 35 / 0 / 10

HEX #AF94E5

RGB 175 148 229

HSL 260, 0.61%, 0.74%

LAB 66.48, 26.55, -37.38

 

CMYK 0 / 35 / 15 / 10

HEX #E594C3

RGB 229 148 195

HSL 325.19, 0.61%, 0.74%

LAB 70.72, 37.12, -11.59

 

CMYK 0 / 43 / 18 / 6

HEX #EF89C4

RGB 239 137 196

HSL 325.29, 0.76%, 0.74%

LAB 69.63, 46.3, -13.66

 

CMYK 0 / 50 / 21 / 2

HEX #FA7EC6

RGB 250 126 198

HSL 325.16, 0.93%, 0.74%

LAB 68.98, 55.53, -15.61

 

CMYK 0 / 35 / 15 / 10

HEX #E594C3

RGB 229 148 195

HSL 325.19, 0.61%, 0.74%

LAB 70.72, 37.12, -11.59

 

CMYK 0 / 28 / 11 / 15

HEX #DA9EC1

RGB 218 158 193

HSL 325, 0.45%, 0.74%

LAB 71.7, 27.67, -9.15

 

CMYK 0 / 18 / 8 / 19

HEX #CFA9BF

RGB 207 169 191

HSL 325.26, 0.28%, 0.74%

LAB 73.16, 17.51, -6

 

CMYK 0 / 8 / 3 / 23

HEX #C4B4BE

RGB 196 180 190

HSL 322.5, 0.12%, 0.74%

LAB 74.89, 7.47, -3.01

 

CMYK 3 / 0 / 2 / 25

HEX #BABFBC

RGB 186 191 188

HSL 144, 0.04%, 0.74%

LAB 76.88, -2.29, 0.9

 

CMYK 4 / 35 / 0 / 10

HEX #DB94E5

RGB 219 148 229

HSL 292.59, 0.61%, 0.74%

LAB 70.8, 39.84, -30.34

 

CMYK 0 / 35 / 5 / 10

HEX #E594D9

RGB 229 148 217

HSL 308.89, 0.61%, 0.74%

LAB 71.45, 40.79, -22.65

 

CMYK 0 / 35 / 15 / 10

HEX #E594C3

RGB 229 148 195

HSL 325.19, 0.61%, 0.74%

LAB 70.72, 37.12, -11.59

 

CMYK 0 / 35 / 24 / 10

HEX #E594AD

RGB 229 148 173

HSL 341.48, 0.61%, 0.74%

LAB 70.07, 33.81, -0.31

 

CMYK 0 / 35 / 34 / 10

HEX #E59498

RGB 229 148 152

HSL 357.04, 0.61%, 0.74%

LAB 69.54, 31.02, 10.63

 

CMYK 0 / 62 / 26 / 16

HEX #D5519D

RGB 213 81 157

HSL 325.45, 0.61%, 0.58%

LAB 54.52, 59.37, -14.52

 

CMYK 0 / 48 / 20 / 13

HEX #DD73B0

RGB 221 115 176

HSL 325.47, 0.61%, 0.66%

LAB 62.31, 48.61, -13.63

 

CMYK 0 / 35 / 15 / 10

HEX #E594C3

RGB 229 148 195

HSL 325.19, 0.61%, 0.74%

LAB 70.72, 37.12, -11.59

 

CMYK 0 / 24 / 10 / 7

HEX #EDB5D5

RGB 237 181 213

HSL 325.71, 0.61%, 0.82%

LAB 79.53, 25.23, -8.22

 

CMYK 0 / 13 / 5 / 4

HEX #F5D6E8

RGB 245 214 232

HSL 325.16, 0.61%, 0.9%

LAB 88.61, 13.74, -4.86

 

CMYK 0 / 35 / 15 / 10

HEX #E594C3

RGB 229 148 195

HSL 325.19, 0.61%, 0.74%

LAB 70.72, 37.12, -11.59

 

CMYK 0 / 14 / 35 / 10

HEX #E5C694

RGB 229 198 148

HSL 37.04, 0.61%, 0.74%

LAB 81.39, 3.94, 29.12

 

CMYK 35 / 1 / 0 / 10

HEX #94E3E5

RGB 148 227 229

HSL 181.48, 0.61%, 0.74%

LAB 85.45, -23.61, -8.67

 

CMYK 0 / 35 / 15 / 10

HEX #E594C3

RGB 229 148 195

HSL 325.19, 0.61%, 0.74%

LAB 70.72, 37.12, -11.59

 

CMYK 15 / 0 / 35 / 10

HEX #C3E594

RGB 195 229 148

HSL 85.19, 0.61%, 0.74%

LAB 86.89, -24.64, 35.92

 

CMYK 35 / 15 / 0 / 10

HEX #94C3E5

RGB 148 195 229

HSL 205.19, 0.61%, 0.74%

LAB 76.67, -7.24, -21.86

 

CMYK 0 / 35 / 15 / 10

HEX #E594C3

RGB 229 148 195

HSL 325.19, 0.61%, 0.74%

LAB 70.72, 37.12, -11.59

 

CMYK 0 / 14 / 35 / 10

HEX #E5C694

RGB 229 198 148

HSL 37.04, 0.61%, 0.74%

LAB 81.39, 3.94, 29.12

 

CMYK 35 / 0 / 21 / 10

HEX #94E5B5

RGB 148 229 181

HSL 144.44, 0.61%, 0.74%

LAB 84.83, -34.86, 15.7

 

CMYK 35 / 22 / 0 / 10

HEX #94B3E5

RGB 148 179 229

HSL 217.04, 0.61%, 0.74%

LAB 72.36, 1.42, -28.45

 

CMYK 0 / 35 / 15 / 10

HEX #E594C3

RGB 229 148 195

HSL 325.19, 0.61%, 0.74%

LAB 70.72, 37.12, -11.59

 

CMYK 0 / 3 / 35 / 10

HEX #E5DE94

RGB 229 222 148

HSL 54.81, 0.61%, 0.74%

LAB 87.5, -8.4, 37.19

 

CMYK 35 / 0 / 21 / 10

HEX #94E5B5

RGB 148 229 181

HSL 144.44, 0.61%, 0.74%

LAB 84.83, -34.86, 15.7

 

CMYK 35 / 33 / 0 / 10

HEX #949AE5

RGB 148 154 229

HSL 235.56, 0.61%, 0.74%

LAB 65.8, 15.47, -38.61

 

Description

Color code: HEX #E594C3 | qconv.com Color code: HEX #E594C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 148 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 148 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 15 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 15% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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