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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E40CC4 it is the complementary color #1BF33B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E40CC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E40CC4 shade: #E90CBF, #FA1ED2, #FF30E5, #FF42F8 and #FF54FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E40CC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E40CC4 shade: #E40CC4, #D300B1, #C2009E, #B1008B and #A00078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E40CC4 shade: #E30BC3, #E30B89, #E30B4F, #E30B15 and #E30B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E40CC4 shade: #E30BC3, #C90BE3, #8F0BE3, #550BE3 and #1A0BE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E40CC4 shade matches the following richer shades: #E30BC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E40CC4 shade: #E30BC3, #D01FB6, #BC32A8, #A9469A and #96598D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E40CC4 shade: #8D0BE3, #C60BE3, #E30BC6, #E30B8D and #E30B53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E40CC4 shade: #950780, #BC09A2, #E30BC3, #F325D5 and #F54CDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E40CC4 shade: #E40CC4, #E3530B and #0BE3AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E40CC4 shade: #E40CC4, #C6E30B and #0BC6E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E40CC4 shade: #E40CC4, #E3530B, #0BE328 and #0B9BE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E40CC4 shade: #E40CC4, #E3940B, #0BE328 and #0B5BE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 14 / 11

HEX #E40CC4

RGB 228 12 196

HSL 308.89, 0.9%, 0.47%

LAB 52.67, 85.13, -39.93

 

Complementary color

CMYK 89 / 0 / 76 / 5

HEX #1BF33B

RGB 27 243 59

HSL 128.89, 0.9%, 0.53%

LAB 84.3, -79.89, 69.96

 

CMYK 0 / 95 / 18 / 9

HEX #E90CBF

RGB 233 12 191

HSL 311.4, 0.9%, 0.48%

LAB 53.33, 85.42, -35.93

 

CMYK 0 / 88 / 16 / 2

HEX #FA1ED2

RGB 250 30 210

HSL 310.91, 0.96%, 0.55%

LAB 57.95, 88.94, -39.39

 

CMYK 0 / 81 / 10 / 0

HEX #FF30E5

RGB 255 48 229

HSL 307.54, 1%, 0.59%

LAB 60.81, 89.19, -45.57

 

CMYK 0 / 74 / 3 / 0

HEX #FF42F8

RGB 255 66 248

HSL 302.22, 1%, 0.63%

LAB 63.29, 87.47, -52.24

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 0 / 95 / 14 / 11

HEX #E40CC4

RGB 228 12 196

HSL 308.89, 0.9%, 0.47%

LAB 52.67, 85.13, -39.93

 

CMYK 0 / 100 / 16 / 17

HEX #D300B1

RGB 211 0 177

HSL 309.67, 1%, 0.41%

LAB 48.29, 80.59, -35.94

 

CMYK 0 / 100 / 19 / 24

HEX #C2009E

RGB 194 0 158

HSL 311.13, 1%, 0.38%

LAB 44.14, 75.11, -31.38

 

CMYK 0 / 100 / 21 / 31

HEX #B1008B

RGB 177 0 139

HSL 312.88, 1%, 0.35%

LAB 39.93, 69.54, -26.66

 

CMYK 0 / 100 / 25 / 37

HEX #A00078

RGB 160 0 120

HSL 315, 1%, 0.31%

LAB 35.65, 63.88, -21.78

 

CMYK 0 / 95 / 14 / 11

HEX #E30BC3

RGB 227 11 195

HSL 308.89, 0.91%, 0.47%

LAB 52.41, 84.9, -39.77

 

CMYK 0 / 95 / 40 / 11

HEX #E30B89

RGB 227 11 137

HSL 325, 0.91%, 0.47%

LAB 49.95, 78.55, -9.25

 

CMYK 0 / 95 / 65 / 11

HEX #E30B4F

RGB 227 11 79

HSL 341.11, 0.91%, 0.47%

LAB 48.43, 74.45, 24.11

 

CMYK 0 / 95 / 91 / 11

HEX #E30B15

RGB 227 11 21

HSL 357.22, 0.91%, 0.47%

LAB 47.78, 72.67, 55.21

 

CMYK 0 / 95 / 95 / 11

HEX #E30B0B

RGB 227 11 11

HSL 0, 0.91%, 0.47%

LAB 47.74, 72.56, 58.58

 

CMYK 0 / 95 / 14 / 11

HEX #E30BC3

RGB 227 11 195

HSL 308.89, 0.91%, 0.47%

LAB 52.41, 84.9, -39.77

 

CMYK 11 / 95 / 0 / 11

HEX #C90BE3

RGB 201 11 227

HSL 292.78, 0.91%, 0.47%

LAB 49.74, 85.21, -62.64

 

CMYK 37 / 95 / 0 / 11

HEX #8F0BE3

RGB 143 11 227

HSL 276.67, 0.91%, 0.47%

LAB 40.61, 77.66, -77.9

 

CMYK 63 / 95 / 0 / 11

HEX #550BE3

RGB 85 11 227

HSL 260.56, 0.91%, 0.47%

LAB 33.39, 72.83, -90.08

 

CMYK 89 / 95 / 0 / 11

HEX #1A0BE3

RGB 26 11 227

HSL 244.17, 0.91%, 0.47%

LAB 29.43, 70.82, -96.78

 

CMYK 0 / 95 / 14 / 11

HEX #E30BC3

RGB 227 11 195

HSL 308.89, 0.91%, 0.47%

LAB 52.41, 84.9, -39.77

 

CMYK 0 / 95 / 14 / 11

HEX #E30BC3

RGB 227 11 195

HSL 308.89, 0.91%, 0.47%

LAB 52.41, 84.9, -39.77

 

CMYK 0 / 85 / 13 / 18

HEX #D01FB6

RGB 208 31 182

HSL 308.81, 0.74%, 0.47%

LAB 49.21, 77.11, -37.46

 

CMYK 0 / 73 / 11 / 26

HEX #BC32A8

RGB 188 50 168

HSL 308.7, 0.58%, 0.47%

LAB 46.71, 66.1, -33.39

 

CMYK 0 / 59 / 9 / 34

HEX #A9469A

RGB 169 70 154

HSL 309.09, 0.41%, 0.47%

LAB 45.84, 51.17, -26.65

 

CMYK 0 / 41 / 6 / 41

HEX #96598D

RGB 150 89 141

HSL 308.85, 0.26%, 0.47%

LAB 46.38, 33.19, -18.25

 

CMYK 38 / 95 / 0 / 11

HEX #8D0BE3

RGB 141 11 227

HSL 276.11, 0.91%, 0.47%

LAB 40.33, 77.45, -78.38

 

CMYK 13 / 95 / 0 / 11

HEX #C60BE3

RGB 198 11 227

HSL 291.94, 0.91%, 0.47%

LAB 49.24, 84.77, -63.47

 

CMYK 0 / 95 / 13 / 11

HEX #E30BC6

RGB 227 11 198

HSL 308.06, 0.91%, 0.47%

LAB 52.56, 85.29, -41.26

 

CMYK 0 / 95 / 38 / 11

HEX #E30B8D

RGB 227 11 141

HSL 323.89, 0.91%, 0.47%

LAB 50.09, 78.92, -11.45

 

CMYK 0 / 95 / 63 / 11

HEX #E30B53

RGB 227 11 83

HSL 340, 0.91%, 0.47%

LAB 48.5, 74.66, 21.76

 

CMYK 0 / 95 / 14 / 42

HEX #950780

RGB 149 7 128

HSL 308.87, 0.91%, 0.31%

LAB 34.19, 61.83, -29.24

 

CMYK 0 / 95 / 14 / 26

HEX #BC09A2

RGB 188 9 162

HSL 308.72, 0.91%, 0.39%

LAB 43.5, 73.66, -34.87

 

CMYK 0 / 95 / 14 / 11

HEX #E30BC3

RGB 227 11 195

HSL 308.89, 0.91%, 0.47%

LAB 52.41, 84.9, -39.77

 

CMYK 0 / 85 / 12 / 5

HEX #F325D5

RGB 243 37 213

HSL 308.74, 0.9%, 0.55%

LAB 57.25, 86.9, -42.27

 

CMYK 0 / 69 / 10 / 4

HEX #F54CDC

RGB 245 76 220

HSL 308.88, 0.89%, 0.63%

LAB 61.44, 78.18, -39.64

 

CMYK 0 / 95 / 14 / 11

HEX #E40CC4

RGB 228 12 196

HSL 308.89, 0.9%, 0.47%

LAB 52.67, 85.13, -39.93

 

CMYK 0 / 63 / 95 / 11

HEX #E3530B

RGB 227 83 11

HSL 20, 0.91%, 0.47%

LAB 54.6, 53.51, 62.46

 

CMYK 95 / 0 / 25 / 11

HEX #0BE3AA

RGB 11 227 170

HSL 164.17, 0.91%, 0.47%

LAB 80.69, -58.85, 15.16

 

CMYK 0 / 95 / 14 / 11

HEX #E40CC4

RGB 228 12 196

HSL 308.89, 0.9%, 0.47%

LAB 52.67, 85.13, -39.93

 

CMYK 13 / 0 / 95 / 11

HEX #C6E30B

RGB 198 227 11

HSL 68.06, 0.91%, 0.47%

LAB 85.49, -31.63, 83.08

 

CMYK 95 / 13 / 0 / 11

HEX #0BC6E3

RGB 11 198 227

HSL 188.06, 0.91%, 0.47%

LAB 73.55, -30.37, -25.89

 

CMYK 0 / 95 / 14 / 11

HEX #E40CC4

RGB 228 12 196

HSL 308.89, 0.9%, 0.47%

LAB 52.67, 85.13, -39.93

 

CMYK 0 / 63 / 95 / 11

HEX #E3530B

RGB 227 83 11

HSL 20, 0.91%, 0.47%

LAB 54.6, 53.51, 62.46

 

CMYK 95 / 0 / 82 / 11

HEX #0BE328

RGB 11 227 40

HSL 128.06, 0.91%, 0.47%

LAB 79.13, -77.41, 70.37

 

CMYK 95 / 32 / 0 / 11

HEX #0B9BE3

RGB 11 155 227

HSL 200, 0.91%, 0.47%

LAB 60.83, -7.76, -45.66

 

CMYK 0 / 95 / 14 / 11

HEX #E40CC4

RGB 228 12 196

HSL 308.89, 0.9%, 0.47%

LAB 52.67, 85.13, -39.93

 

CMYK 0 / 35 / 95 / 11

HEX #E3940B

RGB 227 148 11

HSL 38.06, 0.91%, 0.47%

LAB 67.68, 21.16, 71.1

 

CMYK 95 / 0 / 82 / 11

HEX #0BE328

RGB 11 227 40

HSL 128.06, 0.91%, 0.47%

LAB 79.13, -77.41, 70.37

 

CMYK 95 / 60 / 0 / 11

HEX #0B5BE3

RGB 11 91 227

HSL 217.78, 0.91%, 0.47%

LAB 42.91, 31.83, -74.48

 

Description

Color code: HEX #E40CC4 | qconv.com Color code: HEX #E40CC4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 12 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 12 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 14 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 14% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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