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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E42527 it is the complementary color #1BDAD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E42527. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E42527 shade: #E92522, #FA3735, #FF4948, #FF5B5B and #FF6D6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E42527. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E42527 shade: #E42527, #D31314, #C20101, #B10000 and #A00000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E42527 shade: #E42527 and #E42525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E42527 shade: #E42527, #E4255A, #E4258E, #E425C1 and #D325E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E42527 shade matches the following richer shades: #E42527 and #F71113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E42527 shade: #E42527, #D0383A, #BC4C4D, #A86061 and #947474

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E42527 shade: #E4258E, #E4255B, #E42528, #E45425 and #E48725

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E42527 shade: #A21415, #C7181A, #E42527, #E8494B and #ED6E6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E42527 shade: #E42527, #C1E425 and #2574E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E42527 shade: #E42527, #28E425 and #2528E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E42527 shade: #E42527, #C1E425, #25E4E0 and #4825E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E42527 shade: #E42527, #87E425, #25E4E0 and #8125E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 83 / 11

HEX #E42527

RGB 228 37 39

HSL 359.37, 0.78%, 0.52%

LAB 49.45, 69.38, 48.38

 

Complementary color

CMYK 88 / 0 / 1 / 15

HEX #1BDAD8

RGB 27 218 216

HSL 179.37, 0.78%, 0.48%

LAB 79.23, -42.41, -11.37

 

CMYK 0 / 84 / 85 / 9

HEX #E92522

RGB 233 37 34

HSL 0.9, 0.82%, 0.52%

LAB 50.41, 70.61, 52.05

 

CMYK 0 / 78 / 79 / 2

HEX #FA3735

RGB 250 55 53

HSL 0.61, 0.95%, 0.59%

LAB 55.39, 71.39, 48.34

 

CMYK 0 / 71 / 72 / 0

HEX #FF4948

RGB 255 73 72

HSL 0.33, 1%, 0.64%

LAB 58.5, 67.97, 41.71

 

CMYK 0 / 64 / 64 / 0

HEX #FF5B5B

RGB 255 91 91

HSL 0, 1%, 0.68%

LAB 61.22, 62.18, 34.35

 

CMYK 0 / 57 / 57 / 0

HEX #FF6D6E

RGB 255 109 110

HSL 359.59, 1%, 0.71%

LAB 64.42, 55.69, 27.74

 

CMYK 0 / 84 / 83 / 11

HEX #E42527

RGB 228 37 39

HSL 359.37, 0.78%, 0.52%

LAB 49.45, 69.38, 48.38

 

CMYK 0 / 91 / 91 / 17

HEX #D31314

RGB 211 19 20

HSL 359.69, 0.83%, 0.45%

LAB 44.75, 67.72, 51.98

 

CMYK 0 / 99 / 99 / 24

HEX #C20101

RGB 194 1 1

HSL 0, 0.99%, 0.38%

LAB 40.4, 65.12, 54.35

 

CMYK 0 / 100 / 100 / 31

HEX #B10000

RGB 177 0 0

HSL 0, 1%, 0.35%

LAB 36.64, 60.91, 51.04

 

CMYK 0 / 100 / 100 / 37

HEX #A00000

RGB 160 0 0

HSL 0, 1%, 0.31%

LAB 32.86, 56.54, 46.95

 

CMYK 0 / 84 / 83 / 11

HEX #E42527

RGB 228 37 39

HSL 359.37, 0.78%, 0.52%

LAB 49.45, 69.38, 48.38

 

CMYK 0 / 84 / 84 / 11

HEX #E42525

RGB 228 37 37

HSL 0, 0.78%, 0.52%

LAB 49.44, 69.33, 49.37

 

CMYK 0 / 84 / 83 / 11

HEX #E42527

RGB 228 37 39

HSL 359.37, 0.78%, 0.52%

LAB 49.45, 69.38, 48.38

 

CMYK 0 / 84 / 61 / 11

HEX #E4255A

RGB 228 37 90

HSL 343.35, 0.78%, 0.52%

LAB 50.16, 71.49, 19.71

 

CMYK 0 / 84 / 38 / 11

HEX #E4258E

RGB 228 37 142

HSL 327.02, 0.78%, 0.52%

LAB 51.58, 75.57, -9.8

 

CMYK 0 / 84 / 15 / 11

HEX #E425C1

RGB 228 37 193

HSL 310.99, 0.78%, 0.52%

LAB 53.67, 81.38, -36.61

 

CMYK 7 / 84 / 0 / 11

HEX #D325E4

RGB 211 37 228

HSL 294.66, 0.78%, 0.52%

LAB 52.7, 83.29, -58.35

 

CMYK 0 / 84 / 83 / 11

HEX #E42527

RGB 228 37 39

HSL 359.37, 0.78%, 0.52%

LAB 49.45, 69.38, 48.38

 

CMYK 0 / 93 / 92 / 3

HEX #F71113

RGB 247 17 19

HSL 359.48, 0.93%, 0.52%

LAB 52.09, 77.03, 60.69

 

CMYK 0 / 84 / 83 / 11

HEX #E42527

RGB 228 37 39

HSL 359.37, 0.78%, 0.52%

LAB 49.45, 69.38, 48.38

 

CMYK 0 / 73 / 72 / 18

HEX #D0383A

RGB 208 56 58

HSL 359.21, 0.62%, 0.52%

LAB 47.68, 58.96, 34.93

 

CMYK 0 / 60 / 59 / 26

HEX #BC4C4D

RGB 188 76 77

HSL 359.46, 0.46%, 0.52%

LAB 47.49, 45.25, 22.71

 

CMYK 0 / 43 / 42 / 34

HEX #A86061

RGB 168 96 97

HSL 359.17, 0.29%, 0.52%

LAB 48.95, 29.3, 12.22

 

CMYK 0 / 22 / 22 / 42

HEX #947474

RGB 148 116 116

HSL 0, 0.13%, 0.52%

LAB 51.89, 12.54, 4.8

 

CMYK 0 / 84 / 38 / 11

HEX #E4258E

RGB 228 37 142

HSL 327.02, 0.78%, 0.52%

LAB 51.58, 75.57, -9.8

 

CMYK 0 / 84 / 60 / 11

HEX #E4255B

RGB 228 37 91

HSL 343.04, 0.78%, 0.52%

LAB 50.18, 71.55, 19.13

 

CMYK 0 / 84 / 82 / 11

HEX #E42528

RGB 228 37 40

HSL 359.06, 0.78%, 0.52%

LAB 49.46, 69.41, 47.88

 

CMYK 0 / 63 / 84 / 11

HEX #E45425

RGB 228 84 37

HSL 14.76, 0.78%, 0.52%

LAB 55.04, 53.87, 54.31

 

CMYK 0 / 41 / 84 / 11

HEX #E48725

RGB 228 135 37

HSL 30.79, 0.78%, 0.52%

LAB 64.93, 28.94, 62.82

 

CMYK 0 / 88 / 87 / 36

HEX #A21415

RGB 162 20 21

HSL 359.58, 0.78%, 0.36%

LAB 34.47, 54.37, 39.14

 

CMYK 0 / 88 / 87 / 22

HEX #C7181A

RGB 199 24 26

HSL 359.31, 0.78%, 0.44%

LAB 42.57, 63.88, 46.56

 

CMYK 0 / 84 / 83 / 11

HEX #E42527

RGB 228 37 39

HSL 359.37, 0.78%, 0.52%

LAB 49.45, 69.38, 48.38

 

CMYK 0 / 69 / 68 / 9

HEX #E8494B

RGB 232 73 75

HSL 359.25, 0.78%, 0.6%

LAB 54.48, 61.07, 34.27

 

CMYK 0 / 54 / 53 / 7

HEX #ED6E6F

RGB 237 110 111

HSL 359.53, 0.78%, 0.68%

LAB 61.92, 49.09, 23.36

 

CMYK 0 / 84 / 83 / 11

HEX #E42527

RGB 228 37 39

HSL 359.37, 0.78%, 0.52%

LAB 49.45, 69.38, 48.38

 

CMYK 15 / 0 / 84 / 11

HEX #C1E425

RGB 193 228 37

HSL 70.99, 0.78%, 0.52%

LAB 85.48, -33.61, 78.99

 

CMYK 84 / 49 / 0 / 11

HEX #2574E4

RGB 37 116 228

HSL 215.18, 0.78%, 0.52%

LAB 50.08, 17.5, -63.37

 

CMYK 0 / 84 / 83 / 11

HEX #E42527

RGB 228 37 39

HSL 359.37, 0.78%, 0.52%

LAB 49.45, 69.38, 48.38

 

CMYK 82 / 0 / 84 / 11

HEX #28E425

RGB 40 228 37

HSL 119.06, 0.78%, 0.52%

LAB 79.65, -75.88, 71.64

 

CMYK 84 / 82 / 0 / 11

HEX #2528E4

RGB 37 40 228

HSL 239.06, 0.78%, 0.52%

LAB 32.95, 62.35, -91.48

 

CMYK 0 / 84 / 83 / 11

HEX #E42527

RGB 228 37 39

HSL 359.37, 0.78%, 0.52%

LAB 49.45, 69.38, 48.38

 

CMYK 15 / 0 / 84 / 11

HEX #C1E425

RGB 193 228 37

HSL 70.99, 0.78%, 0.52%

LAB 85.48, -33.61, 78.99

 

CMYK 84 / 0 / 2 / 11

HEX #25E4E0

RGB 37 228 224

HSL 178.74, 0.78%, 0.52%

LAB 82.52, -43.93, -10.71

 

CMYK 68 / 84 / 0 / 11

HEX #4825E4

RGB 72 37 228

HSL 250.99, 0.78%, 0.52%

LAB 34.6, 65.44, -88.66

 

CMYK 0 / 84 / 83 / 11

HEX #E42527

RGB 228 37 39

HSL 359.37, 0.78%, 0.52%

LAB 49.45, 69.38, 48.38

 

CMYK 41 / 0 / 84 / 11

HEX #87E425

RGB 135 228 37

HSL 89.21, 0.78%, 0.52%

LAB 82.26, -54.95, 74.94

 

CMYK 84 / 0 / 2 / 11

HEX #25E4E0

RGB 37 228 224

HSL 178.74, 0.78%, 0.52%

LAB 82.52, -43.93, -10.71

 

CMYK 43 / 84 / 0 / 11

HEX #8125E4

RGB 129 37 228

HSL 268.9, 0.78%, 0.52%

LAB 40.56, 71, -78.63

 

Description

Color code: HEX #E42527 | qconv.com Color code: HEX #E42527 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 37 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 37 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 83 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 83% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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