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Color name
HEX #E4A28D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4A28D it is the complementary color #1B5D72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4A28D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4A28D shade: #E9A288, #FAB49B, #FFC6AE, #FFD8C1 and #FFEAD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4A28D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4A28D shade: #E4A28D, #D3907A, #C27E67, #B16C54 and #A05A41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4A28D shade: #E3A08B and #E38B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4A28D shade: #E3A08B, #E3B88B, #E3D08B, #DFE38B and #C7E38B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4A28D shade matches the following richer shades: #E3A08B, #EF9A7F and #FA9474

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4A28D shade: #E3A08B, #D8A696, #CCACA2, #C1B2AD and #B5B8B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4A28D shade: #E38BA5, #E38B8E, #E39F8B, #E3B78B and #E3CF8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4A28D shade: #D46A48, #DC8569, #E3A08B, #EBBBAC and #F3D7CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4A28D shade: #E4A28D, #BDE38B and #8B9AE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4A28D shade: #E4A28D, #8BE39F and #9F8BE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4A28D shade: #E4A28D, #BDE38B, #8BCFE3 and #B18BE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4A28D shade: #E4A28D, #A2E38B, #8BCFE3 and #CC8BE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 38 / 11

HEX #E4A28D

RGB 228 162 141

HSL 14.48, 0.62%, 0.72%

LAB 72.4, 21.84, 20.67

 

Complementary color

CMYK 76 / 18 / 0 / 55

HEX #1B5D72

RGB 27 93 114

HSL 194.48, 0.62%, 0.28%

LAB 36.51, -12.81, -17.83

 

CMYK 0 / 30 / 42 / 9

HEX #E9A288

RGB 233 162 136

HSL 16.08, 0.69%, 0.72%

LAB 72.85, 23.23, 24.1

 

CMYK 0 / 28 / 38 / 2

HEX #FAB49B

RGB 250 180 155

HSL 15.79, 0.9%, 0.79%

LAB 79.23, 22.36, 22.84

 

CMYK 0 / 22 / 32 / 0

HEX #FFC6AE

RGB 255 198 174

HSL 17.78, 1%, 0.84%

LAB 84.33, 17.07, 19.83

 

CMYK 0 / 15 / 24 / 0

HEX #FFD8C1

RGB 255 216 193

HSL 22.26, 1%, 0.88%

LAB 89.03, 10.2, 16.38

 

CMYK 0 / 8 / 17 / 0

HEX #FFEAD4

RGB 255 234 212

HSL 30.7, 1%, 0.92%

LAB 93.82, 3.67, 13.26

 

CMYK 0 / 29 / 38 / 11

HEX #E4A28D

RGB 228 162 141

HSL 14.48, 0.62%, 0.72%

LAB 72.4, 21.84, 20.67

 

CMYK 0 / 32 / 42 / 17

HEX #D3907A

RGB 211 144 122

HSL 14.83, 0.5%, 0.65%

LAB 65.9, 22.75, 21.97

 

CMYK 0 / 35 / 47 / 24

HEX #C27E67

RGB 194 126 103

HSL 15.16, 0.43%, 0.58%

LAB 59.32, 23.77, 23.4

 

CMYK 0 / 39 / 53 / 31

HEX #B16C54

RGB 177 108 84

HSL 15.48, 0.37%, 0.51%

LAB 52.63, 24.93, 25.01

 

CMYK 0 / 44 / 59 / 37

HEX #A05A41

RGB 160 90 65

HSL 15.79, 0.42%, 0.44%

LAB 45.86, 26.25, 26.84

 

CMYK 0 / 30 / 39 / 11

HEX #E3A08B

RGB 227 160 139

HSL 14.32, 0.61%, 0.72%

LAB 71.78, 22.3, 20.9

 

CMYK 0 / 39 / 39 / 11

HEX #E38B8B

RGB 227 139 139

HSL 0, 0.61%, 0.72%

LAB 67.02, 33.49, 14.31

 

CMYK 0 / 30 / 39 / 11

HEX #E3A08B

RGB 227 160 139

HSL 14.32, 0.61%, 0.72%

LAB 71.78, 22.3, 20.9

 

CMYK 0 / 19 / 39 / 11

HEX #E3B88B

RGB 227 184 139

HSL 30.68, 0.61%, 0.72%

LAB 77.56, 9.48, 28.71

 

CMYK 0 / 8 / 39 / 11

HEX #E3D08B

RGB 227 208 139

HSL 47.05, 0.61%, 0.72%

LAB 83.6, -3.06, 36.66

 

CMYK 2 / 0 / 39 / 11

HEX #DFE38B

RGB 223 227 139

HSL 62.73, 0.61%, 0.72%

LAB 88.2, -14.22, 42.5

 

CMYK 12 / 0 / 39 / 11

HEX #C7E38B

RGB 199 227 139

HSL 79.09, 0.61%, 0.72%

LAB 86.48, -23.34, 39.94

 

CMYK 0 / 30 / 39 / 11

HEX #E3A08B

RGB 227 160 139

HSL 14.32, 0.61%, 0.72%

LAB 71.78, 22.3, 20.9

 

CMYK 0 / 36 / 47 / 6

HEX #EF9A7F

RGB 239 154 127

HSL 14.46, 0.78%, 0.72%

LAB 71.55, 28.88, 27.36

 

CMYK 0 / 41 / 54 / 2

HEX #FA9474

RGB 250 148 116

HSL 14.33, 0.93%, 0.72%

LAB 71.4, 35.27, 33.37

 

CMYK 0 / 30 / 39 / 11

HEX #E3A08B

RGB 227 160 139

HSL 14.32, 0.61%, 0.72%

LAB 71.78, 22.3, 20.9

 

CMYK 0 / 23 / 31 / 15

HEX #D8A696

RGB 216 166 150

HSL 14.55, 0.46%, 0.72%

LAB 72.28, 16.17, 15.38

 

CMYK 0 / 16 / 21 / 20

HEX #CCACA2

RGB 204 172 162

HSL 14.29, 0.29%, 0.72%

LAB 72.86, 10.05, 9.46

 

CMYK 0 / 8 / 10 / 24

HEX #C1B2AD

RGB 193 178 173

HSL 15, 0.14%, 0.72%

LAB 73.67, 4.49, 4.48

 

CMYK 2 / 1 / 0 / 27

HEX #B5B8B9

RGB 181 184 185

HSL 195, 0.03%, 0.72%

LAB 74.58, -0.85, -0.88

 

CMYK 0 / 39 / 27 / 11

HEX #E38BA5

RGB 227 139 165

HSL 342.27, 0.61%, 0.72%

LAB 67.66, 36.75, 0.62

 

CMYK 0 / 39 / 37 / 11

HEX #E38B8E

RGB 227 139 142

HSL 357.95, 0.61%, 0.72%

LAB 67.09, 33.84, 12.72

 

CMYK 0 / 30 / 39 / 11

HEX #E39F8B

RGB 227 159 139

HSL 13.64, 0.61%, 0.72%

LAB 71.55, 22.83, 20.58

 

CMYK 0 / 19 / 39 / 11

HEX #E3B78B

RGB 227 183 139

HSL 30, 0.61%, 0.72%

LAB 77.32, 10.01, 28.38

 

CMYK 0 / 9 / 39 / 11

HEX #E3CF8B

RGB 227 207 139

HSL 46.36, 0.61%, 0.72%

LAB 83.35, -2.54, 36.32

 

CMYK 0 / 50 / 66 / 17

HEX #D46A48

RGB 212 106 72

HSL 14.57, 0.62%, 0.56%

LAB 56.85, 39.08, 38.01

 

CMYK 0 / 40 / 52 / 14

HEX #DC8569

RGB 220 133 105

HSL 14.61, 0.62%, 0.64%

LAB 64.17, 30.54, 29.27

 

CMYK 0 / 30 / 39 / 11

HEX #E3A08B

RGB 227 160 139

HSL 14.32, 0.61%, 0.72%

LAB 71.78, 22.3, 20.9

 

CMYK 0 / 20 / 27 / 8

HEX #EBBBAC

RGB 235 187 172

HSL 14.29, 0.61%, 0.8%

LAB 79.72, 15.1, 14.16

 

CMYK 0 / 12 / 15 / 5

HEX #F3D7CE

RGB 243 215 206

HSL 14.59, 0.61%, 0.88%

LAB 88.02, 8.27, 7.98

 

CMYK 0 / 29 / 38 / 11

HEX #E4A28D

RGB 228 162 141

HSL 14.48, 0.62%, 0.72%

LAB 72.4, 21.84, 20.67

 

CMYK 17 / 0 / 39 / 11

HEX #BDE38B

RGB 189 227 139

HSL 85.91, 0.61%, 0.72%

LAB 85.82, -27.02, 38.96

 

CMYK 39 / 32 / 0 / 11

HEX #8B9AE3

RGB 139 154 227

HSL 229.77, 0.61%, 0.72%

LAB 65.08, 12.52, -38.68

 

CMYK 0 / 29 / 38 / 11

HEX #E4A28D

RGB 228 162 141

HSL 14.48, 0.62%, 0.72%

LAB 72.4, 21.84, 20.67

 

CMYK 39 / 0 / 30 / 11

HEX #8BE39F

RGB 139 227 159

HSL 133.64, 0.61%, 0.72%

LAB 83.41, -40.59, 25.1

 

CMYK 30 / 39 / 0 / 11

HEX #9F8BE3

RGB 159 139 227

HSL 253.64, 0.61%, 0.72%

LAB 62.83, 26.6, -42.09

 

CMYK 0 / 29 / 38 / 11

HEX #E4A28D

RGB 228 162 141

HSL 14.48, 0.62%, 0.72%

LAB 72.4, 21.84, 20.67

 

CMYK 17 / 0 / 39 / 11

HEX #BDE38B

RGB 189 227 139

HSL 85.91, 0.61%, 0.72%

LAB 85.82, -27.02, 38.96

 

CMYK 39 / 9 / 0 / 11

HEX #8BCFE3

RGB 139 207 227

HSL 193.64, 0.61%, 0.72%

LAB 79.42, -16.4, -16.66

 

CMYK 22 / 39 / 0 / 11

HEX #B18BE3

RGB 177 139 227

HSL 265.91, 0.61%, 0.72%

LAB 64.45, 31.73, -39.43

 

CMYK 0 / 29 / 38 / 11

HEX #E4A28D

RGB 228 162 141

HSL 14.48, 0.62%, 0.72%

LAB 72.4, 21.84, 20.67

 

CMYK 29 / 0 / 39 / 11

HEX #A2E38B

RGB 162 227 139

HSL 104.32, 0.61%, 0.72%

LAB 84.22, -36.5, 36.58

 

CMYK 39 / 9 / 0 / 11

HEX #8BCFE3

RGB 139 207 227

HSL 193.64, 0.61%, 0.72%

LAB 79.42, -16.4, -16.66

 

CMYK 10 / 39 / 0 / 11

HEX #CC8BE3

RGB 204 139 227

HSL 284.32, 0.61%, 0.72%

LAB 67.16, 39.71, -35

 

Description

Color code: HEX #E4A28D | qconv.com Color code: HEX #E4A28D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 162 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 162 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 38 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 38% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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