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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4CD4D it is the complementary color #1B32B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4CD4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4CD4D shade: #E9CD48, #FADF5B, #FFF16E, #FFFF81 and #FFFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4CD4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4CD4D shade: #E4CD4D, #D3BB3A, #C2A927, #B19714 and #A08501

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4CD4D shade: #E4CD4D, #E4A44D, #E47C4D, #E4534D and #E44D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4CD4D shade: #E4CD4D, #D2E44D, #AAE44D, #81E44D and #58E44D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4CD4D shade matches the following richer shades: #E4CD4D and #F4D83D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4CD4D shade: #E4CD4D, #D3C25E, #C3B66E, #B2AB7F and #A29F8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4CD4D shade: #E47A4D, #E4A34D, #E4CB4D, #D5E44D and #ADE44D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4CD4D shade: #C2A91D, #DFC329, #E4CD4D, #E9D771 and #EFE195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4CD4D shade: #E4CD4D, #4DE452 and #8E4DE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4CD4D shade: #E4CD4D, #4DE4CB and #CB4DE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4CD4D shade: #E4CD4D, #4DE452, #4D66E4 and #E44DDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4CD4D shade: #E4CD4D, #4DE47F, #4D66E4 and #E44DB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 66 / 11

HEX #E4CD4D

RGB 228 205 77

HSL 50.86, 0.74%, 0.6%

LAB 82.21, -6.26, 64.17

 

Complementary color

CMYK 85 / 72 / 0 / 30

HEX #1B32B2

RGB 27 50 178

HSL 230.86, 0.74%, 0.4%

LAB 28.72, 40.34, -69.31

 

CMYK 0 / 12 / 69 / 9

HEX #E9CD48

RGB 233 205 72

HSL 49.57, 0.79%, 0.6%

LAB 82.62, -4.42, 66.72

 

CMYK 0 / 11 / 64 / 2

HEX #FADF5B

RGB 250 223 91

HSL 49.81, 0.94%, 0.67%

LAB 88.85, -5.42, 66

 

CMYK 0 / 5 / 57 / 0

HEX #FFF16E

RGB 255 241 110

HSL 54.21, 1%, 0.72%

LAB 94.01, -11.1, 63.66

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 0 / 10 / 66 / 11

HEX #E4CD4D

RGB 228 205 77

HSL 50.86, 0.74%, 0.6%

LAB 82.21, -6.26, 64.17

 

CMYK 0 / 11 / 73 / 17

HEX #D3BB3A

RGB 211 187 58

HSL 50.59, 0.63%, 0.53%

LAB 75.88, -5.2, 64.7

 

CMYK 0 / 13 / 80 / 24

HEX #C2A927

RGB 194 169 39

HSL 50.32, 0.67%, 0.46%

LAB 69.46, -3.95, 64.65

 

CMYK 0 / 15 / 89 / 31

HEX #B19714

RGB 177 151 20

HSL 50.06, 0.8%, 0.39%

LAB 62.95, -2.46, 63.55

 

CMYK 0 / 17 / 99 / 37

HEX #A08501

RGB 160 133 1

HSL 49.81, 0.99%, 0.32%

LAB 56.34, -0.72, 61.11

 

CMYK 0 / 10 / 66 / 11

HEX #E4CD4D

RGB 228 205 77

HSL 50.86, 0.74%, 0.6%

LAB 82.21, -6.26, 64.17

 

CMYK 0 / 28 / 66 / 11

HEX #E4A44D

RGB 228 164 77

HSL 34.57, 0.74%, 0.6%

LAB 71.95, 15.21, 53.21

 

CMYK 0 / 46 / 66 / 11

HEX #E47C4D

RGB 228 124 77

HSL 18.68, 0.74%, 0.6%

LAB 62.88, 36.37, 42.98

 

CMYK 0 / 64 / 66 / 11

HEX #E4534D

RGB 228 83 77

HSL 2.38, 0.74%, 0.6%

LAB 55.29, 55.89, 33.96

 

CMYK 0 / 66 / 66 / 11

HEX #E44D4D

RGB 228 77 77

HSL 0, 0.74%, 0.6%

LAB 54.38, 58.35, 32.84

 

CMYK 0 / 10 / 66 / 11

HEX #E4CD4D

RGB 228 205 77

HSL 50.86, 0.74%, 0.6%

LAB 82.21, -6.26, 64.17

 

CMYK 8 / 0 / 66 / 11

HEX #D2E44D

RGB 210 228 77

HSL 67.15, 0.74%, 0.6%

LAB 86.86, -25.05, 68.51

 

CMYK 25 / 0 / 66 / 11

HEX #AAE44D

RGB 170 228 77

HSL 83.05, 0.74%, 0.6%

LAB 84.26, -40.56, 65.01

 

CMYK 43 / 0 / 66 / 11

HEX #81E44D

RGB 129 228 77

HSL 99.34, 0.74%, 0.6%

LAB 82.21, -54.54, 62.22

 

CMYK 61 / 0 / 66 / 11

HEX #58E44D

RGB 88 228 77

HSL 115.63, 0.74%, 0.6%

LAB 80.79, -65.41, 60.28

 

CMYK 0 / 10 / 66 / 11

HEX #E4CD4D

RGB 228 205 77

HSL 50.86, 0.74%, 0.6%

LAB 82.21, -6.26, 64.17

 

CMYK 0 / 11 / 75 / 4

HEX #F4D83D

RGB 244 216 61

HSL 50.82, 0.89%, 0.6%

LAB 86.35, -5.88, 74.64

 

CMYK 0 / 10 / 66 / 11

HEX #E4CD4D

RGB 228 205 77

HSL 50.86, 0.74%, 0.6%

LAB 82.21, -6.26, 64.17

 

CMYK 0 / 8 / 55 / 17

HEX #D3C25E

RGB 211 194 94

HSL 51.28, 0.57%, 0.6%

LAB 78.02, -6.59, 51.67

 

CMYK 0 / 7 / 44 / 24

HEX #C3B66E

RGB 195 182 110

HSL 50.82, 0.41%, 0.6%

LAB 73.66, -5.5, 38.22

 

CMYK 0 / 4 / 29 / 30

HEX #B2AB7F

RGB 178 171 127

HSL 51.76, 0.25%, 0.6%

LAB 69.56, -4.51, 23.61

 

CMYK 0 / 2 / 12 / 36

HEX #A29F8F

RGB 162 159 143

HSL 50.53, 0.09%, 0.6%

LAB 65.33, -1.78, 8.73

 

CMYK 0 / 46 / 66 / 11

HEX #E47A4D

RGB 228 122 77

HSL 17.88, 0.74%, 0.6%

LAB 62.46, 37.4, 42.5

 

CMYK 0 / 29 / 66 / 11

HEX #E4A34D

RGB 228 163 77

HSL 34.17, 0.74%, 0.6%

LAB 71.71, 15.74, 52.95

 

CMYK 0 / 11 / 66 / 11

HEX #E4CB4D

RGB 228 203 77

HSL 50.07, 0.74%, 0.6%

LAB 81.7, -5.24, 63.63

 

CMYK 7 / 0 / 66 / 11

HEX #D5E44D

RGB 213 228 77

HSL 65.96, 0.74%, 0.6%

LAB 87.08, -23.84, 68.81

 

CMYK 24 / 0 / 66 / 11

HEX #ADE44D

RGB 173 228 77

HSL 81.85, 0.74%, 0.6%

LAB 84.44, -39.45, 65.24

 

CMYK 0 / 13 / 85 / 24

HEX #C2A91D

RGB 194 169 29

HSL 50.91, 0.74%, 0.44%

LAB 69.42, -4.25, 67.4

 

CMYK 0 / 13 / 82 / 13

HEX #DFC329

RGB 223 195 41

HSL 50.77, 0.74%, 0.52%

LAB 78.97, -4.8, 73.4

 

CMYK 0 / 10 / 66 / 11

HEX #E4CD4D

RGB 228 205 77

HSL 50.86, 0.74%, 0.6%

LAB 82.21, -6.26, 64.17

 

CMYK 0 / 8 / 52 / 9

HEX #E9D771

RGB 233 215 113

HSL 51, 0.73%, 0.68%

LAB 85.56, -6.75, 52.04

 

CMYK 0 / 6 / 38 / 6

HEX #EFE195

RGB 239 225 149

HSL 50.67, 0.74%, 0.76%

LAB 89.1, -5.93, 38.92

 

CMYK 0 / 10 / 66 / 11

HEX #E4CD4D

RGB 228 205 77

HSL 50.86, 0.74%, 0.6%

LAB 82.21, -6.26, 64.17

 

CMYK 66 / 0 / 64 / 11

HEX #4DE452

RGB 77 228 82

HSL 121.99, 0.74%, 0.6%

LAB 80.56, -67.18, 57.92

 

CMYK 38 / 66 / 0 / 11

HEX #8E4DE4

RGB 142 77 228

HSL 265.83, 0.74%, 0.6%

LAB 47.83, 56.83, -66.7

 

CMYK 0 / 10 / 66 / 11

HEX #E4CD4D

RGB 228 205 77

HSL 50.86, 0.74%, 0.6%

LAB 82.21, -6.26, 64.17

 

CMYK 66 / 0 / 11 / 11

HEX #4DE4CB

RGB 77 228 203

HSL 170.07, 0.74%, 0.6%

LAB 82.58, -45.34, 0.57

 

CMYK 11 / 66 / 0 / 11

HEX #CB4DE4

RGB 203 77 228

HSL 290.07, 0.74%, 0.6%

LAB 55.69, 69.66, -53.63

 

CMYK 0 / 10 / 66 / 11

HEX #E4CD4D

RGB 228 205 77

HSL 50.86, 0.74%, 0.6%

LAB 82.21, -6.26, 64.17

 

CMYK 66 / 0 / 64 / 11

HEX #4DE452

RGB 77 228 82

HSL 121.99, 0.74%, 0.6%

LAB 80.56, -67.18, 57.92

 

CMYK 66 / 55 / 0 / 11

HEX #4D66E4

RGB 77 102 228

HSL 230.07, 0.74%, 0.6%

LAB 47.86, 30.89, -66.9

 

CMYK 0 / 66 / 2 / 11

HEX #E44DDF

RGB 228 77 223

HSL 301.99, 0.74%, 0.6%

LAB 59.09, 74.4, -45.19

 

CMYK 0 / 10 / 66 / 11

HEX #E4CD4D

RGB 228 205 77

HSL 50.86, 0.74%, 0.6%

LAB 82.21, -6.26, 64.17

 

CMYK 66 / 0 / 44 / 11

HEX #4DE47F

RGB 77 228 127

HSL 139.87, 0.74%, 0.6%

LAB 81.07, -61.27, 37.85

 

CMYK 66 / 55 / 0 / 11

HEX #4D66E4

RGB 77 102 228

HSL 230.07, 0.74%, 0.6%

LAB 47.86, 30.89, -66.9

 

CMYK 0 / 66 / 22 / 11

HEX #E44DB2

RGB 228 77 178

HSL 319.87, 0.74%, 0.6%

LAB 57.09, 67.85, -22.62

 

Description

Color code: HEX #E4CD4D | qconv.com Color code: HEX #E4CD4D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 205 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 205 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 66 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 66% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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