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Color name
HEX #E52F6B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E52F6B it is the complementary color #1AD094. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E52F6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E52F6B shade: #EA2F66, #FB4179, #FF538C, #FF659F and #FF77B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E52F6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E52F6B shade: #E52F6B, #D41D58, #C30B45, #B20032 and #A1001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E52F6B shade: #E52E6A, #E52E39 and #E52E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E52F6B shade: #E52E6A, #E52E9B, #E52ECD, #CB2EE5 and #9A2EE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E52F6B shade matches the following richer shades: #E52E6A and #F81B64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E52F6B shade: #E52E6A, #D24170, #BF5477, #AC677D and #997A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E52F6B shade: #E52ECC, #E52E9B, #E52E6B, #E52E3A and #E5522E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E52F6B shade: #AB1546, #D01955, #E52E6A, #E95284 and #EE779E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E52F6B shade: #E52F6B, #E5CC2E and #2EB4E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E52F6B shade: #E52F6B, #6BE52E and #2E6BE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E52F6B shade: #E52F6B, #E5CC2E, #2EE5A8 and #2E46E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E52F6B shade: #E52F6B, #C6E52E, #2EE5A8 and #4C2EE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 53 / 10

HEX #E52F6B

RGB 229 47 107

HSL 340.22, 0.78%, 0.54%

LAB 51.56, 70.52, 11.32

 

Complementary color

CMYK 88 / 0 / 29 / 18

HEX #1AD094

RGB 26 208 148

HSL 160.22, 0.78%, 0.46%

LAB 74.49, -56.06, 18.12

 

CMYK 0 / 80 / 56 / 8

HEX #EA2F66

RGB 234 47 102

HSL 342.35, 0.82%, 0.55%

LAB 52.38, 71.47, 15.63

 

CMYK 0 / 74 / 52 / 2

HEX #FB4179

RGB 251 65 121

HSL 341.94, 0.96%, 0.62%

LAB 57.72, 72.29, 12.17

 

CMYK 0 / 67 / 45 / 0

HEX #FF538C

RGB 255 83 140

HSL 340.12, 1%, 0.66%

LAB 61.08, 68.86, 5.88

 

CMYK 0 / 60 / 38 / 0

HEX #FF659F

RGB 255 101 159

HSL 337.4, 1%, 0.7%

LAB 64.22, 63.57, -0.54

 

CMYK 0 / 53 / 30 / 0

HEX #FF77B2

RGB 255 119 178

HSL 333.97, 1%, 0.73%

LAB 67.78, 57.75, -6.11

 

CMYK 0 / 79 / 53 / 10

HEX #E52F6B

RGB 229 47 107

HSL 340.22, 0.78%, 0.54%

LAB 51.56, 70.52, 11.32

 

CMYK 0 / 86 / 58 / 17

HEX #D41D58

RGB 212 29 88

HSL 340.66, 0.76%, 0.47%

LAB 46.42, 68.92, 15.35

 

CMYK 0 / 94 / 65 / 24

HEX #C30B45

RGB 195 11 69

HSL 341.09, 0.89%, 0.4%

LAB 41.64, 66.24, 20.23

 

CMYK 0 / 100 / 72 / 30

HEX #B20032

RGB 178 0 50

HSL 343.15, 1%, 0.35%

LAB 37.29, 62.33, 26

 

CMYK 0 / 100 / 81 / 37

HEX #A1001F

RGB 161 0 31

HSL 348.45, 1%, 0.32%

LAB 33.3, 57.38, 32.31

 

CMYK 0 / 80 / 54 / 10

HEX #E52E6A

RGB 229 46 106

HSL 340.33, 0.78%, 0.54%

LAB 51.44, 70.7, 11.77

 

CMYK 0 / 80 / 75 / 10

HEX #E52E39

RGB 229 46 57

HSL 356.39, 0.78%, 0.54%

LAB 50.58, 68.06, 39.86

 

CMYK 0 / 80 / 80 / 10

HEX #E52E2E

RGB 229 46 46

HSL 0, 0.78%, 0.54%

LAB 50.46, 67.7, 45.78

 

CMYK 0 / 80 / 54 / 10

HEX #E52E6A

RGB 229 46 106

HSL 340.33, 0.78%, 0.54%

LAB 51.44, 70.7, 11.77

 

CMYK 0 / 80 / 32 / 10

HEX #E52E9B

RGB 229 46 155

HSL 324.26, 0.78%, 0.54%

LAB 52.93, 75.11, -15.5

 

CMYK 0 / 80 / 10 / 10

HEX #E52ECD

RGB 229 46 205

HSL 307.87, 0.78%, 0.54%

LAB 55.09, 81.26, -41.27

 

CMYK 11 / 80 / 0 / 10

HEX #CB2EE5

RGB 203 46 229

HSL 291.48, 0.78%, 0.54%

LAB 52.18, 80.01, -59.82

 

CMYK 33 / 80 / 0 / 10

HEX #9A2EE5

RGB 154 46 229

HSL 275.41, 0.78%, 0.54%

LAB 44.92, 71.89, -71.94

 

CMYK 0 / 80 / 54 / 10

HEX #E52E6A

RGB 229 46 106

HSL 340.33, 0.78%, 0.54%

LAB 51.44, 70.7, 11.77

 

CMYK 0 / 89 / 60 / 3

HEX #F81B64

RGB 248 27 100

HSL 340.18, 0.94%, 0.54%

LAB 53.66, 78.75, 19.03

 

CMYK 0 / 80 / 54 / 10

HEX #E52E6A

RGB 229 46 106

HSL 340.33, 0.78%, 0.54%

LAB 51.44, 70.7, 11.77

 

CMYK 0 / 69 / 47 / 18

HEX #D24170

RGB 210 65 112

HSL 340.55, 0.62%, 0.54%

LAB 50.28, 59.94, 6

 

CMYK 0 / 56 / 38 / 25

HEX #BF5477

RGB 191 84 119

HSL 340.37, 0.46%, 0.54%

LAB 50.39, 46.46, 1.55

 

CMYK 0 / 40 / 27 / 33

HEX #AC677D

RGB 172 103 125

HSL 340.87, 0.29%, 0.54%

LAB 51.78, 30.59, -0.32

 

CMYK 0 / 20 / 14 / 40

HEX #997A84

RGB 153 122 132

HSL 340.65, 0.13%, 0.54%

LAB 54.4, 13.71, -0.86

 

CMYK 0 / 80 / 11 / 10

HEX #E52ECC

RGB 229 46 204

HSL 308.2, 0.78%, 0.54%

LAB 55.04, 81.12, -40.78

 

CMYK 0 / 80 / 32 / 10

HEX #E52E9B

RGB 229 46 155

HSL 324.26, 0.78%, 0.54%

LAB 52.93, 75.11, -15.5

 

CMYK 0 / 80 / 53 / 10

HEX #E52E6B

RGB 229 46 107

HSL 340, 0.78%, 0.54%

LAB 51.47, 70.77, 11.19

 

CMYK 0 / 80 / 75 / 10

HEX #E52E3A

RGB 229 46 58

HSL 356.07, 0.78%, 0.54%

LAB 50.59, 68.1, 39.3

 

CMYK 0 / 64 / 80 / 10

HEX #E5522E

RGB 229 82 46

HSL 11.8, 0.78%, 0.54%

LAB 54.96, 55.31, 50.18

 

CMYK 0 / 88 / 59 / 33

HEX #AB1546

RGB 171 21 70

HSL 340.4, 0.78%, 0.38%

LAB 37.18, 58.79, 12.75

 

CMYK 0 / 88 / 59 / 18

HEX #D01955

RGB 208 25 85

HSL 340.33, 0.79%, 0.46%

LAB 45.31, 68.45, 15.56

 

CMYK 0 / 80 / 54 / 10

HEX #E52E6A

RGB 229 46 106

HSL 340.33, 0.78%, 0.54%

LAB 51.44, 70.7, 11.77

 

CMYK 0 / 65 / 43 / 9

HEX #E95284

RGB 233 82 132

HSL 340.13, 0.77%, 0.62%

LAB 57.1, 62.05, 4.37

 

CMYK 0 / 50 / 34 / 7

HEX #EE779E

RGB 238 119 158

HSL 340.34, 0.78%, 0.7%

LAB 64.83, 49.82, 0.63

 

CMYK 0 / 79 / 53 / 10

HEX #E52F6B

RGB 229 47 107

HSL 340.22, 0.78%, 0.54%

LAB 51.56, 70.52, 11.32

 

CMYK 0 / 11 / 80 / 10

HEX #E5CC2E

RGB 229 204 46

HSL 51.8, 0.78%, 0.54%

LAB 81.86, -6.68, 74.72

 

CMYK 80 / 21 / 0 / 10

HEX #2EB4E5

RGB 46 180 229

HSL 196.07, 0.78%, 0.54%

LAB 68.66, -18.59, -34.47

 

CMYK 0 / 79 / 53 / 10

HEX #E52F6B

RGB 229 47 107

HSL 340.22, 0.78%, 0.54%

LAB 51.56, 70.52, 11.32

 

CMYK 53 / 0 / 80 / 10

HEX #6BE52E

RGB 107 229 46

HSL 100, 0.78%, 0.54%

LAB 81.49, -63.29, 71.61

 

CMYK 80 / 53 / 0 / 10

HEX #2E6BE5

RGB 46 107 229

HSL 220, 0.78%, 0.54%

LAB 47.95, 24.35, -67.37

 

CMYK 0 / 79 / 53 / 10

HEX #E52F6B

RGB 229 47 107

HSL 340.22, 0.78%, 0.54%

LAB 51.56, 70.52, 11.32

 

CMYK 0 / 11 / 80 / 10

HEX #E5CC2E

RGB 229 204 46

HSL 51.8, 0.78%, 0.54%

LAB 81.86, -6.68, 74.72

 

CMYK 80 / 0 / 27 / 10

HEX #2EE5A8

RGB 46 229 168

HSL 160, 0.78%, 0.54%

LAB 81.54, -57.94, 17.43

 

CMYK 80 / 69 / 0 / 10

HEX #2E46E5

RGB 46 70 229

HSL 232.13, 0.78%, 0.54%

LAB 38.93, 47.46, -82.13

 

CMYK 0 / 79 / 53 / 10

HEX #E52F6B

RGB 229 47 107

HSL 340.22, 0.78%, 0.54%

LAB 51.56, 70.52, 11.32

 

CMYK 14 / 0 / 80 / 10

HEX #C6E52E

RGB 198 229 46

HSL 70.16, 0.78%, 0.54%

LAB 86.13, -31.79, 77.53

 

CMYK 80 / 0 / 27 / 10

HEX #2EE5A8

RGB 46 229 168

HSL 160, 0.78%, 0.54%

LAB 81.54, -57.94, 17.43

 

CMYK 67 / 80 / 0 / 10

HEX #4C2EE5

RGB 76 46 229

HSL 249.84, 0.78%, 0.54%

LAB 36.27, 62.38, -86.47

 

Description

Color code: HEX #E52F6B | qconv.com Color code: HEX #E52F6B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 47 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 47 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 53 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 53% 10% C M Y K

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Provide designers and agencies with accurate color values.

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