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Color name
HEX #E580EA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E580EA it is the complementary color #1A7F15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E580EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E580EA shade: #EA80E5, #FB92F8, #FFA4FF, #FFB6FF and #FFC8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E580EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E580EA shade: #E580EA, #D46ED7, #C35CC4, #B24AB1 and #A1389E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E580EA shade: #E57FEA, #EA7FD2, #EA7FB5, #EA7F99 and #EA7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E580EA shade: #E57FEA, #C87FEA, #AB7FEA, #8F7FEA and #7F7FEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E580EA shade matches the following richer shades: #E57FEA and #F073F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E580EA shade: #E57FEA, #DA8BDE, #CF97D2, #C4A3C6 and #B9AFBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E580EA shade: #AC7FEA, #C87FEA, #E47FEA, #EA7FD3 and #EA7FB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E580EA shade: #D638DE, #DE5CE4, #E57FEA, #ECA3F0 and #F3C6F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E580EA shade: #E580EA, #EA8F7F and #7FEABA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E580EA shade: #E580EA, #EAE47F and #7FEAE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E580EA shade: #E580EA, #EA8F7F, #85EA7F and #7FDAEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E580EA shade: #E580EA, #EAAF7F, #85EA7F and #7FBAEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 45 / 0 / 8

HEX #E580EA

RGB 229 128 234

HSL 297.17, 0.72%, 0.71%

LAB 68.05, 54.09, -37.27

 

Complementary color

CMYK 80 / 0 / 83 / 50

HEX #1A7F15

RGB 26 127 21

HSL 117.17, 0.72%, 0.29%

LAB 46.25, -47.82, 45.2

 

CMYK 0 / 45 / 2 / 8

HEX #EA80E5

RGB 234 128 229

HSL 302.83, 0.72%, 0.71%

LAB 68.45, 54.64, -33.83

 

CMYK 0 / 42 / 1 / 2

HEX #FB92F8

RGB 251 146 248

HSL 301.71, 0.93%, 0.78%

LAB 74.73, 53.94, -34.36

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 0 / 22 / 0 / 0

HEX #FFC8FF

RGB 255 200 255

HSL 300, 1%, 0.89%

LAB 86.89, 28.47, -19.48

 

CMYK 2 / 45 / 0 / 8

HEX #E580EA

RGB 229 128 234

HSL 297.17, 0.72%, 0.71%

LAB 68.05, 54.09, -37.27

 

CMYK 1 / 49 / 0 / 16

HEX #D46ED7

RGB 212 110 215

HSL 298.29, 0.57%, 0.64%

LAB 61.7, 54.76, -36.75

 

CMYK 1 / 53 / 0 / 23

HEX #C35CC4

RGB 195 92 196

HSL 299.42, 0.47%, 0.56%

LAB 55.32, 55.34, -36.12

 

CMYK 0 / 58 / 1 / 30

HEX #B24AB1

RGB 178 74 177

HSL 300.58, 0.41%, 0.49%

LAB 48.93, 55.75, -35.31

 

CMYK 0 / 65 / 2 / 37

HEX #A1389E

RGB 161 56 158

HSL 301.71, 0.48%, 0.43%

LAB 42.57, 55.84, -34.24

 

CMYK 2 / 46 / 0 / 8

HEX #E57FEA

RGB 229 127 234

HSL 297.2, 0.72%, 0.71%

LAB 67.86, 54.58, -37.57

 

CMYK 0 / 46 / 10 / 8

HEX #EA7FD2

RGB 234 127 210

HSL 313.46, 0.72%, 0.71%

LAB 67.52, 51.94, -24.73

 

CMYK 0 / 46 / 23 / 8

HEX #EA7FB5

RGB 234 127 181

HSL 329.72, 0.72%, 0.71%

LAB 66.53, 47.54, -9.97

 

CMYK 0 / 46 / 35 / 8

HEX #EA7F99

RGB 234 127 153

HSL 345.42, 0.72%, 0.71%

LAB 65.73, 43.88, 4.7

 

CMYK 0 / 46 / 46 / 8

HEX #EA7F7F

RGB 234 127 127

HSL 0, 0.72%, 0.71%

LAB 65.12, 41.04, 18.57

 

CMYK 2 / 46 / 0 / 8

HEX #E57FEA

RGB 229 127 234

HSL 297.2, 0.72%, 0.71%

LAB 67.86, 54.58, -37.57

 

CMYK 15 / 46 / 0 / 8

HEX #C87FEA

RGB 200 127 234

HSL 280.93, 0.72%, 0.71%

LAB 64.48, 46.4, -43.09

 

CMYK 27 / 46 / 0 / 8

HEX #AB7FEA

RGB 171 127 234

HSL 264.67, 0.72%, 0.71%

LAB 61.46, 38.41, -48.05

 

CMYK 39 / 46 / 0 / 8

HEX #8F7FEA

RGB 143 127 234

HSL 248.97, 0.72%, 0.71%

LAB 58.94, 31.13, -52.22

 

CMYK 46 / 46 / 0 / 8

HEX #7F7FEA

RGB 127 127 234

HSL 240, 0.72%, 0.71%

LAB 57.69, 27.28, -54.28

 

CMYK 2 / 46 / 0 / 8

HEX #E57FEA

RGB 229 127 234

HSL 297.2, 0.72%, 0.71%

LAB 67.86, 54.58, -37.57

 

CMYK 2 / 53 / 0 / 4

HEX #F073F6

RGB 240 115 246

HSL 297.25, 0.88%, 0.71%

LAB 67.61, 65.43, -44.46

 

CMYK 2 / 46 / 0 / 8

HEX #E57FEA

RGB 229 127 234

HSL 297.2, 0.72%, 0.71%

LAB 67.86, 54.58, -37.57

 

CMYK 2 / 37 / 0 / 13

HEX #DA8BDE

RGB 218 139 222

HSL 297.11, 0.56%, 0.71%

LAB 68.49, 42.98, -30.05

 

CMYK 1 / 28 / 0 / 18

HEX #CF97D2

RGB 207 151 210

HSL 296.95, 0.4%, 0.71%

LAB 69.51, 30.8, -21.97

 

CMYK 1 / 18 / 0 / 22

HEX #C4A3C6

RGB 196 163 198

HSL 296.57, 0.23%, 0.71%

LAB 70.88, 18.25, -13.36

 

CMYK 1 / 6 / 0 / 27

HEX #B9AFBA

RGB 185 175 186

HSL 294.55, 0.07%, 0.71%

LAB 72.57, 5.59, -4.33

 

CMYK 26 / 46 / 0 / 8

HEX #AC7FEA

RGB 172 127 234

HSL 265.23, 0.72%, 0.71%

LAB 61.56, 38.67, -47.89

 

CMYK 15 / 46 / 0 / 8

HEX #C87FEA

RGB 200 127 234

HSL 280.93, 0.72%, 0.71%

LAB 64.48, 46.4, -43.09

 

CMYK 3 / 46 / 0 / 8

HEX #E47FEA

RGB 228 127 234

HSL 296.64, 0.72%, 0.71%

LAB 67.73, 54.3, -37.76

 

CMYK 0 / 46 / 10 / 8

HEX #EA7FD3

RGB 234 127 211

HSL 312.9, 0.72%, 0.71%

LAB 67.56, 52.11, -25.23

 

CMYK 0 / 46 / 22 / 8

HEX #EA7FB6

RGB 234 127 182

HSL 329.16, 0.72%, 0.71%

LAB 66.56, 47.68, -10.49

 

CMYK 4 / 75 / 0 / 13

HEX #D638DE

RGB 214 56 222

HSL 297.11, 0.72%, 0.55%

LAB 54.45, 78.18, -52.13

 

CMYK 3 / 60 / 0 / 11

HEX #DE5CE4

RGB 222 92 228

HSL 297.35, 0.72%, 0.63%

LAB 60.59, 67.91, -45.69

 

CMYK 2 / 46 / 0 / 8

HEX #E57FEA

RGB 229 127 234

HSL 297.2, 0.72%, 0.71%

LAB 67.86, 54.58, -37.57

 

CMYK 2 / 32 / 0 / 6

HEX #ECA3F0

RGB 236 163 240

HSL 296.88, 0.72%, 0.79%

LAB 76.26, 39.22, -27.79

 

CMYK 1 / 19 / 0 / 4

HEX #F3C6F5

RGB 243 198 245

HSL 297.45, 0.7%, 0.87%

LAB 85.01, 23.82, -17.12

 

CMYK 2 / 45 / 0 / 8

HEX #E580EA

RGB 229 128 234

HSL 297.17, 0.72%, 0.71%

LAB 68.05, 54.09, -37.27

 

CMYK 0 / 39 / 46 / 8

HEX #EA8F7F

RGB 234 143 127

HSL 8.97, 0.72%, 0.71%

LAB 68.51, 32.75, 23.18

 

CMYK 46 / 0 / 21 / 8

HEX #7FEABA

RGB 127 234 186

HSL 153.08, 0.72%, 0.71%

LAB 85.45, -41.81, 13.84

 

CMYK 2 / 45 / 0 / 8

HEX #E580EA

RGB 229 128 234

HSL 297.17, 0.72%, 0.71%

LAB 68.05, 54.09, -37.27

 

CMYK 0 / 3 / 46 / 8

HEX #EAE47F

RGB 234 228 127

HSL 56.64, 0.72%, 0.71%

LAB 89.16, -11.64, 49.73

 

CMYK 46 / 0 / 3 / 8

HEX #7FEAE4

RGB 127 234 228

HSL 176.64, 0.72%, 0.71%

LAB 86.48, -32.33, -6.7

 

CMYK 2 / 45 / 0 / 8

HEX #E580EA

RGB 229 128 234

HSL 297.17, 0.72%, 0.71%

LAB 68.05, 54.09, -37.27

 

CMYK 0 / 39 / 46 / 8

HEX #EA8F7F

RGB 234 143 127

HSL 8.97, 0.72%, 0.71%

LAB 68.51, 32.75, 23.18

 

CMYK 43 / 0 / 46 / 8

HEX #85EA7F

RGB 133 234 127

HSL 116.64, 0.72%, 0.71%

LAB 84.67, -50.31, 42.81

 

CMYK 46 / 7 / 0 / 8

HEX #7FDAEA

RGB 127 218 234

HSL 188.97, 0.72%, 0.71%

LAB 82.16, -23.08, -16.33

 

CMYK 2 / 45 / 0 / 8

HEX #E580EA

RGB 229 128 234

HSL 297.17, 0.72%, 0.71%

LAB 68.05, 54.09, -37.27

 

CMYK 0 / 25 / 46 / 8

HEX #EAAF7F

RGB 234 175 127

HSL 26.92, 0.72%, 0.71%

LAB 75.88, 15.77, 32.96

 

CMYK 43 / 0 / 46 / 8

HEX #85EA7F

RGB 133 234 127

HSL 116.64, 0.72%, 0.71%

LAB 84.67, -50.31, 42.81

 

CMYK 46 / 21 / 0 / 8

HEX #7FBAEA

RGB 127 186 234

HSL 206.92, 0.72%, 0.71%

LAB 73.27, -6.48, -29.86

 

Description

Color code: HEX #E580EA | qconv.com Color code: HEX #E580EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 128 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 128 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 45 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 45% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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