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Color name
HEX #E424A6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E424A6 it is the complementary color #1BDB59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E424A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E424A6 shade: #E924A1, #FA36B4, #FF48C7, #FF5ADA and #FF6CED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E424A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E424A6 shade: #E424A6, #D31293, #C20080, #B1006D and #A0005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E424A6 shade: #E425A6, #E42572, #E4253F and #E42525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E424A6 shade: #E425A6, #E425D9, #BA25E4, #8725E4 and #5325E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E424A6 shade matches the following richer shades: #E425A6 and #F711AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E424A6 shade: #E425A6, #D0389F, #BC4C98, #A86091 and #94748A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E424A6 shade: #BA25E4, #E425DA, #E425A7, #E42574 and #E42541

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E424A6 shade: #A21474, #C7188E, #E425A6, #E849B5 and #ED6EC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E424A6 shade: #E424A6, #E48725 and #25E4D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E424A6 shade: #E424A6, #A7E425 and #25A7E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E424A6 shade: #E424A6, #E48725, #25E461 and #2581E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E424A6 shade: #E424A6, #E4C125, #25E461 and #2548E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 27 / 11

HEX #E424A6

RGB 228 36 166

HSL 319.38, 0.78%, 0.52%

LAB 52.41, 78.29, -22.81

 

Complementary color

CMYK 88 / 0 / 59 / 14

HEX #1BDB59

RGB 27 219 89

HSL 139.38, 0.78%, 0.48%

LAB 77.05, -70.04, 50.75

 

CMYK 0 / 85 / 31 / 9

HEX #E924A1

RGB 233 36 161

HSL 321.93, 0.82%, 0.53%

LAB 53.12, 78.83, -18.68

 

CMYK 0 / 78 / 28 / 2

HEX #FA36B4

RGB 250 54 180

HSL 321.43, 0.95%, 0.6%

LAB 58.28, 80.69, -21.64

 

CMYK 0 / 72 / 22 / 0

HEX #FF48C7

RGB 255 72 199

HSL 318.36, 1%, 0.64%

LAB 61.67, 78.99, -27.26

 

CMYK 0 / 65 / 15 / 0

HEX #FF5ADA

RGB 255 90 218

HSL 313.45, 1%, 0.68%

LAB 64.67, 75.28, -33.35

 

CMYK 0 / 58 / 7 / 0

HEX #FF6CED

RGB 255 108 237

HSL 307.35, 1%, 0.71%

LAB 68.09, 70.9, -38.59

 

CMYK 0 / 84 / 27 / 11

HEX #E424A6

RGB 228 36 166

HSL 319.38, 0.78%, 0.52%

LAB 52.41, 78.29, -22.81

 

CMYK 0 / 91 / 30 / 17

HEX #D31293

RGB 211 18 147

HSL 319.9, 0.84%, 0.45%

LAB 47.48, 75.47, -19.32

 

CMYK 0 / 100 / 34 / 24

HEX #C20080

RGB 194 0 128

HSL 320.41, 1%, 0.38%

LAB 42.81, 71.7, -15.18

 

CMYK 0 / 100 / 38 / 31

HEX #B1006D

RGB 177 0 109

HSL 323.05, 1%, 0.35%

LAB 38.64, 66.23, -9.96

 

CMYK 0 / 100 / 44 / 37

HEX #A0005A

RGB 160 0 90

HSL 326.25, 1%, 0.31%

LAB 34.42, 60.71, -4.48

 

CMYK 0 / 84 / 27 / 11

HEX #E425A6

RGB 228 37 166

HSL 319.48, 0.78%, 0.52%

LAB 52.48, 78.1, -22.7

 

CMYK 0 / 84 / 50 / 11

HEX #E42572

RGB 228 37 114

HSL 335.81, 0.78%, 0.52%

LAB 50.72, 73.13, 5.87

 

CMYK 0 / 84 / 72 / 11

HEX #E4253F

RGB 228 37 63

HSL 351.83, 0.78%, 0.52%

LAB 49.71, 70.15, 35.36

 

CMYK 0 / 84 / 84 / 11

HEX #E42525

RGB 228 37 37

HSL 0, 0.78%, 0.52%

LAB 49.44, 69.33, 49.37

 

CMYK 0 / 84 / 27 / 11

HEX #E425A6

RGB 228 37 166

HSL 319.48, 0.78%, 0.52%

LAB 52.48, 78.1, -22.7

 

CMYK 0 / 84 / 5 / 11

HEX #E425D9

RGB 228 37 217

HSL 303.46, 0.78%, 0.52%

LAB 54.89, 84.64, -48.45

 

CMYK 18 / 84 / 0 / 11

HEX #BA25E4

RGB 186 37 228

HSL 286.81, 0.78%, 0.52%

LAB 48.72, 79.15, -64.98

 

CMYK 41 / 84 / 0 / 11

HEX #8725E4

RGB 135 37 228

HSL 270.79, 0.78%, 0.52%

LAB 41.34, 71.75, -77.33

 

CMYK 64 / 84 / 0 / 11

HEX #5325E4

RGB 83 37 228

HSL 254.45, 0.78%, 0.52%

LAB 35.53, 66.27, -87.11

 

CMYK 0 / 84 / 27 / 11

HEX #E425A6

RGB 228 37 166

HSL 319.48, 0.78%, 0.52%

LAB 52.48, 78.1, -22.7

 

CMYK 0 / 93 / 30 / 3

HEX #F711AD

RGB 247 17 173

HSL 319.3, 0.93%, 0.52%

LAB 55.27, 85.65, -22.22

 

CMYK 0 / 84 / 27 / 11

HEX #E425A6

RGB 228 37 166

HSL 319.48, 0.78%, 0.52%

LAB 52.48, 78.1, -22.7

 

CMYK 0 / 73 / 24 / 18

HEX #D0389F

RGB 208 56 159

HSL 319.34, 0.62%, 0.52%

LAB 50.38, 67.7, -22.08

 

CMYK 0 / 60 / 19 / 26

HEX #BC4C98

RGB 188 76 152

HSL 319.29, 0.46%, 0.52%

LAB 49.65, 53.6, -19.33

 

CMYK 0 / 43 / 14 / 34

HEX #A86091

RGB 168 96 145

HSL 319.17, 0.29%, 0.52%

LAB 50.38, 36.14, -14.33

 

CMYK 0 / 22 / 7 / 42

HEX #94748A

RGB 148 116 138

HSL 318.75, 0.13%, 0.52%

LAB 52.53, 16.38, -7.2

 

CMYK 18 / 84 / 0 / 11

HEX #BA25E4

RGB 186 37 228

HSL 286.81, 0.78%, 0.52%

LAB 48.72, 79.15, -64.98

 

CMYK 0 / 84 / 4 / 11

HEX #E425DA

RGB 228 37 218

HSL 303.14, 0.78%, 0.52%

LAB 54.95, 84.79, -48.93

 

CMYK 0 / 84 / 27 / 11

HEX #E425A7

RGB 228 37 167

HSL 319.16, 0.78%, 0.52%

LAB 52.52, 78.21, -23.23

 

CMYK 0 / 84 / 49 / 11

HEX #E42574

RGB 228 37 116

HSL 335.18, 0.78%, 0.52%

LAB 50.78, 73.28, 4.73

 

CMYK 0 / 84 / 71 / 11

HEX #E42541

RGB 228 37 65

HSL 351.2, 0.78%, 0.52%

LAB 49.74, 70.23, 34.21

 

CMYK 0 / 88 / 28 / 36

HEX #A21474

RGB 162 20 116

HSL 319.44, 0.78%, 0.36%

LAB 36.82, 61.05, -17.42

 

CMYK 0 / 88 / 29 / 22

HEX #C7188E

RGB 199 24 142

HSL 319.54, 0.78%, 0.44%

LAB 45.29, 71.51, -19.86

 

CMYK 0 / 84 / 27 / 11

HEX #E425A6

RGB 228 37 166

HSL 319.48, 0.78%, 0.52%

LAB 52.48, 78.1, -22.7

 

CMYK 0 / 69 / 22 / 9

HEX #E849B5

RGB 232 73 181

HSL 319.25, 0.78%, 0.6%

LAB 57.33, 70.74, -23.94

 

CMYK 0 / 54 / 17 / 7

HEX #ED6EC4

RGB 237 110 196

HSL 319.37, 0.78%, 0.68%

LAB 64.28, 58.86, -21.8

 

CMYK 0 / 84 / 27 / 11

HEX #E424A6

RGB 228 36 166

HSL 319.38, 0.78%, 0.52%

LAB 52.41, 78.29, -22.81

 

CMYK 0 / 41 / 84 / 11

HEX #E48725

RGB 228 135 37

HSL 30.79, 0.78%, 0.52%

LAB 64.93, 28.94, 62.82

 

CMYK 84 / 0 / 7 / 11

HEX #25E4D4

RGB 37 228 212

HSL 174.97, 0.78%, 0.52%

LAB 82.18, -47.29, -4.85

 

CMYK 0 / 84 / 27 / 11

HEX #E424A6

RGB 228 36 166

HSL 319.38, 0.78%, 0.52%

LAB 52.41, 78.29, -22.81

 

CMYK 27 / 0 / 84 / 11

HEX #A7E425

RGB 167 228 37

HSL 79.16, 0.78%, 0.52%

LAB 83.88, -43.69, 76.98

 

CMYK 84 / 27 / 0 / 11

HEX #25A7E4

RGB 37 167 228

HSL 199.16, 0.78%, 0.52%

LAB 64.67, -12.72, -40.16

 

CMYK 0 / 84 / 27 / 11

HEX #E424A6

RGB 228 36 166

HSL 319.38, 0.78%, 0.52%

LAB 52.41, 78.29, -22.81

 

CMYK 0 / 41 / 84 / 11

HEX #E48725

RGB 228 135 37

HSL 30.79, 0.78%, 0.52%

LAB 64.93, 28.94, 62.82

 

CMYK 84 / 0 / 57 / 11

HEX #25E461

RGB 37 228 97

HSL 138.85, 0.78%, 0.52%

LAB 80.03, -71.02, 50.68

 

CMYK 84 / 43 / 0 / 11

HEX #2581E4

RGB 37 129 228

HSL 211.1, 0.78%, 0.52%

LAB 53.7, 9.4, -57.54

 

CMYK 0 / 84 / 27 / 11

HEX #E424A6

RGB 228 36 166

HSL 319.38, 0.78%, 0.52%

LAB 52.41, 78.29, -22.81

 

CMYK 0 / 15 / 84 / 11

HEX #E4C125

RGB 228 193 37

HSL 49.01, 0.78%, 0.52%

LAB 78.91, -1.73, 74.58

 

CMYK 84 / 0 / 57 / 11

HEX #25E461

RGB 37 228 97

HSL 138.85, 0.78%, 0.52%

LAB 80.03, -71.02, 50.68

 

CMYK 84 / 68 / 0 / 11

HEX #2548E4

RGB 37 72 228

HSL 229.01, 0.78%, 0.52%

LAB 38.95, 45.33, -81.54

 

Description

Color code: HEX #E424A6 | qconv.com Color code: HEX #E424A6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 36 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 36 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 27 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 27% 11% C M Y K

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