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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E45801 it is the complementary color #1BA7FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E45801. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E45801 shade: #E95800, #FA6A0F, #FF7C22, #FF8E35 and #FFA048

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E45801. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E45801 shade: #E45801, #D34600, #C23400, #B12200 and #A01000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E45801 shade: #E45801, #E41A01 and #E40101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E45801 shade: #E45801, #E49501, #E4D201, #B8E401 and #7BE401

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E45801 shade matches the following richer shades: #E45801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E45801 shade: #E45801, #D15C13, #BF6026, #AC6538 and #9A694B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E45801 shade: #E40123, #E41B01, #E45801, #E49401 and #E4D101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E45801 shade: #923800, #BB4800, #E45801, #FD6B10 and #FE853A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E45801 shade: #E45801, #5FE401 and #0104E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E45801 shade: #E45801, #01E458 and #5801E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E45801 shade: #E45801, #5FE401, #018DE4 and #8501E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E45801 shade: #E45801, #1BE401, #018DE4 and #C901E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 100 / 11

HEX #E45801

RGB 228 88 1

HSL 23, 0.99%, 0.45%

LAB 55.56, 51.6, 65.13

 

Complementary color

CMYK 89 / 34 / 0 / 0

HEX #1BA7FE

RGB 27 167 254

HSL 203, 0.99%, 0.55%

LAB 65.77, -4.04, -52.66

 

CMYK 0 / 62 / 100 / 9

HEX #E95800

RGB 233 88 0

HSL 22.66, 1%, 0.46%

LAB 56.39, 53.37, 66.23

 

CMYK 0 / 58 / 94 / 2

HEX #FA6A0F

RGB 250 106 15

HSL 23.23, 0.96%, 0.52%

LAB 62.23, 51.55, 68.29

 

CMYK 0 / 51 / 87 / 0

HEX #FF7C22

RGB 255 124 34

HSL 24.43, 1%, 0.57%

LAB 66.36, 45.2, 66.52

 

CMYK 0 / 44 / 79 / 0

HEX #FF8E35

RGB 255 142 53

HSL 26.44, 1%, 0.6%

LAB 70.08, 36.74, 62.81

 

CMYK 0 / 37 / 72 / 0

HEX #FFA048

RGB 255 160 72

HSL 28.85, 1%, 0.64%

LAB 74.11, 28.22, 58.73

 

CMYK 0 / 61 / 100 / 11

HEX #E45801

RGB 228 88 1

HSL 23, 0.99%, 0.45%

LAB 55.56, 51.6, 65.13

 

CMYK 0 / 67 / 100 / 17

HEX #D34600

RGB 211 70 0

HSL 19.91, 1%, 0.41%

LAB 49.77, 53.31, 60.74

 

CMYK 0 / 73 / 100 / 24

HEX #C23400

RGB 194 52 0

HSL 16.08, 1%, 0.38%

LAB 44.13, 54.55, 56.25

 

CMYK 0 / 81 / 100 / 31

HEX #B12200

RGB 177 34 0

HSL 11.53, 1%, 0.35%

LAB 38.71, 55.01, 51.9

 

CMYK 0 / 90 / 100 / 37

HEX #A01000

RGB 160 16 0

HSL 6, 1%, 0.31%

LAB 33.66, 54.25, 47.44

 

CMYK 0 / 61 / 100 / 11

HEX #E45801

RGB 228 88 1

HSL 23, 0.99%, 0.45%

LAB 55.56, 51.6, 65.13

 

CMYK 0 / 89 / 100 / 11

HEX #E41A01

RGB 228 26 1

HSL 6.61, 0.99%, 0.45%

LAB 48.55, 70.92, 61.82

 

CMYK 0 / 100 / 100 / 11

HEX #E40101

RGB 228 1 1

HSL 0, 0.99%, 0.45%

LAB 47.65, 73.54, 61.48

 

CMYK 0 / 61 / 100 / 11

HEX #E45801

RGB 228 88 1

HSL 23, 0.99%, 0.45%

LAB 55.56, 51.6, 65.13

 

CMYK 0 / 35 / 100 / 11

HEX #E49501

RGB 228 149 1

HSL 39.12, 0.99%, 0.45%

LAB 68.01, 20.96, 72.72

 

CMYK 0 / 8 / 100 / 11

HEX #E4D201

RGB 228 210 1

HSL 55.24, 0.99%, 0.45%

LAB 83.23, -10.92, 83.29

 

CMYK 19 / 0 / 100 / 11

HEX #B8E401

RGB 184 228 1

HSL 71.63, 0.99%, 0.45%

LAB 84.83, -37.79, 83.01

 

CMYK 46 / 0 / 100 / 11

HEX #7BE401

RGB 123 228 1

HSL 87.75, 0.99%, 0.45%

LAB 81.67, -59.53, 79.21

 

CMYK 0 / 61 / 100 / 11

HEX #E45801

RGB 228 88 1

HSL 23, 0.99%, 0.45%

LAB 55.56, 51.6, 65.13

 

CMYK 0 / 61 / 100 / 11

HEX #E45801

RGB 228 88 1

HSL 23, 0.99%, 0.45%

LAB 55.56, 51.6, 65.13

 

CMYK 0 / 56 / 91 / 18

HEX #D15C13

RGB 209 92 19

HSL 23.05, 0.83%, 0.45%

LAB 53.23, 42.93, 58.12

 

CMYK 0 / 50 / 80 / 25

HEX #BF6026

RGB 191 96 38

HSL 22.75, 0.67%, 0.45%

LAB 51.36, 34.3, 48.34

 

CMYK 0 / 41 / 67 / 33

HEX #AC6538

RGB 172 101 56

HSL 23.28, 0.51%, 0.45%

LAB 49.93, 24.56, 37.13

 

CMYK 0 / 32 / 51 / 40

HEX #9A694B

RGB 154 105 75

HSL 22.78, 0.34%, 0.45%

LAB 48.86, 16.07, 24.72

 

CMYK 0 / 100 / 85 / 11

HEX #E40123

RGB 228 1 35

HSL 351.01, 0.99%, 0.45%

LAB 47.8, 73.95, 48.94

 

CMYK 0 / 88 / 100 / 11

HEX #E41B01

RGB 228 27 1

HSL 6.87, 0.99%, 0.45%

LAB 48.61, 70.76, 61.84

 

CMYK 0 / 61 / 100 / 11

HEX #E45801

RGB 228 88 1

HSL 23, 0.99%, 0.45%

LAB 55.56, 51.6, 65.13

 

CMYK 0 / 35 / 100 / 11

HEX #E49401

RGB 228 148 1

HSL 38.85, 0.99%, 0.45%

LAB 67.78, 21.49, 72.56

 

CMYK 0 / 8 / 100 / 11

HEX #E4D101

RGB 228 209 1

HSL 54.98, 0.99%, 0.45%

LAB 82.97, -10.42, 83.1

 

CMYK 0 / 62 / 100 / 43

HEX #923800

RGB 146 56 0

HSL 23.01, 1%, 0.29%

LAB 35.87, 35.81, 47.18

 

CMYK 0 / 61 / 100 / 27

HEX #BB4800

RGB 187 72 0

HSL 23.1, 1%, 0.37%

LAB 45.91, 43.88, 56.44

 

CMYK 0 / 61 / 100 / 11

HEX #E45801

RGB 228 88 1

HSL 23, 0.99%, 0.45%

LAB 55.56, 51.6, 65.13

 

CMYK 0 / 58 / 94 / 1

HEX #FD6B10

RGB 253 107 16

HSL 23.04, 0.98%, 0.53%

LAB 62.87, 52.19, 68.73

 

CMYK 0 / 48 / 77 / 0

HEX #FE853A

RGB 254 133 58

HSL 22.96, 0.99%, 0.61%

LAB 68.13, 41.05, 58.81

 

CMYK 0 / 61 / 100 / 11

HEX #E45801

RGB 228 88 1

HSL 23, 0.99%, 0.45%

LAB 55.56, 51.6, 65.13

 

CMYK 58 / 0 / 100 / 11

HEX #5FE401

RGB 95 228 1

HSL 95.15, 0.99%, 0.45%

LAB 80.7, -67.27, 78.02

 

CMYK 100 / 98 / 0 / 11

HEX #0104E4

RGB 1 4 228

HSL 239.21, 0.99%, 0.45%

LAB 28.63, 72.07, -98.7

 

CMYK 0 / 61 / 100 / 11

HEX #E45801

RGB 228 88 1

HSL 23, 0.99%, 0.45%

LAB 55.56, 51.6, 65.13

 

CMYK 100 / 0 / 61 / 11

HEX #01E458

RGB 1 228 88

HSL 143, 0.99%, 0.45%

LAB 79.73, -74.02, 54.22

 

CMYK 61 / 100 / 0 / 11

HEX #5801E4

RGB 88 1 228

HSL 263, 0.99%, 0.45%

LAB 33.35, 74.64, -90.71

 

CMYK 0 / 61 / 100 / 11

HEX #E45801

RGB 228 88 1

HSL 23, 0.99%, 0.45%

LAB 55.56, 51.6, 65.13

 

CMYK 58 / 0 / 100 / 11

HEX #5FE401

RGB 95 228 1

HSL 95.15, 0.99%, 0.45%

LAB 80.7, -67.27, 78.02

 

CMYK 100 / 38 / 0 / 11

HEX #018DE4

RGB 1 141 228

HSL 203, 0.99%, 0.45%

LAB 56.74, 0.47, -52.71

 

CMYK 42 / 100 / 0 / 11

HEX #8501E4

RGB 133 1 228

HSL 274.89, 0.99%, 0.45%

LAB 38.92, 77.95, -81.32

 

CMYK 0 / 61 / 100 / 11

HEX #E45801

RGB 228 88 1

HSL 23, 0.99%, 0.45%

LAB 55.56, 51.6, 65.13

 

CMYK 88 / 0 / 100 / 11

HEX #1BE401

RGB 27 228 1

HSL 113.13, 0.99%, 0.45%

LAB 79.46, -77.96, 76.51

 

CMYK 100 / 38 / 0 / 11

HEX #018DE4

RGB 1 141 228

HSL 203, 0.99%, 0.45%

LAB 56.74, 0.47, -52.71

 

CMYK 12 / 100 / 0 / 11

HEX #C901E4

RGB 201 1 228

HSL 292.86, 0.99%, 0.45%

LAB 49.55, 86.15, -63.52

 

Description

Color code: HEX #E45801 | qconv.com Color code: HEX #E45801 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 88 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 88 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 100 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 100% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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