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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E53CDC it is the complementary color #1AC323. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E53CDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E53CDC shade: #EA3CD7, #FB4EEA, #FF60FD, #FF72FF and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E53CDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E53CDC shade: #E53CDC, #D42AC9, #C318B6, #B206A3 and #A10090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E53CDC shade: #E43EDB, #E43EAE, #E43E81, #E43E54 and #E43E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E53CDC shade: #E43EDB, #C03EE4, #933EE4, #663EE4 and #3E3EE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E53CDC shade matches the following richer shades: #E43EDB and #F62CEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E53CDC shade: #E43EDB, #D24FCB, #C161BC, #AF73AC and #9D849C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E53CDC shade: #943EE4, #C03EE4, #E43EDC, #E43EAF and #E43E83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E53CDC shade: #B718AE, #DB1DD1, #E43EDB, #E962E2 and #EE86E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E53CDC shade: #E53CDC, #E4673E and #3EE4AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E53CDC shade: #E53CDC, #DCE43E and #3EDCE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E53CDC shade: #E53CDC, #E4673E, #3EE446 and #3EBBE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E53CDC shade: #E53CDC, #E4993E, #3EE446 and #3E89E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 4 / 10

HEX #E53CDC

RGB 229 60 220

HSL 303.2, 0.76%, 0.57%

LAB 57.13, 79.74, -46.59

 

Complementary color

CMYK 87 / 0 / 82 / 24

HEX #1AC323

RGB 26 195 35

HSL 123.2, 0.76%, 0.43%

LAB 69.02, -67.86, 62.39

 

CMYK 0 / 74 / 8 / 8

HEX #EA3CD7

RGB 234 60 215

HSL 306.55, 0.81%, 0.58%

LAB 57.68, 80.05, -42.83

 

CMYK 0 / 69 / 7 / 2

HEX #FB4EEA

RGB 251 78 234

HSL 305.9, 0.96%, 0.65%

LAB 63.26, 80.9, -44.55

 

CMYK 0 / 62 / 1 / 0

HEX #FF60FD

RGB 255 96 253

HSL 300.75, 1%, 0.69%

LAB 67.06, 78.27, -49.02

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 74 / 4 / 10

HEX #E53CDC

RGB 229 60 220

HSL 303.2, 0.76%, 0.57%

LAB 57.13, 79.74, -46.59

 

CMYK 0 / 80 / 5 / 17

HEX #D42AC9

RGB 212 42 201

HSL 303.88, 0.67%, 0.5%

LAB 51.69, 78.25, -44.54

 

CMYK 0 / 88 / 7 / 24

HEX #C318B6

RGB 195 24 182

HSL 304.56, 0.78%, 0.43%

LAB 46.49, 75.84, -41.92

 

CMYK 0 / 97 / 8 / 30

HEX #B206A3

RGB 178 6 163

HSL 305.23, 0.93%, 0.36%

LAB 41.59, 72.26, -38.6

 

CMYK 0 / 100 / 11 / 37

HEX #A10090

RGB 161 0 144

HSL 306.34, 1%, 0.32%

LAB 37.1, 67.19, -34.41

 

CMYK 0 / 73 / 4 / 11

HEX #E43EDB

RGB 228 62 219

HSL 303.25, 0.75%, 0.57%

LAB 57.13, 78.79, -46.04

 

CMYK 0 / 73 / 24 / 11

HEX #E43EAE

RGB 228 62 174

HSL 319.52, 0.75%, 0.57%

LAB 55.07, 72.56, -23.41

 

CMYK 0 / 73 / 43 / 11

HEX #E43E81

RGB 228 62 129

HSL 335.78, 0.75%, 0.57%

LAB 53.52, 67.66, 0.86

 

CMYK 0 / 73 / 63 / 11

HEX #E43E54

RGB 228 62 84

HSL 352.05, 0.75%, 0.57%

LAB 52.49, 64.27, 26.37

 

CMYK 0 / 73 / 73 / 11

HEX #E43E3E

RGB 228 62 62

HSL 0, 0.75%, 0.57%

LAB 52.16, 63.17, 38.75

 

CMYK 0 / 73 / 4 / 11

HEX #E43EDB

RGB 228 62 219

HSL 303.25, 0.75%, 0.57%

LAB 57.13, 78.79, -46.04

 

CMYK 16 / 73 / 0 / 11

HEX #C03EE4

RGB 192 62 228

HSL 286.99, 0.75%, 0.57%

LAB 52.12, 72.97, -59.44

 

CMYK 36 / 73 / 0 / 11

HEX #933EE4

RGB 147 62 228

HSL 270.72, 0.75%, 0.57%

LAB 45.97, 64.6, -69.68

 

CMYK 55 / 73 / 0 / 11

HEX #663EE4

RGB 102 62 228

HSL 254.46, 0.75%, 0.57%

LAB 41.01, 57.52, -78

 

CMYK 73 / 73 / 0 / 11

HEX #3E3EE4

RGB 62 62 228

HSL 240, 0.75%, 0.57%

LAB 37.97, 52.97, -83.11

 

CMYK 0 / 73 / 4 / 11

HEX #E43EDB

RGB 228 62 219

HSL 303.25, 0.75%, 0.57%

LAB 57.13, 78.79, -46.04

 

CMYK 0 / 82 / 4 / 4

HEX #F62CEB

RGB 246 44 235

HSL 303.27, 0.92%, 0.57%

LAB 59.34, 89.14, -51.36

 

CMYK 0 / 73 / 4 / 11

HEX #E43EDB

RGB 228 62 219

HSL 303.25, 0.75%, 0.57%

LAB 57.13, 78.79, -46.04

 

CMYK 0 / 62 / 3 / 18

HEX #D24FCB

RGB 210 79 203

HSL 303.21, 0.59%, 0.57%

LAB 55.69, 66.16, -39.39

 

CMYK 0 / 50 / 3 / 24

HEX #C161BC

RGB 193 97 188

HSL 303.13, 0.44%, 0.57%

LAB 55.6, 50.93, -31.11

 

CMYK 0 / 34 / 2 / 31

HEX #AF73AC

RGB 175 115 172

HSL 303, 0.27%, 0.57%

LAB 56.44, 32.88, -20.79

 

CMYK 0 / 16 / 1 / 38

HEX #9D849C

RGB 157 132 156

HSL 302.4, 0.11%, 0.57%

LAB 58.1, 13.9, -9.24

 

CMYK 35 / 73 / 0 / 11

HEX #943EE4

RGB 148 62 228

HSL 271.08, 0.75%, 0.57%

LAB 46.1, 64.78, -69.47

 

CMYK 16 / 73 / 0 / 11

HEX #C03EE4

RGB 192 62 228

HSL 286.99, 0.75%, 0.57%

LAB 52.12, 72.97, -59.44

 

CMYK 0 / 73 / 4 / 11

HEX #E43EDC

RGB 228 62 220

HSL 302.89, 0.75%, 0.57%

LAB 57.18, 78.94, -46.52

 

CMYK 0 / 73 / 23 / 11

HEX #E43EAF

RGB 228 62 175

HSL 319.16, 0.75%, 0.57%

LAB 55.11, 72.69, -23.93

 

CMYK 0 / 73 / 43 / 11

HEX #E43E83

RGB 228 62 131

HSL 335.06, 0.75%, 0.57%

LAB 53.58, 67.84, -0.25

 

CMYK 0 / 87 / 5 / 28

HEX #B718AE

RGB 183 24 174

HSL 303.4, 0.77%, 0.41%

LAB 43.91, 72.44, -41.43

 

CMYK 0 / 87 / 5 / 14

HEX #DB1DD1

RGB 219 29 209

HSL 303.16, 0.77%, 0.49%

LAB 52.44, 83.27, -47.87

 

CMYK 0 / 73 / 4 / 11

HEX #E43EDB

RGB 228 62 219

HSL 303.25, 0.75%, 0.57%

LAB 57.13, 78.79, -46.04

 

CMYK 0 / 58 / 3 / 9

HEX #E962E2

RGB 233 98 226

HSL 303.11, 0.75%, 0.65%

LAB 62.97, 67.76, -40.72

 

CMYK 0 / 44 / 2 / 7

HEX #EE86E9

RGB 238 134 233

HSL 302.88, 0.75%, 0.73%

LAB 70.25, 53.52, -33.21

 

CMYK 0 / 74 / 4 / 10

HEX #E53CDC

RGB 229 60 220

HSL 303.2, 0.76%, 0.57%

LAB 57.13, 79.74, -46.59

 

CMYK 0 / 55 / 73 / 11

HEX #E4673E

RGB 228 103 62

HSL 14.82, 0.75%, 0.57%

LAB 58.55, 46.09, 45.85

 

CMYK 73 / 0 / 25 / 11

HEX #3EE4AA

RGB 62 228 170

HSL 159.04, 0.75%, 0.57%

LAB 81.52, -55.3, 16.4

 

CMYK 0 / 74 / 4 / 10

HEX #E53CDC

RGB 229 60 220

HSL 303.2, 0.76%, 0.57%

LAB 57.13, 79.74, -46.59

 

CMYK 4 / 0 / 73 / 11

HEX #DCE43E

RGB 220 228 62

HSL 62.89, 0.75%, 0.57%

LAB 87.51, -21.75, 74.7

 

CMYK 73 / 4 / 0 / 11

HEX #3EDCE4

RGB 62 220 228

HSL 182.89, 0.75%, 0.57%

LAB 80.63, -36.95, -15.62

 

CMYK 0 / 74 / 4 / 10

HEX #E53CDC

RGB 229 60 220

HSL 303.2, 0.76%, 0.57%

LAB 57.13, 79.74, -46.59

 

CMYK 0 / 55 / 73 / 11

HEX #E4673E

RGB 228 103 62

HSL 14.82, 0.75%, 0.57%

LAB 58.55, 46.09, 45.85

 

CMYK 73 / 0 / 69 / 11

HEX #3EE446

RGB 62 228 70

HSL 122.89, 0.75%, 0.57%

LAB 80.15, -70.89, 62.12

 

CMYK 73 / 18 / 0 / 11

HEX #3EBBE4

RGB 62 187 228

HSL 194.82, 0.75%, 0.57%

LAB 70.99, -20.84, -30.31

 

CMYK 0 / 74 / 4 / 10

HEX #E53CDC

RGB 229 60 220

HSL 303.2, 0.76%, 0.57%

LAB 57.13, 79.74, -46.59

 

CMYK 0 / 33 / 73 / 11

HEX #E4993E

RGB 228 153 62

HSL 32.89, 0.75%, 0.57%

LAB 69.2, 20.29, 57.05

 

CMYK 73 / 0 / 69 / 11

HEX #3EE446

RGB 62 228 70

HSL 122.89, 0.75%, 0.57%

LAB 80.15, -70.89, 62.12

 

CMYK 73 / 40 / 0 / 11

HEX #3E89E4

RGB 62 137 228

HSL 212.89, 0.75%, 0.57%

LAB 56.6, 7.15, -52.87

 

Description

Color code: HEX #E53CDC | qconv.com Color code: HEX #E53CDC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 60 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 60 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 4 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 4% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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