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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E42AF7 it is the complementary color #1BD508. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E42AF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E42AF7 shade: #E92AF2, #FA3CFF, #FF4EFF, #FF60FF and #FF72FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E42AF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E42AF7 shade: #E42AF7, #D318E4, #C206D1, #B100BE and #A000AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E42AF7 shade: #E42BF7, #F72BD3, #F72B9C, #F72B65 and #F72B2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E42AF7 shade: #E42BF7, #AD2BF7, #762BF7, #3F2BF7 and #2B2BF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E42AF7 shade matches the following richer shades: #E42BF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E42AF7 shade: #E42BF7, #D53DE5, #C74ED3, #B960C2 and #AA72B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E42AF7 shade: #762BF7, #AC2BF7, #E22BF7, #F72BD5 and #F72B9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E42AF7 shade: #B607C8, #DB08F0, #E42BF7, #E953F8 and #EE7BFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E42AF7 shade: #E42AF7, #F73F2B and #2BF791

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E42AF7 shade: #E42AF7, #F7E22B and #2BF7E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E42AF7 shade: #E42AF7, #F73F2B, #3FF72B and #2BE2F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E42AF7 shade: #E42AF7, #F77C2B, #3FF72B and #2BA5F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 83 / 0 / 3

HEX #E42AF7

RGB 228 42 247

HSL 294.44, 0.93%, 0.57%

LAB 56.94, 88.17, -62.06

 

Complementary color

CMYK 87 / 0 / 96 / 16

HEX #1BD508

RGB 27 213 8

HSL 114.44, 0.93%, 0.43%

LAB 74.72, -73.75, 72.02

 

CMYK 4 / 83 / 0 / 5

HEX #E92AF2

RGB 233 42 242

HSL 297.3, 0.88%, 0.56%

LAB 57.45, 88.25, -58.41

 

CMYK 2 / 76 / 0 / 0

HEX #FA3CFF

RGB 250 60 255

HSL 298.46, 1%, 0.62%

LAB 62.32, 89.16, -57.7

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 8 / 83 / 0 / 3

HEX #E42AF7

RGB 228 42 247

HSL 294.44, 0.93%, 0.57%

LAB 56.94, 88.17, -62.06

 

CMYK 7 / 89 / 0 / 11

HEX #D318E4

RGB 211 24 228

HSL 295, 0.81%, 0.49%

LAB 51.95, 85.48, -59.55

 

CMYK 7 / 97 / 0 / 18

HEX #C206D1

RGB 194 6 209

HSL 295.57, 0.94%, 0.42%

LAB 47.24, 81.73, -56.44

 

CMYK 7 / 100 / 0 / 25

HEX #B100BE

RGB 177 0 190

HSL 295.89, 1%, 0.37%

LAB 42.86, 76.69, -52.6

 

CMYK 6 / 100 / 0 / 33

HEX #A000AB

RGB 160 0 171

HSL 296.14, 1%, 0.34%

LAB 38.58, 71.05, -48.41

 

CMYK 8 / 83 / 0 / 3

HEX #E42BF7

RGB 228 43 247

HSL 294.41, 0.93%, 0.57%

LAB 57.01, 87.96, -61.94

 

CMYK 0 / 83 / 15 / 3

HEX #F72BD3

RGB 247 43 211

HSL 310.59, 0.93%, 0.57%

LAB 58.23, 86.28, -39.55

 

CMYK 0 / 83 / 37 / 3

HEX #F72B9C

RGB 247 43 156

HSL 326.76, 0.93%, 0.57%

LAB 55.99, 80.04, -11.14

 

CMYK 0 / 83 / 59 / 3

HEX #F72B65

RGB 247 43 101

HSL 342.94, 0.93%, 0.57%

LAB 54.49, 75.69, 19.52

 

CMYK 0 / 83 / 81 / 3

HEX #F72B2E

RGB 247 43 46

HSL 359.12, 0.93%, 0.57%

LAB 53.71, 73.34, 50.13

 

CMYK 8 / 83 / 0 / 3

HEX #E42BF7

RGB 228 43 247

HSL 294.41, 0.93%, 0.57%

LAB 57.01, 87.96, -61.94

 

CMYK 30 / 83 / 0 / 3

HEX #AD2BF7

RGB 173 43 247

HSL 278.24, 0.93%, 0.57%

LAB 48.67, 79.24, -75.85

 

CMYK 52 / 83 / 0 / 3

HEX #762BF7

RGB 118 43 247

HSL 262.06, 0.93%, 0.57%

LAB 41.68, 72.26, -87.58

 

CMYK 74 / 83 / 0 / 3

HEX #3F2BF7

RGB 63 43 247

HSL 245.88, 0.93%, 0.57%

LAB 36.93, 67.77, -95.59

 

CMYK 83 / 83 / 0 / 3

HEX #2B2BF7

RGB 43 43 247

HSL 240, 0.93%, 0.57%

LAB 35.9, 66.83, -97.33

 

CMYK 8 / 83 / 0 / 3

HEX #E42BF7

RGB 228 43 247

HSL 294.41, 0.93%, 0.57%

LAB 57.01, 87.96, -61.94

 

CMYK 8 / 83 / 0 / 3

HEX #E42BF7

RGB 228 43 247

HSL 294.41, 0.93%, 0.57%

LAB 57.01, 87.96, -61.94

 

CMYK 7 / 73 / 0 / 10

HEX #D53DE5

RGB 213 61 229

HSL 294.29, 0.76%, 0.57%

LAB 55.22, 77.62, -54.87

 

CMYK 6 / 63 / 0 / 17

HEX #C74ED3

RGB 199 78 211

HSL 294.59, 0.6%, 0.57%

LAB 54.34, 65.28, -46.2

 

CMYK 5 / 51 / 0 / 24

HEX #B960C2

RGB 185 96 194

HSL 294.49, 0.45%, 0.57%

LAB 54.63, 50.24, -36.15

 

CMYK 3 / 35 / 0 / 31

HEX #AA72B0

RGB 170 114 176

HSL 294.19, 0.28%, 0.57%

LAB 55.8, 32.57, -24.12

 

CMYK 52 / 83 / 0 / 3

HEX #762BF7

RGB 118 43 247

HSL 262.06, 0.93%, 0.57%

LAB 41.68, 72.26, -87.58

 

CMYK 30 / 83 / 0 / 3

HEX #AC2BF7

RGB 172 43 247

HSL 277.94, 0.93%, 0.57%

LAB 48.53, 79.1, -76.09

 

CMYK 9 / 83 / 0 / 3

HEX #E22BF7

RGB 226 43 247

HSL 293.82, 0.93%, 0.57%

LAB 56.7, 87.62, -62.47

 

CMYK 0 / 83 / 14 / 3

HEX #F72BD5

RGB 247 43 213

HSL 310, 0.93%, 0.57%

LAB 58.33, 86.54, -40.54

 

CMYK 0 / 83 / 36 / 3

HEX #F72B9E

RGB 247 43 158

HSL 326.18, 0.93%, 0.57%

LAB 56.06, 80.23, -12.22

 

CMYK 9 / 97 / 0 / 22

HEX #B607C8

RGB 182 7 200

HSL 294.4, 0.93%, 0.41%

LAB 44.61, 78.38, -55.57

 

CMYK 9 / 97 / 0 / 6

HEX #DB08F0

RGB 219 8 240

HSL 294.57, 0.94%, 0.49%

LAB 53.52, 90.13, -63.73

 

CMYK 8 / 83 / 0 / 3

HEX #E42BF7

RGB 228 43 247

HSL 294.41, 0.93%, 0.57%

LAB 57.01, 87.96, -61.94

 

CMYK 6 / 67 / 0 / 3

HEX #E953F8

RGB 233 83 248

HSL 294.55, 0.92%, 0.65%

LAB 61.9, 77.41, -54.64

 

CMYK 5 / 51 / 0 / 2

HEX #EE7BFA

RGB 238 123 250

HSL 294.33, 0.93%, 0.73%

LAB 68.93, 61.89, -44.6

 

CMYK 8 / 83 / 0 / 3

HEX #E42AF7

RGB 228 42 247

HSL 294.44, 0.93%, 0.57%

LAB 56.94, 88.17, -62.06

 

CMYK 0 / 74 / 83 / 3

HEX #F73F2B

RGB 247 63 43

HSL 5.88, 0.93%, 0.57%

LAB 55.59, 67.9, 53.35

 

CMYK 83 / 0 / 41 / 3

HEX #2BF791

RGB 43 247 145

HSL 150, 0.93%, 0.57%

LAB 86.54, -69.29, 35.93

 

CMYK 8 / 83 / 0 / 3

HEX #E42AF7

RGB 228 42 247

HSL 294.44, 0.93%, 0.57%

LAB 56.94, 88.17, -62.06

 

CMYK 0 / 9 / 83 / 3

HEX #F7E22B

RGB 247 226 43

HSL 53.82, 0.93%, 0.57%

LAB 89.08, -10.2, 82.3

 

CMYK 83 / 0 / 9 / 3

HEX #2BF7E2

RGB 43 247 226

HSL 173.82, 0.93%, 0.57%

LAB 88.22, -51.1, -3.32

 

CMYK 8 / 83 / 0 / 3

HEX #E42AF7

RGB 228 42 247

HSL 294.44, 0.93%, 0.57%

LAB 56.94, 88.17, -62.06

 

CMYK 0 / 74 / 83 / 3

HEX #F73F2B

RGB 247 63 43

HSL 5.88, 0.93%, 0.57%

LAB 55.59, 67.9, 53.35

 

CMYK 74 / 0 / 83 / 3

HEX #3FF72B

RGB 63 247 43

HSL 114.12, 0.93%, 0.57%

LAB 85.88, -78.24, 75.98

 

CMYK 83 / 9 / 0 / 3

HEX #2BE2F7

RGB 43 226 247

HSL 186.18, 0.93%, 0.57%

LAB 82.71, -35.84, -22.59

 

CMYK 8 / 83 / 0 / 3

HEX #E42AF7

RGB 228 42 247

HSL 294.44, 0.93%, 0.57%

LAB 56.94, 88.17, -62.06

 

CMYK 0 / 50 / 83 / 3

HEX #F77C2B

RGB 247 124 43

HSL 23.82, 0.93%, 0.57%

LAB 65.25, 42.35, 61.95

 

CMYK 74 / 0 / 83 / 3

HEX #3FF72B

RGB 63 247 43

HSL 114.12, 0.93%, 0.57%

LAB 85.88, -78.24, 75.98

 

CMYK 83 / 33 / 0 / 3

HEX #2BA5F7

RGB 43 165 247

HSL 204.12, 0.93%, 0.57%

LAB 65.07, -4.39, -49.94

 

Description

Color code: HEX #E42AF7 | qconv.com Color code: HEX #E42AF7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 42 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 42 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 83 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 83% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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