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Color name
HEX #E429C1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E429C1 it is the complementary color #1BD63E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E429C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E429C1 shade: #E929BC, #FA3BCF, #FF4DE2, #FF5FF5 and #FF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E429C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E429C1 shade: #E429C1, #D317AE, #C2059B, #B10088 and #A00075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E429C1 shade: #E429C1, #E4298F, #E4295C, #E4292A and #E42929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E429C1 shade: #E429C1, #D529E4, #A229E4, #7029E4 and #3D29E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E429C1 shade matches the following richer shades: #E429C1 and #F816CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E429C1 shade: #E429C1, #D13DB5, #BD50A9, #AA639D and #977791

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E429C1 shade: #A329E4, #D529E4, #E429C2, #E42990 and #E4295E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E429C1 shade: #A7148B, #CB19AA, #E429C1, #E94ECC and #ED73D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E429C1 shade: #E429C1, #E47129 and #29E4BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E429C1 shade: #E429C1, #C2E429 and #29C2E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E429C1 shade: #E429C1, #E47129, #29E44B and #299CE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E429C1 shade: #E429C1, #E4A929, #29E44B and #2964E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 15 / 11

HEX #E429C1

RGB 228 41 193

HSL 311.23, 0.78%, 0.53%

LAB 53.95, 80.56, -36.17

 

Complementary color

CMYK 87 / 0 / 71 / 16

HEX #1BD63E

RGB 27 214 62

HSL 131.23, 0.78%, 0.47%

LAB 75.25, -71.39, 59.82

 

CMYK 0 / 82 / 19 / 9

HEX #E929BC

RGB 233 41 188

HSL 314.06, 0.81%, 0.54%

LAB 54.6, 80.95, -32.21

 

CMYK 0 / 76 / 17 / 2

HEX #FA3BCF

RGB 250 59 207

HSL 313.51, 0.95%, 0.61%

LAB 59.85, 82.66, -34.7

 

CMYK 0 / 70 / 11 / 0

HEX #FF4DE2

RGB 255 77 226

HSL 309.78, 1%, 0.65%

LAB 63.39, 80.97, -39.83

 

CMYK 0 / 63 / 4 / 0

HEX #FF5FF5

RGB 255 95 245

HSL 303.75, 1%, 0.69%

LAB 66.55, 77.39, -45.43

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 82 / 15 / 11

HEX #E429C1

RGB 228 41 193

HSL 311.23, 0.78%, 0.53%

LAB 53.95, 80.56, -36.17

 

CMYK 0 / 89 / 18 / 17

HEX #D317AE

RGB 211 23 174

HSL 311.81, 0.8%, 0.46%

LAB 48.91, 77.97, -33.21

 

CMYK 0 / 97 / 20 / 24

HEX #C2059B

RGB 194 5 155

HSL 312.38, 0.95%, 0.39%

LAB 44.15, 74.28, -29.56

 

CMYK 0 / 100 / 23 / 31

HEX #B10088

RGB 177 0 136

HSL 313.9, 1%, 0.35%

LAB 39.79, 69.18, -25.04

 

CMYK 0 / 100 / 27 / 37

HEX #A00075

RGB 160 0 117

HSL 316.13, 1%, 0.31%

LAB 35.51, 63.53, -20.1

 

CMYK 0 / 82 / 15 / 11

HEX #E429C1

RGB 228 41 193

HSL 311.23, 0.78%, 0.53%

LAB 53.95, 80.56, -36.17

 

CMYK 0 / 82 / 37 / 11

HEX #E4298F

RGB 228 41 143

HSL 327.27, 0.78%, 0.53%

LAB 51.91, 74.81, -9.9

 

CMYK 0 / 82 / 60 / 11

HEX #E4295C

RGB 228 41 92

HSL 343.64, 0.78%, 0.53%

LAB 50.51, 70.72, 18.97

 

CMYK 0 / 82 / 82 / 11

HEX #E4292A

RGB 228 41 42

HSL 359.68, 0.78%, 0.53%

LAB 49.79, 68.55, 47.16

 

CMYK 0 / 82 / 82 / 11

HEX #E42929

RGB 228 41 41

HSL 0, 0.78%, 0.53%

LAB 49.79, 68.53, 47.67

 

CMYK 0 / 82 / 15 / 11

HEX #E429C1

RGB 228 41 193

HSL 311.23, 0.78%, 0.53%

LAB 53.95, 80.56, -36.17

 

CMYK 7 / 82 / 0 / 11

HEX #D529E4

RGB 213 41 228

HSL 295.19, 0.78%, 0.53%

LAB 53.31, 82.79, -57.35

 

CMYK 29 / 82 / 0 / 11

HEX #A229E4

RGB 162 41 228

HSL 278.82, 0.78%, 0.53%

LAB 45.45, 74.39, -70.44

 

CMYK 51 / 82 / 0 / 11

HEX #7029E4

RGB 112 41 228

HSL 262.78, 0.78%, 0.53%

LAB 38.95, 67.68, -81.35

 

CMYK 73 / 82 / 0 / 11

HEX #3D29E4

RGB 61 41 228

HSL 246.42, 0.78%, 0.53%

LAB 34.35, 63.12, -89.1

 

CMYK 0 / 82 / 15 / 11

HEX #E429C1

RGB 228 41 193

HSL 311.23, 0.78%, 0.53%

LAB 53.95, 80.56, -36.17

 

CMYK 0 / 91 / 17 / 3

HEX #F816CD

RGB 248 22 205

HSL 311.42, 0.94%, 0.53%

LAB 57.02, 88.96, -38.02

 

CMYK 0 / 82 / 15 / 11

HEX #E429C1

RGB 228 41 193

HSL 311.23, 0.78%, 0.53%

LAB 53.95, 80.56, -36.17

 

CMYK 0 / 71 / 13 / 18

HEX #D13DB5

RGB 209 61 181

HSL 311.35, 0.62%, 0.53%

LAB 52.1, 69.26, -32.35

 

CMYK 0 / 58 / 11 / 26

HEX #BD50A9

RGB 189 80 169

HSL 311.01, 0.45%, 0.53%

LAB 51.18, 54.68, -27

 

CMYK 0 / 42 / 8 / 33

HEX #AA639D

RGB 170 99 157

HSL 310.99, 0.29%, 0.53%

LAB 51.73, 37.26, -19.32

 

CMYK 0 / 21 / 4 / 41

HEX #977791

RGB 151 119 145

HSL 311.25, 0.13%, 0.53%

LAB 53.83, 17.08, -9.32

 

CMYK 29 / 82 / 0 / 11

HEX #A329E4

RGB 163 41 228

HSL 279.14, 0.78%, 0.53%

LAB 45.6, 74.55, -70.2

 

CMYK 7 / 82 / 0 / 11

HEX #D529E4

RGB 213 41 228

HSL 295.19, 0.78%, 0.53%

LAB 53.31, 82.79, -57.35

 

CMYK 0 / 82 / 15 / 11

HEX #E429C2

RGB 228 41 194

HSL 310.91, 0.78%, 0.53%

LAB 54, 80.69, -36.67

 

CMYK 0 / 82 / 37 / 11

HEX #E42990

RGB 228 41 144

HSL 326.95, 0.78%, 0.53%

LAB 51.94, 74.91, -10.45

 

CMYK 0 / 82 / 59 / 11

HEX #E4295E

RGB 228 41 94

HSL 342.99, 0.78%, 0.53%

LAB 50.56, 70.85, 17.81

 

CMYK 0 / 88 / 17 / 35

HEX #A7148B

RGB 167 20 139

HSL 311.43, 0.79%, 0.37%

LAB 38.86, 65.05, -28.48

 

CMYK 0 / 88 / 16 / 20

HEX #CB19AA

RGB 203 25 170

HSL 311.12, 0.78%, 0.45%

LAB 47.36, 75.58, -33.37

 

CMYK 0 / 82 / 15 / 11

HEX #E429C1

RGB 228 41 193

HSL 311.23, 0.78%, 0.53%

LAB 53.95, 80.56, -36.17

 

CMYK 0 / 67 / 12 / 9

HEX #E94ECC

RGB 233 78 204

HSL 311.23, 0.78%, 0.61%

LAB 59.1, 72.33, -34.38

 

CMYK 0 / 51 / 10 / 7

HEX #ED73D6

RGB 237 115 214

HSL 311.31, 0.77%, 0.69%

LAB 65.84, 59.27, -29.5

 

CMYK 0 / 82 / 15 / 11

HEX #E429C1

RGB 228 41 193

HSL 311.23, 0.78%, 0.53%

LAB 53.95, 80.56, -36.17

 

CMYK 0 / 50 / 82 / 11

HEX #E47129

RGB 228 113 41

HSL 23.1, 0.78%, 0.53%

LAB 60.31, 40.41, 57.3

 

CMYK 82 / 0 / 18 / 11

HEX #29E4BC

RGB 41 228 188

HSL 167.17, 0.78%, 0.53%

LAB 81.61, -53.27, 7.03

 

CMYK 0 / 82 / 15 / 11

HEX #E429C1

RGB 228 41 193

HSL 311.23, 0.78%, 0.53%

LAB 53.95, 80.56, -36.17

 

CMYK 15 / 0 / 82 / 11

HEX #C2E429

RGB 194 228 41

HSL 70.91, 0.78%, 0.53%

LAB 85.56, -33.09, 78.17

 

CMYK 82 / 15 / 0 / 11

HEX #29C2E4

RGB 41 194 228

HSL 190.91, 0.78%, 0.53%

LAB 72.67, -26.51, -27.76

 

CMYK 0 / 82 / 15 / 11

HEX #E429C1

RGB 228 41 193

HSL 311.23, 0.78%, 0.53%

LAB 53.95, 80.56, -36.17

 

CMYK 0 / 50 / 82 / 11

HEX #E47129

RGB 228 113 41

HSL 23.1, 0.78%, 0.53%

LAB 60.31, 40.41, 57.3

 

CMYK 82 / 0 / 67 / 11

HEX #29E44B

RGB 41 228 75

HSL 130.91, 0.78%, 0.53%

LAB 79.88, -73.11, 59.82

 

CMYK 82 / 32 / 0 / 11

HEX #299CE4

RGB 41 156 228

HSL 203.1, 0.78%, 0.53%

LAB 61.52, -6.26, -45.1

 

CMYK 0 / 82 / 15 / 11

HEX #E429C1

RGB 228 41 193

HSL 311.23, 0.78%, 0.53%

LAB 53.95, 80.56, -36.17

 

CMYK 0 / 26 / 82 / 11

HEX #E4A929

RGB 228 169 41

HSL 41.07, 0.78%, 0.53%

LAB 72.91, 10.98, 68.38

 

CMYK 82 / 0 / 67 / 11

HEX #29E44B

RGB 41 228 75

HSL 130.91, 0.78%, 0.53%

LAB 79.88, -73.11, 59.82

 

CMYK 82 / 56 / 0 / 11

HEX #2964E4

RGB 41 100 228

HSL 221.07, 0.78%, 0.53%

LAB 45.89, 28.01, -70.16

 

Description

Color code: HEX #E429C1 | qconv.com Color code: HEX #E429C1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 41 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 41 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 15 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 15% 11% C M Y K

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Provide designers and agencies with accurate color values.

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