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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7F335 it is the complementary color #180CCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7F335. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7F335 shade: #ECF330, #FDFF43, #FFFF56, #FFFF69 and #FFFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7F335. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7F335 shade: #E7F335, #D6E122, #C5CF0F, #B4BD00 and #A3AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7F335 shade: #E7F334, #F3CB34, #F39834, #F36534 and #F33434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7F335 shade: #E7F334, #B3F334, #80F334, #4CF334 and #34F34F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7F335 shade matches the following richer shades: #E7F334

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7F335 shade: #E7F334, #D8E145, #C8D057, #B9BF68 and #AAAD79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7F335 shade: #F39734, #F3C934, #E9F334, #B6F334 and #84F334

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7F335 shade: #BDC90B, #E2F00D, #E7F334, #EBF55B and #F0F782

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7F335 shade: #E7F335, #34F364 and #B034F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7F335 shade: #E7F335, #34E9F3 and #F334E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7F335 shade: #E7F335, #34F364, #3E34F3 and #F334C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7F335 shade: #E7F335, #34F39D, #3E34F3 and #F3348A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 78 / 5

HEX #E7F335

RGB 231 243 53

HSL 63.79, 0.89%, 0.58%

LAB 92.29, -24.77, 82.03

 

Complementary color

CMYK 88 / 94 / 0 / 21

HEX #180CCA

RGB 24 12 202

HSL 243.79, 0.89%, 0.42%

LAB 25.93, 64.19, -88.15

 

CMYK 3 / 0 / 80 / 5

HEX #ECF330

RGB 236 243 48

HSL 62.15, 0.89%, 0.57%

LAB 92.64, -22.9, 83.76

 

CMYK 1 / 0 / 74 / 0

HEX #FDFF43

RGB 253 255 67

HSL 60.64, 1%, 0.63%

LAB 97.15, -21.04, 83.03

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 5 / 0 / 78 / 5

HEX #E7F335

RGB 231 243 53

HSL 63.79, 0.89%, 0.58%

LAB 92.29, -24.77, 82.03

 

CMYK 5 / 0 / 85 / 12

HEX #D6E122

RGB 214 225 34

HSL 63.46, 0.76%, 0.51%

LAB 86.14, -23.73, 80.76

 

CMYK 5 / 0 / 93 / 19

HEX #C5CF0F

RGB 197 207 15

HSL 63.13, 0.86%, 0.44%

LAB 79.91, -22.5, 78.35

 

CMYK 5 / 0 / 100 / 26

HEX #B4BD00

RGB 180 189 0

HSL 62.86, 1%, 0.37%

LAB 73.61, -21.1, 74.58

 

CMYK 5 / 0 / 100 / 33

HEX #A3AB00

RGB 163 171 0

HSL 62.81, 1%, 0.34%

LAB 67.21, -19.5, 69.26

 

CMYK 5 / 0 / 79 / 5

HEX #E7F334

RGB 231 243 52

HSL 63.77, 0.89%, 0.58%

LAB 92.28, -24.81, 82.29

 

CMYK 0 / 16 / 79 / 5

HEX #F3CB34

RGB 243 203 52

HSL 47.43, 0.89%, 0.58%

LAB 82.92, -0.01, 74.37

 

CMYK 0 / 37 / 79 / 5

HEX #F39834

RGB 243 152 52

HSL 31.41, 0.89%, 0.58%

LAB 70.7, 26.67, 63.23

 

CMYK 0 / 58 / 79 / 5

HEX #F36534

RGB 243 101 52

HSL 15.39, 0.89%, 0.58%

LAB 60.44, 52.08, 53.44

 

CMYK 0 / 79 / 79 / 5

HEX #F33434

RGB 243 52 52

HSL 0, 0.89%, 0.58%

LAB 53.77, 70.21, 46.8

 

CMYK 5 / 0 / 79 / 5

HEX #E7F334

RGB 231 243 52

HSL 63.77, 0.89%, 0.58%

LAB 92.28, -24.81, 82.29

 

CMYK 26 / 0 / 79 / 5

HEX #B3F334

RGB 179 243 52

HSL 80.1, 0.89%, 0.58%

LAB 88.89, -45.12, 77.97

 

CMYK 47 / 0 / 79 / 5

HEX #80F334

RGB 128 243 52

HSL 96.13, 0.89%, 0.58%

LAB 86.47, -62.15, 74.87

 

CMYK 69 / 0 / 79 / 5

HEX #4CF334

RGB 76 243 52

HSL 112.46, 0.89%, 0.58%

LAB 84.94, -74.49, 72.88

 

CMYK 79 / 0 / 67 / 5

HEX #34F34F

RGB 52 243 79

HSL 128.48, 0.89%, 0.58%

LAB 84.69, -76.03, 63.47

 

CMYK 5 / 0 / 79 / 5

HEX #E7F334

RGB 231 243 52

HSL 63.77, 0.89%, 0.58%

LAB 92.28, -24.81, 82.29

 

CMYK 5 / 0 / 79 / 5

HEX #E7F334

RGB 231 243 52

HSL 63.77, 0.89%, 0.58%

LAB 92.28, -24.81, 82.29

 

CMYK 4 / 0 / 69 / 12

HEX #D8E145

RGB 216 225 69

HSL 63.46, 0.72%, 0.58%

LAB 86.44, -21.61, 71.18

 

CMYK 4 / 0 / 58 / 18

HEX #C8D057

RGB 200 208 87

HSL 63.97, 0.56%, 0.58%

LAB 80.78, -18.73, 57.73

 

CMYK 3 / 0 / 46 / 25

HEX #B9BF68

RGB 185 191 104

HSL 64.14, 0.4%, 0.58%

LAB 75.19, -14.83, 42.95

 

CMYK 2 / 0 / 30 / 32

HEX #AAAD79

RGB 170 173 121

HSL 63.46, 0.24%, 0.58%

LAB 69.34, -9.54, 26.44

 

CMYK 0 / 38 / 79 / 5

HEX #F39734

RGB 243 151 52

HSL 31.1, 0.89%, 0.58%

LAB 70.48, 27.2, 63.02

 

CMYK 0 / 17 / 79 / 5

HEX #F3C934

RGB 243 201 52

HSL 46.81, 0.89%, 0.58%

LAB 82.42, 1.02, 73.92

 

CMYK 4 / 0 / 79 / 5

HEX #E9F334

RGB 233 243 52

HSL 63.14, 0.89%, 0.58%

LAB 92.43, -23.99, 82.47

 

CMYK 25 / 0 / 79 / 5

HEX #B6F334

RGB 182 243 52

HSL 79.16, 0.89%, 0.58%

LAB 89.06, -44.01, 78.19

 

CMYK 46 / 0 / 79 / 5

HEX #84F334

RGB 132 243 52

HSL 94.87, 0.89%, 0.58%

LAB 86.63, -60.97, 75.07

 

CMYK 6 / 0 / 95 / 21

HEX #BDC90B

RGB 189 201 11

HSL 63.79, 0.9%, 0.42%

LAB 77.65, -23.02, 76.79

 

CMYK 6 / 0 / 95 / 6

HEX #E2F00D

RGB 226 240 13

HSL 63.7, 0.9%, 0.5%

LAB 91.02, -26.26, 87.99

 

CMYK 5 / 0 / 79 / 5

HEX #E7F334

RGB 231 243 52

HSL 63.77, 0.89%, 0.58%

LAB 92.28, -24.81, 82.29

 

CMYK 4 / 0 / 63 / 4

HEX #EBF55B

RGB 235 245 91

HSL 63.9, 0.89%, 0.66%

LAB 93.33, -22.31, 70.38

 

CMYK 3 / 0 / 47 / 3

HEX #F0F782

RGB 240 247 130

HSL 63.59, 0.88%, 0.74%

LAB 94.59, -18.33, 55.01

 

CMYK 5 / 0 / 78 / 5

HEX #E7F335

RGB 231 243 53

HSL 63.79, 0.89%, 0.58%

LAB 92.29, -24.77, 82.03

 

CMYK 79 / 0 / 59 / 5

HEX #34F364

RGB 52 243 100

HSL 135.08, 0.89%, 0.58%

LAB 84.87, -73.8, 55.04

 

CMYK 28 / 79 / 0 / 5

HEX #B034F3

RGB 176 52 243

HSL 278.95, 0.89%, 0.58%

LAB 49.69, 76.31, -71.94

 

CMYK 5 / 0 / 78 / 5

HEX #E7F335

RGB 231 243 53

HSL 63.79, 0.89%, 0.58%

LAB 92.29, -24.77, 82.03

 

CMYK 79 / 4 / 0 / 5

HEX #34E9F3

RGB 52 233 243

HSL 183.14, 0.89%, 0.58%

LAB 84.73, -39.54, -17.42

 

CMYK 0 / 79 / 4 / 5

HEX #F334E9

RGB 243 52 233

HSL 303.14, 0.89%, 0.58%

LAB 59.34, 86.55, -50.27

 

CMYK 5 / 0 / 78 / 5

HEX #E7F335

RGB 231 243 53

HSL 63.79, 0.89%, 0.58%

LAB 92.29, -24.77, 82.03

 

CMYK 79 / 0 / 59 / 5

HEX #34F364

RGB 52 243 100

HSL 135.08, 0.89%, 0.58%

LAB 84.87, -73.8, 55.04

 

CMYK 74 / 79 / 0 / 5

HEX #3E34F3

RGB 62 52 243

HSL 243.14, 0.89%, 0.58%

LAB 37.75, 62.65, -91.97

 

CMYK 0 / 79 / 20 / 5

HEX #F334C3

RGB 243 52 195

HSL 315.08, 0.89%, 0.58%

LAB 57.51, 81.42, -31.57

 

CMYK 5 / 0 / 78 / 5

HEX #E7F335

RGB 231 243 53

HSL 63.79, 0.89%, 0.58%

LAB 92.29, -24.77, 82.03

 

CMYK 79 / 0 / 35 / 5

HEX #34F39D

RGB 52 243 157

HSL 152.98, 0.89%, 0.58%

LAB 85.64, -64.8, 28.73

 

CMYK 74 / 79 / 0 / 5

HEX #3E34F3

RGB 62 52 243

HSL 243.14, 0.89%, 0.58%

LAB 37.75, 62.65, -91.97

 

CMYK 0 / 79 / 43 / 5

HEX #F3348A

RGB 243 52 138

HSL 332.98, 0.89%, 0.58%

LAB 55.43, 75.3, -1.4

 

Description

Color code: HEX #E7F335 | qconv.com Color code: HEX #E7F335 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 243 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 243 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 78 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 78% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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