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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4517F it is the complementary color #1BAE80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4517F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4517F shade: #E9517A, #FA638D, #FF75A0, #FF87B3 and #FF99C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4517F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4517F shade: #E4517F, #D33F6C, #C22D59, #B11B46 and #A00933

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4517F shade: #E45280, #E45259 and #E45252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4517F shade: #E45280, #E452A7, #E452CE, #D252E4 and #AB52E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4517F shade matches the following richer shades: #E45280 and #F4427A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4517F shade: #E45280, #D46386, #C3738C, #B38392 and #A39398

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4517F shade: #E452CE, #E452A7, #E45280, #E4525A and #E47252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4517F shade: #C51E53, #DE2F66, #E45280, #E9769A and #EF9AB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4517F shade: #E4517F, #E4D352 and #52BBE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4517F shade: #E4517F, #80E452 and #5280E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4517F shade: #E4517F, #E4D352, #52E4B6 and #5263E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4517F shade: #E4517F, #C9E452, #52E4B6 and #6D52E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 44 / 11

HEX #E4517F

RGB 228 81 127

HSL 341.22, 0.73%, 0.61%

LAB 56, 60.47, 5.63

 

Complementary color

CMYK 84 / 0 / 26 / 32

HEX #1BAE80

RGB 27 174 128

HSL 161.22, 0.73%, 0.39%

LAB 63.4, -47.4, 13.47

 

CMYK 0 / 65 / 48 / 9

HEX #E9517A

RGB 233 81 122

HSL 343.82, 0.78%, 0.62%

LAB 56.7, 61.53, 9.69

 

CMYK 0 / 60 / 44 / 2

HEX #FA638D

RGB 250 99 141

HSL 343.31, 0.94%, 0.68%

LAB 62.65, 61.07, 7.45

 

CMYK 0 / 54 / 37 / 0

HEX #FF75A0

RGB 255 117 160

HSL 341.3, 1%, 0.73%

LAB 66.92, 56.58, 2.81

 

CMYK 0 / 47 / 30 / 0

HEX #FF87B3

RGB 255 135 179

HSL 338, 1%, 0.76%

LAB 70.76, 50.22, -2.27

 

CMYK 0 / 40 / 22 / 0

HEX #FF99C6

RGB 255 153 198

HSL 333.53, 1%, 0.8%

LAB 74.9, 43.73, -6.7

 

CMYK 0 / 64 / 44 / 11

HEX #E4517F

RGB 228 81 127

HSL 341.22, 0.73%, 0.61%

LAB 56, 60.47, 5.63

 

CMYK 0 / 70 / 49 / 17

HEX #D33F6C

RGB 211 63 108

HSL 341.76, 0.63%, 0.54%

LAB 50.08, 60.63, 8.17

 

CMYK 0 / 77 / 54 / 24

HEX #C22D59

RGB 194 45 89

HSL 342.28, 0.62%, 0.47%

LAB 44.33, 60.27, 11.3

 

CMYK 0 / 85 / 60 / 31

HEX #B11B46

RGB 177 27 70

HSL 342.8, 0.74%, 0.4%

LAB 38.85, 59.11, 15.22

 

CMYK 0 / 94 / 68 / 37

HEX #A00933

RGB 160 9 51

HSL 343.31, 0.89%, 0.33%

LAB 33.79, 56.74, 20.16

 

CMYK 0 / 64 / 44 / 11

HEX #E45280

RGB 228 82 128

HSL 341.1, 0.73%, 0.61%

LAB 56.17, 60.16, 5.29

 

CMYK 0 / 64 / 61 / 11

HEX #E45259

RGB 228 82 89

HSL 357.12, 0.73%, 0.61%

LAB 55.33, 57.02, 27.1

 

CMYK 0 / 64 / 64 / 11

HEX #E45252

RGB 228 82 82

HSL 0, 0.73%, 0.61%

LAB 55.21, 56.59, 31

 

CMYK 0 / 64 / 44 / 11

HEX #E45280

RGB 228 82 128

HSL 341.1, 0.73%, 0.61%

LAB 56.17, 60.16, 5.29

 

CMYK 0 / 64 / 27 / 11

HEX #E452A7

RGB 228 82 167

HSL 325.07, 0.73%, 0.61%

LAB 57.38, 64.49, -15.79

 

CMYK 0 / 64 / 10 / 11

HEX #E452CE

RGB 228 82 206

HSL 309.04, 0.73%, 0.61%

LAB 58.96, 69.89, -35.78

 

CMYK 8 / 64 / 0 / 11

HEX #D252E4

RGB 210 82 228

HSL 292.6, 0.73%, 0.61%

LAB 57.4, 69.22, -50.85

 

CMYK 25 / 64 / 0 / 11

HEX #AB52E4

RGB 171 82 228

HSL 276.58, 0.73%, 0.61%

LAB 52.17, 60.47, -59.52

 

CMYK 0 / 64 / 44 / 11

HEX #E45280

RGB 228 82 128

HSL 341.1, 0.73%, 0.61%

LAB 56.17, 60.16, 5.29

 

CMYK 0 / 73 / 50 / 4

HEX #F4427A

RGB 244 66 122

HSL 341.12, 0.89%, 0.61%

LAB 56.62, 70.14, 9.85

 

CMYK 0 / 64 / 44 / 11

HEX #E45280

RGB 228 82 128

HSL 341.1, 0.73%, 0.61%

LAB 56.17, 60.16, 5.29

 

CMYK 0 / 53 / 37 / 17

HEX #D46386

RGB 212 99 134

HSL 341.42, 0.57%, 0.61%

LAB 56.72, 48.01, 2.24

 

CMYK 0 / 41 / 28 / 24

HEX #C3738C

RGB 195 115 140

HSL 341.25, 0.4%, 0.61%

LAB 57.81, 34.6, 0.03

 

CMYK 0 / 27 / 18 / 30

HEX #B38392

RGB 179 131 146

HSL 341.25, 0.24%, 0.61%

LAB 59.79, 20.77, -0.75

 

CMYK 0 / 10 / 7 / 36

HEX #A39398

RGB 163 147 152

HSL 341.25, 0.08%, 0.61%

LAB 62.44, 6.83, -0.48

 

CMYK 0 / 64 / 10 / 11

HEX #E452CE

RGB 228 82 206

HSL 309.04, 0.73%, 0.61%

LAB 58.96, 69.89, -35.78

 

CMYK 0 / 64 / 27 / 11

HEX #E452A7

RGB 228 82 167

HSL 325.07, 0.73%, 0.61%

LAB 57.38, 64.49, -15.79

 

CMYK 0 / 64 / 44 / 11

HEX #E45280

RGB 228 82 128

HSL 341.1, 0.73%, 0.61%

LAB 56.17, 60.16, 5.29

 

CMYK 0 / 64 / 61 / 11

HEX #E4525A

RGB 228 82 90

HSL 356.71, 0.73%, 0.61%

LAB 55.35, 57.09, 26.54

 

CMYK 0 / 50 / 64 / 11

HEX #E47252

RGB 228 114 82

HSL 13.15, 0.73%, 0.61%

LAB 60.9, 41.76, 37.99

 

CMYK 0 / 85 / 58 / 23

HEX #C51E53

RGB 197 30 83

HSL 340.96, 0.74%, 0.45%

LAB 43.39, 64.57, 13.84

 

CMYK 0 / 79 / 54 / 13

HEX #DE2F66

RGB 222 47 102

HSL 341.14, 0.73%, 0.53%

LAB 50.12, 68.31, 12.16

 

CMYK 0 / 64 / 44 / 11

HEX #E45280

RGB 228 82 128

HSL 341.1, 0.73%, 0.61%

LAB 56.17, 60.16, 5.29

 

CMYK 0 / 49 / 34 / 9

HEX #E9769A

RGB 233 118 154

HSL 341.22, 0.72%, 0.69%

LAB 63.85, 48.16, 1.39

 

CMYK 0 / 36 / 25 / 6

HEX #EF9AB4

RGB 239 154 180

HSL 341.65, 0.73%, 0.77%

LAB 72.73, 35.18, -0.17

 

CMYK 0 / 64 / 44 / 11

HEX #E4517F

RGB 228 81 127

HSL 341.22, 0.73%, 0.61%

LAB 56, 60.47, 5.63

 

CMYK 0 / 7 / 64 / 11

HEX #E4D352

RGB 228 211 82

HSL 53.01, 0.73%, 0.61%

LAB 83.8, -9.01, 63.79

 

CMYK 64 / 18 / 0 / 11

HEX #52BBE4

RGB 82 187 228

HSL 196.85, 0.73%, 0.61%

LAB 71.51, -17.96, -29.46

 

CMYK 0 / 64 / 44 / 11

HEX #E4517F

RGB 228 81 127

HSL 341.22, 0.73%, 0.61%

LAB 56, 60.47, 5.63

 

CMYK 44 / 0 / 64 / 11

HEX #80E452

RGB 128 228 82

HSL 101.1, 0.73%, 0.61%

LAB 82.21, -54.43, 60.21

 

CMYK 64 / 44 / 0 / 11

HEX #5280E4

RGB 82 128 228

HSL 221.1, 0.73%, 0.61%

LAB 54.9, 15.62, -55.54

 

CMYK 0 / 64 / 44 / 11

HEX #E4517F

RGB 228 81 127

HSL 341.22, 0.73%, 0.61%

LAB 56, 60.47, 5.63

 

CMYK 0 / 7 / 64 / 11

HEX #E4D352

RGB 228 211 82

HSL 53.01, 0.73%, 0.61%

LAB 83.8, -9.01, 63.79

 

CMYK 64 / 0 / 20 / 11

HEX #52E4B6

RGB 82 228 182

HSL 161.1, 0.73%, 0.61%

LAB 82.19, -49.6, 11.11

 

CMYK 64 / 57 / 0 / 11

HEX #5263E4

RGB 82 99 228

HSL 233.01, 0.73%, 0.61%

LAB 47.39, 33.51, -67.64

 

CMYK 0 / 64 / 44 / 11

HEX #E4517F

RGB 228 81 127

HSL 341.22, 0.73%, 0.61%

LAB 56, 60.47, 5.63

 

CMYK 12 / 0 / 64 / 11

HEX #C9E452

RGB 201 228 82

HSL 71.1, 0.73%, 0.61%

LAB 86.26, -28.33, 65.75

 

CMYK 64 / 0 / 20 / 11

HEX #52E4B6

RGB 82 228 182

HSL 161.1, 0.73%, 0.61%

LAB 82.19, -49.6, 11.11

 

CMYK 52 / 64 / 0 / 11

HEX #6D52E4

RGB 109 82 228

HSL 251.1, 0.73%, 0.61%

LAB 45.48, 48.05, -70.66

 

Description

Color code: HEX #E4517F | qconv.com Color code: HEX #E4517F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 81 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 81 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 44 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 44% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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