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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E42E1F it is the complementary color #1BD1E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E42E1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E42E1F shade: #E92E1A, #FA402D, #FF5240, #FF6453 and #FF7666

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E42E1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E42E1F shade: #E42E1F, #D31C0C, #C20A00, #B10000 and #A00000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E42E1F shade: #E32F20 and #E32020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E42E1F shade: #E32F20, #E36320, #E39820, #E3CD20 and #C5E320

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E42E1F shade matches the following richer shades: #E32F20 and #F71E0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E42E1F shade: #E32F20, #CF4034, #BB5149, #A6625D and #927371

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E42E1F shade: #E3207B, #E32047, #E32D20, #E36120 and #E39520

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E42E1F shade: #9E1E13, #C22518, #E32F20, #E85145 and #EC736A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E42E1F shade: #E42E1F, #AFE320 and #2061E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E42E1F shade: #E42E1F, #20E32D and #2D20E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E42E1F shade: #E42E1F, #AFE320, #20D6E3 and #5420E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E42E1F shade: #E42E1F, #75E320, #20D6E3 and #8F20E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 86 / 11

HEX #E42E1F

RGB 228 46 31

HSL 4.57, 0.78%, 0.51%

LAB 50.15, 67.06, 52.82

 

Complementary color

CMYK 88 / 7 / 0 / 12

HEX #1BD1E0

RGB 27 209 224

HSL 184.57, 0.78%, 0.49%

LAB 76.81, -35.92, -19.3

 

CMYK 0 / 80 / 89 / 9

HEX #E92E1A

RGB 233 46 26

HSL 5.8, 0.82%, 0.51%

LAB 51.1, 68.38, 56.09

 

CMYK 0 / 74 / 82 / 2

HEX #FA402D

RGB 250 64 45

HSL 5.56, 0.95%, 0.58%

LAB 56.27, 68.53, 53.22

 

CMYK 0 / 68 / 75 / 0

HEX #FF5240

RGB 255 82 64

HSL 5.65, 1%, 0.63%

LAB 59.58, 64.43, 47.22

 

CMYK 0 / 61 / 67 / 0

HEX #FF6453

RGB 255 100 83

HSL 5.93, 1%, 0.66%

LAB 62.51, 58, 40.35

 

CMYK 0 / 54 / 60 / 0

HEX #FF7666

RGB 255 118 102

HSL 6.27, 1%, 0.7%

LAB 65.89, 50.99, 34.09

 

CMYK 0 / 80 / 86 / 11

HEX #E42E1F

RGB 228 46 31

HSL 4.57, 0.78%, 0.51%

LAB 50.15, 67.06, 52.82

 

CMYK 0 / 87 / 94 / 17

HEX #D31C0C

RGB 211 28 12

HSL 4.82, 0.89%, 0.44%

LAB 45.23, 66.16, 55.14

 

CMYK 0 / 95 / 100 / 24

HEX #C20A00

RGB 194 10 0

HSL 3.09, 1%, 0.38%

LAB 40.71, 64.19, 54.84

 

CMYK 0 / 100 / 100 / 31

HEX #B10000

RGB 177 0 0

HSL 0, 1%, 0.35%

LAB 36.64, 60.91, 51.04

 

CMYK 0 / 100 / 100 / 37

HEX #A00000

RGB 160 0 0

HSL 0, 1%, 0.31%

LAB 32.86, 56.54, 46.95

 

CMYK 0 / 79 / 86 / 11

HEX #E32F20

RGB 227 47 32

HSL 4.62, 0.78%, 0.51%

LAB 50.06, 66.53, 52.21

 

CMYK 0 / 86 / 86 / 11

HEX #E32020

RGB 227 32 32

HSL 0, 0.78%, 0.51%

LAB 48.84, 69.98, 51.21

 

CMYK 0 / 79 / 86 / 11

HEX #E32F20

RGB 227 47 32

HSL 4.62, 0.78%, 0.51%

LAB 50.06, 66.53, 52.21

 

CMYK 0 / 56 / 86 / 11

HEX #E36320

RGB 227 99 32

HSL 20.62, 0.78%, 0.51%

LAB 57.42, 46.62, 58.26

 

CMYK 0 / 33 / 86 / 11

HEX #E39820

RGB 227 152 32

HSL 36.92, 0.78%, 0.51%

LAB 68.67, 19.37, 67.43

 

CMYK 0 / 10 / 86 / 11

HEX #E3CD20

RGB 227 205 32

HSL 53.23, 0.78%, 0.51%

LAB 81.89, -8.42, 78.15

 

CMYK 13 / 0 / 86 / 11

HEX #C5E320

RGB 197 227 32

HSL 69.23, 0.78%, 0.51%

LAB 85.46, -31.68, 80.1

 

CMYK 0 / 79 / 86 / 11

HEX #E32F20

RGB 227 47 32

HSL 4.62, 0.78%, 0.51%

LAB 50.06, 66.53, 52.21

 

CMYK 0 / 88 / 95 / 3

HEX #F71E0C

RGB 247 30 12

HSL 4.6, 0.94%, 0.51%

LAB 52.65, 75.28, 63.08

 

CMYK 0 / 79 / 86 / 11

HEX #E32F20

RGB 227 47 32

HSL 4.62, 0.78%, 0.51%

LAB 50.06, 66.53, 52.21

 

CMYK 0 / 69 / 75 / 19

HEX #CF4034

RGB 207 64 52

HSL 4.65, 0.62%, 0.51%

LAB 48.49, 55.47, 39.19

 

CMYK 0 / 57 / 61 / 27

HEX #BB5149

RGB 187 81 73

HSL 4.21, 0.46%, 0.51%

LAB 48.17, 42.2, 25.93

 

CMYK 0 / 41 / 44 / 35

HEX #A6625D

RGB 166 98 93

HSL 4.11, 0.29%, 0.51%

LAB 49.05, 26.94, 14.7

 

CMYK 0 / 21 / 23 / 43

HEX #927371

RGB 146 115 113

HSL 3.64, 0.13%, 0.51%

LAB 51.34, 11.84, 5.75

 

CMYK 0 / 86 / 46 / 11

HEX #E3207B

RGB 227 32 123

HSL 332, 0.78%, 0.51%

LAB 50.45, 74.59, -0.03

 

CMYK 0 / 86 / 69 / 11

HEX #E32047

RGB 227 32 71

HSL 348, 0.78%, 0.51%

LAB 49.28, 71.24, 30.04

 

CMYK 0 / 80 / 86 / 11

HEX #E32D20

RGB 227 45 32

HSL 4, 0.78%, 0.51%

LAB 49.87, 67.05, 52.06

 

CMYK 0 / 57 / 86 / 11

HEX #E36120

RGB 227 97 32

HSL 20, 0.78%, 0.51%

LAB 57.06, 47.56, 57.96

 

CMYK 0 / 34 / 86 / 11

HEX #E39520

RGB 227 149 32

HSL 36, 0.78%, 0.51%

LAB 67.97, 20.97, 66.86

 

CMYK 0 / 81 / 88 / 38

HEX #9E1E13

RGB 158 30 19

HSL 4.75, 0.79%, 0.35%

LAB 34.49, 50.66, 39.82

 

CMYK 0 / 81 / 88 / 24

HEX #C22518

RGB 194 37 24

HSL 4.59, 0.78%, 0.43%

LAB 42.55, 59.55, 47.06

 

CMYK 0 / 79 / 86 / 11

HEX #E32F20

RGB 227 47 32

HSL 4.62, 0.78%, 0.51%

LAB 50.06, 66.53, 52.21

 

CMYK 0 / 65 / 70 / 9

HEX #E85145

RGB 232 81 69

HSL 4.42, 0.78%, 0.59%

LAB 55.55, 57.63, 38.93

 

CMYK 0 / 51 / 55 / 7

HEX #EC736A

RGB 236 115 106

HSL 4.15, 0.77%, 0.67%

LAB 62.62, 45.91, 27.1

 

CMYK 0 / 80 / 86 / 11

HEX #E42E1F

RGB 228 46 31

HSL 4.57, 0.78%, 0.51%

LAB 50.15, 67.06, 52.82

 

CMYK 23 / 0 / 86 / 11

HEX #AFE320

RGB 175 227 32

HSL 76, 0.78%, 0.51%

LAB 84.05, -40.36, 78.35

 

CMYK 86 / 57 / 0 / 11

HEX #2061E3

RGB 32 97 227

HSL 220, 0.78%, 0.51%

LAB 44.8, 28.9, -71.37

 

CMYK 0 / 80 / 86 / 11

HEX #E42E1F

RGB 228 46 31

HSL 4.57, 0.78%, 0.51%

LAB 50.15, 67.06, 52.82

 

CMYK 86 / 0 / 80 / 11

HEX #20E32D

RGB 32 227 45

HSL 124, 0.78%, 0.51%

LAB 79.29, -75.93, 69.27

 

CMYK 80 / 86 / 0 / 11

HEX #2D20E3

RGB 45 32 227

HSL 244, 0.78%, 0.51%

LAB 32.12, 65.56, -92.27

 

CMYK 0 / 80 / 86 / 11

HEX #E42E1F

RGB 228 46 31

HSL 4.57, 0.78%, 0.51%

LAB 50.15, 67.06, 52.82

 

CMYK 23 / 0 / 86 / 11

HEX #AFE320

RGB 175 227 32

HSL 76, 0.78%, 0.51%

LAB 84.05, -40.36, 78.35

 

CMYK 86 / 6 / 0 / 11

HEX #20D6E3

RGB 32 214 227

HSL 184, 0.78%, 0.51%

LAB 78.43, -37.05, -18.45

 

CMYK 63 / 86 / 0 / 11

HEX #5420E3

RGB 84 32 227

HSL 256, 0.78%, 0.51%

LAB 34.93, 67.8, -87.52

 

CMYK 0 / 80 / 86 / 11

HEX #E42E1F

RGB 228 46 31

HSL 4.57, 0.78%, 0.51%

LAB 50.15, 67.06, 52.82

 

CMYK 48 / 0 / 86 / 11

HEX #75E320

RGB 117 227 32

HSL 93.85, 0.78%, 0.51%

LAB 81.19, -60.34, 74.79

 

CMYK 86 / 6 / 0 / 11

HEX #20D6E3

RGB 32 214 227

HSL 184, 0.78%, 0.51%

LAB 78.43, -37.05, -18.45

 

CMYK 37 / 86 / 0 / 11

HEX #8F20E3

RGB 143 32 227

HSL 274.15, 0.78%, 0.51%

LAB 41.87, 73.9, -75.83

 

Description

Color code: HEX #E42E1F | qconv.com Color code: HEX #E42E1F | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 46 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 46 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 86 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 86% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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