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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7AF3C it is the complementary color #1850C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7AF3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7AF3C shade: #ECAF37, #FDC14A, #FFD35D, #FFE570 and #FFF783

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7AF3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7AF3C shade: #E7AF3C, #D69D29, #C58B16, #B47903 and #A36700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7AF3C shade: #E6AE3B, #E6803B, #E6523B and #E63B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7AF3C shade: #E6AE3B, #E6DC3B, #C2E63B, #94E63B and #66E63B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7AF3C shade matches the following richer shades: #E6AE3B and #F8B42A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7AF3C shade: #E6AE3B, #D5A84D, #C3A25F, #B19C71 and #9F9682

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7AF3C shade: #E6523B, #E6803B, #E6AD3B, #E6DB3B and #C4E63B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7AF3C shade: #B98416, #DE9E1B, #E6AE3B, #EBBD60 and #EFCD85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7AF3C shade: #E7AF3C, #52E63B and #693BE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7AF3C shade: #E7AF3C, #3BE6AD and #AD3BE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7AF3C shade: #E7AF3C, #52E63B, #3B74E6 and #D03BE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7AF3C shade: #E7AF3C, #3BE658, #3B74E6 and #E63BCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 74 / 9

HEX #E7AF3C

RGB 231 175 60

HSL 40.35, 0.78%, 0.57%

LAB 74.81, 9.77, 63.57

 

Complementary color

CMYK 88 / 59 / 0 / 24

HEX #1850C3

RGB 24 80 195

HSL 220.35, 0.78%, 0.43%

LAB 37.61, 27.16, -64.74

 

CMYK 0 / 26 / 77 / 7

HEX #ECAF37

RGB 236 175 55

HSL 39.78, 0.83%, 0.57%

LAB 75.31, 11.7, 66.12

 

CMYK 0 / 24 / 71 / 1

HEX #FDC14A

RGB 253 193 74

HSL 39.89, 0.98%, 0.64%

LAB 81.57, 10.27, 65.49

 

CMYK 0 / 17 / 64 / 0

HEX #FFD35D

RGB 255 211 93

HSL 43.7, 1%, 0.68%

LAB 86.32, 2.85, 62.55

 

CMYK 0 / 10 / 56 / 0

HEX #FFE570

RGB 255 229 112

HSL 49.09, 1%, 0.72%

LAB 90.99, -5, 59.33

 

CMYK 0 / 3 / 49 / 0

HEX #FFF783

RGB 255 247 131

HSL 56.13, 1%, 0.76%

LAB 95.76, -12.4, 56.22

 

CMYK 0 / 24 / 74 / 9

HEX #E7AF3C

RGB 231 175 60

HSL 40.35, 0.78%, 0.57%

LAB 74.81, 9.77, 63.57

 

CMYK 0 / 27 / 81 / 16

HEX #D69D29

RGB 214 157 41

HSL 40.23, 0.68%, 0.5%

LAB 68.44, 11.32, 63.88

 

CMYK 0 / 29 / 89 / 23

HEX #C58B16

RGB 197 139 22

HSL 40.11, 0.8%, 0.43%

LAB 61.99, 13.12, 63.24

 

CMYK 0 / 33 / 98 / 29

HEX #B47903

RGB 180 121 3

HSL 40, 0.97%, 0.36%

LAB 55.47, 15.18, 61.2

 

CMYK 0 / 37 / 100 / 36

HEX #A36700

RGB 163 103 0

HSL 37.91, 1%, 0.32%

LAB 48.87, 17.57, 56.37

 

CMYK 0 / 24 / 74 / 10

HEX #E6AE3B

RGB 230 174 59

HSL 40.35, 0.77%, 0.57%

LAB 74.45, 9.83, 63.57

 

CMYK 0 / 44 / 74 / 10

HEX #E6803B

RGB 230 128 59

HSL 24.21, 0.77%, 0.57%

LAB 63.82, 34.19, 52.96

 

CMYK 0 / 64 / 74 / 10

HEX #E6523B

RGB 230 82 59

HSL 8.07, 0.77%, 0.57%

LAB 55.25, 56.12, 43.93

 

CMYK 0 / 74 / 74 / 10

HEX #E63B3B

RGB 230 59 59

HSL 0, 0.77%, 0.57%

LAB 52.14, 64.64, 40.51

 

CMYK 0 / 24 / 74 / 10

HEX #E6AE3B

RGB 230 174 59

HSL 40.35, 0.77%, 0.57%

LAB 74.45, 9.83, 63.57

 

CMYK 0 / 4 / 74 / 10

HEX #E6DC3B

RGB 230 220 59

HSL 56.49, 0.77%, 0.57%

LAB 86.17, -13.82, 74.69

 

CMYK 16 / 0 / 74 / 10

HEX #C2E63B

RGB 194 230 59

HSL 72.63, 0.77%, 0.57%

LAB 86.2, -33.31, 73.76

 

CMYK 36 / 0 / 74 / 10

HEX #94E63B

RGB 148 230 59

HSL 88.77, 0.77%, 0.57%

LAB 83.55, -50.39, 70.31

 

CMYK 56 / 0 / 74 / 10

HEX #66E63B

RGB 102 230 59

HSL 104.91, 0.77%, 0.57%

LAB 81.69, -64.2, 67.86

 

CMYK 0 / 24 / 74 / 10

HEX #E6AE3B

RGB 230 174 59

HSL 40.35, 0.77%, 0.57%

LAB 74.45, 9.83, 63.57

 

CMYK 0 / 27 / 83 / 3

HEX #F8B42A

RGB 248 180 42

HSL 40.19, 0.94%, 0.57%

LAB 77.74, 13.75, 73.06

 

CMYK 0 / 24 / 74 / 10

HEX #E6AE3B

RGB 230 174 59

HSL 40.35, 0.77%, 0.57%

LAB 74.45, 9.83, 63.57

 

CMYK 0 / 21 / 64 / 16

HEX #D5A84D

RGB 213 168 77

HSL 40.15, 0.62%, 0.57%

LAB 71.34, 6.71, 52.09

 

CMYK 0 / 17 / 51 / 24

HEX #C3A25F

RGB 195 162 95

HSL 40.2, 0.45%, 0.57%

LAB 68.22, 3.68, 39.15

 

CMYK 0 / 12 / 36 / 31

HEX #B19C71

RGB 177 156 113

HSL 40.31, 0.29%, 0.57%

LAB 65.21, 1.37, 25.38

 

CMYK 0 / 6 / 18 / 38

HEX #9F9682

RGB 159 150 130

HSL 41.38, 0.13%, 0.57%

LAB 62.33, -0.14, 11.74

 

CMYK 0 / 64 / 74 / 10

HEX #E6523B

RGB 230 82 59

HSL 8.07, 0.77%, 0.57%

LAB 55.25, 56.12, 43.93

 

CMYK 0 / 44 / 74 / 10

HEX #E6803B

RGB 230 128 59

HSL 24.21, 0.77%, 0.57%

LAB 63.82, 34.19, 52.96

 

CMYK 0 / 25 / 74 / 10

HEX #E6AD3B

RGB 230 173 59

HSL 40, 0.77%, 0.57%

LAB 74.21, 10.36, 63.33

 

CMYK 0 / 5 / 74 / 10

HEX #E6DB3B

RGB 230 219 59

HSL 56.14, 0.77%, 0.57%

LAB 85.91, -13.33, 74.45

 

CMYK 15 / 0 / 74 / 10

HEX #C4E63B

RGB 196 230 59

HSL 71.93, 0.77%, 0.57%

LAB 86.33, -32.52, 73.93

 

CMYK 0 / 29 / 88 / 27

HEX #B98416

RGB 185 132 22

HSL 40.49, 0.79%, 0.41%

LAB 58.86, 11.62, 60.18

 

CMYK 0 / 29 / 88 / 13

HEX #DE9E1B

RGB 222 158 27

HSL 40.31, 0.78%, 0.49%

LAB 69.51, 13.9, 69.16

 

CMYK 0 / 24 / 74 / 10

HEX #E6AE3B

RGB 230 174 59

HSL 40.35, 0.77%, 0.57%

LAB 74.45, 9.83, 63.57

 

CMYK 0 / 20 / 59 / 8

HEX #EBBD60

RGB 235 189 96

HSL 40.14, 0.78%, 0.65%

LAB 78.98, 6.15, 52.42

 

CMYK 0 / 14 / 44 / 6

HEX #EFCD85

RGB 239 205 133

HSL 40.75, 0.77%, 0.73%

LAB 83.81, 2.61, 40.18

 

CMYK 0 / 24 / 74 / 9

HEX #E7AF3C

RGB 231 175 60

HSL 40.35, 0.78%, 0.57%

LAB 74.81, 9.77, 63.57

 

CMYK 64 / 0 / 74 / 10

HEX #52E63B

RGB 82 230 59

HSL 111.93, 0.77%, 0.57%

LAB 81.13, -68.78, 67.12

 

CMYK 54 / 74 / 0 / 10

HEX #693BE6

RGB 105 59 230

HSL 256.14, 0.77%, 0.57%

LAB 40.97, 59.91, -79.2

 

CMYK 0 / 24 / 74 / 9

HEX #E7AF3C

RGB 231 175 60

HSL 40.35, 0.78%, 0.57%

LAB 74.81, 9.77, 63.57

 

CMYK 74 / 0 / 25 / 10

HEX #3BE6AD

RGB 59 230 173

HSL 160, 0.77%, 0.57%

LAB 82.13, -55.79, 15.68

 

CMYK 25 / 74 / 0 / 10

HEX #AD3BE6

RGB 173 59 230

HSL 280, 0.77%, 0.57%

LAB 49.16, 70.84, -65.48

 

CMYK 0 / 24 / 74 / 9

HEX #E7AF3C

RGB 231 175 60

HSL 40.35, 0.78%, 0.57%

LAB 74.81, 9.77, 63.57

 

CMYK 64 / 0 / 74 / 10

HEX #52E63B

RGB 82 230 59

HSL 111.93, 0.77%, 0.57%

LAB 81.13, -68.78, 67.12

 

CMYK 74 / 50 / 0 / 10

HEX #3B74E6

RGB 59 116 230

HSL 220, 0.77%, 0.57%

LAB 50.84, 20.41, -63.23

 

CMYK 10 / 74 / 0 / 10

HEX #D03BE6

RGB 208 59 230

HSL 292.28, 0.77%, 0.57%

LAB 54.29, 77.43, -56.95

 

CMYK 0 / 24 / 74 / 9

HEX #E7AF3C

RGB 231 175 60

HSL 40.35, 0.78%, 0.57%

LAB 74.81, 9.77, 63.57

 

CMYK 74 / 0 / 62 / 10

HEX #3BE658

RGB 59 230 88

HSL 130.18, 0.77%, 0.57%

LAB 80.87, -70.19, 55.66

 

CMYK 74 / 50 / 0 / 10

HEX #3B74E6

RGB 59 116 230

HSL 220, 0.77%, 0.57%

LAB 50.84, 20.41, -63.23

 

CMYK 0 / 74 / 12 / 10

HEX #E63BCA

RGB 230 59 202

HSL 309.82, 0.77%, 0.57%

LAB 56.3, 77.64, -37.64

 

Description

Color code: HEX #E7AF3C | qconv.com Color code: HEX #E7AF3C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 175 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 175 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 74 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 74% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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