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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4760A it is the complementary color #1B89F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4760A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4760A shade: #E97605, #FA8818, #FF9A2B, #FFAC3E and #FFBE51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4760A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4760A shade: #E4760A, #D36400, #C25200, #B14000 and #A02E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4760A shade: #E67609, #E63B09 and #E60909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4760A shade: #E67609, #E6B209, #DEE609, #A2E609 and #67E609

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4760A shade matches the following richer shades: #E67609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4760A shade: #E67609, #D2771C, #BF7730, #AB7743 and #987757

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4760A shade: #E60914, #E63909, #E67409, #E6AE09 and #E2E609

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4760A shade: #964D06, #BE6207, #E67609, #F58B23 and #F7A04A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4760A shade: #E4760A, #4FE609 and #1B09E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4760A shade: #E4760A, #09E674 and #7409E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4760A shade: #E4760A, #4FE609, #097BE6 and #A009E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4760A shade: #E4760A, #0DE609, #097BE6 and #E209E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 96 / 11

HEX #E4760A

RGB 228 118 10

HSL 29.72, 0.92%, 0.47%

LAB 61.2, 37.3, 66.92

 

Complementary color

CMYK 89 / 44 / 0 / 4

HEX #1B89F5

RGB 27 137 245

HSL 209.72, 0.92%, 0.53%

LAB 56.8, 10.28, -62.04

 

CMYK 0 / 49 / 98 / 9

HEX #E97605

RGB 233 118 5

HSL 29.74, 0.96%, 0.47%

LAB 61.9, 39.24, 68.52

 

CMYK 0 / 46 / 90 / 2

HEX #FA8818

RGB 250 136 24

HSL 29.73, 0.96%, 0.54%

LAB 68.02, 37.1, 70.27

 

CMYK 0 / 40 / 83 / 0

HEX #FF9A2B

RGB 255 154 43

HSL 31.42, 1%, 0.58%

LAB 72.59, 30.28, 68.71

 

CMYK 0 / 33 / 76 / 0

HEX #FFAC3E

RGB 255 172 62

HSL 34.2, 1%, 0.62%

LAB 76.75, 21.53, 65.57

 

CMYK 0 / 25 / 68 / 0

HEX #FFBE51

RGB 255 190 81

HSL 37.59, 1%, 0.66%

LAB 81.12, 13.01, 62.15

 

CMYK 0 / 48 / 96 / 11

HEX #E4760A

RGB 228 118 10

HSL 29.72, 0.92%, 0.47%

LAB 61.2, 37.3, 66.92

 

CMYK 0 / 53 / 100 / 17

HEX #D36400

RGB 211 100 0

HSL 28.44, 1%, 0.41%

LAB 55.03, 39.54, 63.61

 

CMYK 0 / 58 / 100 / 24

HEX #C25200

RGB 194 82 0

HSL 25.36, 1%, 0.38%

LAB 48.89, 41.8, 58.7

 

CMYK 0 / 64 / 100 / 31

HEX #B14000

RGB 177 64 0

HSL 21.69, 1%, 0.35%

LAB 42.78, 43.84, 53.84

 

CMYK 0 / 71 / 100 / 37

HEX #A02E00

RGB 160 46 0

HSL 17.25, 1%, 0.31%

LAB 36.79, 45.46, 49.08

 

CMYK 0 / 49 / 96 / 10

HEX #E67609

RGB 230 118 9

HSL 29.59, 0.92%, 0.47%

LAB 61.48, 38.09, 67.4

 

CMYK 0 / 74 / 96 / 10

HEX #E63B09

RGB 230 59 9

HSL 13.57, 0.92%, 0.47%

LAB 51.8, 63.53, 61.55

 

CMYK 0 / 96 / 96 / 10

HEX #E60909

RGB 230 9 9

HSL 0, 0.92%, 0.47%

LAB 48.31, 73.45, 59.74

 

CMYK 0 / 49 / 96 / 10

HEX #E67609

RGB 230 118 9

HSL 29.59, 0.92%, 0.47%

LAB 61.48, 38.09, 67.4

 

CMYK 0 / 23 / 96 / 10

HEX #E6B209

RGB 230 178 9

HSL 45.88, 0.92%, 0.47%

LAB 75.25, 6.5, 76.86

 

CMYK 3 / 0 / 96 / 10

HEX #DEE609

RGB 222 230 9

HSL 62.17, 0.92%, 0.47%

LAB 88.04, -23.2, 85.94

 

CMYK 30 / 0 / 96 / 10

HEX #A2E609

RGB 162 230 9

HSL 78.46, 0.92%, 0.47%

LAB 84.12, -46.98, 81.23

 

CMYK 55 / 0 / 96 / 10

HEX #67E609

RGB 103 230 9

HSL 94.48, 0.92%, 0.47%

LAB 81.56, -65.81, 78.12

 

CMYK 0 / 49 / 96 / 10

HEX #E67609

RGB 230 118 9

HSL 29.59, 0.92%, 0.47%

LAB 61.48, 38.09, 67.4

 

CMYK 0 / 49 / 96 / 10

HEX #E67609

RGB 230 118 9

HSL 29.59, 0.92%, 0.47%

LAB 61.48, 38.09, 67.4

 

CMYK 0 / 43 / 87 / 18

HEX #D2771C

RGB 210 119 28

HSL 30, 0.76%, 0.47%

LAB 58.96, 29.7, 59.85

 

CMYK 0 / 38 / 75 / 25

HEX #BF7730

RGB 191 119 48

HSL 29.79, 0.6%, 0.47%

LAB 56.57, 22.32, 48.95

 

CMYK 0 / 30 / 61 / 33

HEX #AB7743

RGB 171 119 67

HSL 30, 0.44%, 0.47%

LAB 54.3, 14.78, 36.34

 

CMYK 0 / 22 / 43 / 40

HEX #987757

RGB 152 119 87

HSL 29.54, 0.27%, 0.47%

LAB 52.46, 8.45, 22.51

 

CMYK 0 / 96 / 91 / 10

HEX #E60914

RGB 230 9 20

HSL 357.01, 0.92%, 0.47%

LAB 48.35, 73.56, 56.27

 

CMYK 0 / 75 / 96 / 10

HEX #E63909

RGB 230 57 9

HSL 13.03, 0.92%, 0.47%

LAB 51.57, 64.17, 61.43

 

CMYK 0 / 50 / 96 / 10

HEX #E67409

RGB 230 116 9

HSL 29.05, 0.92%, 0.47%

LAB 61.07, 39.1, 67.14

 

CMYK 0 / 24 / 96 / 10

HEX #E6AE09

RGB 230 174 9

HSL 44.8, 0.92%, 0.47%

LAB 74.26, 8.6, 76.15

 

CMYK 2 / 0 / 96 / 10

HEX #E2E609

RGB 226 230 9

HSL 61.09, 0.92%, 0.47%

LAB 88.34, -21.53, 86.31

 

CMYK 0 / 49 / 96 / 41

HEX #964D06

RGB 150 77 6

HSL 29.58, 0.92%, 0.31%

LAB 40.9, 26.5, 48.66

 

CMYK 0 / 48 / 96 / 25

HEX #BE6207

RGB 190 98 7

HSL 29.84, 0.93%, 0.39%

LAB 51.49, 32.15, 58.4

 

CMYK 0 / 49 / 96 / 10

HEX #E67609

RGB 230 118 9

HSL 29.59, 0.92%, 0.47%

LAB 61.48, 38.09, 67.4

 

CMYK 0 / 43 / 86 / 4

HEX #F58B23

RGB 245 139 35

HSL 29.71, 0.91%, 0.55%

LAB 68.02, 33.77, 66.95

 

CMYK 0 / 35 / 70 / 3

HEX #F7A04A

RGB 247 160 74

HSL 29.83, 0.92%, 0.63%

LAB 73.16, 25.05, 56.54

 

CMYK 0 / 48 / 96 / 11

HEX #E4760A

RGB 228 118 10

HSL 29.72, 0.92%, 0.47%

LAB 61.2, 37.3, 66.92

 

CMYK 66 / 0 / 96 / 10

HEX #4FE609

RGB 79 230 9

HSL 101, 0.92%, 0.47%

LAB 80.89, -71.36, 77.29

 

CMYK 88 / 96 / 0 / 10

HEX #1B09E6

RGB 27 9 230

HSL 244.89, 0.92%, 0.47%

LAB 29.77, 71.92, -97.93

 

CMYK 0 / 48 / 96 / 11

HEX #E4760A

RGB 228 118 10

HSL 29.72, 0.92%, 0.47%

LAB 61.2, 37.3, 66.92

 

CMYK 96 / 0 / 50 / 10

HEX #09E674

RGB 9 230 116

HSL 149.05, 0.92%, 0.47%

LAB 80.69, -70.53, 42.57

 

CMYK 50 / 96 / 0 / 10

HEX #7409E6

RGB 116 9 230

HSL 269.05, 0.92%, 0.47%

LAB 37.15, 75.93, -85.44

 

CMYK 0 / 48 / 96 / 11

HEX #E4760A

RGB 228 118 10

HSL 29.72, 0.92%, 0.47%

LAB 61.2, 37.3, 66.92

 

CMYK 66 / 0 / 96 / 10

HEX #4FE609

RGB 79 230 9

HSL 101, 0.92%, 0.47%

LAB 80.89, -71.36, 77.29

 

CMYK 96 / 47 / 0 / 10

HEX #097BE6

RGB 9 123 230

HSL 209.05, 0.92%, 0.47%

LAB 51.77, 12.45, -61.79

 

CMYK 30 / 96 / 0 / 10

HEX #A009E6

RGB 160 9 230

HSL 281, 0.92%, 0.47%

LAB 43.33, 80.39, -75.05

 

CMYK 0 / 48 / 96 / 11

HEX #E4760A

RGB 228 118 10

HSL 29.72, 0.92%, 0.47%

LAB 61.2, 37.3, 66.92

 

CMYK 94 / 0 / 96 / 10

HEX #0DE609

RGB 13 230 9

HSL 118.91, 0.92%, 0.47%

LAB 80.01, -79.13, 76.21

 

CMYK 96 / 47 / 0 / 10

HEX #097BE6

RGB 9 123 230

HSL 209.05, 0.92%, 0.47%

LAB 51.77, 12.45, -61.79

 

CMYK 2 / 96 / 0 / 10

HEX #E209E6

RGB 226 9 230

HSL 298.91, 0.92%, 0.47%

LAB 54.11, 89.64, -57.09

 

Description

Color code: HEX #E4760A | qconv.com Color code: HEX #E4760A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 118 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 118 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 96 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 96% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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