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Color name
HEX #E4F66A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4F66A it is the complementary color #1B0995. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4F66A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4F66A shade: #E9F665, #FAFF78, #FFFF8B, #FFFF9E and #FFFFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4F66A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4F66A shade: #E4F66A, #D3E457, #C2D244, #B1C031 and #A0AE1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4F66A shade: #E4F669, #F6E269, #F6BC69, #F69669 and #F67069

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4F66A shade: #E4F669, #BEF669, #98F669, #72F669 and #69F686

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4F66A shade matches the following richer shades: #E4F669

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4F66A shade: #E4F669, #DAE976, #D1DC83, #C7CF8F and #BEC39C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4F66A shade: #F6BB69, #F6E169, #E5F669, #C0F669 and #9AF669

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4F66A shade: #D6F11B, #DDF442, #E4F669, #EBF890 and #F2FAB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4F66A shade: #E4F66A, #69F696 and #CE69F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4F66A shade: #E4F66A, #69E5F6 and #F669E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4F66A shade: #E4F66A, #69F696, #7A69F6 and #F669C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4F66A shade: #E4F66A, #69F6C0, #7A69F6 and #F6699F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 57 / 4

HEX #E4F66A

RGB 228 246 106

HSL 67.71, 0.89%, 0.69%

LAB 93.21, -24.52, 63.92

 

Complementary color

CMYK 82 / 94 / 0 / 42

HEX #1B0995

RGB 27 9 149

HSL 247.71, 0.89%, 0.31%

LAB 18.36, 50.71, -68.88

 

CMYK 5 / 0 / 59 / 4

HEX #E9F665

RGB 233 246 101

HSL 65.38, 0.89%, 0.68%

LAB 93.53, -22.92, 66.49

 

CMYK 2 / 0 / 53 / 0

HEX #FAFF78

RGB 250 255 120

HSL 62.22, 1%, 0.74%

LAB 97.31, -19.14, 62.92

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 7 / 0 / 57 / 4

HEX #E4F66A

RGB 228 246 106

HSL 67.71, 0.89%, 0.69%

LAB 93.21, -24.52, 63.92

 

CMYK 7 / 0 / 62 / 11

HEX #D3E457

RGB 211 228 87

HSL 67.23, 0.72%, 0.62%

LAB 87.01, -24.02, 64.74

 

CMYK 8 / 0 / 68 / 18

HEX #C2D244

RGB 194 210 68

HSL 66.76, 0.61%, 0.55%

LAB 80.73, -23.41, 65.31

 

CMYK 8 / 0 / 74 / 25

HEX #B1C031

RGB 177 192 49

HSL 66.29, 0.59%, 0.47%

LAB 74.36, -22.65, 65.41

 

CMYK 8 / 0 / 83 / 32

HEX #A0AE1E

RGB 160 174 30

HSL 65.83, 0.71%, 0.4%

LAB 67.9, -21.72, 64.7

 

CMYK 7 / 0 / 57 / 4

HEX #E4F669

RGB 228 246 105

HSL 67.66, 0.89%, 0.69%

LAB 93.2, -24.6, 64.34

 

CMYK 0 / 8 / 57 / 4

HEX #F6E269

RGB 246 226 105

HSL 51.49, 0.89%, 0.69%

LAB 89.4, -7.64, 60.45

 

CMYK 0 / 24 / 57 / 4

HEX #F6BC69

RGB 246 188 105

HSL 35.32, 0.89%, 0.69%

LAB 79.94, 11.86, 49.5

 

CMYK 0 / 39 / 57 / 4

HEX #F69669

RGB 246 150 105

HSL 19.15, 0.89%, 0.69%

LAB 71.16, 31.82, 38.83

 

CMYK 0 / 54 / 57 / 4

HEX #F67069

RGB 246 112 105

HSL 2.98, 0.89%, 0.69%

LAB 63.51, 50.85, 29.1

 

CMYK 7 / 0 / 57 / 4

HEX #E4F669

RGB 228 246 105

HSL 67.66, 0.89%, 0.69%

LAB 93.2, -24.6, 64.34

 

CMYK 23 / 0 / 57 / 4

HEX #BEF669

RGB 190 246 105

HSL 83.83, 0.89%, 0.69%

LAB 90.72, -39.01, 60.88

 

CMYK 38 / 0 / 57 / 4

HEX #98F669

RGB 152 246 105

HSL 100, 0.89%, 0.69%

LAB 88.74, -52.02, 58.08

 

CMYK 54 / 0 / 57 / 4

HEX #72F669

RGB 114 246 105

HSL 116.17, 0.89%, 0.69%

LAB 87.25, -62.85, 55.97

 

CMYK 57 / 0 / 46 / 4

HEX #69F686

RGB 105 246 134

HSL 132.34, 0.89%, 0.69%

LAB 87.31, -61.2, 42.54

 

CMYK 7 / 0 / 57 / 4

HEX #E4F669

RGB 228 246 105

HSL 67.66, 0.89%, 0.69%

LAB 93.2, -24.6, 64.34

 

CMYK 7 / 0 / 57 / 4

HEX #E4F669

RGB 228 246 105

HSL 67.66, 0.89%, 0.69%

LAB 93.2, -24.6, 64.34

 

CMYK 6 / 0 / 49 / 9

HEX #DAE976

RGB 218 233 118

HSL 67.83, 0.72%, 0.69%

LAB 89.15, -21.2, 53.69

 

CMYK 5 / 0 / 40 / 14

HEX #D1DC83

RGB 209 220 131

HSL 67.42, 0.56%, 0.69%

LAB 85.19, -17.04, 42.42

 

CMYK 4 / 0 / 31 / 19

HEX #C7CF8F

RGB 199 207 143

HSL 67.5, 0.4%, 0.69%

LAB 81.15, -12.94, 30.96

 

CMYK 3 / 0 / 20 / 24

HEX #BEC39C

RGB 190 195 156

HSL 67.69, 0.25%, 0.69%

LAB 77.51, -8.36, 19.06

 

CMYK 0 / 24 / 57 / 4

HEX #F6BB69

RGB 246 187 105

HSL 34.89, 0.89%, 0.69%

LAB 79.7, 12.39, 49.21

 

CMYK 0 / 9 / 57 / 4

HEX #F6E169

RGB 246 225 105

HSL 51.06, 0.89%, 0.69%

LAB 89.14, -7.14, 60.16

 

CMYK 7 / 0 / 57 / 4

HEX #E5F669

RGB 229 246 105

HSL 67.23, 0.89%, 0.69%

LAB 93.27, -24.21, 64.44

 

CMYK 22 / 0 / 57 / 4

HEX #C0F669

RGB 192 246 105

HSL 82.98, 0.89%, 0.69%

LAB 90.84, -38.28, 61.05

 

CMYK 37 / 0 / 57 / 4

HEX #9AF669

RGB 154 246 105

HSL 99.15, 0.89%, 0.69%

LAB 88.83, -51.39, 58.21

 

CMYK 11 / 0 / 89 / 5

HEX #D6F11B

RGB 214 241 27

HSL 67.57, 0.88%, 0.53%

LAB 90.45, -31.4, 85.5

 

CMYK 9 / 0 / 73 / 4

HEX #DDF442

RGB 221 244 66

HSL 67.75, 0.89%, 0.61%

LAB 91.89, -28.76, 77.58

 

CMYK 7 / 0 / 57 / 4

HEX #E4F669

RGB 228 246 105

HSL 67.66, 0.89%, 0.69%

LAB 93.2, -24.6, 64.34

 

CMYK 5 / 0 / 42 / 3

HEX #EBF890

RGB 235 248 144

HSL 67.5, 0.88%, 0.77%

LAB 94.66, -19.37, 48.39

 

CMYK 3 / 0 / 27 / 2

HEX #F2FAB7

RGB 242 250 183

HSL 67.16, 0.87%, 0.85%

LAB 96.27, -13.13, 31.34

 

CMYK 7 / 0 / 57 / 4

HEX #E4F66A

RGB 228 246 106

HSL 67.71, 0.89%, 0.69%

LAB 93.21, -24.52, 63.92

 

CMYK 57 / 0 / 39 / 4

HEX #69F696

RGB 105 246 150

HSL 139.15, 0.89%, 0.69%

LAB 87.54, -58.67, 34.99

 

CMYK 16 / 57 / 0 / 4

HEX #CE69F6

RGB 206 105 246

HSL 282.98, 0.89%, 0.69%

LAB 61.55, 61.51, -54.32

 

CMYK 7 / 0 / 57 / 4

HEX #E4F66A

RGB 228 246 106

HSL 67.71, 0.89%, 0.69%

LAB 93.21, -24.52, 63.92

 

CMYK 57 / 7 / 0 / 4

HEX #69E5F6

RGB 105 229 246

HSL 187.23, 0.89%, 0.69%

LAB 84.84, -29.75, -18.72

 

CMYK 0 / 57 / 7 / 4

HEX #F669E5

RGB 246 105 229

HSL 307.23, 0.89%, 0.69%

LAB 66.02, 68.59, -37.49

 

CMYK 7 / 0 / 57 / 4

HEX #E4F66A

RGB 228 246 106

HSL 67.71, 0.89%, 0.69%

LAB 93.21, -24.52, 63.92

 

CMYK 57 / 0 / 39 / 4

HEX #69F696

RGB 105 246 150

HSL 139.15, 0.89%, 0.69%

LAB 87.54, -58.67, 34.99

 

CMYK 50 / 57 / 0 / 4

HEX #7A69F6

RGB 122 105 246

HSL 247.23, 0.89%, 0.69%

LAB 52.83, 42.64, -68.78

 

CMYK 0 / 57 / 18 / 4

HEX #F669C9

RGB 246 105 201

HSL 319.15, 0.89%, 0.69%

LAB 64.89, 64.41, -23.56

 

CMYK 7 / 0 / 57 / 4

HEX #E4F66A

RGB 228 246 106

HSL 67.71, 0.89%, 0.69%

LAB 93.21, -24.52, 63.92

 

CMYK 57 / 0 / 22 / 4

HEX #69F6C0

RGB 105 246 192

HSL 157.02, 0.89%, 0.69%

LAB 88.31, -50.64, 14.65

 

CMYK 50 / 57 / 0 / 4

HEX #7A69F6

RGB 122 105 246

HSL 247.23, 0.89%, 0.69%

LAB 52.83, 42.64, -68.78

 

CMYK 0 / 57 / 35 / 4

HEX #F6699F

RGB 246 105 159

HSL 337.02, 0.89%, 0.69%

LAB 63.51, 59.07, -1.75

 

Description

Color code: HEX #E4F66A | qconv.com Color code: HEX #E4F66A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 246 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 246 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 57 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 57% 4% C M Y K

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Provide designers and agencies with accurate color values.

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