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Color name
HEX #E4960F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4960F it is the complementary color #1B69F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4960F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4960F shade: #E9960A, #FAA81D, #FFBA30, #FFCC43 and #FFDE56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4960F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4960F shade: #E4960F, #D38400, #C27200, #B16000 and #A04E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4960F shade: #E6970E, #E65D0E, #E6230E and #E60E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4960F shade: #E6970E, #E6D10E, #C0E60E, #86E60E and #4CE60E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4960F shade matches the following richer shades: #E6970E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4960F shade: #E6970E, #D29122, #BE8C36, #AA874A and #96825D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4960F shade: #E6240E, #E65D0E, #E6970E, #E6D00E and #C2E60E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4960F shade: #986409, #BF7D0C, #E6970E, #F1A92C and #F4B953

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4960F shade: #E4960F, #32E60E and #400EE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4960F shade: #E4960F, #0EE697 and #970EE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4960F shade: #E4960F, #32E60E, #0E5DE6 and #C20EE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4960F shade: #E4960F, #0EE62B, #0E5DE6 and #E60EC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 93 / 11

HEX #E4960F

RGB 228 150 15

HSL 38.03, 0.88%, 0.48%

LAB 68.27, 20.56, 70.98

 

Complementary color

CMYK 89 / 56 / 0 / 6

HEX #1B69F0

RGB 27 105 240

HSL 218.03, 0.88%, 0.52%

LAB 47.79, 28.43, -73.84

 

CMYK 0 / 36 / 96 / 9

HEX #E9960A

RGB 233 150 10

HSL 37.67, 0.92%, 0.48%

LAB 68.87, 22.64, 72.4

 

CMYK 0 / 33 / 88 / 2

HEX #FAA81D

RGB 250 168 29

HSL 37.74, 0.96%, 0.55%

LAB 75.09, 20.6, 74.41

 

CMYK 0 / 27 / 81 / 0

HEX #FFBA30

RGB 255 186 48

HSL 40, 1%, 0.59%

LAB 79.95, 13.75, 73.45

 

CMYK 0 / 20 / 74 / 0

HEX #FFCC43

RGB 255 204 67

HSL 43.72, 1%, 0.63%

LAB 84.41, 5.11, 71.07

 

CMYK 0 / 13 / 66 / 0

HEX #FFDE56

RGB 255 222 86

HSL 48.28, 1%, 0.67%

LAB 89, -3.15, 68.34

 

CMYK 0 / 34 / 93 / 11

HEX #E4960F

RGB 228 150 15

HSL 38.03, 0.88%, 0.48%

LAB 68.27, 20.56, 70.98

 

CMYK 0 / 37 / 100 / 17

HEX #D38400

RGB 211 132 0

HSL 37.54, 1%, 0.41%

LAB 61.96, 22.76, 67.88

 

CMYK 0 / 41 / 100 / 24

HEX #C27200

RGB 194 114 0

HSL 35.26, 1%, 0.38%

LAB 55.59, 25.17, 62.71

 

CMYK 0 / 46 / 100 / 31

HEX #B16000

RGB 177 96 0

HSL 32.54, 1%, 0.35%

LAB 49.15, 27.65, 57.5

 

CMYK 0 / 51 / 100 / 37

HEX #A04E00

RGB 160 78 0

HSL 29.25, 1%, 0.31%

LAB 42.65, 30.15, 52.26

 

CMYK 0 / 34 / 94 / 10

HEX #E6970E

RGB 230 151 14

HSL 38.06, 0.89%, 0.48%

LAB 68.74, 20.87, 71.58

 

CMYK 0 / 60 / 94 / 10

HEX #E65D0E

RGB 230 93 14

HSL 21.94, 0.89%, 0.48%

LAB 56.77, 50.21, 63.42

 

CMYK 0 / 85 / 94 / 10

HEX #E6230E

RGB 230 35 14

HSL 5.83, 0.89%, 0.48%

LAB 49.56, 69.92, 59.03

 

CMYK 0 / 94 / 94 / 10

HEX #E60E0E

RGB 230 14 14

HSL 0, 0.89%, 0.48%

LAB 48.47, 73.06, 58.42

 

CMYK 0 / 34 / 94 / 10

HEX #E6970E

RGB 230 151 14

HSL 38.06, 0.89%, 0.48%

LAB 68.74, 20.87, 71.58

 

CMYK 0 / 9 / 94 / 10

HEX #E6D10E

RGB 230 209 14

HSL 54.17, 0.89%, 0.48%

LAB 83.16, -9.45, 82.11

 

CMYK 17 / 0 / 94 / 10

HEX #C0E60E

RGB 192 230 14

HSL 70.56, 0.89%, 0.48%

LAB 85.92, -35.39, 82.96

 

CMYK 42 / 0 / 94 / 10

HEX #86E60E

RGB 134 230 14

HSL 86.67, 0.89%, 0.48%

LAB 82.75, -56.64, 79.1

 

CMYK 67 / 0 / 94 / 10

HEX #4CE60E

RGB 76 230 14

HSL 102.78, 0.89%, 0.48%

LAB 80.83, -71.88, 76.74

 

CMYK 0 / 34 / 94 / 10

HEX #E6970E

RGB 230 151 14

HSL 38.06, 0.89%, 0.48%

LAB 68.74, 20.87, 71.58

 

CMYK 0 / 34 / 94 / 10

HEX #E6970E

RGB 230 151 14

HSL 38.06, 0.89%, 0.48%

LAB 68.74, 20.87, 71.58

 

CMYK 0 / 31 / 84 / 18

HEX #D29122

RGB 210 145 34

HSL 37.84, 0.72%, 0.48%

LAB 65.02, 15.85, 62.99

 

CMYK 0 / 26 / 72 / 25

HEX #BE8C36

RGB 190 140 54

HSL 37.94, 0.56%, 0.48%

LAB 61.63, 10.6, 51.4

 

CMYK 0 / 21 / 56 / 33

HEX #AA874A

RGB 170 135 74

HSL 38.13, 0.39%, 0.48%

LAB 58.39, 5.92, 37.5

 

CMYK 0 / 13 / 38 / 41

HEX #96825D

RGB 150 130 93

HSL 38.95, 0.23%, 0.48%

LAB 55.32, 2.06, 22.86

 

CMYK 0 / 84 / 94 / 10

HEX #E6240E

RGB 230 36 14

HSL 6.11, 0.89%, 0.48%

LAB 49.64, 69.72, 59.07

 

CMYK 0 / 60 / 94 / 10

HEX #E65D0E

RGB 230 93 14

HSL 21.94, 0.89%, 0.48%

LAB 56.77, 50.21, 63.42

 

CMYK 0 / 34 / 94 / 10

HEX #E6970E

RGB 230 151 14

HSL 38.06, 0.89%, 0.48%

LAB 68.74, 20.87, 71.58

 

CMYK 0 / 10 / 94 / 10

HEX #E6D00E

RGB 230 208 14

HSL 53.89, 0.89%, 0.48%

LAB 82.9, -8.94, 81.92

 

CMYK 16 / 0 / 94 / 10

HEX #C2E60E

RGB 194 230 14

HSL 70, 0.89%, 0.48%

LAB 86.05, -34.59, 83.12

 

CMYK 0 / 34 / 94 / 40

HEX #986409

RGB 152 100 9

HSL 38.18, 0.89%, 0.32%

LAB 46.72, 14.39, 52.19

 

CMYK 0 / 35 / 94 / 25

HEX #BF7D0C

RGB 191 125 12

HSL 37.88, 0.88%, 0.4%

LAB 57.82, 17.98, 61.92

 

CMYK 0 / 34 / 94 / 10

HEX #E6970E

RGB 230 151 14

HSL 38.06, 0.89%, 0.48%

LAB 68.74, 20.87, 71.58

 

CMYK 0 / 30 / 82 / 5

HEX #F1A92C

RGB 241 169 44

HSL 38.07, 0.88%, 0.56%

LAB 74.35, 16.62, 69.24

 

CMYK 0 / 24 / 66 / 4

HEX #F4B953

RGB 244 185 83

HSL 38.01, 0.88%, 0.64%

LAB 78.78, 11.16, 58.43

 

CMYK 0 / 34 / 93 / 11

HEX #E4960F

RGB 228 150 15

HSL 38.03, 0.88%, 0.48%

LAB 68.27, 20.56, 70.98

 

CMYK 78 / 0 / 94 / 10

HEX #32E60E

RGB 50 230 14

HSL 110, 0.89%, 0.48%

LAB 80.35, -76.04, 76.15

 

CMYK 72 / 94 / 0 / 10

HEX #400EE6

RGB 64 14 230

HSL 253.89, 0.89%, 0.48%

LAB 32.07, 72.02, -94.03

 

CMYK 0 / 34 / 93 / 11

HEX #E4960F

RGB 228 150 15

HSL 38.03, 0.88%, 0.48%

LAB 68.27, 20.56, 70.98

 

CMYK 94 / 0 / 34 / 10

HEX #0EE697

RGB 14 230 151

HSL 158.06, 0.89%, 0.48%

LAB 81.25, -64.02, 25.81

 

CMYK 34 / 94 / 0 / 10

HEX #970EE6

RGB 151 14 230

HSL 278.06, 0.89%, 0.48%

LAB 42.16, 78.8, -77.02

 

CMYK 0 / 34 / 93 / 11

HEX #E4960F

RGB 228 150 15

HSL 38.03, 0.88%, 0.48%

LAB 68.27, 20.56, 70.98

 

CMYK 78 / 0 / 94 / 10

HEX #32E60E

RGB 50 230 14

HSL 110, 0.89%, 0.48%

LAB 80.35, -76.04, 76.15

 

CMYK 94 / 60 / 0 / 10

HEX #0E5DE6

RGB 14 93 230

HSL 218.06, 0.89%, 0.48%

LAB 43.71, 31.78, -74.88

 

CMYK 16 / 94 / 0 / 10

HEX #C20EE6

RGB 194 14 230

HSL 290, 0.89%, 0.48%

LAB 48.88, 84.4, -65.79

 

CMYK 0 / 34 / 93 / 11

HEX #E4960F

RGB 228 150 15

HSL 38.03, 0.88%, 0.48%

LAB 68.27, 20.56, 70.98

 

CMYK 94 / 0 / 81 / 10

HEX #0EE62B

RGB 14 230 43

HSL 128.06, 0.89%, 0.48%

LAB 80.1, -77.96, 70.51

 

CMYK 94 / 60 / 0 / 10

HEX #0E5DE6

RGB 14 93 230

HSL 218.06, 0.89%, 0.48%

LAB 43.71, 31.78, -74.88

 

CMYK 0 / 94 / 13 / 10

HEX #E60EC9

RGB 230 14 201

HSL 308.06, 0.89%, 0.48%

LAB 53.33, 85.97, -41.74

 

Description

Color code: HEX #E4960F | qconv.com Color code: HEX #E4960F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 150 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 150 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 93 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 93% 11% C M Y K

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