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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4D877 it is the complementary color #1B2788. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4D877. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4D877 shade: #E9D872, #FAEA85, #FFFC98, #FFFFAB and #FFFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4D877. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4D877 shade: #E4D877, #D3C664, #C2B451, #B1A23E and #A0902B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4D877 shade: #E4D876, #E4BA76, #E49D76, #E47F76 and #E47676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4D877 shade: #E4D876, #D2E476, #B5E476, #97E476 and #7AE476

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4D877 shade matches the following richer shades: #E4D876, #F1E269 and #FEEC5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4D877 shade: #E4D876, #D6CD83, #C9C391, #BCB99E and #AFAEAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4D877 shade: #E49C76, #E4BA76, #E4D776, #D3E476 and #B6E476

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4D877 shade: #D6C431, #DDCE54, #E4D876, #EAE199 and #F1EBBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4D877 shade: #E4D877, #76E47F and #AB76E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4D877 shade: #E4D877, #76E4D7 and #D776E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4D877 shade: #E4D877, #76E47F, #7683E4 and #E476DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4D877 shade: #E4D877, #76E4A0, #7683E4 and #E476BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 48 / 11

HEX #E4D877

RGB 228 216 119

HSL 53.39, 0.67%, 0.68%

LAB 85.47, -8.75, 48.97

 

Complementary color

CMYK 80 / 71 / 0 / 47

HEX #1B2788

RGB 27 39 136

HSL 233.39, 0.67%, 0.32%

LAB 21.81, 31.85, -55.07

 

CMYK 0 / 7 / 51 / 9

HEX #E9D872

RGB 233 216 114

HSL 51.43, 0.73%, 0.68%

LAB 85.83, -7.18, 51.89

 

CMYK 0 / 6 / 47 / 2

HEX #FAEA85

RGB 250 234 133

HSL 51.79, 0.92%, 0.75%

LAB 92.07, -7.76, 50.71

 

CMYK 0 / 1 / 40 / 0

HEX #FFFC98

RGB 255 252 152

HSL 58.25, 1%, 0.8%

LAB 97.29, -12.87, 48.16

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 5 / 48 / 11

HEX #E4D877

RGB 228 216 119

HSL 53.39, 0.67%, 0.68%

LAB 85.47, -8.75, 48.97

 

CMYK 0 / 6 / 53 / 17

HEX #D3C664

RGB 211 198 100

HSL 52.97, 0.56%, 0.61%

LAB 79.13, -8.16, 50.14

 

CMYK 0 / 7 / 58 / 24

HEX #C2B451

RGB 194 180 81

HSL 52.57, 0.48%, 0.54%

LAB 72.7, -7.45, 51.26

 

CMYK 0 / 8 / 65 / 31

HEX #B1A23E

RGB 177 162 62

HSL 52.17, 0.48%, 0.47%

LAB 66.16, -6.6, 52.23

 

CMYK 0 / 10 / 73 / 37

HEX #A0902B

RGB 160 144 43

HSL 51.79, 0.58%, 0.4%

LAB 59.52, -5.56, 52.86

 

CMYK 0 / 5 / 48 / 11

HEX #E4D876

RGB 228 216 118

HSL 53.45, 0.67%, 0.68%

LAB 85.46, -8.84, 49.43

 

CMYK 0 / 18 / 48 / 11

HEX #E4BA76

RGB 228 186 118

HSL 37.09, 0.67%, 0.68%

LAB 77.83, 6.66, 40.01

 

CMYK 0 / 31 / 48 / 11

HEX #E49D76

RGB 228 157 118

HSL 21.27, 0.67%, 0.68%

LAB 70.81, 22.09, 31.02

 

CMYK 0 / 44 / 48 / 11

HEX #E47F76

RGB 228 127 118

HSL 4.91, 0.67%, 0.68%

LAB 64.15, 37.95, 22.18

 

CMYK 0 / 48 / 48 / 11

HEX #E47676

RGB 228 118 118

HSL 0, 0.67%, 0.68%

LAB 62.3, 42.55, 19.68

 

CMYK 0 / 5 / 48 / 11

HEX #E4D876

RGB 228 216 118

HSL 53.45, 0.67%, 0.68%

LAB 85.46, -8.84, 49.43

 

CMYK 8 / 0 / 48 / 11

HEX #D2E476

RGB 210 228 118

HSL 69.82, 0.67%, 0.68%

LAB 87.24, -21.9, 51.26

 

CMYK 21 / 0 / 48 / 11

HEX #B5E476

RGB 181 228 118

HSL 85.64, 0.67%, 0.68%

LAB 85.31, -32.87, 48.47

 

CMYK 34 / 0 / 48 / 11

HEX #97E476

RGB 151 228 118

HSL 102, 0.67%, 0.68%

LAB 83.64, -43.35, 46.04

 

CMYK 46 / 0 / 48 / 11

HEX #7AE476

RGB 122 228 118

HSL 117.82, 0.67%, 0.68%

LAB 82.34, -52.22, 44.15

 

CMYK 0 / 5 / 48 / 11

HEX #E4D876

RGB 228 216 118

HSL 53.45, 0.67%, 0.68%

LAB 85.46, -8.84, 49.43

 

CMYK 0 / 6 / 56 / 5

HEX #F1E269

RGB 241 226 105

HSL 53.38, 0.83%, 0.68%

LAB 88.98, -9.67, 59.86

 

CMYK 0 / 7 / 64 / 0

HEX #FEEC5C

RGB 254 236 92

HSL 53.33, 0.99%, 0.68%

LAB 92.5, -10.2, 69.56

 

CMYK 0 / 5 / 48 / 11

HEX #E4D876

RGB 228 216 118

HSL 53.45, 0.67%, 0.68%

LAB 85.46, -8.84, 49.43

 

CMYK 0 / 4 / 39 / 16

HEX #D6CD83

RGB 214 205 131

HSL 53.49, 0.5%, 0.68%

LAB 81.62, -7.53, 37.95

 

CMYK 0 / 3 / 28 / 21

HEX #C9C391

RGB 201 195 145

HSL 53.57, 0.34%, 0.68%

LAB 78.16, -5.75, 25.94

 

CMYK 0 / 2 / 16 / 26

HEX #BCB99E

RGB 188 185 158

HSL 54, 0.18%, 0.68%

LAB 74.74, -3.55, 14.1

 

CMYK 0 / 1 / 2 / 31

HEX #AFAEAB

RGB 175 174 171

HSL 45, 0.02%, 0.68%

LAB 71.1, -0.2, 1.65

 

CMYK 0 / 32 / 48 / 11

HEX #E49C76

RGB 228 156 118

HSL 20.73, 0.67%, 0.68%

LAB 70.58, 22.63, 30.72

 

CMYK 0 / 18 / 48 / 11

HEX #E4BA76

RGB 228 186 118

HSL 37.09, 0.67%, 0.68%

LAB 77.83, 6.66, 40.01

 

CMYK 0 / 6 / 48 / 11

HEX #E4D776

RGB 228 215 118

HSL 52.91, 0.67%, 0.68%

LAB 85.2, -8.33, 49.12

 

CMYK 7 / 0 / 48 / 11

HEX #D3E476

RGB 211 228 118

HSL 69.27, 0.67%, 0.68%

LAB 87.31, -21.51, 51.36

 

CMYK 20 / 0 / 48 / 11

HEX #B6E476

RGB 182 228 118

HSL 85.09, 0.67%, 0.68%

LAB 85.37, -32.5, 48.56

 

CMYK 0 / 8 / 77 / 16

HEX #D6C431

RGB 214 196 49

HSL 53.45, 0.67%, 0.52%

LAB 78.46, -8.91, 70.29

 

CMYK 0 / 7 / 62 / 13

HEX #DDCE54

RGB 221 206 84

HSL 53.43, 0.67%, 0.6%

LAB 81.92, -9.27, 60.76

 

CMYK 0 / 5 / 48 / 11

HEX #E4D876

RGB 228 216 118

HSL 53.45, 0.67%, 0.68%

LAB 85.46, -8.84, 49.43

 

CMYK 0 / 4 / 35 / 8

HEX #EAE199

RGB 234 225 153

HSL 53.33, 0.66%, 0.76%

LAB 88.75, -7.41, 36.37

 

CMYK 0 / 2 / 22 / 5

HEX #F1EBBB

RGB 241 235 187

HSL 53.33, 0.66%, 0.84%

LAB 92.44, -5.49, 24.07

 

CMYK 0 / 5 / 48 / 11

HEX #E4D877

RGB 228 216 119

HSL 53.39, 0.67%, 0.68%

LAB 85.47, -8.75, 48.97

 

CMYK 48 / 0 / 44 / 11

HEX #76E47F

RGB 118 228 127

HSL 124.91, 0.67%, 0.68%

LAB 82.31, -52.06, 39.69

 

CMYK 25 / 48 / 0 / 11

HEX #AB76E4

RGB 171 118 228

HSL 268.91, 0.67%, 0.68%

LAB 59.17, 41.96, -48.33

 

CMYK 0 / 5 / 48 / 11

HEX #E4D877

RGB 228 216 119

HSL 53.39, 0.67%, 0.68%

LAB 85.47, -8.75, 48.97

 

CMYK 48 / 0 / 6 / 11

HEX #76E4D7

RGB 118 228 215

HSL 172.91, 0.67%, 0.68%

LAB 84.09, -34.71, -3.42

 

CMYK 6 / 48 / 0 / 11

HEX #D776E4

RGB 215 118 228

HSL 292.91, 0.67%, 0.68%

LAB 64.17, 54.03, -40.13

 

CMYK 0 / 5 / 48 / 11

HEX #E4D877

RGB 228 216 119

HSL 53.39, 0.67%, 0.68%

LAB 85.47, -8.75, 48.97

 

CMYK 48 / 0 / 44 / 11

HEX #76E47F

RGB 118 228 127

HSL 124.91, 0.67%, 0.68%

LAB 82.31, -52.06, 39.69

 

CMYK 48 / 43 / 0 / 11

HEX #7683E4

RGB 118 131 228

HSL 232.91, 0.67%, 0.68%

LAB 57.74, 21.05, -50.9

 

CMYK 0 / 48 / 4 / 11

HEX #E476DA

RGB 228 118 218

HSL 305.45, 0.67%, 0.68%

LAB 65.37, 55.92, -32.57

 

CMYK 0 / 5 / 48 / 11

HEX #E4D877

RGB 228 216 119

HSL 53.39, 0.67%, 0.68%

LAB 85.47, -8.75, 48.97

 

CMYK 48 / 0 / 30 / 11

HEX #76E4A0

RGB 118 228 160

HSL 142.91, 0.67%, 0.68%

LAB 82.85, -46.56, 23.68

 

CMYK 48 / 43 / 0 / 11

HEX #7683E4

RGB 118 131 228

HSL 232.91, 0.67%, 0.68%

LAB 57.74, 21.05, -50.9

 

CMYK 0 / 48 / 18 / 11

HEX #E476BA

RGB 228 118 186

HSL 322.91, 0.67%, 0.68%

LAB 64.16, 50.82, -16.43

 

Description

Color code: HEX #E4D877 | qconv.com Color code: HEX #E4D877 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 216 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 216 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 48 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 48% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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