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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7DA90 it is the complementary color #18256F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7DA90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7DA90 shade: #ECDA8B, #FDEC9E, #FFFEB1, #FFFFC4 and #FFFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7DA90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7DA90 shade: #E7DA90, #D6C87D, #C5B66A, #B4A457 and #A39244

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7DA90 shade: #E7DA92, #E7C392, #E7AC92, #E79592 and #E79292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7DA90 shade: #E7DA92, #DCE792, #C6E792, #AFE792 and #98E792

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7DA90 shade matches the following richer shades: #E7DA92, #F1E187 and #FCE97C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7DA90 shade: #E7DA92, #DCD29C, #D1CBA7, #C6C3B2 and #BCBCBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7DA90 shade: #E7AD92, #E7C392, #E7DA92, #DDE792 and #C6E792

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7DA90 shade: #D8C34E, #DFCF70, #E7DA92, #EEE5B4 and #F5F1D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7DA90 shade: #E7DA90, #92E796 and #B892E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7DA90 shade: #E7DA90, #92E7DA and #DA92E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7DA90 shade: #E7DA90, #92E796, #929EE7 and #E792E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7DA90 shade: #E7DA90, #92E7AF, #929EE7 and #E792C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 38 / 9

HEX #E7DA90

RGB 231 218 144

HSL 51.03, 0.64%, 0.74%

LAB 86.58, -6.05, 38.04

 

Complementary color

CMYK 78 / 67 / 0 / 56

HEX #18256F

RGB 24 37 111

HSL 231.03, 0.64%, 0.26%

LAB 18.65, 23.22, -44.35

 

CMYK 0 / 8 / 41 / 7

HEX #ECDA8B

RGB 236 218 139

HSL 48.87, 0.72%, 0.74%

LAB 86.92, -4.63, 41.08

 

CMYK 0 / 7 / 38 / 1

HEX #FDEC9E

RGB 253 236 158

HSL 49.26, 0.96%, 0.81%

LAB 93.16, -5.08, 39.91

 

CMYK 0 / 0 / 31 / 0

HEX #FFFEB1

RGB 255 254 177

HSL 59.23, 1%, 0.85%

LAB 98.16, -11.07, 37.03

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 6 / 38 / 9

HEX #E7DA90

RGB 231 218 144

HSL 51.03, 0.64%, 0.74%

LAB 86.58, -6.05, 38.04

 

CMYK 0 / 7 / 42 / 16

HEX #D6C87D

RGB 214 200 125

HSL 50.56, 0.52%, 0.66%

LAB 80.23, -5.61, 39.22

 

CMYK 0 / 8 / 46 / 23

HEX #C5B66A

RGB 197 182 106

HSL 50.11, 0.44%, 0.59%

LAB 73.78, -5.09, 40.44

 

CMYK 0 / 9 / 52 / 29

HEX #B4A457

RGB 180 164 87

HSL 49.68, 0.38%, 0.52%

LAB 67.23, -4.46, 41.69

 

CMYK 0 / 10 / 58 / 36

HEX #A39244

RGB 163 146 68

HSL 49.26, 0.41%, 0.45%

LAB 60.57, -3.71, 42.92

 

CMYK 0 / 6 / 37 / 9

HEX #E7DA92

RGB 231 218 146

HSL 50.82, 0.64%, 0.74%

LAB 86.61, -5.82, 37.07

 

CMYK 0 / 16 / 37 / 9

HEX #E7C392

RGB 231 195 146

HSL 34.59, 0.64%, 0.74%

LAB 80.79, 6.06, 29.4

 

CMYK 0 / 26 / 37 / 9

HEX #E7AC92

RGB 231 172 146

HSL 18.35, 0.64%, 0.74%

LAB 75.18, 18.25, 21.82

 

CMYK 0 / 35 / 37 / 9

HEX #E79592

RGB 231 149 146

HSL 2.12, 0.64%, 0.74%

LAB 69.87, 30.51, 14.46

 

CMYK 0 / 37 / 37 / 9

HEX #E79292

RGB 231 146 146

HSL 0, 0.64%, 0.74%

LAB 69.2, 32.1, 13.52

 

CMYK 0 / 6 / 37 / 9

HEX #E7DA92

RGB 231 218 146

HSL 50.82, 0.64%, 0.74%

LAB 86.61, -5.82, 37.07

 

CMYK 5 / 0 / 37 / 9

HEX #DCE792

RGB 220 231 146

HSL 67.76, 0.64%, 0.74%

LAB 89.13, -16.56, 40.17

 

CMYK 14 / 0 / 37 / 9

HEX #C6E792

RGB 198 231 146

HSL 83.29, 0.64%, 0.74%

LAB 87.6, -24.77, 37.88

 

CMYK 24 / 0 / 37 / 9

HEX #AFE792

RGB 175 231 146

HSL 99.53, 0.64%, 0.74%

LAB 86.18, -32.94, 35.76

 

CMYK 34 / 0 / 37 / 9

HEX #98E792

RGB 152 231 146

HSL 115.76, 0.64%, 0.74%

LAB 84.95, -40.53, 33.91

 

CMYK 0 / 6 / 37 / 9

HEX #E7DA92

RGB 231 218 146

HSL 50.82, 0.64%, 0.74%

LAB 86.61, -5.82, 37.07

 

CMYK 0 / 7 / 44 / 5

HEX #F1E187

RGB 241 225 135

HSL 50.94, 0.79%, 0.74%

LAB 89.06, -6.61, 45.86

 

CMYK 0 / 8 / 51 / 1

HEX #FCE97C

RGB 252 233 124

HSL 51.09, 0.96%, 0.74%

LAB 91.88, -7.26, 54.78

 

CMYK 0 / 6 / 37 / 9

HEX #E7DA92

RGB 231 218 146

HSL 50.82, 0.64%, 0.74%

LAB 86.61, -5.82, 37.07

 

CMYK 0 / 5 / 29 / 14

HEX #DCD29C

RGB 220 210 156

HSL 50.63, 0.48%, 0.74%

LAB 83.81, -4.77, 28.07

 

CMYK 0 / 3 / 20 / 18

HEX #D1CBA7

RGB 209 203 167

HSL 51.43, 0.31%, 0.74%

LAB 81.32, -3.79, 18.74

 

CMYK 0 / 2 / 10 / 22

HEX #C6C3B2

RGB 198 195 178

HSL 51, 0.15%, 0.74%

LAB 78.61, -1.92, 8.91

 

CMYK 1 / 1 / 0 / 26

HEX #BCBCBD

RGB 188 188 189

HSL 240, 0.01%, 0.74%

LAB 76.27, 0.19, -0.51

 

CMYK 0 / 25 / 37 / 9

HEX #E7AD92

RGB 231 173 146

HSL 19.06, 0.64%, 0.74%

LAB 75.42, 17.71, 22.14

 

CMYK 0 / 16 / 37 / 9

HEX #E7C392

RGB 231 195 146

HSL 34.59, 0.64%, 0.74%

LAB 80.79, 6.06, 29.4

 

CMYK 0 / 6 / 37 / 9

HEX #E7DA92

RGB 231 218 146

HSL 50.82, 0.64%, 0.74%

LAB 86.61, -5.82, 37.07

 

CMYK 4 / 0 / 37 / 9

HEX #DDE792

RGB 221 231 146

HSL 67.06, 0.64%, 0.74%

LAB 89.2, -16.18, 40.28

 

CMYK 14 / 0 / 37 / 9

HEX #C6E792

RGB 198 231 146

HSL 83.29, 0.64%, 0.74%

LAB 87.6, -24.77, 37.88

 

CMYK 0 / 10 / 64 / 15

HEX #D8C34E

RGB 216 195 78

HSL 50.87, 0.64%, 0.58%

LAB 78.57, -6.12, 59.59

 

CMYK 0 / 7 / 50 / 13

HEX #DFCF70

RGB 223 207 112

HSL 51.35, 0.63%, 0.66%

LAB 82.64, -6.82, 48.81

 

CMYK 0 / 6 / 37 / 9

HEX #E7DA92

RGB 231 218 146

HSL 50.82, 0.64%, 0.74%

LAB 86.61, -5.82, 37.07

 

CMYK 0 / 4 / 24 / 7

HEX #EEE5B4

RGB 238 229 180

HSL 50.69, 0.63%, 0.82%

LAB 90.56, -4.52, 25.05

 

CMYK 0 / 2 / 13 / 4

HEX #F5F1D5

RGB 245 241 213

HSL 52.5, 0.62%, 0.9%

LAB 94.79, -3.27, 14.01

 

CMYK 0 / 6 / 38 / 9

HEX #E7DA90

RGB 231 218 144

HSL 51.03, 0.64%, 0.74%

LAB 86.58, -6.05, 38.04

 

CMYK 37 / 0 / 35 / 9

HEX #92E796

RGB 146 231 150

HSL 122.82, 0.64%, 0.74%

LAB 84.72, -41.77, 31.54

 

CMYK 20 / 37 / 0 / 9

HEX #B892E7

RGB 184 146 231

HSL 266.82, 0.64%, 0.74%

LAB 66.91, 30.78, -37.75

 

CMYK 0 / 6 / 38 / 9

HEX #E7DA90

RGB 231 218 144

HSL 51.03, 0.64%, 0.74%

LAB 86.58, -6.05, 38.04

 

CMYK 37 / 0 / 6 / 9

HEX #92E7DA

RGB 146 231 218

HSL 170.82, 0.64%, 0.74%

LAB 86.17, -28.62, -1.82

 

CMYK 6 / 37 / 0 / 9

HEX #DA92E7

RGB 218 146 231

HSL 290.82, 0.64%, 0.74%

LAB 70.34, 40.98, -32.16

 

CMYK 0 / 6 / 38 / 9

HEX #E7DA90

RGB 231 218 144

HSL 51.03, 0.64%, 0.74%

LAB 86.58, -6.05, 38.04

 

CMYK 37 / 0 / 35 / 9

HEX #92E796

RGB 146 231 150

HSL 122.82, 0.64%, 0.74%

LAB 84.72, -41.77, 31.54

 

CMYK 37 / 32 / 0 / 9

HEX #929EE7

RGB 146 158 231

HSL 231.53, 0.64%, 0.74%

LAB 66.77, 13.18, -38.19

 

CMYK 0 / 37 / 2 / 9

HEX #E792E2

RGB 231 146 226

HSL 303.53, 0.64%, 0.74%

LAB 71.58, 44.05, -27.38

 

CMYK 0 / 6 / 38 / 9

HEX #E7DA90

RGB 231 218 144

HSL 51.03, 0.64%, 0.74%

LAB 86.58, -6.05, 38.04

 

CMYK 37 / 0 / 24 / 9

HEX #92E7AF

RGB 146 231 175

HSL 140.47, 0.64%, 0.74%

LAB 85.18, -37.48, 19.3

 

CMYK 37 / 32 / 0 / 9

HEX #929EE7

RGB 146 158 231

HSL 231.53, 0.64%, 0.74%

LAB 66.77, 13.18, -38.19

 

CMYK 0 / 37 / 13 / 9

HEX #E792C9

RGB 231 146 201

HSL 321.18, 0.64%, 0.74%

LAB 70.71, 39.8, -14.91

 

Description

Color code: HEX #E7DA90 | qconv.com Color code: HEX #E7DA90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 218 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 218 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 38 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 38% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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