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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7D9BB it is the complementary color #182644. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7D9BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7D9BB shade: #ECD9B6, #FDEBC9, #FFFDDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7D9BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7D9BB shade: #E7D9BB, #D6C7A8, #C5B595, #B4A382 and #A3916F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7D9BB shade: #E7D9BB, #E7CDBB, #E7C1BB and #E7BBBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7D9BB shade: #E7D9BB, #E7E4BB, #DDE7BB, #D1E7BB and #C5E7BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7D9BB shade matches the following richer shades: #E7D9BB, #EEDBB3, #F5DEAC and #FDE1A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7D9BB shade: #E7D9BB, #DFD6C2, #D8D3C9, #D0D1D1 and #C9CED8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7D9BB shade: #E7C0BB, #E7CCBB, #E7D8BB, #E7E4BB and #DEE7BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7D9BB shade: #D1B77E, #DCC89C, #E7D9BB, #F1EAD9 and #FCFBF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7D9BB shade: #E7D9BB, #C0E7BB and #C6BBE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7D9BB shade: #E7D9BB, #BBE7D8 and #D8BBE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7D9BB shade: #E7D9BB, #C0E7BB, #BBC9E7 and #E1BBE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7D9BB shade: #E7D9BB, #BBE7C2, #BBC9E7 and #E7BBDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 19 / 9

HEX #E7D9BB

RGB 231 217 187

HSL 40.91, 0.48%, 0.82%

LAB 87.1, 0.03, 16.52

 

Complementary color

CMYK 65 / 44 / 0 / 73

HEX #182644

RGB 24 38 68

HSL 220.91, 0.48%, 0.18%

LAB 15.48, 4.92, -20.74

 

CMYK 0 / 8 / 23 / 7

HEX #ECD9B6

RGB 236 217 182

HSL 38.89, 0.59%, 0.82%

LAB 87.41, 1.15, 19.63

 

CMYK 0 / 7 / 21 / 1

HEX #FDEBC9

RGB 253 235 201

HSL 39.23, 0.93%, 0.89%

LAB 93.67, 0.84, 18.72

 

CMYK 0 / 1 / 14 / 0

HEX #FFFDDC

RGB 255 253 220

HSL 56.57, 1%, 0.93%

LAB 98.7, -4.72, 16.05

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 0 / 6 / 19 / 9

HEX #E7D9BB

RGB 231 217 187

HSL 40.91, 0.48%, 0.82%

LAB 87.1, 0.03, 16.52

 

CMYK 0 / 7 / 21 / 16

HEX #D6C7A8

RGB 214 199 168

HSL 40.43, 0.36%, 0.75%

LAB 80.72, 0.31, 17.43

 

CMYK 0 / 8 / 24 / 23

HEX #C5B595

RGB 197 181 149

HSL 40, 0.29%, 0.68%

LAB 74.25, 0.63, 18.39

 

CMYK 0 / 9 / 28 / 29

HEX #B4A382

RGB 180 163 130

HSL 39.6, 0.25%, 0.61%

LAB 67.66, 1, 19.42

 

CMYK 0 / 11 / 32 / 36

HEX #A3916F

RGB 163 145 111

HSL 39.23, 0.22%, 0.54%

LAB 60.94, 1.43, 20.53

 

CMYK 0 / 6 / 19 / 9

HEX #E7D9BB

RGB 231 217 187

HSL 40.91, 0.48%, 0.82%

LAB 87.1, 0.03, 16.52

 

CMYK 0 / 11 / 19 / 9

HEX #E7CDBB

RGB 231 205 187

HSL 24.55, 0.48%, 0.82%

LAB 84.09, 6.26, 12.28

 

CMYK 0 / 16 / 19 / 9

HEX #E7C1BB

RGB 231 193 187

HSL 8.18, 0.48%, 0.82%

LAB 81.14, 12.59, 8.07

 

CMYK 0 / 19 / 19 / 9

HEX #E7BBBB

RGB 231 187 187

HSL 0, 0.48%, 0.82%

LAB 79.68, 15.77, 5.98

 

CMYK 0 / 6 / 19 / 9

HEX #E7D9BB

RGB 231 217 187

HSL 40.91, 0.48%, 0.82%

LAB 87.1, 0.03, 16.52

 

CMYK 0 / 1 / 19 / 9

HEX #E7E4BB

RGB 231 228 187

HSL 55.91, 0.48%, 0.82%

LAB 89.89, -5.6, 20.42

 

CMYK 4 / 0 / 19 / 9

HEX #DDE7BB

RGB 221 231 187

HSL 73.64, 0.48%, 0.82%

LAB 89.91, -10.72, 20.34

 

CMYK 10 / 0 / 19 / 9

HEX #D1E7BB

RGB 209 231 187

HSL 90, 0.48%, 0.82%

LAB 89.06, -14.97, 19.02

 

CMYK 15 / 0 / 19 / 9

HEX #C5E7BB

RGB 197 231 187

HSL 106.36, 0.48%, 0.82%

LAB 88.26, -19.13, 17.79

 

CMYK 0 / 6 / 19 / 9

HEX #E7D9BB

RGB 231 217 187

HSL 40.91, 0.48%, 0.82%

LAB 87.1, 0.03, 16.52

 

CMYK 0 / 8 / 25 / 7

HEX #EEDBB3

RGB 238 219 179

HSL 40.68, 0.63%, 0.82%

LAB 88.01, 0.44, 22.07

 

CMYK 0 / 9 / 30 / 4

HEX #F5DEAC

RGB 245 222 172

HSL 41.1, 0.78%, 0.82%

LAB 89.22, 0.61, 27.44

 

CMYK 0 / 11 / 35 / 1

HEX #FDE1A4

RGB 253 225 164

HSL 41.12, 0.96%, 0.82%

LAB 90.51, 1.15, 33.4

 

CMYK 0 / 6 / 19 / 9

HEX #E7D9BB

RGB 231 217 187

HSL 40.91, 0.48%, 0.82%

LAB 87.1, 0.03, 16.52

 

CMYK 0 / 4 / 13 / 13

HEX #DFD6C2

RGB 223 214 194

HSL 41.38, 0.31%, 0.82%

LAB 85.84, -0.25, 10.97

 

CMYK 0 / 2 / 7 / 15

HEX #D8D3C9

RGB 216 211 201

HSL 40, 0.16%, 0.82%

LAB 84.69, -0.02, 5.54

 

CMYK 0 / 0 / 0 / 18

HEX #D0D1D1

RGB 208 209 209

HSL 180, 0.01%, 0.82%

LAB 83.76, -0.34, -0.13

 

CMYK 7 / 5 / 0 / 15

HEX #C9CED8

RGB 201 206 216

HSL 220, 0.16%, 0.82%

LAB 82.66, 0.2, -5.55

 

CMYK 0 / 17 / 19 / 9

HEX #E7C0BB

RGB 231 192 187

HSL 6.82, 0.48%, 0.82%

LAB 80.89, 13.12, 7.72

 

CMYK 0 / 12 / 19 / 9

HEX #E7CCBB

RGB 231 204 187

HSL 23.18, 0.48%, 0.82%

LAB 83.84, 6.79, 11.93

 

CMYK 0 / 6 / 19 / 9

HEX #E7D8BB

RGB 231 216 187

HSL 39.55, 0.48%, 0.82%

LAB 86.84, 0.54, 16.16

 

CMYK 0 / 1 / 19 / 9

HEX #E7E4BB

RGB 231 228 187

HSL 55.91, 0.48%, 0.82%

LAB 89.89, -5.6, 20.42

 

CMYK 4 / 0 / 19 / 9

HEX #DEE7BB

RGB 222 231 187

HSL 72.27, 0.48%, 0.82%

LAB 89.98, -10.36, 20.45

 

CMYK 0 / 12 / 40 / 18

HEX #D1B77E

RGB 209 183 126

HSL 41.2, 0.47%, 0.66%

LAB 75.41, 1.38, 32.41

 

CMYK 0 / 9 / 29 / 14

HEX #DCC89C

RGB 220 200 156

HSL 41.25, 0.48%, 0.74%

LAB 81.25, 0.41, 24.59

 

CMYK 0 / 6 / 19 / 9

HEX #E7D9BB

RGB 231 217 187

HSL 40.91, 0.48%, 0.82%

LAB 87.1, 0.03, 16.52

 

CMYK 0 / 3 / 10 / 5

HEX #F1EAD9

RGB 241 234 217

HSL 42.5, 0.46%, 0.9%

LAB 92.82, -0.49, 9.08

 

CMYK 0 / 0 / 2 / 1

HEX #FCFBF8

RGB 252 251 248

HSL 45, 0.4%, 0.98%

LAB 98.62, -0.19, 1.54

 

CMYK 0 / 6 / 19 / 9

HEX #E7D9BB

RGB 231 217 187

HSL 40.91, 0.48%, 0.82%

LAB 87.1, 0.03, 16.52

 

CMYK 17 / 0 / 19 / 9

HEX #C0E7BB

RGB 192 231 187

HSL 113.18, 0.48%, 0.82%

LAB 87.94, -20.82, 17.29

 

CMYK 14 / 19 / 0 / 9

HEX #C6BBE7

RGB 198 187 231

HSL 255, 0.48%, 0.82%

LAB 78.06, 12.44, -20.5

 

CMYK 0 / 6 / 19 / 9

HEX #E7D9BB

RGB 231 217 187

HSL 40.91, 0.48%, 0.82%

LAB 87.1, 0.03, 16.52

 

CMYK 19 / 0 / 6 / 9

HEX #BBE7D8

RGB 187 231 216

HSL 159.55, 0.48%, 0.82%

LAB 88.29, -17.16, 2.59

 

CMYK 6 / 19 / 0 / 9

HEX #D8BBE7

RGB 216 187 231

HSL 279.55, 0.48%, 0.82%

LAB 79.56, 18.23, -18.09

 

CMYK 0 / 6 / 19 / 9

HEX #E7D9BB

RGB 231 217 187

HSL 40.91, 0.48%, 0.82%

LAB 87.1, 0.03, 16.52

 

CMYK 17 / 0 / 19 / 9

HEX #C0E7BB

RGB 192 231 187

HSL 113.18, 0.48%, 0.82%

LAB 87.94, -20.82, 17.29

 

CMYK 19 / 13 / 0 / 9

HEX #BBC9E7

RGB 187 201 231

HSL 220.91, 0.48%, 0.82%

LAB 80.8, 1.44, -16.45

 

CMYK 3 / 19 / 0 / 9

HEX #E1BBE7

RGB 225 187 231

HSL 291.82, 0.48%, 0.82%

LAB 80.36, 21.18, -16.81

 

CMYK 0 / 6 / 19 / 9

HEX #E7D9BB

RGB 231 217 187

HSL 40.91, 0.48%, 0.82%

LAB 87.1, 0.03, 16.52

 

CMYK 19 / 0 / 16 / 9

HEX #BBE7C2

RGB 187 231 194

HSL 129.55, 0.48%, 0.82%

LAB 87.78, -21.28, 13.38

 

CMYK 19 / 13 / 0 / 9

HEX #BBC9E7

RGB 187 201 231

HSL 220.91, 0.48%, 0.82%

LAB 80.8, 1.44, -16.45

 

CMYK 0 / 19 / 3 / 9

HEX #E7BBDF

RGB 231 187 223

HSL 310.91, 0.48%, 0.82%

LAB 80.66, 21.71, -12

 

Description

Color code: HEX #E7D9BB | qconv.com Color code: HEX #E7D9BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 217 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 217 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 19 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 19% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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