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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4F451 it is the complementary color #1B0BAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4F451. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4F451 shade: #E9F44C, #FAFF5F, #FFFF72, #FFFF85 and #FFFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4F451. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4F451 shade: #E4F451, #D3E23E, #C2D02B, #B1BE18 and #A0AC05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4F451 shade: #E4F352, #F3D852, #F3AC52, #F38152 and #F35552

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4F451 shade: #E4F352, #B8F352, #8CF352, #61F352 and #52F36E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4F451 shade matches the following richer shades: #E4F352

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4F451 shade: #E4F352, #D8E561, #CCD670, #C0C77E and #B4B88D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4F451 shade: #F3AB52, #F3D652, #E6F352, #BBF352 and #90F352

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4F451 shade: #D0E50E, #DEF12B, #E4F352, #EAF679 and #F0F89F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4F451 shade: #E4F451, #52F380 and #C052F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4F451 shade: #E4F451, #52E6F3 and #F352E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4F451 shade: #E4F451, #52F380, #5F52F3 and #F352C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4F451 shade: #E4F451, #52F3B0, #5F52F3 and #F35295

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 67 / 4

HEX #E4F451

RGB 228 244 81

HSL 65.89, 0.88%, 0.64%

LAB 92.48, -25.21, 73.16

 

Complementary color

CMYK 84 / 94 / 0 / 32

HEX #1B0BAE

RGB 27 11 174

HSL 245.89, 0.88%, 0.36%

LAB 22.05, 57.04, -77.99

 

CMYK 5 / 0 / 69 / 4

HEX #E9F44C

RGB 233 244 76

HSL 63.93, 0.88%, 0.63%

LAB 92.82, -23.47, 75.41

 

CMYK 2 / 0 / 63 / 0

HEX #FAFF5F

RGB 250 255 95

HSL 61.88, 1%, 0.69%

LAB 97.09, -20.86, 73.11

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 7 / 0 / 67 / 4

HEX #E4F451

RGB 228 244 81

HSL 65.89, 0.88%, 0.64%

LAB 92.48, -25.21, 73.16

 

CMYK 7 / 0 / 73 / 11

HEX #D3E23E

RGB 211 226 62

HSL 65.49, 0.74%, 0.56%

LAB 86.3, -24.47, 73.31

 

CMYK 7 / 0 / 79 / 18

HEX #C2D02B

RGB 194 208 43

HSL 65.09, 0.66%, 0.49%

LAB 80.04, -23.58, 72.85

 

CMYK 7 / 0 / 87 / 25

HEX #B1BE18

RGB 177 190 24

HSL 64.7, 0.78%, 0.42%

LAB 73.7, -22.52, 71.4

 

CMYK 7 / 0 / 97 / 33

HEX #A0AC05

RGB 160 172 5

HSL 64.31, 0.94%, 0.35%

LAB 67.27, -21.24, 68.57

 

CMYK 6 / 0 / 66 / 5

HEX #E4F352

RGB 228 243 82

HSL 65.59, 0.87%, 0.64%

LAB 92.22, -24.68, 72.52

 

CMYK 0 / 11 / 66 / 5

HEX #F3D852

RGB 243 216 82

HSL 49.94, 0.87%, 0.64%

LAB 86.39, -5.3, 66.91

 

CMYK 0 / 29 / 66 / 5

HEX #F3AC52

RGB 243 172 82

HSL 33.54, 0.87%, 0.64%

LAB 75.56, 17.52, 55.33

 

CMYK 0 / 47 / 66 / 5

HEX #F38152

RGB 243 129 82

HSL 17.52, 0.87%, 0.64%

LAB 66.03, 39.93, 44.58

 

CMYK 0 / 65 / 66 / 5

HEX #F35552

RGB 243 85 82

HSL 1.12, 0.87%, 0.64%

LAB 58.19, 60.25, 35.24

 

CMYK 6 / 0 / 66 / 5

HEX #E4F352

RGB 228 243 82

HSL 65.59, 0.87%, 0.64%

LAB 92.22, -24.68, 72.52

 

CMYK 24 / 0 / 66 / 5

HEX #B8F352

RGB 184 243 82

HSL 81.99, 0.87%, 0.64%

LAB 89.35, -41.66, 68.65

 

CMYK 42 / 0 / 66 / 5

HEX #8CF352

RGB 140 243 82

HSL 98.39, 0.87%, 0.64%

LAB 87.14, -56.63, 65.65

 

CMYK 60 / 0 / 66 / 5

HEX #61F352

RGB 97 243 82

HSL 114.41, 0.87%, 0.64%

LAB 85.63, -68.1, 63.59

 

CMYK 66 / 0 / 55 / 5

HEX #52F36E

RGB 82 243 110

HSL 130.43, 0.87%, 0.64%

LAB 85.51, -68.11, 51.48

 

CMYK 6 / 0 / 66 / 5

HEX #E4F352

RGB 228 243 82

HSL 65.59, 0.87%, 0.64%

LAB 92.22, -24.68, 72.52

 

CMYK 6 / 0 / 66 / 5

HEX #E4F352

RGB 228 243 82

HSL 65.59, 0.87%, 0.64%

LAB 92.22, -24.68, 72.52

 

CMYK 6 / 0 / 58 / 10

HEX #D8E561

RGB 216 229 97

HSL 65.91, 0.72%, 0.64%

LAB 87.73, -21.8, 61.43

 

CMYK 5 / 0 / 48 / 16

HEX #CCD670

RGB 204 214 112

HSL 65.88, 0.55%, 0.64%

LAB 82.97, -17.98, 48.85

 

CMYK 4 / 0 / 37 / 22

HEX #C0C77E

RGB 192 199 126

HSL 65.75, 0.39%, 0.64%

LAB 78.2, -13.7, 35.76

 

CMYK 2 / 0 / 23 / 28

HEX #B4B88D

RGB 180 184 141

HSL 65.58, 0.23%, 0.64%

LAB 73.49, -8.63, 21.44

 

CMYK 0 / 30 / 66 / 5

HEX #F3AB52

RGB 243 171 82

HSL 33.17, 0.87%, 0.64%

LAB 75.32, 18.05, 55.07

 

CMYK 0 / 12 / 66 / 5

HEX #F3D652

RGB 243 214 82

HSL 49.19, 0.87%, 0.64%

LAB 85.88, -4.29, 66.38

 

CMYK 5 / 0 / 66 / 5

HEX #E6F352

RGB 230 243 82

HSL 64.84, 0.87%, 0.64%

LAB 92.37, -23.88, 72.72

 

CMYK 23 / 0 / 66 / 5

HEX #BBF352

RGB 187 243 82

HSL 80.87, 0.87%, 0.64%

LAB 89.52, -40.55, 68.89

 

CMYK 41 / 0 / 66 / 5

HEX #90F352

RGB 144 243 82

HSL 96.89, 0.87%, 0.64%

LAB 87.31, -55.39, 65.89

 

CMYK 9 / 0 / 94 / 10

HEX #D0E50E

RGB 208 229 14

HSL 65.86, 0.88%, 0.48%

LAB 86.74, -28.45, 84.06

 

CMYK 8 / 0 / 82 / 5

HEX #DEF12B

RGB 222 241 43

HSL 65.76, 0.88%, 0.56%

LAB 91.06, -27.8, 83.18

 

CMYK 6 / 0 / 66 / 5

HEX #E4F352

RGB 228 243 82

HSL 65.59, 0.87%, 0.64%

LAB 92.22, -24.68, 72.52

 

CMYK 5 / 0 / 51 / 4

HEX #EAF679

RGB 234 246 121

HSL 65.76, 0.87%, 0.72%

LAB 93.79, -20.97, 58.08

 

CMYK 3 / 0 / 36 / 3

HEX #F0F89F

RGB 240 248 159

HSL 65.39, 0.86%, 0.8%

LAB 95.23, -15.84, 41.89

 

CMYK 7 / 0 / 67 / 4

HEX #E4F451

RGB 228 244 81

HSL 65.89, 0.88%, 0.64%

LAB 92.48, -25.21, 73.16

 

CMYK 66 / 0 / 47 / 5

HEX #52F380

RGB 82 243 128

HSL 137.14, 0.87%, 0.64%

LAB 85.73, -65.61, 43.32

 

CMYK 21 / 66 / 0 / 5

HEX #C052F3

RGB 192 82 243

HSL 280.99, 0.87%, 0.64%

LAB 55.8, 68.11, -61.95

 

CMYK 7 / 0 / 67 / 4

HEX #E4F451

RGB 228 244 81

HSL 65.89, 0.88%, 0.64%

LAB 92.48, -25.21, 73.16

 

CMYK 66 / 5 / 0 / 5

HEX #52E6F3

RGB 82 230 243

HSL 184.84, 0.87%, 0.64%

LAB 84.41, -34.76, -17.84

 

CMYK 0 / 66 / 5 / 5

HEX #F352E6

RGB 243 82 230

HSL 304.84, 0.87%, 0.64%

LAB 62.34, 77.11, -43.84

 

CMYK 7 / 0 / 67 / 4

HEX #E4F451

RGB 228 244 81

HSL 65.89, 0.88%, 0.64%

LAB 92.48, -25.21, 73.16

 

CMYK 66 / 0 / 47 / 5

HEX #52F380

RGB 82 243 128

HSL 137.14, 0.87%, 0.64%

LAB 85.73, -65.61, 43.32

 

CMYK 61 / 66 / 0 / 5

HEX #5F52F3

RGB 95 82 243

HSL 244.84, 0.87%, 0.64%

LAB 45.55, 50.35, -79.05

 

CMYK 0 / 66 / 19 / 5

HEX #F352C6

RGB 243 82 198

HSL 316.77, 0.87%, 0.64%

LAB 60.93, 72.5, -28

 

CMYK 7 / 0 / 67 / 4

HEX #E4F451

RGB 228 244 81

HSL 65.89, 0.88%, 0.64%

LAB 92.48, -25.21, 73.16

 

CMYK 66 / 0 / 28 / 5

HEX #52F3B0

RGB 82 243 176

HSL 155.03, 0.87%, 0.64%

LAB 86.52, -56.97, 20.31

 

CMYK 61 / 66 / 0 / 5

HEX #5F52F3

RGB 95 82 243

HSL 244.84, 0.87%, 0.64%

LAB 45.55, 50.35, -79.05

 

CMYK 0 / 66 / 39 / 5

HEX #F35295

RGB 243 82 149

HSL 335.03, 0.87%, 0.64%

LAB 59.21, 66.67, -2.32

 

Description

Color code: HEX #E4F451 | qconv.com Color code: HEX #E4F451 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 244 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 244 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 67 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 67% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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