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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E48500 it is the complementary color #1B7AFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E48500. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E48500 shade: #E98500, #FA970E, #FFA921, #FFBB34 and #FFCD47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E48500. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E48500 shade: #E48500, #D37300, #C26100, #B14F00 and #A03D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E48500 shade: #E58500, #E54700, #E50A00 and #E50000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E48500 shade: #E58500, #E5C300, #C9E500, #8BE500 and #4DE500

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E48500 shade matches the following richer shades: #E58500

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E48500 shade: #E58500, #D28212, #C07F25, #AD7C37 and #9B794A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E48500 shade: #E50B00, #E54800, #E58500, #E5C300 and #CAE500

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E48500 shade: #925500, #BC6D00, #E58500, #FF9B0F and #FFAC39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E48500 shade: #E48500, #31E500 and #2A00E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E48500 shade: #E48500, #00E585 and #8500E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E48500 shade: #E48500, #31E500, #005FE5 and #B300E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E48500 shade: #E48500, #00E513, #005FE5 and #E500D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 100 / 11

HEX #E48500

RGB 228 133 0

HSL 35, 1%, 0.45%

LAB 64.38, 29.43, 70.51

 

Complementary color

CMYK 89 / 52 / 0 / 0

HEX #1B7AFF

RGB 27 122 255

HSL 215, 1%, 0.55%

LAB 53.35, 23.38, -73.12

 

CMYK 0 / 43 / 100 / 9

HEX #E98500

RGB 233 133 0

HSL 34.25, 1%, 0.46%

LAB 65.04, 31.5, 71.26

 

CMYK 0 / 40 / 94 / 2

HEX #FA970E

RGB 250 151 14

HSL 34.83, 0.96%, 0.52%

LAB 71.21, 29.26, 74.46

 

CMYK 0 / 34 / 87 / 0

HEX #FFA921

RGB 255 169 33

HSL 36.76, 1%, 0.56%

LAB 75.91, 22.25, 74.34

 

CMYK 0 / 27 / 80 / 0

HEX #FFBB34

RGB 255 187 52

HSL 39.9, 1%, 0.6%

LAB 80.21, 13.35, 72.4

 

CMYK 0 / 20 / 72 / 0

HEX #FFCD47

RGB 255 205 71

HSL 43.7, 1%, 0.64%

LAB 84.68, 4.76, 69.84

 

CMYK 0 / 42 / 100 / 11

HEX #E48500

RGB 228 133 0

HSL 35, 1%, 0.45%

LAB 64.38, 29.43, 70.51

 

CMYK 0 / 45 / 100 / 17

HEX #D37300

RGB 211 115 0

HSL 32.7, 1%, 0.41%

LAB 58.14, 31.83, 65.47

 

CMYK 0 / 50 / 100 / 24

HEX #C26100

RGB 194 97 0

HSL 30, 1%, 0.38%

LAB 51.86, 34.24, 60.41

 

CMYK 0 / 55 / 100 / 31

HEX #B14F00

RGB 177 79 0

HSL 26.78, 1%, 0.35%

LAB 45.55, 36.62, 55.36

 

CMYK 0 / 62 / 100 / 37

HEX #A03D00

RGB 160 61 0

HSL 22.88, 1%, 0.31%

LAB 39.26, 38.84, 50.34

 

CMYK 0 / 42 / 100 / 10

HEX #E58500

RGB 229 133 0

HSL 34.85, 1%, 0.45%

LAB 64.51, 29.84, 70.66

 

CMYK 0 / 69 / 100 / 10

HEX #E54700

RGB 229 71 0

HSL 18.6, 1%, 0.45%

LAB 53.13, 58.93, 64.2

 

CMYK 0 / 96 / 100 / 10

HEX #E50A00

RGB 229 10 0

HSL 2.62, 1%, 0.45%

LAB 48.1, 73.05, 62.07

 

CMYK 0 / 100 / 100 / 10

HEX #E50000

RGB 229 0 0

HSL 0, 1%, 0.45%

LAB 47.83, 73.85, 61.97

 

CMYK 0 / 42 / 100 / 10

HEX #E58500

RGB 229 133 0

HSL 34.85, 1%, 0.45%

LAB 64.51, 29.84, 70.66

 

CMYK 0 / 15 / 100 / 10

HEX #E5C300

RGB 229 195 0

HSL 51.09, 1%, 0.45%

LAB 79.44, -2.87, 80.72

 

CMYK 12 / 0 / 100 / 10

HEX #C9E500

RGB 201 229 0

HSL 67.34, 1%, 0.45%

LAB 86.23, -31.45, 84.65

 

CMYK 39 / 0 / 100 / 10

HEX #8BE500

RGB 139 229 0

HSL 83.58, 1%, 0.45%

LAB 82.66, -54.78, 80.36

 

CMYK 66 / 0 / 100 / 10

HEX #4DE500

RGB 77 229 0

HSL 99.83, 1%, 0.45%

LAB 80.53, -71.59, 77.77

 

CMYK 0 / 42 / 100 / 10

HEX #E58500

RGB 229 133 0

HSL 34.85, 1%, 0.45%

LAB 64.51, 29.84, 70.66

 

CMYK 0 / 42 / 100 / 10

HEX #E58500

RGB 229 133 0

HSL 34.85, 1%, 0.45%

LAB 64.51, 29.84, 70.66

 

CMYK 0 / 38 / 91 / 18

HEX #D28212

RGB 210 130 18

HSL 35, 0.84%, 0.45%

LAB 61.4, 23.62, 64.41

 

CMYK 0 / 34 / 81 / 25

HEX #C07F25

RGB 192 127 37

HSL 34.84, 0.68%, 0.45%

LAB 58.53, 17.91, 55.44

 

CMYK 0 / 28 / 68 / 32

HEX #AD7C37

RGB 173 124 55

HSL 35.08, 0.52%, 0.45%

LAB 55.66, 12.04, 44.05

 

CMYK 0 / 22 / 52 / 39

HEX #9B794A

RGB 155 121 74

HSL 34.81, 0.35%, 0.45%

LAB 53.1, 7.24, 30.68

 

CMYK 0 / 95 / 100 / 10

HEX #E50B00

RGB 229 11 0

HSL 2.88, 1%, 0.45%

LAB 48.13, 72.97, 62.08

 

CMYK 0 / 69 / 100 / 10

HEX #E54800

RGB 229 72 0

HSL 18.86, 1%, 0.45%

LAB 53.27, 58.55, 64.26

 

CMYK 0 / 42 / 100 / 10

HEX #E58500

RGB 229 133 0

HSL 34.85, 1%, 0.45%

LAB 64.51, 29.84, 70.66

 

CMYK 0 / 15 / 100 / 10

HEX #E5C300

RGB 229 195 0

HSL 51.09, 1%, 0.45%

LAB 79.44, -2.87, 80.72

 

CMYK 12 / 0 / 100 / 10

HEX #CAE500

RGB 202 229 0

HSL 67.07, 1%, 0.45%

LAB 86.3, -31.04, 84.73

 

CMYK 0 / 42 / 100 / 43

HEX #925500

RGB 146 85 0

HSL 34.93, 1%, 0.29%

LAB 42.17, 20.1, 50.92

 

CMYK 0 / 42 / 100 / 26

HEX #BC6D00

RGB 188 109 0

HSL 34.79, 1%, 0.37%

LAB 53.63, 25.3, 61.07

 

CMYK 0 / 42 / 100 / 10

HEX #E58500

RGB 229 133 0

HSL 34.85, 1%, 0.45%

LAB 64.51, 29.84, 70.66

 

CMYK 0 / 39 / 94 / 0

HEX #FF9B0F

RGB 255 155 15

HSL 35, 1%, 0.53%

LAB 72.72, 29.26, 75.64

 

CMYK 0 / 33 / 78 / 0

HEX #FFAC39

RGB 255 172 57

HSL 34.85, 1%, 0.61%

LAB 76.72, 21.35, 67.46

 

CMYK 0 / 42 / 100 / 11

HEX #E48500

RGB 228 133 0

HSL 35, 1%, 0.45%

LAB 64.38, 29.43, 70.51

 

CMYK 79 / 0 / 100 / 10

HEX #31E500

RGB 49 229 0

HSL 107.16, 1%, 0.45%

LAB 80.01, -76.11, 77.14

 

CMYK 82 / 100 / 0 / 10

HEX #2A00E5

RGB 42 0 229

HSL 251, 1%, 0.45%

LAB 29.79, 73.43, -97.31

 

CMYK 0 / 42 / 100 / 11

HEX #E48500

RGB 228 133 0

HSL 35, 1%, 0.45%

LAB 64.38, 29.43, 70.51

 

CMYK 100 / 0 / 42 / 10

HEX #00E585

RGB 0 229 133

HSL 154.85, 1%, 0.45%

LAB 80.59, -67.58, 34.07

 

CMYK 42 / 100 / 0 / 10

HEX #8500E5

RGB 133 0 229

HSL 274.85, 1%, 0.45%

LAB 38.97, 78.26, -81.79

 

CMYK 0 / 42 / 100 / 11

HEX #E48500

RGB 228 133 0

HSL 35, 1%, 0.45%

LAB 64.38, 29.43, 70.51

 

CMYK 79 / 0 / 100 / 10

HEX #31E500

RGB 49 229 0

HSL 107.16, 1%, 0.45%

LAB 80.01, -76.11, 77.14

 

CMYK 100 / 59 / 0 / 10

HEX #005FE5

RGB 0 95 229

HSL 215.11, 1%, 0.45%

LAB 44, 29.73, -73.83

 

CMYK 22 / 100 / 0 / 10

HEX #B300E5

RGB 179 0 229

HSL 286.9, 1%, 0.45%

LAB 45.96, 83.39, -70.07

 

CMYK 0 / 42 / 100 / 11

HEX #E48500

RGB 228 133 0

HSL 35, 1%, 0.45%

LAB 64.38, 29.43, 70.51

 

CMYK 100 / 0 / 92 / 10

HEX #00E513

RGB 0 229 19

HSL 124.98, 1%, 0.45%

LAB 79.66, -79.1, 74.82

 

CMYK 100 / 59 / 0 / 10

HEX #005FE5

RGB 0 95 229

HSL 215.11, 1%, 0.45%

LAB 44, 29.73, -73.83

 

CMYK 0 / 100 / 8 / 10

HEX #E500D2

RGB 229 0 210

HSL 304.98, 1%, 0.45%

LAB 53.29, 87.97, -46.99

 

Description

Color code: HEX #E48500 | qconv.com Color code: HEX #E48500 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 133 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 133 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 100 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 100% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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