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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E439CF it is the complementary color #1BC630. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E439CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E439CF shade: #E939CA, #FA4BDD, #FF5DF0, #FF6FFF and #FF81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E439CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E439CF shade: #E439CF, #D327BC, #C215A9, #B10396 and #A00083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E439CF shade: #E439CF, #E439A1, #E43973, #E43945 and #E43939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E439CF shade: #E439CF, #CB39E4, #9D39E4, #6F39E4 and #4139E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E439CF shade matches the following richer shades: #E439CF and #F627DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E439CF shade: #E439CF, #D14BC1, #BF5DB3, #AD6FA6 and #9B8298

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E439CF shade: #9D39E4, #CA39E4, #E439D0, #E439A2 and #E43975

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E439CF shade: #B2189F, #D71DC0, #E439CF, #E95DD7 and #ED82E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E439CF shade: #E439CF, #E46F39 and #39E4B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E439CF shade: #E439CF, #D0E439 and #39D0E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E439CF shade: #E439CF, #E46F39, #39E44D and #39AEE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E439CF shade: #E439CF, #E4A239, #39E44D and #397AE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 9 / 11

HEX #E439CF

RGB 228 57 207

HSL 307.37, 0.76%, 0.56%

LAB 56.01, 78.49, -40.98

 

Complementary color

CMYK 86 / 0 / 76 / 22

HEX #1BC630

RGB 27 198 48

HSL 127.37, 0.76%, 0.44%

LAB 70.06, -67.82, 59.48

 

CMYK 0 / 76 / 13 / 9

HEX #E939CA

RGB 233 57 202

HSL 310.57, 0.8%, 0.57%

LAB 56.6, 78.86, -37.14

 

CMYK 0 / 70 / 12 / 2

HEX #FA4BDD

RGB 250 75 221

HSL 309.94, 0.95%, 0.64%

LAB 62.15, 79.79, -39.03

 

CMYK 0 / 64 / 6 / 0

HEX #FF5DF0

RGB 255 93 240

HSL 305.56, 1%, 0.68%

LAB 66.04, 77.38, -43.46

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 75 / 9 / 11

HEX #E439CF

RGB 228 57 207

HSL 307.37, 0.76%, 0.56%

LAB 56.01, 78.49, -40.98

 

CMYK 0 / 82 / 11 / 17

HEX #D327BC

RGB 211 39 188

HSL 308.02, 0.69%, 0.49%

LAB 50.61, 76.89, -38.74

 

CMYK 0 / 89 / 13 / 24

HEX #C215A9

RGB 194 21 169

HSL 308.67, 0.8%, 0.42%

LAB 45.46, 74.31, -35.89

 

CMYK 0 / 98 / 15 / 31

HEX #B10396

RGB 177 3 150

HSL 309.31, 0.97%, 0.35%

LAB 40.6, 70.62, -32.34

 

CMYK 0 / 100 / 18 / 37

HEX #A00083

RGB 160 0 131

HSL 310.88, 1%, 0.31%

LAB 36.2, 65.26, -27.81

 

CMYK 0 / 75 / 9 / 11

HEX #E439CF

RGB 228 57 207

HSL 307.37, 0.76%, 0.56%

LAB 56.01, 78.49, -40.98

 

CMYK 0 / 75 / 29 / 11

HEX #E439A1

RGB 228 57 161

HSL 323.51, 0.76%, 0.56%

LAB 54.02, 72.54, -17.39

 

CMYK 0 / 75 / 50 / 11

HEX #E43973

RGB 228 57 115

HSL 339.65, 0.76%, 0.56%

LAB 52.57, 68.03, 7.9

 

CMYK 0 / 75 / 70 / 11

HEX #E43945

RGB 228 57 69

HSL 355.79, 0.76%, 0.56%

LAB 51.67, 65.11, 34.17

 

CMYK 0 / 75 / 75 / 11

HEX #E43939

RGB 228 57 57

HSL 0, 0.76%, 0.56%

LAB 51.51, 64.61, 40.83

 

CMYK 0 / 75 / 9 / 11

HEX #E439CF

RGB 228 57 207

HSL 307.37, 0.76%, 0.56%

LAB 56.01, 78.49, -40.98

 

CMYK 11 / 75 / 0 / 11

HEX #CB39E4

RGB 203 57 228

HSL 291.23, 0.76%, 0.56%

LAB 53.19, 76.74, -57.63

 

CMYK 31 / 75 / 0 / 11

HEX #9D39E4

RGB 157 57 228

HSL 275.09, 0.76%, 0.56%

LAB 46.57, 68.33, -68.65

 

CMYK 51 / 75 / 0 / 11

HEX #6F39E4

RGB 111 57 228

HSL 258.95, 0.76%, 0.56%

LAB 41.07, 61.11, -77.87

 

CMYK 71 / 75 / 0 / 11

HEX #4139E4

RGB 65 57 228

HSL 242.81, 0.76%, 0.56%

LAB 37.21, 55.89, -84.36

 

CMYK 0 / 75 / 9 / 11

HEX #E439CF

RGB 228 57 207

HSL 307.37, 0.76%, 0.56%

LAB 56.01, 78.49, -40.98

 

CMYK 0 / 84 / 11 / 4

HEX #F627DC

RGB 246 39 220

HSL 307.54, 0.92%, 0.56%

LAB 58.24, 88.03, -44.66

 

CMYK 0 / 75 / 9 / 11

HEX #E439CF

RGB 228 57 207

HSL 307.37, 0.76%, 0.56%

LAB 56.01, 78.49, -40.98

 

CMYK 0 / 64 / 8 / 18

HEX #D14BC1

RGB 209 75 193

HSL 307.16, 0.59%, 0.56%

LAB 54.49, 65.92, -35.55

 

CMYK 0 / 51 / 6 / 25

HEX #BF5DB3

RGB 191 93 179

HSL 307.35, 0.43%, 0.56%

LAB 54.2, 50.75, -28.12

 

CMYK 0 / 36 / 4 / 32

HEX #AD6FA6

RGB 173 111 166

HSL 306.77, 0.27%, 0.56%

LAB 55.08, 33.3, -19.42

 

CMYK 0 / 16 / 2 / 39

HEX #9B8298

RGB 155 130 152

HSL 307.2, 0.11%, 0.56%

LAB 57.27, 13.54, -8.2

 

CMYK 31 / 75 / 0 / 11

HEX #9D39E4

RGB 157 57 228

HSL 275.09, 0.76%, 0.56%

LAB 46.57, 68.33, -68.65

 

CMYK 11 / 75 / 0 / 11

HEX #CA39E4

RGB 202 57 228

HSL 290.88, 0.76%, 0.56%

LAB 53.04, 76.55, -57.88

 

CMYK 0 / 75 / 9 / 11

HEX #E439D0

RGB 228 57 208

HSL 307.02, 0.76%, 0.56%

LAB 56.06, 78.63, -41.47

 

CMYK 0 / 75 / 29 / 11

HEX #E439A2

RGB 228 57 162

HSL 323.16, 0.76%, 0.56%

LAB 54.06, 72.66, -17.93

 

CMYK 0 / 75 / 49 / 11

HEX #E43975

RGB 228 57 117

HSL 338.95, 0.76%, 0.56%

LAB 52.62, 68.19, 6.77

 

CMYK 0 / 87 / 11 / 30

HEX #B2189F

RGB 178 24 159

HSL 307.4, 0.76%, 0.4%

LAB 42.19, 69.32, -35.26

 

CMYK 0 / 87 / 11 / 16

HEX #D71DC0

RGB 215 29 192

HSL 307.42, 0.76%, 0.48%

LAB 50.84, 80.16, -40.65

 

CMYK 0 / 75 / 9 / 11

HEX #E439CF

RGB 228 57 207

HSL 307.37, 0.76%, 0.56%

LAB 56.01, 78.49, -40.98

 

CMYK 0 / 60 / 8 / 9

HEX #E95DD7

RGB 233 93 215

HSL 307.71, 0.76%, 0.64%

LAB 61.7, 68.11, -36.53

 

CMYK 0 / 45 / 5 / 7

HEX #ED82E0

RGB 237 130 224

HSL 307.29, 0.75%, 0.72%

LAB 69.01, 53.67, -30.18

 

CMYK 0 / 75 / 9 / 11

HEX #E439CF

RGB 228 57 207

HSL 307.37, 0.76%, 0.56%

LAB 56.01, 78.49, -40.98

 

CMYK 0 / 51 / 75 / 11

HEX #E46F39

RGB 228 111 57

HSL 18.95, 0.76%, 0.56%

LAB 60.03, 41.97, 49.91

 

CMYK 75 / 0 / 21 / 11

HEX #39E4B3

RGB 57 228 179

HSL 162.81, 0.76%, 0.56%

LAB 81.63, -53.86, 11.82

 

CMYK 0 / 75 / 9 / 11

HEX #E439CF

RGB 228 57 207

HSL 307.37, 0.76%, 0.56%

LAB 56.01, 78.49, -40.98

 

CMYK 9 / 0 / 75 / 11

HEX #D0E439

RGB 208 228 57

HSL 67.02, 0.76%, 0.56%

LAB 86.6, -26.86, 75.11

 

CMYK 75 / 9 / 0 / 11

HEX #39D0E4

RGB 57 208 228

HSL 187.02, 0.76%, 0.56%

LAB 77.03, -31.86, -21.07

 

CMYK 0 / 75 / 9 / 11

HEX #E439CF

RGB 228 57 207

HSL 307.37, 0.76%, 0.56%

LAB 56.01, 78.49, -40.98

 

CMYK 0 / 51 / 75 / 11

HEX #E46F39

RGB 228 111 57

HSL 18.95, 0.76%, 0.56%

LAB 60.03, 41.97, 49.91

 

CMYK 75 / 0 / 66 / 11

HEX #39E44D

RGB 57 228 77

HSL 127.02, 0.76%, 0.56%

LAB 80.12, -70.98, 59.35

 

CMYK 75 / 24 / 0 / 11

HEX #39AEE4

RGB 57 174 228

HSL 198.95, 0.76%, 0.56%

LAB 67.08, -14.59, -36.37

 

CMYK 0 / 75 / 9 / 11

HEX #E439CF

RGB 228 57 207

HSL 307.37, 0.76%, 0.56%

LAB 56.01, 78.49, -40.98

 

CMYK 0 / 29 / 75 / 11

HEX #E4A239

RGB 228 162 57

HSL 36.84, 0.76%, 0.56%

LAB 71.3, 15.27, 61.22

 

CMYK 75 / 0 / 66 / 11

HEX #39E44D

RGB 57 228 77

HSL 127.02, 0.76%, 0.56%

LAB 80.12, -70.98, 59.35

 

CMYK 75 / 46 / 0 / 11

HEX #397AE4

RGB 57 122 228

HSL 217.19, 0.76%, 0.56%

LAB 52.28, 15.7, -59.8

 

Description

Color code: HEX #E439CF | qconv.com Color code: HEX #E439CF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 57 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 57 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 9 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 9% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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