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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E544B2 it is the complementary color #1ABB4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E544B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E544B2 shade: #EA44AD, #FB56C0, #FF68D3, #FF7AE6 and #FF8CF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E544B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E544B2 shade: #E544B2, #D4329F, #C3208C, #B20E79 and #A10066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E544B2 shade: #E542B1, #E54285, #E54259 and #E54242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E544B2 shade: #E542B1, #E542DD, #C142E5, #9542E5 and #6942E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E544B2 shade matches the following richer shades: #E542B1 and #F631B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E544B2 shade: #E542B1, #D353AB, #C265A5, #B1769E and #9F8798

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E544B2 shade: #C242E5, #E542DD, #E542B1, #E54286 and #E5425A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E544B2 shade: #BB1988, #DF1EA2, #E542B1, #EA66C0 and #EF8BCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E544B2 shade: #E544B2, #E59642 and #42E5D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E544B2 shade: #E544B2, #B1E542 and #42B1E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E544B2 shade: #E544B2, #E59642, #42E576 and #4291E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E544B2 shade: #E544B2, #E5C742, #42E576 and #4260E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 22 / 10

HEX #E544B2

RGB 229 68 178

HSL 319.01, 0.76%, 0.58%

LAB 56.09, 71.34, -24.14

 

Complementary color

CMYK 86 / 0 / 59 / 27

HEX #1ABB4D

RGB 26 187 77

HSL 139.01, 0.76%, 0.42%

LAB 66.75, -61.59, 44.19

 

CMYK 0 / 71 / 26 / 8

HEX #EA44AD

RGB 234 68 173

HSL 322.05, 0.8%, 0.59%

LAB 56.73, 71.96, -20.19

 

CMYK 0 / 66 / 24 / 2

HEX #FB56C0

RGB 251 86 192

HSL 321.45, 0.95%, 0.66%

LAB 62.48, 72.29, -22.08

 

CMYK 0 / 59 / 17 / 0

HEX #FF68D3

RGB 255 104 211

HSL 317.48, 1%, 0.7%

LAB 66.42, 68.73, -26.73

 

CMYK 0 / 52 / 10 / 0

HEX #FF7AE6

RGB 255 122 230

HSL 311.28, 1%, 0.74%

LAB 70.1, 63.63, -31.62

 

CMYK 0 / 45 / 2 / 0

HEX #FF8CF9

RGB 255 140 249

HSL 303.13, 1%, 0.77%

LAB 74.1, 58.22, -35.84

 

CMYK 0 / 70 / 22 / 10

HEX #E544B2

RGB 229 68 178

HSL 319.01, 0.76%, 0.58%

LAB 56.09, 71.34, -24.14

 

CMYK 0 / 76 / 25 / 17

HEX #D4329F

RGB 212 50 159

HSL 319.63, 0.65%, 0.51%

LAB 50.43, 70.5, -21.95

 

CMYK 0 / 84 / 28 / 24

HEX #C3208C

RGB 195 32 140

HSL 320.25, 0.72%, 0.45%

LAB 44.98, 68.87, -19.18

 

CMYK 0 / 92 / 32 / 30

HEX #B20E79

RGB 178 14 121

HSL 320.85, 0.85%, 0.38%

LAB 39.85, 66.12, -15.64

 

CMYK 0 / 100 / 37 / 37

HEX #A10066

RGB 161 0 102

HSL 321.99, 1%, 0.32%

LAB 35.08, 62.09, -11.21

 

CMYK 0 / 71 / 23 / 10

HEX #E542B1

RGB 229 66 177

HSL 319.14, 0.76%, 0.58%

LAB 55.82, 71.88, -23.99

 

CMYK 0 / 71 / 42 / 10

HEX #E54285

RGB 229 66 133

HSL 335.34, 0.76%, 0.58%

LAB 54.29, 66.96, -0.38

 

CMYK 0 / 71 / 61 / 10

HEX #E54259

RGB 229 66 89

HSL 351.53, 0.76%, 0.58%

LAB 53.25, 63.49, 24.43

 

CMYK 0 / 71 / 71 / 10

HEX #E54242

RGB 229 66 66

HSL 0, 0.76%, 0.58%

LAB 52.89, 62.27, 37.38

 

CMYK 0 / 71 / 23 / 10

HEX #E542B1

RGB 229 66 177

HSL 319.14, 0.76%, 0.58%

LAB 55.82, 71.88, -23.99

 

CMYK 0 / 71 / 3 / 10

HEX #E542DD

RGB 229 66 221

HSL 302.94, 0.76%, 0.58%

LAB 57.82, 78.06, -46.06

 

CMYK 16 / 71 / 0 / 10

HEX #C142E5

RGB 193 66 229

HSL 286.75, 0.76%, 0.58%

LAB 52.83, 71.93, -58.86

 

CMYK 35 / 71 / 0 / 10

HEX #9542E5

RGB 149 66 229

HSL 270.55, 0.76%, 0.58%

LAB 46.9, 63.48, -68.73

 

CMYK 54 / 71 / 0 / 10

HEX #6942E5

RGB 105 66 229

HSL 254.36, 0.76%, 0.58%

LAB 42.09, 56.23, -76.79

 

CMYK 0 / 71 / 23 / 10

HEX #E542B1

RGB 229 66 177

HSL 319.14, 0.76%, 0.58%

LAB 55.82, 71.88, -23.99

 

CMYK 0 / 80 / 25 / 4

HEX #F631B8

RGB 246 49 184

HSL 318.88, 0.92%, 0.58%

LAB 57.32, 81.47, -25.49

 

CMYK 0 / 71 / 23 / 10

HEX #E542B1

RGB 229 66 177

HSL 319.14, 0.76%, 0.58%

LAB 55.82, 71.88, -23.99

 

CMYK 0 / 61 / 19 / 17

HEX #D353AB

RGB 211 83 171

HSL 318.75, 0.59%, 0.58%

LAB 55.05, 59.85, -21.92

 

CMYK 0 / 48 / 15 / 24

HEX #C265A5

RGB 194 101 165

HSL 318.71, 0.43%, 0.58%

LAB 55.58, 45.34, -17.84

 

CMYK 0 / 33 / 11 / 31

HEX #B1769E

RGB 177 118 158

HSL 319.32, 0.27%, 0.58%

LAB 56.85, 29.34, -12.05

 

CMYK 0 / 15 / 4 / 38

HEX #9F8798

RGB 159 135 152

HSL 317.5, 0.11%, 0.58%

LAB 58.94, 12.14, -5.67

 

CMYK 15 / 71 / 0 / 10

HEX #C242E5

RGB 194 66 229

HSL 287.12, 0.76%, 0.58%

LAB 52.97, 72.13, -58.62

 

CMYK 0 / 71 / 3 / 10

HEX #E542DD

RGB 229 66 221

HSL 302.94, 0.76%, 0.58%

LAB 57.82, 78.06, -46.06

 

CMYK 0 / 71 / 23 / 10

HEX #E542B1

RGB 229 66 177

HSL 319.14, 0.76%, 0.58%

LAB 55.82, 71.88, -23.99

 

CMYK 0 / 71 / 41 / 10

HEX #E54286

RGB 229 66 134

HSL 334.97, 0.76%, 0.58%

LAB 54.32, 67.06, -0.94

 

CMYK 0 / 71 / 61 / 10

HEX #E5425A

RGB 229 66 90

HSL 351.17, 0.76%, 0.58%

LAB 53.27, 63.55, 23.86

 

CMYK 0 / 87 / 27 / 27

HEX #BB1988

RGB 187 25 136

HSL 318.89, 0.76%, 0.42%

LAB 42.82, 68.04, -20.19

 

CMYK 0 / 87 / 27 / 13

HEX #DF1EA2

RGB 223 30 162

HSL 318.96, 0.76%, 0.5%

LAB 50.95, 77.87, -22.76

 

CMYK 0 / 71 / 23 / 10

HEX #E542B1

RGB 229 66 177

HSL 319.14, 0.76%, 0.58%

LAB 55.82, 71.88, -23.99

 

CMYK 0 / 56 / 18 / 8

HEX #EA66C0

RGB 234 102 192

HSL 319.09, 0.76%, 0.66%

LAB 62.34, 61.05, -22.53

 

CMYK 0 / 42 / 13 / 6

HEX #EF8BCF

RGB 239 139 207

HSL 319.2, 0.76%, 0.74%

LAB 70.4, 46.98, -18.61

 

CMYK 0 / 70 / 22 / 10

HEX #E544B2

RGB 229 68 178

HSL 319.01, 0.76%, 0.58%

LAB 56.09, 71.34, -24.14

 

CMYK 0 / 34 / 71 / 10

HEX #E59642

RGB 229 150 66

HSL 30.92, 0.76%, 0.58%

LAB 68.65, 22.5, 54.75

 

CMYK 71 / 0 / 6 / 10

HEX #42E5D7

RGB 66 229 215

HSL 174.85, 0.76%, 0.58%

LAB 82.97, -44.15, -5.23

 

CMYK 0 / 70 / 22 / 10

HEX #E544B2

RGB 229 68 178

HSL 319.01, 0.76%, 0.58%

LAB 56.09, 71.34, -24.14

 

CMYK 23 / 0 / 71 / 10

HEX #B1E542

RGB 177 229 66

HSL 79.14, 0.76%, 0.58%

LAB 84.88, -39.08, 69.81

 

CMYK 71 / 23 / 0 / 10

HEX #42B1E5

RGB 66 177 229

HSL 199.14, 0.76%, 0.58%

LAB 68.21, -14.74, -35.14

 

CMYK 0 / 70 / 22 / 10

HEX #E544B2

RGB 229 68 178

HSL 319.01, 0.76%, 0.58%

LAB 56.09, 71.34, -24.14

 

CMYK 0 / 34 / 71 / 10

HEX #E59642

RGB 229 150 66

HSL 30.92, 0.76%, 0.58%

LAB 68.65, 22.5, 54.75

 

CMYK 71 / 0 / 48 / 10

HEX #42E576

RGB 66 229 118

HSL 139.14, 0.76%, 0.58%

LAB 81.02, -64.87, 42.15

 

CMYK 71 / 37 / 0 / 10

HEX #4291E5

RGB 66 145 229

HSL 210.92, 0.76%, 0.58%

LAB 59.04, 3.27, -49.55

 

CMYK 0 / 70 / 22 / 10

HEX #E544B2

RGB 229 68 178

HSL 319.01, 0.76%, 0.58%

LAB 56.09, 71.34, -24.14

 

CMYK 0 / 13 / 71 / 10

HEX #E5C742

RGB 229 199 66

HSL 48.96, 0.76%, 0.58%

LAB 80.68, -3.33, 66.97

 

CMYK 71 / 0 / 48 / 10

HEX #42E576

RGB 66 229 118

HSL 139.14, 0.76%, 0.58%

LAB 81.02, -64.87, 42.15

 

CMYK 71 / 58 / 0 / 10

HEX #4260E5

RGB 66 96 229

HSL 228.96, 0.76%, 0.58%

LAB 45.88, 33.48, -70.7

 

Description

Color code: HEX #E544B2 | qconv.com Color code: HEX #E544B2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 68 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 68 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 22 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 22% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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