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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4D1EF it is the complementary color #1B2E10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4D1EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4D1EF shade: #E9D1EA, #FAE3FD and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4D1EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4D1EF shade: #E4D1EF, #D3BFDC, #C2ADC9, #B19BB6 and #A089A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4D1EF shade: #E4D1EF, #ECD1EF, #EFD1EA, #EFD1E2 and #EFD1DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4D1EF shade: #E4D1EF, #DCD1EF, #D4D1EF and #D1D1EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4D1EF shade matches the following richer shades: #E4D1EF, #E5CCF4, #E6C7F8 and #E8C2FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4D1EF shade: #E4D1EF, #E2D6EA, #E1DBE5, #E0E0E0 and #DFE5DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4D1EF shade: #D4D1EF, #DCD1EF, #E4D1EF, #ECD1EF and #EFD1EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4D1EF shade: #C094D9, #D2B3E4, #E4D1EF and #F6F0F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4D1EF shade: #E4D1EF, #EFD1D6 and #D1EFD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4D1EF shade: #E4D1EF, #EFE4D1 and #D1EFE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4D1EF shade: #E4D1EF, #EFD1D6, #DCEFD1 and #D1EFEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4D1EF shade: #E4D1EF, #EFD5D1, #DCEFD1 and #D1EBEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 13 / 0 / 6

HEX #E4D1EF

RGB 228 209 239

HSL 278, 0.48%, 0.88%

LAB 86.17, 11.95, -12.33

 

Complementary color

CMYK 41 / 0 / 65 / 82

HEX #1B2E10

RGB 27 46 16

HSL 98, 0.48%, 0.12%

LAB 16.62, -14.58, 16.66

 

CMYK 0 / 11 / 0 / 8

HEX #E9D1EA

RGB 233 209 234

HSL 297.6, 0.37%, 0.87%

LAB 86.44, 12.68, -9.24

 

CMYK 1 / 10 / 0 / 1

HEX #FAE3FD

RGB 250 227 253

HSL 293.08, 0.87%, 0.94%

LAB 92.73, 12.34, -9.73

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 5 / 13 / 0 / 6

HEX #E4D1EF

RGB 228 209 239

HSL 278, 0.48%, 0.88%

LAB 86.17, 11.95, -12.33

 

CMYK 4 / 13 / 0 / 14

HEX #D3BFDC

RGB 211 191 220

HSL 281.38, 0.29%, 0.81%

LAB 79.77, 12.29, -11.89

 

CMYK 3 / 14 / 0 / 21

HEX #C2ADC9

RGB 194 173 201

HSL 285, 0.21%, 0.73%

LAB 73.27, 12.66, -11.45

 

CMYK 3 / 15 / 0 / 29

HEX #B19BB6

RGB 177 155 182

HSL 288.89, 0.16%, 0.66%

LAB 66.65, 13.06, -11

 

CMYK 2 / 16 / 0 / 36

HEX #A089A3

RGB 160 137 163

HSL 293.08, 0.12%, 0.59%

LAB 59.9, 13.49, -10.54

 

CMYK 5 / 13 / 0 / 6

HEX #E4D1EF

RGB 228 209 239

HSL 278, 0.48%, 0.88%

LAB 86.17, 11.95, -12.33

 

CMYK 1 / 13 / 0 / 6

HEX #ECD1EF

RGB 236 209 239

HSL 294, 0.48%, 0.88%

LAB 86.83, 14.59, -11.27

 

CMYK 0 / 13 / 2 / 6

HEX #EFD1EA

RGB 239 209 234

HSL 310, 0.48%, 0.88%

LAB 86.94, 14.69, -8.43

 

CMYK 0 / 13 / 5 / 6

HEX #EFD1E2

RGB 239 209 226

HSL 326, 0.48%, 0.88%

LAB 86.72, 13.29, -4.52

 

CMYK 0 / 13 / 9 / 6

HEX #EFD1DA

RGB 239 209 218

HSL 342, 0.48%, 0.88%

LAB 86.51, 11.93, -0.6

 

CMYK 5 / 13 / 0 / 6

HEX #E4D1EF

RGB 228 209 239

HSL 278, 0.48%, 0.88%

LAB 86.17, 11.95, -12.33

 

CMYK 8 / 13 / 0 / 6

HEX #DCD1EF

RGB 220 209 239

HSL 262, 0.48%, 0.88%

LAB 85.53, 9.34, -13.36

 

CMYK 11 / 13 / 0 / 6

HEX #D4D1EF

RGB 212 209 239

HSL 246, 0.48%, 0.88%

LAB 84.91, 6.76, -14.35

 

CMYK 13 / 13 / 0 / 6

HEX #D1D1EF

RGB 209 209 239

HSL 240, 0.48%, 0.88%

LAB 84.68, 5.8, -14.71

 

CMYK 5 / 13 / 0 / 6

HEX #E4D1EF

RGB 228 209 239

HSL 278, 0.48%, 0.88%

LAB 86.17, 11.95, -12.33

 

CMYK 6 / 16 / 0 / 4

HEX #E5CCF4

RGB 229 204 244

HSL 277.5, 0.65%, 0.88%

LAB 85.19, 15.89, -16.45

 

CMYK 7 / 20 / 0 / 3

HEX #E6C7F8

RGB 230 199 248

HSL 277.96, 0.78%, 0.88%

LAB 84.2, 19.64, -20.05

 

CMYK 8 / 23 / 0 / 1

HEX #E8C2FD

RGB 232 194 253

HSL 278.64, 0.94%, 0.88%

LAB 83.35, 23.93, -23.98

 

CMYK 5 / 13 / 0 / 6

HEX #E4D1EF

RGB 228 209 239

HSL 278, 0.48%, 0.88%

LAB 86.17, 11.95, -12.33

 

CMYK 3 / 9 / 0 / 8

HEX #E2D6EA

RGB 226 214 234

HSL 276, 0.32%, 0.88%

LAB 87.1, 7.72, -8.32

 

CMYK 2 / 4 / 0 / 10

HEX #E1DBE5

RGB 225 219 229

HSL 276, 0.16%, 0.88%

LAB 88.13, 3.84, -4.17

 

CMYK 0 / 0 / 0 / 12

HEX #E0E0E0

RGB 224 224 224

HSL 0, 0%, 0.88%

LAB 89.18, 0, -0.01

 

CMYK 3 / 0 / 4 / 10

HEX #DFE5DB

RGB 223 229 219

HSL 96, 0.16%, 0.88%

LAB 90.25, -3.79, 4.16

 

CMYK 11 / 13 / 0 / 6

HEX #D4D1EF

RGB 212 209 239

HSL 246, 0.48%, 0.88%

LAB 84.91, 6.76, -14.35

 

CMYK 8 / 13 / 0 / 6

HEX #DCD1EF

RGB 220 209 239

HSL 262, 0.48%, 0.88%

LAB 85.53, 9.34, -13.36

 

CMYK 5 / 13 / 0 / 6

HEX #E4D1EF

RGB 228 209 239

HSL 278, 0.48%, 0.88%

LAB 86.17, 11.95, -12.33

 

CMYK 1 / 13 / 0 / 6

HEX #ECD1EF

RGB 236 209 239

HSL 294, 0.48%, 0.88%

LAB 86.83, 14.59, -11.27

 

CMYK 0 / 13 / 2 / 6

HEX #EFD1EA

RGB 239 209 234

HSL 310, 0.48%, 0.88%

LAB 86.94, 14.69, -8.43

 

CMYK 12 / 32 / 0 / 15

HEX #C094D9

RGB 192 148 217

HSL 278.26, 0.48%, 0.72%

LAB 67.57, 29.04, -28.93

 

CMYK 8 / 21 / 0 / 11

HEX #D2B3E4

RGB 210 179 228

HSL 277.96, 0.48%, 0.8%

LAB 77.01, 20.02, -20.38

 

CMYK 5 / 13 / 0 / 6

HEX #E4D1EF

RGB 228 209 239

HSL 278, 0.48%, 0.88%

LAB 86.17, 11.95, -12.33

 

CMYK 1 / 4 / 0 / 2

HEX #F6F0F9

RGB 246 240 249

HSL 280, 0.43%, 0.96%

LAB 95.48, 3.6, -3.62

 

CMYK 5 / 13 / 0 / 6

HEX #E4D1EF

RGB 228 209 239

HSL 278, 0.48%, 0.88%

LAB 86.17, 11.95, -12.33

 

CMYK 0 / 13 / 10 / 6

HEX #EFD1D6

RGB 239 209 214

HSL 350, 0.48%, 0.88%

LAB 86.41, 11.27, 1.38

 

CMYK 13 / 0 / 10 / 6

HEX #D1EFD8

RGB 209 239 216

HSL 134, 0.48%, 0.88%

LAB 91.8, -14.06, 7.83

 

CMYK 5 / 13 / 0 / 6

HEX #E4D1EF

RGB 228 209 239

HSL 278, 0.48%, 0.88%

LAB 86.17, 11.95, -12.33

 

CMYK 0 / 5 / 13 / 6

HEX #EFE4D1

RGB 239 228 209

HSL 38, 0.48%, 0.88%

LAB 90.98, 0.6, 10.6

 

CMYK 13 / 0 / 5 / 6

HEX #D1EFE4

RGB 209 239 228

HSL 158, 0.48%, 0.88%

LAB 92.08, -11.85, 2.01

 

CMYK 5 / 13 / 0 / 6

HEX #E4D1EF

RGB 228 209 239

HSL 278, 0.48%, 0.88%

LAB 86.17, 11.95, -12.33

 

CMYK 0 / 13 / 10 / 6

HEX #EFD1D6

RGB 239 209 214

HSL 350, 0.48%, 0.88%

LAB 86.41, 11.27, 1.38

 

CMYK 8 / 0 / 13 / 6

HEX #DCEFD1

RGB 220 239 209

HSL 98, 0.48%, 0.88%

LAB 92.38, -11.58, 12.39

 

CMYK 13 / 0 / 2 / 6

HEX #D1EFEA

RGB 209 239 234

HSL 170, 0.48%, 0.88%

LAB 92.23, -10.7, -0.9

 

CMYK 5 / 13 / 0 / 6

HEX #E4D1EF

RGB 228 209 239

HSL 278, 0.48%, 0.88%

LAB 86.17, 11.95, -12.33

 

CMYK 0 / 11 / 13 / 6

HEX #EFD5D1

RGB 239 213 209

HSL 8, 0.48%, 0.88%

LAB 87.26, 8.36, 5.26

 

CMYK 8 / 0 / 13 / 6

HEX #DCEFD1

RGB 220 239 209

HSL 98, 0.48%, 0.88%

LAB 92.38, -11.58, 12.39

 

CMYK 13 / 2 / 0 / 6

HEX #D1EBEF

RGB 209 235 239

HSL 188, 0.48%, 0.88%

LAB 91.33, -7.7, -4.83

 

Description

Color code: HEX #E4D1EF | qconv.com Color code: HEX #E4D1EF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 209 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 209 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 13 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 13% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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