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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4D625 it is the complementary color #1B29DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4D625. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4D625 shade: #E9D620, #FAE833, #FFFA46, #FFFF59 and #FFFF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4D625. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4D625 shade: #E4D625, #D3C412, #C2B200, #B1A000 and #A08E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4D625 shade: #E4D625, #E4A225, #E46F25, #E43B25 and #E42525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4D625 shade: #E4D625, #BEE425, #8BE425, #57E425 and #25E426

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4D625 shade matches the following richer shades: #E4D625 and #F7E611

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4D625 shade: #E4D625, #D0C538, #BCB44C, #A8A360 and #949274

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4D625 shade: #E46E25, #E4A125, #E4D425, #C1E425 and #8EE425

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4D625 shade: #A29814, #C7BA18, #E4D625, #E8DC49 and #EDE36E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4D625 shade: #E4D625, #25E43B and #8725E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4D625 shade: #E4D625, #25E4D4 and #D425E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4D625 shade: #E4D625, #25E43B, #2535E4 and #E425CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4D625 shade: #E4D625, #25E474, #2535E4 and #E42594

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 84 / 11

HEX #E4D625

RGB 228 214 37

HSL 55.6, 0.78%, 0.52%

LAB 84.34, -12.4, 79.09

 

Complementary color

CMYK 88 / 81 / 0 / 15

HEX #1B29DA

RGB 27 41 218

HSL 235.6, 0.78%, 0.48%

LAB 31.53, 58.54, -88.09

 

CMYK 0 / 8 / 86 / 9

HEX #E9D620

RGB 233 214 32

HSL 54.33, 0.82%, 0.52%

LAB 84.75, -10.39, 80.67

 

CMYK 0 / 7 / 80 / 2

HEX #FAE833

RGB 250 232 51

HSL 54.57, 0.95%, 0.59%

LAB 90.91, -11.69, 81.93

 

CMYK 0 / 2 / 73 / 0

HEX #FFFA46

RGB 255 250 70

HSL 58.38, 1%, 0.64%

LAB 96.03, -17.72, 81.1

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF59

RGB 255 255 89

HSL 60, 1%, 0.67%

LAB 97.43, -19.21, 75.87

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 6 / 84 / 11

HEX #E4D625

RGB 228 214 37

HSL 55.6, 0.78%, 0.52%

LAB 84.34, -12.4, 79.09

 

CMYK 0 / 7 / 91 / 17

HEX #D3C412

RGB 211 196 18

HSL 55.34, 0.84%, 0.45%

LAB 78.09, -11, 77.05

 

CMYK 0 / 8 / 100 / 24

HEX #C2B200

RGB 194 178 0

HSL 55.05, 1%, 0.38%

LAB 71.76, -9.41, 73.77

 

CMYK 0 / 10 / 100 / 31

HEX #B1A000

RGB 177 160 0

HSL 54.24, 1%, 0.35%

LAB 65.35, -7.57, 68.45

 

CMYK 0 / 11 / 100 / 37

HEX #A08E00

RGB 160 142 0

HSL 53.25, 1%, 0.31%

LAB 58.81, -5.67, 63.03

 

CMYK 0 / 6 / 84 / 11

HEX #E4D625

RGB 228 214 37

HSL 55.6, 0.78%, 0.52%

LAB 84.34, -12.4, 79.09

 

CMYK 0 / 29 / 84 / 11

HEX #E4A225

RGB 228 162 37

HSL 39.27, 0.78%, 0.52%

LAB 71.19, 14.59, 68.12

 

CMYK 0 / 51 / 84 / 11

HEX #E46F25

RGB 228 111 37

HSL 23.25, 0.78%, 0.52%

LAB 59.89, 41.29, 58.51

 

CMYK 0 / 74 / 84 / 11

HEX #E43B25

RGB 228 59 37

HSL 6.91, 0.78%, 0.52%

LAB 51.56, 63.36, 51.25

 

CMYK 0 / 84 / 84 / 11

HEX #E42525

RGB 228 37 37

HSL 0, 0.78%, 0.52%

LAB 49.44, 69.33, 49.37

 

CMYK 0 / 6 / 84 / 11

HEX #E4D625

RGB 228 214 37

HSL 55.6, 0.78%, 0.52%

LAB 84.34, -12.4, 79.09

 

CMYK 17 / 0 / 84 / 11

HEX #BEE425

RGB 190 228 37

HSL 71.94, 0.78%, 0.52%

LAB 85.29, -34.8, 78.74

 

CMYK 39 / 0 / 84 / 11

HEX #8BE425

RGB 139 228 37

HSL 87.96, 0.78%, 0.52%

LAB 82.44, -53.63, 75.17

 

CMYK 62 / 0 / 84 / 11

HEX #57E425

RGB 87 228 37

HSL 104.29, 0.78%, 0.52%

LAB 80.54, -68.27, 72.77

 

CMYK 84 / 0 / 83 / 11

HEX #25E426

RGB 37 228 38

HSL 120.31, 0.78%, 0.52%

LAB 79.63, -76.13, 71.37

 

CMYK 0 / 6 / 84 / 11

HEX #E4D625

RGB 228 214 37

HSL 55.6, 0.78%, 0.52%

LAB 84.34, -12.4, 79.09

 

CMYK 0 / 7 / 93 / 3

HEX #F7E611

RGB 247 230 17

HSL 55.57, 0.93%, 0.52%

LAB 90.05, -12.66, 87.6

 

CMYK 0 / 6 / 84 / 11

HEX #E4D625

RGB 228 214 37

HSL 55.6, 0.78%, 0.52%

LAB 84.34, -12.4, 79.09

 

CMYK 0 / 5 / 73 / 18

HEX #D0C538

RGB 208 197 56

HSL 55.66, 0.62%, 0.52%

LAB 78.24, -11.7, 67.59

 

CMYK 0 / 4 / 60 / 26

HEX #BCB44C

RGB 188 180 76

HSL 55.71, 0.46%, 0.52%

LAB 72.13, -10.36, 52.77

 

CMYK 0 / 3 / 43 / 34

HEX #A8A360

RGB 168 163 96

HSL 55.83, 0.29%, 0.52%

LAB 66.03, -8.09, 35.37

 

CMYK 0 / 1 / 22 / 42

HEX #949274

RGB 148 146 116

HSL 56.25, 0.13%, 0.52%

LAB 59.99, -4.47, 16.21

 

CMYK 0 / 52 / 84 / 11

HEX #E46E25

RGB 228 110 37

HSL 22.93, 0.78%, 0.52%

LAB 59.69, 41.79, 58.34

 

CMYK 0 / 29 / 84 / 11

HEX #E4A125

RGB 228 161 37

HSL 38.95, 0.78%, 0.52%

LAB 70.95, 15.12, 67.92

 

CMYK 0 / 7 / 84 / 11

HEX #E4D425

RGB 228 212 37

HSL 54.97, 0.78%, 0.52%

LAB 83.82, -11.4, 78.66

 

CMYK 15 / 0 / 84 / 11

HEX #C1E425

RGB 193 228 37

HSL 70.99, 0.78%, 0.52%

LAB 85.48, -33.61, 78.99

 

CMYK 38 / 0 / 84 / 11

HEX #8EE425

RGB 142 228 37

HSL 87.02, 0.78%, 0.52%

LAB 82.58, -52.62, 75.35

 

CMYK 0 / 6 / 88 / 36

HEX #A29814

RGB 162 152 20

HSL 55.77, 0.78%, 0.36%

LAB 61.82, -9.78, 62.05

 

CMYK 0 / 7 / 88 / 22

HEX #C7BA18

RGB 199 186 24

HSL 55.54, 0.78%, 0.44%

LAB 74.4, -11.01, 72.71

 

CMYK 0 / 6 / 84 / 11

HEX #E4D625

RGB 228 214 37

HSL 55.6, 0.78%, 0.52%

LAB 84.34, -12.4, 79.09

 

CMYK 0 / 5 / 69 / 9

HEX #E8DC49

RGB 232 220 73

HSL 55.47, 0.78%, 0.6%

LAB 86.42, -12.35, 70.12

 

CMYK 0 / 4 / 54 / 7

HEX #EDE36E

RGB 237 227 110

HSL 55.28, 0.78%, 0.68%

LAB 88.95, -11.4, 57.5

 

CMYK 0 / 6 / 84 / 11

HEX #E4D625

RGB 228 214 37

HSL 55.6, 0.78%, 0.52%

LAB 84.34, -12.4, 79.09

 

CMYK 84 / 0 / 74 / 11

HEX #25E43B

RGB 37 228 59

HSL 126.91, 0.78%, 0.52%

LAB 79.73, -74.86, 65.46

 

CMYK 41 / 84 / 0 / 11

HEX #8725E4

RGB 135 37 228

HSL 270.79, 0.78%, 0.52%

LAB 41.34, 71.75, -77.33

 

CMYK 0 / 6 / 84 / 11

HEX #E4D625

RGB 228 214 37

HSL 55.6, 0.78%, 0.52%

LAB 84.34, -12.4, 79.09

 

CMYK 84 / 0 / 7 / 11

HEX #25E4D4

RGB 37 228 212

HSL 174.97, 0.78%, 0.52%

LAB 82.18, -47.29, -4.85

 

CMYK 7 / 84 / 0 / 11

HEX #D425E4

RGB 212 37 228

HSL 294.97, 0.78%, 0.52%

LAB 52.86, 83.46, -58.08

 

CMYK 0 / 6 / 84 / 11

HEX #E4D625

RGB 228 214 37

HSL 55.6, 0.78%, 0.52%

LAB 84.34, -12.4, 79.09

 

CMYK 84 / 0 / 74 / 11

HEX #25E43B

RGB 37 228 59

HSL 126.91, 0.78%, 0.52%

LAB 79.73, -74.86, 65.46

 

CMYK 84 / 77 / 0 / 11

HEX #2535E4

RGB 37 53 228

HSL 234.97, 0.78%, 0.52%

LAB 35.09, 56.11, -87.92

 

CMYK 0 / 84 / 10 / 11

HEX #E425CD

RGB 228 37 205

HSL 307.23, 0.78%, 0.52%

LAB 54.26, 82.97, -42.59

 

CMYK 0 / 6 / 84 / 11

HEX #E4D625

RGB 228 214 37

HSL 55.6, 0.78%, 0.52%

LAB 84.34, -12.4, 79.09

 

CMYK 84 / 0 / 49 / 11

HEX #25E474

RGB 37 228 116

HSL 144.82, 0.78%, 0.52%

LAB 80.26, -68.31, 42.07

 

CMYK 84 / 77 / 0 / 11

HEX #2535E4

RGB 37 53 228

HSL 234.97, 0.78%, 0.52%

LAB 35.09, 56.11, -87.92

 

CMYK 0 / 84 / 35 / 11

HEX #E42594

RGB 228 37 148

HSL 325.13, 0.78%, 0.52%

LAB 51.79, 76.16, -13.07

 

Description

Color code: HEX #E4D625 | qconv.com Color code: HEX #E4D625 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 214 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 214 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 84 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 84% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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