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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E531E6 it is the complementary color #1ACE19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E531E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E531E6 shade: #EA31E1, #FB43F4, #FF55FF, #FF67FF and #FF79FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E531E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E531E6 shade: #E531E6, #D41FD3, #C30DC0, #B200AD and #A1009A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E531E6 shade: #E432E5, #E532B6, #E53286, #E53255 and #E53232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E531E6 shade: #E432E5, #B432E5, #8432E5, #5332E5 and #3232E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E531E6 shade matches the following richer shades: #E432E5 and #F720F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E531E6 shade: #E432E5, #D245D3, #C057C0, #AD6AAE and #9B7D9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E531E6 shade: #8332E5, #B332E5, #E232E5, #E532B9 and #E53289

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E531E6 shade: #AF15B0, #D31AD4, #E432E5, #E957EA and #EE7CEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E531E6 shade: #E531E6, #E55332 and #32E59B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E531E6 shade: #E531E6, #E5E232 and #32E5E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E531E6 shade: #E531E6, #E55332, #35E532 and #32C4E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E531E6 shade: #E531E6, #E58932, #35E532 and #328FE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 0 / 10

HEX #E531E6

RGB 229 49 230

HSL 299.67, 0.78%, 0.55%

LAB 56.65, 84.17, -52.99

 

Complementary color

CMYK 87 / 0 / 88 / 19

HEX #1ACE19

RGB 26 206 25

HSL 119.67, 0.78%, 0.45%

LAB 72.52, -71.44, 67.81

 

CMYK 0 / 79 / 4 / 8

HEX #EA31E1

RGB 234 49 225

HSL 302.92, 0.81%, 0.55%

LAB 57.2, 84.38, -49.26

 

CMYK 0 / 73 / 3 / 2

HEX #FB43F4

RGB 251 67 244

HSL 302.28, 0.96%, 0.62%

LAB 62.55, 85.79, -51.22

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 79 / 0 / 10

HEX #E531E6

RGB 229 49 230

HSL 299.67, 0.78%, 0.55%

LAB 56.65, 84.17, -52.99

 

CMYK 0 / 85 / 0 / 17

HEX #D41FD3

RGB 212 31 211

HSL 300.33, 0.74%, 0.48%

LAB 51.47, 81.97, -50.63

 

CMYK 0 / 93 / 2 / 24

HEX #C30DC0

RGB 195 13 192

HSL 300.99, 0.88%, 0.41%

LAB 46.57, 78.72, -47.64

 

CMYK 0 / 100 / 3 / 30

HEX #B200AD

RGB 178 0 173

HSL 301.69, 1%, 0.35%

LAB 41.97, 74.29, -43.98

 

CMYK 0 / 100 / 4 / 37

HEX #A1009A

RGB 161 0 154

HSL 302.61, 1%, 0.32%

LAB 37.68, 68.62, -39.59

 

CMYK 0 / 78 / 0 / 10

HEX #E432E5

RGB 228 50 229

HSL 299.66, 0.77%, 0.55%

LAB 56.52, 83.59, -52.65

 

CMYK 0 / 78 / 21 / 10

HEX #E532B6

RGB 229 50 182

HSL 315.75, 0.77%, 0.55%

LAB 54.36, 77.25, -29.14

 

CMYK 0 / 78 / 41 / 10

HEX #E53286

RGB 229 50 134

HSL 331.84, 0.77%, 0.55%

LAB 52.58, 71.97, -3.5

 

CMYK 0 / 78 / 63 / 10

HEX #E53255

RGB 229 50 85

HSL 348.27, 0.77%, 0.55%

LAB 51.38, 68.29, 24.37

 

CMYK 0 / 78 / 78 / 10

HEX #E53232

RGB 229 50 50

HSL 0, 0.77%, 0.55%

LAB 50.88, 66.74, 44.06

 

CMYK 0 / 78 / 0 / 10

HEX #E432E5

RGB 228 50 229

HSL 299.66, 0.77%, 0.55%

LAB 56.52, 83.59, -52.65

 

CMYK 21 / 78 / 0 / 10

HEX #B432E5

RGB 180 50 229

HSL 283.58, 0.77%, 0.55%

LAB 49.06, 74.88, -65.04

 

CMYK 42 / 78 / 0 / 10

HEX #8432E5

RGB 132 50 229

HSL 267.49, 0.77%, 0.55%

LAB 42.53, 67.23, -75.96

 

CMYK 64 / 78 / 0 / 10

HEX #5332E5

RGB 83 50 229

HSL 251.06, 0.77%, 0.55%

LAB 37.44, 61.24, -84.51

 

CMYK 78 / 78 / 0 / 10

HEX #3232E5

RGB 50 50 229

HSL 240, 0.77%, 0.55%

LAB 35.24, 58.64, -88.23

 

CMYK 0 / 78 / 0 / 10

HEX #E432E5

RGB 228 50 229

HSL 299.66, 0.77%, 0.55%

LAB 56.52, 83.59, -52.65

 

CMYK 0 / 87 / 0 / 3

HEX #F720F8

RGB 247 32 248

HSL 299.72, 0.94%, 0.55%

LAB 59.51, 93.23, -58.33

 

CMYK 0 / 78 / 0 / 10

HEX #E432E5

RGB 228 50 229

HSL 299.66, 0.77%, 0.55%

LAB 56.52, 83.59, -52.65

 

CMYK 0 / 67 / 0 / 17

HEX #D245D3

RGB 210 69 211

HSL 299.58, 0.62%, 0.55%

LAB 54.72, 71.3, -45.49

 

CMYK 0 / 55 / 0 / 25

HEX #C057C0

RGB 192 87 192

HSL 300, 0.45%, 0.55%

LAB 53.84, 56.17, -36.16

 

CMYK 1 / 39 / 0 / 32

HEX #AD6AAE

RGB 173 106 174

HSL 299.12, 0.3%, 0.55%

LAB 54.29, 37.56, -25.27

 

CMYK 0 / 19 / 0 / 39

HEX #9B7D9B

RGB 155 125 155

HSL 300, 0.13%, 0.55%

LAB 56.09, 17, -11.7

 

CMYK 43 / 78 / 0 / 10

HEX #8332E5

RGB 131 50 229

HSL 267.15, 0.77%, 0.55%

LAB 42.4, 67.08, -76.16

 

CMYK 22 / 78 / 0 / 10

HEX #B332E5

RGB 179 50 229

HSL 283.24, 0.77%, 0.55%

LAB 48.91, 74.71, -65.28

 

CMYK 1 / 78 / 0 / 10

HEX #E232E5

RGB 226 50 229

HSL 298.99, 0.77%, 0.55%

LAB 56.19, 83.21, -53.19

 

CMYK 0 / 78 / 19 / 10

HEX #E532B9

RGB 229 50 185

HSL 314.75, 0.77%, 0.55%

LAB 54.49, 77.63, -30.68

 

CMYK 0 / 78 / 40 / 10

HEX #E53289

RGB 229 50 137

HSL 330.84, 0.77%, 0.55%

LAB 52.67, 72.25, -5.16

 

CMYK 1 / 88 / 0 / 31

HEX #AF15B0

RGB 175 21 176

HSL 299.61, 0.79%, 0.39%

LAB 42.44, 71.79, -45.05

 

CMYK 0 / 88 / 0 / 17

HEX #D31AD4

RGB 211 26 212

HSL 299.68, 0.78%, 0.47%

LAB 51.08, 82.76, -51.84

 

CMYK 0 / 78 / 0 / 10

HEX #E432E5

RGB 228 50 229

HSL 299.66, 0.77%, 0.55%

LAB 56.52, 83.59, -52.65

 

CMYK 0 / 63 / 0 / 8

HEX #E957EA

RGB 233 87 234

HSL 299.59, 0.78%, 0.63%

LAB 61.72, 73.57, -47.15

 

CMYK 0 / 48 / 0 / 7

HEX #EE7CEE

RGB 238 124 238

HSL 300, 0.77%, 0.71%

LAB 68.58, 59.28, -38.56

 

CMYK 0 / 79 / 0 / 10

HEX #E531E6

RGB 229 49 230

HSL 299.67, 0.78%, 0.55%

LAB 56.65, 84.17, -52.99

 

CMYK 0 / 64 / 78 / 10

HEX #E55332

RGB 229 83 50

HSL 11.06, 0.77%, 0.55%

LAB 55.15, 55.03, 48.4

 

CMYK 78 / 0 / 32 / 10

HEX #32E59B

RGB 50 229 155

HSL 155.2, 0.77%, 0.55%

LAB 81.34, -60.32, 23.92

 

CMYK 0 / 79 / 0 / 10

HEX #E531E6

RGB 229 49 230

HSL 299.67, 0.78%, 0.55%

LAB 56.65, 84.17, -52.99

 

CMYK 0 / 1 / 78 / 10

HEX #E5E232

RGB 229 226 50

HSL 58.99, 0.77%, 0.55%

LAB 87.62, -17.52, 78.66

 

CMYK 78 / 0 / 1 / 10

HEX #32E5E2

RGB 50 229 226

HSL 178.99, 0.77%, 0.55%

LAB 83.02, -42.8, -11

 

CMYK 0 / 79 / 0 / 10

HEX #E531E6

RGB 229 49 230

HSL 299.67, 0.78%, 0.55%

LAB 56.65, 84.17, -52.99

 

CMYK 0 / 64 / 78 / 10

HEX #E55332

RGB 229 83 50

HSL 11.06, 0.77%, 0.55%

LAB 55.15, 55.03, 48.4

 

CMYK 77 / 0 / 78 / 10

HEX #35E532

RGB 53 229 50

HSL 118.99, 0.77%, 0.55%

LAB 80.19, -73.96, 68.8

 

CMYK 78 / 14 / 0 / 10

HEX #32C4E5

RGB 50 196 229

HSL 191.06, 0.77%, 0.55%

LAB 73.43, -26.4, -27.12

 

CMYK 0 / 79 / 0 / 10

HEX #E531E6

RGB 229 49 230

HSL 299.67, 0.78%, 0.55%

LAB 56.65, 84.17, -52.99

 

CMYK 0 / 40 / 78 / 10

HEX #E58932

RGB 229 137 50

HSL 29.16, 0.77%, 0.55%

LAB 65.58, 28.71, 58.57

 

CMYK 77 / 0 / 78 / 10

HEX #35E532

RGB 53 229 50

HSL 118.99, 0.77%, 0.55%

LAB 80.19, -73.96, 68.8

 

CMYK 78 / 38 / 0 / 10

HEX #328FE5

RGB 50 143 229

HSL 208.83, 0.77%, 0.55%

LAB 58.02, 2.51, -51.19

 

Description

Color code: HEX #E531E6 | qconv.com Color code: HEX #E531E6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 49 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 49 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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