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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E406F4 it is the complementary color #1BF90B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E406F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E406F4 shade: #E906EF, #FA18FF, #FF2AFF, #FF3CFF and #FF4EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E406F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E406F4 shade: #E406F4, #D300E1, #C200CE, #B100BB and #A000A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E406F4 shade: #E306F3, #F306C3, #F30683, #F30643 and #F30606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E406F4 shade: #E306F3, #A306F3, #6306F3, #2306F3 and #0606F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E406F4 shade matches the following richer shades: #E306F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E406F4 shade: #E306F3, #D21ADF, #C02ECB, #AF42B7 and #9D57A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E406F4 shade: #6106F3, #A006F3, #DF06F3, #F306C8 and #F30688

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E406F4 shade: #9804A3, #BE05CB, #E306F3, #EB29F9 and #EF51FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E406F4 shade: #E406F4, #F32106 and #06F380

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E406F4 shade: #E406F4, #F3DF06 and #06F3DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E406F4 shade: #E406F4, #F32106, #1AF306 and #06D7F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E406F4 shade: #E406F4, #F36906, #1AF306 and #0690F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 98 / 0 / 4

HEX #E406F4

RGB 228 6 244

HSL 295.97, 0.95%, 0.49%

LAB 55.23, 92.21, -63.13

 

Complementary color

CMYK 89 / 0 / 96 / 2

HEX #1BF90B

RGB 27 249 11

HSL 115.97, 0.95%, 0.51%

LAB 86.01, -83.42, 80.98

 

CMYK 3 / 97 / 0 / 6

HEX #E906EF

RGB 233 6 239

HSL 298.45, 0.95%, 0.48%

LAB 55.77, 92.24, -59.42

 

CMYK 2 / 91 / 0 / 0

HEX #FA18FF

RGB 250 24 255

HSL 298.7, 1%, 0.55%

LAB 60.07, 95.74, -61.3

 

CMYK 0 / 84 / 0 / 0

HEX #FF2AFF

RGB 255 42 255

HSL 300, 1%, 0.58%

LAB 61.77, 93.98, -58.52

 

CMYK 0 / 76 / 0 / 0

HEX #FF3CFF

RGB 255 60 255

HSL 300, 1%, 0.62%

LAB 63.1, 90.1, -56.4

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 7 / 98 / 0 / 4

HEX #E406F4

RGB 228 6 244

HSL 295.97, 0.95%, 0.49%

LAB 55.23, 92.21, -63.13

 

CMYK 6 / 100 / 0 / 12

HEX #D300E1

RGB 211 0 225

HSL 296.27, 1%, 0.44%

LAB 51.02, 87.23, -59.35

 

CMYK 6 / 100 / 0 / 19

HEX #C200CE

RGB 194 0 206

HSL 296.5, 1%, 0.4%

LAB 46.88, 81.78, -55.29

 

CMYK 5 / 100 / 0 / 27

HEX #B100BB

RGB 177 0 187

HSL 296.79, 1%, 0.37%

LAB 42.67, 76.23, -51.15

 

CMYK 5 / 100 / 0 / 34

HEX #A000A8

RGB 160 0 168

HSL 297.14, 1%, 0.33%

LAB 38.38, 70.58, -46.93

 

CMYK 7 / 98 / 0 / 5

HEX #E306F3

RGB 227 6 243

HSL 295.95, 0.95%, 0.49%

LAB 55, 91.91, -62.95

 

CMYK 0 / 98 / 20 / 5

HEX #F306C3

RGB 243 6 195

HSL 312.15, 0.95%, 0.49%

LAB 55.2, 88.14, -35.18

 

CMYK 0 / 98 / 46 / 5

HEX #F30683

RGB 243 6 131

HSL 328.35, 0.95%, 0.49%

LAB 52.76, 81.81, -1.12

 

CMYK 0 / 98 / 72 / 5

HEX #F30643

RGB 243 6 67

HSL 344.56, 0.95%, 0.49%

LAB 51.37, 78.08, 35.71

 

CMYK 0 / 98 / 98 / 5

HEX #F30606

RGB 243 6 6

HSL 0, 0.95%, 0.49%

LAB 50.92, 76.84, 63.28

 

CMYK 7 / 98 / 0 / 5

HEX #E306F3

RGB 227 6 243

HSL 295.95, 0.95%, 0.49%

LAB 55, 91.91, -62.95

 

CMYK 33 / 98 / 0 / 5

HEX #A306F3

RGB 163 6 243

HSL 279.75, 0.95%, 0.49%

LAB 44.78, 83.45, -80.02

 

CMYK 59 / 98 / 0 / 5

HEX #6306F3

RGB 99 6 243

HSL 263.54, 0.95%, 0.49%

LAB 36.47, 77.97, -94.02

 

CMYK 86 / 98 / 0 / 5

HEX #2306F3

RGB 35 6 243

HSL 247.34, 0.95%, 0.49%

LAB 31.71, 75.7, -102.07

 

CMYK 98 / 98 / 0 / 5

HEX #0606F3

RGB 6 6 243

HSL 240, 0.95%, 0.49%

LAB 30.97, 75.42, -103.32

 

CMYK 7 / 98 / 0 / 5

HEX #E306F3

RGB 227 6 243

HSL 295.95, 0.95%, 0.49%

LAB 55, 91.91, -62.95

 

CMYK 7 / 98 / 0 / 5

HEX #E306F3

RGB 227 6 243

HSL 295.95, 0.95%, 0.49%

LAB 55, 91.91, -62.95

 

CMYK 6 / 88 / 0 / 13

HEX #D21ADF

RGB 210 26 223

HSL 296.04, 0.79%, 0.49%

LAB 51.57, 84.26, -57.34

 

CMYK 5 / 77 / 0 / 20

HEX #C02ECB

RGB 192 46 203

HSL 295.8, 0.63%, 0.49%

LAB 48.85, 73.64, -50.42

 

CMYK 4 / 64 / 0 / 28

HEX #AF42B7

RGB 175 66 183

HSL 295.9, 0.47%, 0.49%

LAB 47.53, 59.53, -41.06

 

CMYK 3 / 46 / 0 / 36

HEX #9D57A2

RGB 157 87 162

HSL 296, 0.3%, 0.49%

LAB 47.74, 40.55, -28.56

 

CMYK 60 / 98 / 0 / 5

HEX #6106F3

RGB 97 6 243

HSL 263.04, 0.95%, 0.49%

LAB 36.26, 77.85, -94.37

 

CMYK 34 / 98 / 0 / 5

HEX #A006F3

RGB 160 6 243

HSL 278.99, 0.95%, 0.49%

LAB 44.34, 83.12, -80.76

 

CMYK 8 / 98 / 0 / 5

HEX #DF06F3

RGB 223 6 243

HSL 294.94, 0.95%, 0.49%

LAB 54.33, 91.31, -64.07

 

CMYK 0 / 98 / 18 / 5

HEX #F306C8

RGB 243 6 200

HSL 310.89, 0.95%, 0.49%

LAB 55.44, 88.74, -37.69

 

CMYK 0 / 98 / 44 / 5

HEX #F30688

RGB 243 6 136

HSL 327.09, 0.95%, 0.49%

LAB 52.91, 82.21, -3.91

 

CMYK 7 / 98 / 0 / 36

HEX #9804A3

RGB 152 4 163

HSL 295.85, 0.95%, 0.33%

LAB 36.76, 68.02, -46.61

 

CMYK 6 / 98 / 0 / 20

HEX #BE05CB

RGB 190 5 203

HSL 296.06, 0.95%, 0.41%

LAB 46.13, 80.27, -54.79

 

CMYK 7 / 98 / 0 / 5

HEX #E306F3

RGB 227 6 243

HSL 295.95, 0.95%, 0.49%

LAB 55, 91.91, -62.95

 

CMYK 6 / 84 / 0 / 2

HEX #EB29F9

RGB 235 41 249

HSL 295.96, 0.95%, 0.57%

LAB 58.12, 89.86, -61.22

 

CMYK 4 / 68 / 0 / 2

HEX #EF51FA

RGB 239 81 250

HSL 296.09, 0.94%, 0.65%

LAB 62.62, 79.76, -54.55

 

CMYK 7 / 98 / 0 / 4

HEX #E406F4

RGB 228 6 244

HSL 295.97, 0.95%, 0.49%

LAB 55.23, 92.21, -63.13

 

CMYK 0 / 86 / 98 / 5

HEX #F32106

RGB 243 33 6

HSL 6.84, 0.95%, 0.49%

LAB 52.01, 73.69, 63.76

 

CMYK 98 / 0 / 47 / 5

HEX #06F380

RGB 6 243 128

HSL 150.89, 0.95%, 0.49%

LAB 84.84, -72.83, 42.01

 

CMYK 7 / 98 / 0 / 4

HEX #E406F4

RGB 228 6 244

HSL 295.97, 0.95%, 0.49%

LAB 55.23, 92.21, -63.13

 

CMYK 0 / 8 / 98 / 5

HEX #F3DF06

RGB 243 223 6

HSL 54.94, 0.95%, 0.49%

LAB 87.89, -10.98, 86.84

 

CMYK 98 / 0 / 8 / 5

HEX #06F3DF

RGB 6 243 223

HSL 174.94, 0.95%, 0.49%

LAB 86.74, -51.85, -3.96

 

CMYK 7 / 98 / 0 / 4

HEX #E406F4

RGB 228 6 244

HSL 295.97, 0.95%, 0.49%

LAB 55.23, 92.21, -63.13

 

CMYK 0 / 86 / 98 / 5

HEX #F32106

RGB 243 33 6

HSL 6.84, 0.95%, 0.49%

LAB 52.01, 73.69, 63.76

 

CMYK 89 / 0 / 98 / 5

HEX #1AF306

RGB 26 243 6

HSL 114.94, 0.95%, 0.49%

LAB 84.14, -81.96, 79.86

 

CMYK 98 / 12 / 0 / 5

HEX #06D7F3

RGB 6 215 243

HSL 187.09, 0.95%, 0.49%

LAB 79.1, -33.52, -25.99

 

CMYK 7 / 98 / 0 / 4

HEX #E406F4

RGB 228 6 244

HSL 295.97, 0.95%, 0.49%

LAB 55.23, 92.21, -63.13

 

CMYK 0 / 57 / 98 / 5

HEX #F36906

RGB 243 105 6

HSL 25.06, 0.95%, 0.49%

LAB 60.93, 49.37, 68.53

 

CMYK 89 / 0 / 98 / 5

HEX #1AF306

RGB 26 243 6

HSL 114.94, 0.95%, 0.49%

LAB 84.14, -81.96, 79.86

 

CMYK 98 / 41 / 0 / 5

HEX #0690F3

RGB 6 144 243

HSL 205.06, 0.95%, 0.49%

LAB 58.47, 4.53, -58.27

 

Description

Color code: HEX #E406F4 | qconv.com Color code: HEX #E406F4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 6 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 6 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 98 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 98% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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