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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E55CE5 it is the complementary color #1AA31A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E55CE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E55CE5 shade: #EA5CE0, #FB6EF3, #FF80FF, #FF92FF and #FFA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E55CE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E55CE5 shade: #E55CE5, #D44AD2, #C338BF, #B226AC and #A11499

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E55CE5 shade: #E45CE4, #E45CBF, #E45C9B, #E45C76 and #E45C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E55CE5 shade: #E45CE4, #BF5CE4, #9B5CE4, #765CE4 and #5C5CE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E55CE5 shade matches the following richer shades: #E45CE4 and #F34DF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E55CE5 shade: #E45CE4, #D56BD5, #C67BC6, #B68AB6 and #A799A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E55CE5 shade: #9C5CE4, #C05CE4, #E45CE4, #E45CC0 and #E45C9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E55CE5 shade: #CD21CD, #DE39DE, #E45CE4, #EA80EA and #F0A3F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E55CE5 shade: #E55CE5, #E4775C and #5CE4AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E55CE5 shade: #E55CE5, #E4E45C and #5CE4E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E55CE5 shade: #E55CE5, #E4775C, #5CE45C and #5CC9E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E55CE5 shade: #E55CE5, #E4A05C, #5CE45C and #5CA0E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 0 / 10

HEX #E55CE5

RGB 229 92 229

HSL 300, 0.72%, 0.63%

LAB 61.63, 69.78, -44.55

 

Complementary color

CMYK 84 / 0 / 84 / 36

HEX #1AA31A

RGB 26 163 26

HSL 120, 0.72%, 0.37%

LAB 58.5, -58.89, 55.11

 

CMYK 0 / 61 / 4 / 8

HEX #EA5CE0

RGB 234 92 224

HSL 304.23, 0.77%, 0.64%

LAB 62.11, 70.2, -40.95

 

CMYK 0 / 56 / 3 / 2

HEX #FB6EF3

RGB 251 110 243

HSL 303.4, 0.95%, 0.71%

LAB 68.12, 69.97, -41.91

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 60 / 0 / 10

HEX #E55CE5

RGB 229 92 229

HSL 300, 0.72%, 0.63%

LAB 61.63, 69.78, -44.55

 

CMYK 0 / 65 / 1 / 17

HEX #D44AD2

RGB 212 74 210

HSL 300.87, 0.62%, 0.56%

LAB 55.63, 69.75, -43.46

 

CMYK 0 / 71 / 2 / 24

HEX #C338BF

RGB 195 56 191

HSL 301.73, 0.55%, 0.49%

LAB 49.73, 69.26, -42.04

 

CMYK 0 / 79 / 3 / 30

HEX #B226AC

RGB 178 38 172

HSL 302.57, 0.65%, 0.42%

LAB 43.99, 68.07, -40.17

 

CMYK 0 / 88 / 5 / 37

HEX #A11499

RGB 161 20 153

HSL 303.4, 0.78%, 0.35%

LAB 38.51, 65.85, -37.66

 

CMYK 0 / 60 / 0 / 11

HEX #E45CE4

RGB 228 92 228

HSL 300, 0.72%, 0.63%

LAB 61.44, 69.37, -44.3

 

CMYK 0 / 60 / 16 / 11

HEX #E45CBF

RGB 228 92 191

HSL 316.32, 0.72%, 0.63%

LAB 59.81, 63.59, -25.92

 

CMYK 0 / 60 / 32 / 11

HEX #E45C9B

RGB 228 92 155

HSL 332.21, 0.72%, 0.63%

LAB 58.52, 58.83, -7.1

 

CMYK 0 / 60 / 48 / 11

HEX #E45C76

RGB 228 92 118

HSL 348.53, 0.72%, 0.63%

LAB 57.52, 54.95, 13.08

 

CMYK 0 / 60 / 60 / 11

HEX #E45C5C

RGB 228 92 92

HSL 0, 0.72%, 0.63%

LAB 57, 52.9, 27.51

 

CMYK 0 / 60 / 0 / 11

HEX #E45CE4

RGB 228 92 228

HSL 300, 0.72%, 0.63%

LAB 61.44, 69.37, -44.3

 

CMYK 16 / 60 / 0 / 11

HEX #BF5CE4

RGB 191 92 228

HSL 283.68, 0.72%, 0.63%

LAB 56.42, 60.4, -52.57

 

CMYK 32 / 60 / 0 / 11

HEX #9B5CE4

RGB 155 92 228

HSL 267.79, 0.72%, 0.63%

LAB 52.09, 51.97, -59.74

 

CMYK 48 / 60 / 0 / 11

HEX #765CE4

RGB 118 92 228

HSL 251.47, 0.72%, 0.63%

LAB 48.39, 44.08, -65.89

 

CMYK 60 / 60 / 0 / 11

HEX #5C5CE4

RGB 92 92 228

HSL 240, 0.72%, 0.63%

LAB 46.35, 39.36, -69.3

 

CMYK 0 / 60 / 0 / 11

HEX #E45CE4

RGB 228 92 228

HSL 300, 0.72%, 0.63%

LAB 61.44, 69.37, -44.3

 

CMYK 0 / 68 / 0 / 5

HEX #F34DF3

RGB 243 77 243

HSL 300, 0.87%, 0.63%

LAB 62.37, 80.86, -51.04

 

CMYK 0 / 60 / 0 / 11

HEX #E45CE4

RGB 228 92 228

HSL 300, 0.72%, 0.63%

LAB 61.44, 69.37, -44.3

 

CMYK 0 / 50 / 0 / 16

HEX #D56BD5

RGB 213 107 213

HSL 300, 0.56%, 0.63%

LAB 61.19, 56.14, -36.42

 

CMYK 0 / 38 / 0 / 22

HEX #C67BC6

RGB 198 123 198

HSL 300, 0.4%, 0.63%

LAB 61.87, 40.81, -27.05

 

CMYK 0 / 24 / 0 / 29

HEX #B68AB6

RGB 182 138 182

HSL 300, 0.23%, 0.63%

LAB 62.93, 24.3, -16.55

 

CMYK 0 / 8 / 0 / 35

HEX #A799A7

RGB 167 153 167

HSL 300, 0.07%, 0.63%

LAB 64.79, 7.74, -5.44

 

CMYK 32 / 60 / 0 / 11

HEX #9C5CE4

RGB 156 92 228

HSL 268.24, 0.72%, 0.63%

LAB 52.2, 52.19, -59.56

 

CMYK 16 / 60 / 0 / 11

HEX #C05CE4

RGB 192 92 228

HSL 284.12, 0.72%, 0.63%

LAB 56.55, 60.64, -52.36

 

CMYK 0 / 60 / 0 / 11

HEX #E45CE4

RGB 228 92 228

HSL 300, 0.72%, 0.63%

LAB 61.44, 69.37, -44.3

 

CMYK 0 / 60 / 16 / 11

HEX #E45CC0

RGB 228 92 192

HSL 315.88, 0.72%, 0.63%

LAB 59.85, 63.74, -26.43

 

CMYK 0 / 60 / 32 / 11

HEX #E45C9C

RGB 228 92 156

HSL 331.76, 0.72%, 0.63%

LAB 58.55, 58.95, -7.64

 

CMYK 0 / 84 / 0 / 20

HEX #CD21CD

RGB 205 33 205

HSL 300, 0.72%, 0.47%

LAB 50.07, 79.46, -49.5

 

CMYK 0 / 74 / 0 / 13

HEX #DE39DE

RGB 222 57 222

HSL 300, 0.71%, 0.55%

LAB 55.82, 79.49, -49.88

 

CMYK 0 / 60 / 0 / 11

HEX #E45CE4

RGB 228 92 228

HSL 300, 0.72%, 0.63%

LAB 61.44, 69.37, -44.3

 

CMYK 0 / 45 / 0 / 8

HEX #EA80EA

RGB 234 128 234

HSL 300, 0.72%, 0.71%

LAB 68.66, 55.51, -36.27

 

CMYK 0 / 32 / 0 / 6

HEX #F0A3F0

RGB 240 163 240

HSL 300, 0.72%, 0.79%

LAB 76.69, 40.47, -27.11

 

CMYK 0 / 60 / 0 / 10

HEX #E55CE5

RGB 229 92 229

HSL 300, 0.72%, 0.63%

LAB 61.63, 69.78, -44.55

 

CMYK 0 / 48 / 60 / 11

HEX #E4775C

RGB 228 119 92

HSL 11.91, 0.72%, 0.63%

LAB 62.05, 39.9, 33.94

 

CMYK 60 / 0 / 24 / 11

HEX #5CE4AE

RGB 92 228 174

HSL 156.18, 0.72%, 0.63%

LAB 82.28, -49.56, 15.47

 

CMYK 0 / 60 / 0 / 10

HEX #E55CE5

RGB 229 92 229

HSL 300, 0.72%, 0.63%

LAB 61.63, 69.78, -44.55

 

CMYK 0 / 0 / 60 / 11

HEX #E4E45C

RGB 228 228 92

HSL 60, 0.72%, 0.63%

LAB 88.33, -16.84, 64.48

 

CMYK 60 / 0 / 0 / 11

HEX #5CE4E4

RGB 92 228 228

HSL 180, 0.72%, 0.63%

LAB 83.63, -36.43, -11.06

 

CMYK 0 / 60 / 0 / 10

HEX #E55CE5

RGB 229 92 229

HSL 300, 0.72%, 0.63%

LAB 61.63, 69.78, -44.55

 

CMYK 0 / 48 / 60 / 11

HEX #E4775C

RGB 228 119 92

HSL 11.91, 0.72%, 0.63%

LAB 62.05, 39.9, 33.94

 

CMYK 60 / 0 / 60 / 11

HEX #5CE45C

RGB 92 228 92

HSL 120, 0.72%, 0.63%

LAB 81.04, -63.01, 54.32

 

CMYK 60 / 12 / 0 / 11

HEX #5CC9E4

RGB 92 201 228

HSL 191.91, 0.72%, 0.63%

LAB 75.85, -23.41, -22.78

 

CMYK 0 / 60 / 0 / 10

HEX #E55CE5

RGB 229 92 229

HSL 300, 0.72%, 0.63%

LAB 61.63, 69.78, -44.55

 

CMYK 0 / 30 / 60 / 11

HEX #E4A05C

RGB 228 160 92

HSL 30, 0.72%, 0.63%

LAB 71.15, 18.32, 45.03

 

CMYK 60 / 0 / 60 / 11

HEX #5CE45C

RGB 92 228 92

HSL 120, 0.72%, 0.63%

LAB 81.04, -63.01, 54.32

 

CMYK 60 / 30 / 0 / 11

HEX #5CA0E4

RGB 92 160 228

HSL 210, 0.72%, 0.63%

LAB 64.18, -1.46, -40.83

 

Description

Color code: HEX #E55CE5 | qconv.com Color code: HEX #E55CE5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 92 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 92 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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