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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7AF2B it is the complementary color #1850D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7AF2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7AF2B shade: #ECAF26, #FDC139, #FFD34C, #FFE55F and #FFF772

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7AF2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7AF2B shade: #E7AF2B, #D69D18, #C58B05, #B47900 and #A36700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7AF2B shade: #E7AF2B, #E77D2B, #E74A2B and #E72B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7AF2B shade: #E7AF2B, #E7E22B, #BAE72B, #87E72B and #54E72B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7AF2B shade matches the following richer shades: #E7AF2B and #FAB718

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7AF2B shade: #E7AF2B, #D4A73E, #C1A051, #AE9864 and #9B9077

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7AF2B shade: #E74B2B, #E77D2B, #E7AF2B, #E7E12B and #BBE72B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7AF2B shade: #AD7F13, #D29A17, #E7AF2B, #EBBD50 and #EFCB76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7AF2B shade: #E7AF2B, #3EE72B and #642BE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7AF2B shade: #E7AF2B, #2BE7AF and #AF2BE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7AF2B shade: #E7AF2B, #3EE72B, #2B64E7 and #D42BE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7AF2B shade: #E7AF2B, #2BE751, #2B64E7 and #E72BC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 81 / 9

HEX #E7AF2B

RGB 231 175 43

HSL 42.13, 0.8%, 0.54%

LAB 74.71, 9.15, 69.45

 

Complementary color

CMYK 89 / 62 / 0 / 17

HEX #1850D4

RGB 24 80 212

HSL 222.13, 0.8%, 0.46%

LAB 39.04, 33.71, -72.24

 

CMYK 0 / 26 / 84 / 7

HEX #ECAF26

RGB 236 175 38

HSL 41.52, 0.84%, 0.54%

LAB 75.22, 11.16, 71.56

 

CMYK 0 / 24 / 77 / 1

HEX #FDC139

RGB 253 193 57

HSL 41.63, 0.98%, 0.61%

LAB 81.47, 9.56, 71.78

 

CMYK 0 / 17 / 70 / 0

HEX #FFD34C

RGB 255 211 76

HSL 45.25, 1%, 0.65%

LAB 86.19, 1.92, 69.43

 

CMYK 0 / 10 / 63 / 0

HEX #FFE55F

RGB 255 229 95

HSL 50.25, 1%, 0.69%

LAB 90.84, -6.14, 66.58

 

CMYK 0 / 3 / 55 / 0

HEX #FFF772

RGB 255 247 114

HSL 56.6, 1%, 0.72%

LAB 95.58, -13.75, 63.68

 

CMYK 0 / 24 / 81 / 9

HEX #E7AF2B

RGB 231 175 43

HSL 42.13, 0.8%, 0.54%

LAB 74.71, 9.15, 69.45

 

CMYK 0 / 27 / 89 / 16

HEX #D69D18

RGB 214 157 24

HSL 42, 0.8%, 0.47%

LAB 68.37, 10.89, 68.58

 

CMYK 0 / 29 / 97 / 23

HEX #C58B05

RGB 197 139 5

HSL 41.88, 0.95%, 0.4%

LAB 61.95, 12.87, 66.3

 

CMYK 0 / 33 / 100 / 29

HEX #B47900

RGB 180 121 0

HSL 40.33, 1%, 0.35%

LAB 55.46, 15.14, 61.74

 

CMYK 0 / 37 / 100 / 36

HEX #A36700

RGB 163 103 0

HSL 37.91, 1%, 0.32%

LAB 48.87, 17.57, 56.37

 

CMYK 0 / 24 / 81 / 9

HEX #E7AF2B

RGB 231 175 43

HSL 42.13, 0.8%, 0.54%

LAB 74.71, 9.15, 69.45

 

CMYK 0 / 46 / 81 / 9

HEX #E77D2B

RGB 231 125 43

HSL 26.17, 0.8%, 0.54%

LAB 63.2, 35.55, 59.27

 

CMYK 0 / 68 / 81 / 9

HEX #E74A2B

RGB 231 74 43

HSL 9.89, 0.8%, 0.54%

LAB 54.09, 59.11, 50.92

 

CMYK 0 / 81 / 81 / 9

HEX #E72B2B

RGB 231 43 43

HSL 0, 0.8%, 0.54%

LAB 50.56, 68.93, 47.58

 

CMYK 0 / 24 / 81 / 9

HEX #E7AF2B

RGB 231 175 43

HSL 42.13, 0.8%, 0.54%

LAB 74.71, 9.15, 69.45

 

CMYK 0 / 2 / 81 / 9

HEX #E7E22B

RGB 231 226 43

HSL 58.4, 0.8%, 0.54%

LAB 87.75, -16.9, 80.65

 

CMYK 19 / 0 / 81 / 9

HEX #BAE72B

RGB 186 231 43

HSL 74.36, 0.8%, 0.54%

LAB 85.89, -37.55, 77.77

 

CMYK 42 / 0 / 81 / 9

HEX #87E72B

RGB 135 231 43

HSL 90.64, 0.8%, 0.54%

LAB 83.17, -55.88, 74.32

 

CMYK 64 / 0 / 81 / 9

HEX #54E72B

RGB 84 231 43

HSL 106.91, 0.8%, 0.54%

LAB 81.41, -69.62, 72.07

 

CMYK 0 / 24 / 81 / 9

HEX #E7AF2B

RGB 231 175 43

HSL 42.13, 0.8%, 0.54%

LAB 74.71, 9.15, 69.45

 

CMYK 0 / 27 / 90 / 2

HEX #FAB718

RGB 250 183 24

HSL 42.21, 0.96%, 0.54%

LAB 78.61, 12.66, 78.13

 

CMYK 0 / 24 / 81 / 9

HEX #E7AF2B

RGB 231 175 43

HSL 42.13, 0.8%, 0.54%

LAB 74.71, 9.15, 69.45

 

CMYK 0 / 21 / 71 / 17

HEX #D4A73E

RGB 212 167 62

HSL 42, 0.64%, 0.54%

LAB 70.86, 5.96, 58.17

 

CMYK 0 / 17 / 58 / 24

HEX #C1A051

RGB 193 160 81

HSL 42.32, 0.47%, 0.54%

LAB 67.33, 2.74, 45.09

 

CMYK 0 / 13 / 43 / 32

HEX #AE9864

RGB 174 152 100

HSL 42.16, 0.31%, 0.54%

LAB 63.65, 0.79, 30.33

 

CMYK 0 / 7 / 23 / 39

HEX #9B9077

RGB 155 144 119

HSL 41.67, 0.15%, 0.54%

LAB 60.11, -0.11, 14.78

 

CMYK 0 / 68 / 81 / 9

HEX #E74B2B

RGB 231 75 43

HSL 10.21, 0.8%, 0.54%

LAB 54.23, 58.72, 51.05

 

CMYK 0 / 46 / 81 / 9

HEX #E77D2B

RGB 231 125 43

HSL 26.17, 0.8%, 0.54%

LAB 63.2, 35.55, 59.27

 

CMYK 0 / 24 / 81 / 9

HEX #E7AF2B

RGB 231 175 43

HSL 42.13, 0.8%, 0.54%

LAB 74.71, 9.15, 69.45

 

CMYK 0 / 3 / 81 / 9

HEX #E7E12B

RGB 231 225 43

HSL 58.09, 0.8%, 0.54%

LAB 87.49, -16.41, 80.42

 

CMYK 19 / 0 / 81 / 9

HEX #BBE72B

RGB 187 231 43

HSL 74.04, 0.8%, 0.54%

LAB 85.95, -37.16, 77.85

 

CMYK 0 / 27 / 89 / 32

HEX #AD7F13

RGB 173 127 19

HSL 42.08, 0.8%, 0.38%

LAB 56.2, 8.91, 58.24

 

CMYK 0 / 27 / 89 / 18

HEX #D29A17

RGB 210 154 23

HSL 42.03, 0.8%, 0.46%

LAB 67.18, 10.73, 67.69

 

CMYK 0 / 24 / 81 / 9

HEX #E7AF2B

RGB 231 175 43

HSL 42.13, 0.8%, 0.54%

LAB 74.71, 9.15, 69.45

 

CMYK 0 / 20 / 66 / 8

HEX #EBBD50

RGB 235 189 80

HSL 42.19, 0.79%, 0.62%

LAB 78.83, 5.12, 59.54

 

CMYK 0 / 15 / 51 / 6

HEX #EFCB76

RGB 239 203 118

HSL 42.15, 0.79%, 0.7%

LAB 83.11, 2.25, 46.79

 

CMYK 0 / 24 / 81 / 9

HEX #E7AF2B

RGB 231 175 43

HSL 42.13, 0.8%, 0.54%

LAB 74.71, 9.15, 69.45

 

CMYK 73 / 0 / 81 / 9

HEX #3EE72B

RGB 62 231 43

HSL 113.94, 0.8%, 0.54%

LAB 80.93, -73.65, 71.47

 

CMYK 57 / 81 / 0 / 9

HEX #642BE7

RGB 100 43 231

HSL 258.19, 0.8%, 0.54%

LAB 38.21, 66.4, -84.32

 

CMYK 0 / 24 / 81 / 9

HEX #E7AF2B

RGB 231 175 43

HSL 42.13, 0.8%, 0.54%

LAB 74.71, 9.15, 69.45

 

CMYK 81 / 0 / 24 / 9

HEX #2BE7AF

RGB 43 231 175

HSL 162.13, 0.8%, 0.54%

LAB 82.25, -57.39, 14.77

 

CMYK 24 / 81 / 0 / 9

HEX #AF2BE7

RGB 175 43 231

HSL 282.13, 0.8%, 0.54%

LAB 47.77, 76.45, -68.3

 

CMYK 0 / 24 / 81 / 9

HEX #E7AF2B

RGB 231 175 43

HSL 42.13, 0.8%, 0.54%

LAB 74.71, 9.15, 69.45

 

CMYK 73 / 0 / 81 / 9

HEX #3EE72B

RGB 62 231 43

HSL 113.94, 0.8%, 0.54%

LAB 80.93, -73.65, 71.47

 

CMYK 81 / 57 / 0 / 9

HEX #2B64E7

RGB 43 100 231

HSL 221.81, 0.8%, 0.54%

LAB 46.17, 29.29, -71.39

 

CMYK 8 / 81 / 0 / 9

HEX #D42BE7

RGB 212 43 231

HSL 293.94, 0.8%, 0.54%

LAB 53.49, 82.65, -58.78

 

CMYK 0 / 24 / 81 / 9

HEX #E7AF2B

RGB 231 175 43

HSL 42.13, 0.8%, 0.54%

LAB 74.71, 9.15, 69.45

 

CMYK 81 / 0 / 65 / 9

HEX #2BE751

RGB 43 231 81

HSL 132.13, 0.8%, 0.54%

LAB 80.88, -73.21, 58.52

 

CMYK 81 / 57 / 0 / 9

HEX #2B64E7

RGB 43 100 231

HSL 221.81, 0.8%, 0.54%

LAB 46.17, 29.29, -71.39

 

CMYK 0 / 81 / 16 / 9

HEX #E72BC2

RGB 231 43 194

HSL 311.81, 0.8%, 0.54%

LAB 54.67, 80.87, -35.59

 

Description

Color code: HEX #E7AF2B | qconv.com Color code: HEX #E7AF2B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 175 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 175 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 81 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 81% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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