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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7E76D it is the complementary color #181892. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7E76D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7E76D shade: #ECE768, #FDF97B, #FFFF8E, #FFFFA1 and #FFFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7E76D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7E76D shade: #E7E76D, #D6D55A, #C5C347, #B4B134 and #A39F21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7E76D shade: #E7E76E, #E7C66E, #E7A66E, #E7856E and #E76E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7E76D shade: #E7E76E, #C6E76E, #A6E76E, #85E76E and #6EE777

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7E76D shade matches the following richer shades: #E7E76E and #F5F560

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7E76D shade: #E7E76E, #D9D97B, #CCCC89, #BEBE97 and #B0B0A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7E76D shade: #E7A66E, #E7C76E, #E7E76E, #C7E76E and #A6E76E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7E76D shade: #DBDB27, #E1E14A, #E7E76E, #EDED91 and #F2F2B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7E76D shade: #E7E76D, #6EE786 and #B66EE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7E76D shade: #E7E76D, #6EE7E7 and #E76EE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7E76D shade: #E7E76D, #6EE786, #6E6EE7 and #E76ECF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7E76D shade: #E7E76D, #6EE7AA, #6E6EE7 and #E76EAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 53 / 9

HEX #E7E76D

RGB 231 231 109

HSL 60, 0.72%, 0.67%

LAB 89.51, -15.87, 58.46

 

Complementary color

CMYK 84 / 84 / 0 / 43

HEX #181892

RGB 24 24 146

HSL 240, 0.72%, 0.33%

LAB 19.73, 43.86, -64.73

 

CMYK 0 / 2 / 56 / 7

HEX #ECE768

RGB 236 231 104

HSL 57.73, 0.78%, 0.67%

LAB 89.85, -14.24, 61.19

 

CMYK 0 / 2 / 51 / 1

HEX #FDF97B

RGB 253 249 123

HSL 58.15, 0.97%, 0.74%

LAB 96.02, -14.82, 60.15

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 0 / 53 / 9

HEX #E7E76D

RGB 231 231 109

HSL 60, 0.72%, 0.67%

LAB 89.51, -15.87, 58.46

 

CMYK 0 / 0 / 58 / 16

HEX #D6D55A

RGB 214 213 90

HSL 59.52, 0.6%, 0.6%

LAB 83.24, -15.27, 59.45

 

CMYK 0 / 1 / 64 / 23

HEX #C5C347

RGB 197 195 71

HSL 59.05, 0.52%, 0.53%

LAB 76.89, -14.56, 60.26

 

CMYK 0 / 2 / 71 / 29

HEX #B4B134

RGB 180 177 52

HSL 58.59, 0.55%, 0.45%

LAB 70.45, -13.7, 60.71

 

CMYK 0 / 2 / 80 / 36

HEX #A39F21

RGB 163 159 33

HSL 58.15, 0.66%, 0.38%

LAB 63.91, -12.64, 60.48

 

CMYK 0 / 0 / 52 / 9

HEX #E7E76E

RGB 231 231 110

HSL 60, 0.72%, 0.67%

LAB 89.52, -15.79, 58.03

 

CMYK 0 / 14 / 52 / 9

HEX #E7C66E

RGB 231 198 110

HSL 43.64, 0.72%, 0.67%

LAB 81.02, 0.9, 48

 

CMYK 0 / 28 / 52 / 9

HEX #E7A66E

RGB 231 166 110

HSL 27.77, 0.72%, 0.67%

LAB 73.15, 17.77, 38.31

 

CMYK 0 / 42 / 52 / 9

HEX #E7856E

RGB 231 133 110

HSL 11.4, 0.72%, 0.67%

LAB 65.66, 35.25, 28.73

 

CMYK 0 / 52 / 52 / 9

HEX #E76E6E

RGB 231 110 110

HSL 0, 0.72%, 0.67%

LAB 61.02, 46.88, 22.57

 

CMYK 0 / 0 / 52 / 9

HEX #E7E76E

RGB 231 231 110

HSL 60, 0.72%, 0.67%

LAB 89.52, -15.79, 58.03

 

CMYK 14 / 0 / 52 / 9

HEX #C6E76E

RGB 198 231 110

HSL 76.36, 0.72%, 0.67%

LAB 87.14, -28.71, 54.64

 

CMYK 28 / 0 / 52 / 9

HEX #A6E76E

RGB 166 231 110

HSL 92.23, 0.72%, 0.67%

LAB 85.19, -40.46, 51.87

 

CMYK 42 / 0 / 52 / 9

HEX #85E76E

RGB 133 231 110

HSL 108.6, 0.72%, 0.67%

LAB 83.58, -51.24, 49.55

 

CMYK 52 / 0 / 48 / 9

HEX #6EE777

RGB 110 231 119

HSL 124.46, 0.72%, 0.67%

LAB 82.81, -56.46, 44.15

 

CMYK 0 / 0 / 52 / 9

HEX #E7E76E

RGB 231 231 110

HSL 60, 0.72%, 0.67%

LAB 89.52, -15.79, 58.03

 

CMYK 0 / 0 / 61 / 4

HEX #F5F560

RGB 245 245 96

HSL 60, 0.88%, 0.67%

LAB 94.12, -18, 69.45

 

CMYK 0 / 0 / 52 / 9

HEX #E7E76E

RGB 231 231 110

HSL 60, 0.72%, 0.67%

LAB 89.52, -15.79, 58.03

 

CMYK 0 / 0 / 43 / 15

HEX #D9D97B

RGB 217 217 123

HSL 60, 0.55%, 0.67%

LAB 84.9, -13.25, 46.12

 

CMYK 0 / 0 / 33 / 20

HEX #CCCC89

RGB 204 204 137

HSL 60, 0.4%, 0.67%

LAB 80.64, -10.24, 33.46

 

CMYK 0 / 0 / 21 / 25

HEX #BEBE97

RGB 190 190 151

HSL 60, 0.23%, 0.67%

LAB 76.07, -6.5, 19.76

 

CMYK 0 / 0 / 7 / 31

HEX #B0B0A4

RGB 176 176 164

HSL 60, 0.07%, 0.67%

LAB 71.53, -2.18, 6.14

 

CMYK 0 / 28 / 52 / 9

HEX #E7A66E

RGB 231 166 110

HSL 27.77, 0.72%, 0.67%

LAB 73.15, 17.77, 38.31

 

CMYK 0 / 14 / 52 / 9

HEX #E7C76E

RGB 231 199 110

HSL 44.13, 0.72%, 0.67%

LAB 81.27, 0.38, 48.3

 

CMYK 0 / 0 / 52 / 9

HEX #E7E76E

RGB 231 231 110

HSL 60, 0.72%, 0.67%

LAB 89.52, -15.79, 58.03

 

CMYK 14 / 0 / 52 / 9

HEX #C7E76E

RGB 199 231 110

HSL 75.87, 0.72%, 0.67%

LAB 87.2, -28.32, 54.74

 

CMYK 28 / 0 / 52 / 9

HEX #A6E76E

RGB 166 231 110

HSL 92.23, 0.72%, 0.67%

LAB 85.19, -40.46, 51.87

 

CMYK 0 / 0 / 82 / 14

HEX #DBDB27

RGB 219 219 39

HSL 60, 0.71%, 0.51%

LAB 84.93, -18.61, 78.83

 

CMYK 0 / 0 / 67 / 12

HEX #E1E14A

RGB 225 225 74

HSL 60, 0.72%, 0.59%

LAB 87.17, -17.66, 70.32

 

CMYK 0 / 0 / 52 / 9

HEX #E7E76E

RGB 231 231 110

HSL 60, 0.72%, 0.67%

LAB 89.52, -15.79, 58.03

 

CMYK 0 / 0 / 39 / 7

HEX #EDED91

RGB 237 237 145

HSL 60, 0.72%, 0.75%

LAB 91.96, -13.13, 44.54

 

CMYK 0 / 0 / 25 / 5

HEX #F2F2B5

RGB 242 242 181

HSL 60, 0.7%, 0.83%

LAB 94.19, -9.44, 29.54

 

CMYK 0 / 0 / 53 / 9

HEX #E7E76D

RGB 231 231 109

HSL 60, 0.72%, 0.67%

LAB 89.51, -15.87, 58.46

 

CMYK 52 / 0 / 42 / 9

HEX #6EE786

RGB 110 231 134

HSL 131.9, 0.72%, 0.67%

LAB 83.01, -54.26, 37.07

 

CMYK 21 / 52 / 0 / 9

HEX #B66EE7

RGB 182 110 231

HSL 275.7, 0.72%, 0.67%

LAB 58.85, 49.84, -50.45

 

CMYK 0 / 0 / 53 / 9

HEX #E7E76D

RGB 231 231 109

HSL 60, 0.72%, 0.67%

LAB 89.51, -15.87, 58.46

 

CMYK 52 / 0 / 0 / 9

HEX #6EE7E7

RGB 110 231 231

HSL 180, 0.72%, 0.67%

LAB 85.12, -33.76, -10.38

 

CMYK 0 / 52 / 0 / 9

HEX #E76EE7

RGB 231 110 231

HSL 300, 0.72%, 0.67%

LAB 64.89, 62.76, -40.52

 

CMYK 0 / 0 / 53 / 9

HEX #E7E76D

RGB 231 231 109

HSL 60, 0.72%, 0.67%

LAB 89.51, -15.87, 58.46

 

CMYK 52 / 0 / 42 / 9

HEX #6EE786

RGB 110 231 134

HSL 131.9, 0.72%, 0.67%

LAB 83.01, -54.26, 37.07

 

CMYK 52 / 52 / 0 / 9

HEX #6E6EE7

RGB 110 110 231

HSL 240, 0.72%, 0.67%

LAB 52.1, 32.81, -61.62

 

CMYK 0 / 52 / 10 / 9

HEX #E76ECF

RGB 231 110 207

HSL 311.9, 0.72%, 0.67%

LAB 63.87, 58.79, -28.69

 

CMYK 0 / 0 / 53 / 9

HEX #E7E76D

RGB 231 231 109

HSL 60, 0.72%, 0.67%

LAB 89.51, -15.87, 58.46

 

CMYK 52 / 0 / 26 / 9

HEX #6EE7AA

RGB 110 231 170

HSL 149.75, 0.72%, 0.67%

LAB 83.64, -47.84, 19.54

 

CMYK 52 / 52 / 0 / 9

HEX #6E6EE7

RGB 110 110 231

HSL 240, 0.72%, 0.67%

LAB 52.1, 32.81, -61.62

 

CMYK 0 / 52 / 26 / 9

HEX #E76EAA

RGB 231 110 170

HSL 330.25, 0.72%, 0.67%

LAB 62.54, 53.4, -9.71

 

Description

Color code: HEX #E7E76D | qconv.com Color code: HEX #E7E76D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 231 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 231 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 53 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 53% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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