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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E54AEE it is the complementary color #1AB511. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E54AEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E54AEE shade: #EA4AE9, #FB5CFC, #FF6EFF, #FF80FF and #FF92FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E54AEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E54AEE shade: #E54AEE, #D438DB, #C326C8, #B214B5 and #A102A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E54AEE shade: #E549EE, #EE49CA, #EE499E, #EE4971 and #EE4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E54AEE shade: #E549EE, #B849EE, #8C49EE, #5F49EE and #4949EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E54AEE shade matches the following richer shades: #E549EE and #F338FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E54AEE shade: #E549EE, #D659DE, #C869CD, #BA79BD and #AB89AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E54AEE shade: #8B49EE, #B749EE, #E349EE, #EE49CD and #EE49A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E54AEE shade: #C613D1, #DF23EA, #E549EE, #EA6EF1 and #EF94F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E54AEE shade: #E54AEE, #EE5F49 and #49EEA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E54AEE shade: #E54AEE, #EEE349 and #49EEE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E54AEE shade: #E54AEE, #EE5F49, #54EE49 and #49D8EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E54AEE shade: #E54AEE, #EE9049, #54EE49 and #49A6EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 69 / 0 / 7

HEX #E54AEE

RGB 229 74 238

HSL 296.71, 0.83%, 0.61%

LAB 59.64, 78.1, -52.72

 

Complementary color

CMYK 86 / 0 / 91 / 29

HEX #1AB511

RGB 26 181 17

HSL 116.71, 0.83%, 0.39%

LAB 64.41, -64.6, 62.27

 

CMYK 0 / 68 / 0 / 8

HEX #EA4AE9

RGB 234 74 233

HSL 300.38, 0.79%, 0.6%

LAB 60.13, 78.37, -49.1

 

CMYK 0 / 63 / 0 / 1

HEX #FB5CFC

RGB 251 92 252

HSL 299.63, 0.96%, 0.67%

LAB 65.9, 78.71, -50.35

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 4 / 69 / 0 / 7

HEX #E54AEE

RGB 229 74 238

HSL 296.71, 0.83%, 0.61%

LAB 59.64, 78.1, -52.72

 

CMYK 3 / 74 / 0 / 14

HEX #D438DB

RGB 212 56 219

HSL 297.42, 0.69%, 0.54%

LAB 53.96, 77.3, -51.22

 

CMYK 3 / 81 / 0 / 22

HEX #C326C8

RGB 195 38 200

HSL 298.15, 0.68%, 0.47%

LAB 48.46, 75.78, -49.28

 

CMYK 2 / 89 / 0 / 29

HEX #B214B5

RGB 178 20 181

HSL 298.88, 0.8%, 0.39%

LAB 43.21, 73.25, -46.73

 

CMYK 1 / 99 / 0 / 36

HEX #A102A2

RGB 161 2 162

HSL 299.63, 0.98%, 0.32%

LAB 38.25, 69.59, -43.52

 

CMYK 4 / 69 / 0 / 7

HEX #E549EE

RGB 229 73 238

HSL 296.73, 0.83%, 0.61%

LAB 59.52, 78.45, -52.91

 

CMYK 0 / 69 / 15 / 7

HEX #EE49CA

RGB 238 73 202

HSL 313.09, 0.83%, 0.61%

LAB 59.16, 75.02, -33.07

 

CMYK 0 / 69 / 34 / 7

HEX #EE499E

RGB 238 73 158

HSL 329.09, 0.83%, 0.61%

LAB 57.47, 69.55, -10.25

 

CMYK 0 / 69 / 53 / 7

HEX #EE4971

RGB 238 73 113

HSL 345.45, 0.83%, 0.61%

LAB 56.22, 65.33, 14.47

 

CMYK 0 / 69 / 69 / 7

HEX #EE4949

RGB 238 73 73

HSL 0, 0.83%, 0.61%

LAB 55.51, 62.84, 36.89

 

CMYK 4 / 69 / 0 / 7

HEX #E549EE

RGB 229 73 238

HSL 296.73, 0.83%, 0.61%

LAB 59.52, 78.45, -52.91

 

CMYK 23 / 69 / 0 / 7

HEX #B849EE

RGB 184 73 238

HSL 280.36, 0.83%, 0.61%

LAB 53.09, 69.19, -63.57

 

CMYK 41 / 69 / 0 / 7

HEX #8C49EE

RGB 140 73 238

HSL 264.36, 0.83%, 0.61%

LAB 47.64, 60.86, -72.65

 

CMYK 60 / 69 / 0 / 7

HEX #5F49EE

RGB 95 73 238

HSL 248, 0.83%, 0.61%

LAB 43.32, 53.78, -79.9

 

CMYK 69 / 69 / 0 / 7

HEX #4949EE

RGB 73 73 238

HSL 240, 0.83%, 0.61%

LAB 41.77, 51.13, -82.49

 

CMYK 4 / 69 / 0 / 7

HEX #E549EE

RGB 229 73 238

HSL 296.73, 0.83%, 0.61%

LAB 59.52, 78.45, -52.91

 

CMYK 4 / 78 / 0 / 0

HEX #F338FE

RGB 243 56 254

HSL 296.67, 0.99%, 0.61%

LAB 60.82, 88.73, -59.61

 

CMYK 4 / 69 / 0 / 7

HEX #E549EE

RGB 229 73 238

HSL 296.73, 0.83%, 0.61%

LAB 59.52, 78.45, -52.91

 

CMYK 4 / 60 / 0 / 13

HEX #D659DE

RGB 214 89 222

HSL 296.39, 0.67%, 0.61%

LAB 58.71, 66.19, -45.37

 

CMYK 2 / 49 / 0 / 20

HEX #C869CD

RGB 200 105 205

HSL 297, 0.5%, 0.61%

LAB 58.78, 52.03, -35.79

 

CMYK 2 / 36 / 0 / 26

HEX #BA79BD

RGB 186 121 189

HSL 297.35, 0.34%, 0.61%

LAB 59.7, 36.39, -25.41

 

CMYK 1 / 21 / 0 / 32

HEX #AB89AD

RGB 171 137 173

HSL 296.67, 0.18%, 0.61%

LAB 61.28, 19.33, -14.05

 

CMYK 42 / 69 / 0 / 7

HEX #8B49EE

RGB 139 73 238

HSL 264, 0.83%, 0.61%

LAB 47.53, 60.68, -72.84

 

CMYK 23 / 69 / 0 / 7

HEX #B749EE

RGB 183 73 238

HSL 280, 0.83%, 0.61%

LAB 52.96, 68.99, -63.79

 

CMYK 5 / 69 / 0 / 7

HEX #E349EE

RGB 227 73 238

HSL 296, 0.83%, 0.61%

LAB 59.22, 78.03, -53.4

 

CMYK 0 / 69 / 14 / 7

HEX #EE49CD

RGB 238 73 205

HSL 312, 0.83%, 0.61%

LAB 59.3, 75.44, -34.57

 

CMYK 0 / 69 / 32 / 7

HEX #EE49A1

RGB 238 73 161

HSL 328, 0.83%, 0.61%

LAB 57.57, 69.88, -11.85

 

CMYK 5 / 91 / 0 / 18

HEX #C613D1

RGB 198 19 209

HSL 296.53, 0.83%, 0.45%

LAB 48.35, 81.1, -54.61

 

CMYK 5 / 85 / 0 / 8

HEX #DF23EA

RGB 223 35 234

HSL 296.68, 0.83%, 0.53%

LAB 54.9, 86.64, -58.11

 

CMYK 4 / 69 / 0 / 7

HEX #E549EE

RGB 229 73 238

HSL 296.73, 0.83%, 0.61%

LAB 59.52, 78.45, -52.91

 

CMYK 3 / 54 / 0 / 5

HEX #EA6EF1

RGB 234 110 241

HSL 296.79, 0.82%, 0.69%

LAB 65.74, 65.28, -44.69

 

CMYK 2 / 40 / 0 / 4

HEX #EF94F5

RGB 239 148 245

HSL 296.29, 0.83%, 0.77%

LAB 73.63, 48.87, -34.54

 

CMYK 4 / 69 / 0 / 7

HEX #E54AEE

RGB 229 74 238

HSL 296.71, 0.83%, 0.61%

LAB 59.64, 78.1, -52.72

 

CMYK 0 / 60 / 69 / 7

HEX #EE5F49

RGB 238 95 73

HSL 8, 0.83%, 0.61%

LAB 58.83, 53.88, 40.79

 

CMYK 69 / 0 / 32 / 7

HEX #49EEA1

RGB 73 238 161

HSL 152, 0.83%, 0.61%

LAB 84.56, -59.5, 25.29

 

CMYK 4 / 69 / 0 / 7

HEX #E54AEE

RGB 229 74 238

HSL 296.71, 0.83%, 0.61%

LAB 59.64, 78.1, -52.72

 

CMYK 0 / 5 / 69 / 7

HEX #EEE349

RGB 238 227 73

HSL 56, 0.83%, 0.61%

LAB 88.73, -13.34, 72.58

 

CMYK 69 / 0 / 5 / 7

HEX #49EEE3

RGB 73 238 227

HSL 176, 0.83%, 0.61%

LAB 86.06, -44.01, -6.97

 

CMYK 4 / 69 / 0 / 7

HEX #E54AEE

RGB 229 74 238

HSL 296.71, 0.83%, 0.61%

LAB 59.64, 78.1, -52.72

 

CMYK 0 / 60 / 69 / 7

HEX #EE5F49

RGB 238 95 73

HSL 8, 0.83%, 0.61%

LAB 58.83, 53.88, 40.79

 

CMYK 65 / 0 / 69 / 7

HEX #54EE49

RGB 84 238 73

HSL 116, 0.83%, 0.61%

LAB 83.71, -69.94, 64.87

 

CMYK 69 / 9 / 0 / 7

HEX #49D8EE

RGB 73 216 238

HSL 188, 0.83%, 0.61%

LAB 80.01, -30.79, -21.87

 

CMYK 4 / 69 / 0 / 7

HEX #E54AEE

RGB 229 74 238

HSL 296.71, 0.83%, 0.61%

LAB 59.64, 78.1, -52.72

 

CMYK 0 / 39 / 69 / 7

HEX #EE9049

RGB 238 144 73

HSL 25.82, 0.83%, 0.61%

LAB 68.46, 29.73, 51.62

 

CMYK 65 / 0 / 69 / 7

HEX #54EE49

RGB 84 238 73

HSL 116, 0.83%, 0.61%

LAB 83.71, -69.94, 64.87

 

CMYK 69 / 30 / 0 / 7

HEX #49A6EE

RGB 73 166 238

HSL 206.18, 0.83%, 0.61%

LAB 65.64, -4.73, -44.07

 

Description

Color code: HEX #E54AEE | qconv.com Color code: HEX #E54AEE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 74 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 74 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 69 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 69% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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