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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4F78C it is the complementary color #1B0873. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4F78C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4F78C shade: #E9F787, #FAFF9A, #FFFFAD, #FFFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4F78C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4F78C shade: #E4F78C, #D3E579, #C2D366, #B1C153 and #A0AF40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4F78C shade: #E4F78C, #F7ED8C, #F7D08C, #F7B38C and #F7978C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4F78C shade: #E4F78C, #C7F78C, #AAF78C, #8DF78C and #8CF7A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4F78C shade matches the following richer shades: #E4F78C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4F78C shade: #E4F78C, #DDED96, #D7E3A0, #D0D9AA and #CACFB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4F78C shade: #F7CF8C, #F7EC8C, #E5F78C, #C8F78C and #ACF78C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4F78C shade: #D2F13F, #DBF465, #E4F78C, #EDF9B3 and #F6FCD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4F78C shade: #E4F78C, #8CF7B3 and #DE8CF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4F78C shade: #E4F78C, #8CE5F7 and #F78CE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4F78C shade: #E4F78C, #8CF7B3, #9E8CF7 and #F78CCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4F78C shade: #E4F78C, #8CF7D3, #9E8CF7 and #F78CB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 43 / 3

HEX #E4F78C

RGB 228 247 140

HSL 70.65, 0.87%, 0.76%

LAB 93.84, -21.95, 49.18

 

Complementary color

CMYK 77 / 93 / 0 / 55

HEX #1B0873

RGB 27 8 115

HSL 250.65, 0.87%, 0.24%

LAB 13.5, 41.28, -55.43

 

CMYK 6 / 0 / 45 / 3

HEX #E9F787

RGB 233 247 135

HSL 67.5, 0.88%, 0.75%

LAB 94.14, -20.56, 52

 

CMYK 2 / 0 / 40 / 0

HEX #FAFF9A

RGB 250 255 154

HSL 62.97, 1%, 0.8%

LAB 97.7, -16.02, 47.64

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 8 / 0 / 43 / 3

HEX #E4F78C

RGB 228 247 140

HSL 70.65, 0.87%, 0.76%

LAB 93.84, -21.95, 49.18

 

CMYK 8 / 0 / 47 / 10

HEX #D3E579

RGB 211 229 121

HSL 70, 0.68%, 0.69%

LAB 87.62, -21.7, 50.31

 

CMYK 8 / 0 / 52 / 17

HEX #C2D366

RGB 194 211 102

HSL 69.36, 0.55%, 0.61%

LAB 81.3, -21.39, 51.41

 

CMYK 8 / 0 / 57 / 24

HEX #B1C153

RGB 177 193 83

HSL 68.73, 0.47%, 0.54%

LAB 74.9, -21, 52.45

 

CMYK 9 / 0 / 63 / 31

HEX #A0AF40

RGB 160 175 64

HSL 68.11, 0.46%, 0.47%

LAB 68.39, -20.5, 53.32

 

CMYK 8 / 0 / 43 / 3

HEX #E4F78C

RGB 228 247 140

HSL 70.65, 0.87%, 0.76%

LAB 93.84, -21.95, 49.18

 

CMYK 0 / 4 / 43 / 3

HEX #F7ED8C

RGB 247 237 140

HSL 54.39, 0.87%, 0.76%

LAB 92.68, -9.77, 48.04

 

CMYK 0 / 16 / 43 / 3

HEX #F7D08C

RGB 247 208 140

HSL 38.13, 0.87%, 0.76%

LAB 85.39, 4.94, 38.81

 

CMYK 0 / 28 / 43 / 3

HEX #F7B38C

RGB 247 179 140

HSL 21.87, 0.87%, 0.76%

LAB 78.41, 20.1, 29.67

 

CMYK 0 / 39 / 43 / 3

HEX #F7978C

RGB 247 151 140

HSL 6.17, 0.87%, 0.76%

LAB 72.1, 34.8, 21.15

 

CMYK 8 / 0 / 43 / 3

HEX #E4F78C

RGB 228 247 140

HSL 70.65, 0.87%, 0.76%

LAB 93.84, -21.95, 49.18

 

CMYK 19 / 0 / 43 / 3

HEX #C7F78C

RGB 199 247 140

HSL 86.92, 0.87%, 0.76%

LAB 91.93, -32.66, 46.38

 

CMYK 31 / 0 / 43 / 3

HEX #AAF78C

RGB 170 247 140

HSL 103.18, 0.87%, 0.76%

LAB 90.3, -42.63, 43.98

 

CMYK 43 / 0 / 43 / 3

HEX #8DF78C

RGB 141 247 140

HSL 119.44, 0.87%, 0.76%

LAB 88.96, -51.55, 42

 

CMYK 43 / 0 / 32 / 3

HEX #8CF7A7

RGB 140 247 167

HSL 135.14, 0.87%, 0.76%

LAB 89.34, -47.62, 29.07

 

CMYK 8 / 0 / 43 / 3

HEX #E4F78C

RGB 228 247 140

HSL 70.65, 0.87%, 0.76%

LAB 93.84, -21.95, 49.18

 

CMYK 8 / 0 / 43 / 3

HEX #E4F78C

RGB 228 247 140

HSL 70.65, 0.87%, 0.76%

LAB 93.84, -21.95, 49.18

 

CMYK 7 / 0 / 37 / 7

HEX #DDED96

RGB 221 237 150

HSL 71.03, 0.71%, 0.76%

LAB 90.84, -18.65, 40.41

 

CMYK 5 / 0 / 30 / 11

HEX #D7E3A0

RGB 215 227 160

HSL 70.75, 0.54%, 0.76%

LAB 87.93, -14.73, 31.46

 

CMYK 4 / 0 / 22 / 15

HEX #D0D9AA

RGB 208 217 170

HSL 71.49, 0.38%, 0.76%

LAB 84.96, -10.9, 22.18

 

CMYK 2 / 0 / 13 / 19

HEX #CACFB4

RGB 202 207 180

HSL 71.11, 0.22%, 0.76%

LAB 82.1, -6.41, 12.84

 

CMYK 0 / 16 / 43 / 3

HEX #F7CF8C

RGB 247 207 140

HSL 37.57, 0.87%, 0.76%

LAB 85.15, 5.45, 38.49

 

CMYK 0 / 4 / 43 / 3

HEX #F7EC8C

RGB 247 236 140

HSL 53.83, 0.87%, 0.76%

LAB 92.42, -9.27, 47.72

 

CMYK 7 / 0 / 43 / 3

HEX #E5F78C

RGB 229 247 140

HSL 70.09, 0.87%, 0.76%

LAB 93.91, -21.58, 49.28

 

CMYK 19 / 0 / 43 / 3

HEX #C8F78C

RGB 200 247 140

HSL 86.36, 0.87%, 0.76%

LAB 92, -32.3, 46.47

 

CMYK 30 / 0 / 43 / 3

HEX #ACF78C

RGB 172 247 140

HSL 102.06, 0.87%, 0.76%

LAB 90.41, -41.98, 44.13

 

CMYK 13 / 0 / 74 / 5

HEX #D2F13F

RGB 210 241 63

HSL 70.45, 0.86%, 0.6%

LAB 90.31, -31.87, 76.76

 

CMYK 10 / 0 / 59 / 4

HEX #DBF465

RGB 219 244 101

HSL 70.49, 0.87%, 0.68%

LAB 92, -27.46, 64.52

 

CMYK 8 / 0 / 43 / 3

HEX #E4F78C

RGB 228 247 140

HSL 70.65, 0.87%, 0.76%

LAB 93.84, -21.95, 49.18

 

CMYK 5 / 0 / 28 / 2

HEX #EDF9B3

RGB 237 249 179

HSL 70.29, 0.85%, 0.84%

LAB 95.58, -14.99, 32.36

 

CMYK 2 / 0 / 14 / 1

HEX #F6FCD9

RGB 246 252 217

HSL 70.29, 0.85%, 0.92%

LAB 97.72, -7.82, 16.1

 

CMYK 8 / 0 / 43 / 3

HEX #E4F78C

RGB 228 247 140

HSL 70.65, 0.87%, 0.76%

LAB 93.84, -21.95, 49.18

 

CMYK 43 / 0 / 28 / 3

HEX #8CF7B3

RGB 140 247 179

HSL 141.87, 0.87%, 0.76%

LAB 89.56, -45.49, 23.26

 

CMYK 10 / 43 / 0 / 3

HEX #DE8CF7

RGB 222 140 247

HSL 285.98, 0.87%, 0.76%

LAB 70.18, 48.44, -41.14

 

CMYK 8 / 0 / 43 / 3

HEX #E4F78C

RGB 228 247 140

HSL 70.65, 0.87%, 0.76%

LAB 93.84, -21.95, 49.18

 

CMYK 43 / 7 / 0 / 3

HEX #8CE5F7

RGB 140 229 247

HSL 190.09, 0.87%, 0.76%

LAB 86.17, -22.17, -17.11

 

CMYK 0 / 43 / 7 / 3

HEX #F78CE5

RGB 247 140 229

HSL 310.09, 0.87%, 0.76%

LAB 72.35, 52.51, -27.68

 

CMYK 8 / 0 / 43 / 3

HEX #E4F78C

RGB 228 247 140

HSL 70.65, 0.87%, 0.76%

LAB 93.84, -21.95, 49.18

 

CMYK 43 / 0 / 28 / 3

HEX #8CF7B3

RGB 140 247 179

HSL 141.87, 0.87%, 0.76%

LAB 89.56, -45.49, 23.26

 

CMYK 36 / 43 / 0 / 3

HEX #9E8CF7

RGB 158 140 247

HSL 250.09, 0.87%, 0.76%

LAB 63.95, 30.91, -51.36

 

CMYK 0 / 43 / 16 / 3

HEX #F78CCF

RGB 247 140 207

HSL 322.43, 0.87%, 0.76%

LAB 71.58, 49.02, -16.74

 

CMYK 8 / 0 / 43 / 3

HEX #E4F78C

RGB 228 247 140

HSL 70.65, 0.87%, 0.76%

LAB 93.84, -21.95, 49.18

 

CMYK 43 / 0 / 15 / 3

HEX #8CF7D3

RGB 140 247 211

HSL 159.81, 0.87%, 0.76%

LAB 90.23, -39.13, 7.7

 

CMYK 36 / 43 / 0 / 3

HEX #9E8CF7

RGB 158 140 247

HSL 250.09, 0.87%, 0.76%

LAB 63.95, 30.91, -51.36

 

CMYK 0 / 43 / 29 / 3

HEX #F78CB0

RGB 247 140 176

HSL 339.81, 0.87%, 0.76%

LAB 70.64, 44.65, -0.9

 

Description

Color code: HEX #E4F78C | qconv.com Color code: HEX #E4F78C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 247 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 247 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 43 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 43% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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