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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E396C7 it is the complementary color #1C6938. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E396C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E396C7 shade: #E896C2, #F9A8D5, #FFBAE8, #FFCCFB and #FFDEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E396C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E396C7 shade: #E396C7, #D284B4, #C172A1, #B0608E and #9F4E7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E396C7 shade: #E396C7, #E396B2, #E3969D and #E39696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E396C7 shade: #E396C7, #E396DB, #D596E3, #C096E3 and #AC96E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E396C7 shade matches the following richer shades: #E396C7, #ED8BCA and #F880CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E396C7 shade: #E396C7, #D8A0C4, #CDABC1, #C2B6BE and #B8C1BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E396C7 shade: #D596E3, #E396DC, #E396C8, #E396B3 and #E3969F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E396C7 shade: #D155A4, #DA75B5, #E396C7, #EBB6D8 and #F4D7E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E396C7 shade: #E396C7, #E3C096 and #96E3DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E396C7 shade: #E396C7, #C8E396 and #96C8E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E396C7 shade: #E396C7, #E3C096, #96E3B1 and #96B8E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E396C7 shade: #E396C7, #E3D796, #96E3B1 and #96A1E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 12 / 11

HEX #E396C7

RGB 227 150 199

HSL 321.82, 0.58%, 0.74%

LAB 71.05, 36.03, -13.33

 

Complementary color

CMYK 73 / 0 / 47 / 59

HEX #1C6938

RGB 28 105 56

HSL 141.82, 0.58%, 0.26%

LAB 38.96, -35.14, 20.98

 

CMYK 0 / 35 / 16 / 9

HEX #E896C2

RGB 232 150 194

HSL 327.8, 0.64%, 0.75%

LAB 71.46, 36.93, -9.89

 

CMYK 0 / 33 / 14 / 2

HEX #F9A8D5

RGB 249 168 213

HSL 326.67, 0.87%, 0.82%

LAB 77.84, 36.19, -10.6

 

CMYK 0 / 27 / 9 / 0

HEX #FFBAE8

RGB 255 186 232

HSL 320, 1%, 0.86%

LAB 83.02, 31.84, -13.05

 

CMYK 0 / 20 / 2 / 0

HEX #FFCCFB

RGB 255 204 251

HSL 304.71, 1%, 0.9%

LAB 87.68, 25.65, -16.17

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 0 / 34 / 12 / 11

HEX #E396C7

RGB 227 150 199

HSL 321.82, 0.58%, 0.74%

LAB 71.05, 36.03, -13.33

 

CMYK 0 / 37 / 14 / 18

HEX #D284B4

RGB 210 132 180

HSL 323.08, 0.46%, 0.67%

LAB 64.56, 36.78, -12.65

 

CMYK 0 / 41 / 17 / 24

HEX #C172A1

RGB 193 114 161

HSL 324.3, 0.39%, 0.6%

LAB 57.99, 37.57, -11.89

 

CMYK 0 / 45 / 19 / 31

HEX #B0608E

RGB 176 96 142

HSL 325.5, 0.34%, 0.53%

LAB 51.32, 38.38, -11.02

 

CMYK 0 / 51 / 23 / 38

HEX #9F4E7B

RGB 159 78 123

HSL 326.67, 0.34%, 0.46%

LAB 44.59, 39.17, -9.99

 

CMYK 0 / 34 / 12 / 11

HEX #E396C7

RGB 227 150 199

HSL 321.82, 0.58%, 0.74%

LAB 71.05, 36.03, -13.33

 

CMYK 0 / 34 / 22 / 11

HEX #E396B2

RGB 227 150 178

HSL 338.18, 0.58%, 0.74%

LAB 70.43, 32.77, -2.6

 

CMYK 0 / 34 / 31 / 11

HEX #E3969D

RGB 227 150 157

HSL 354.55, 0.58%, 0.74%

LAB 69.88, 29.85, 8.29

 

CMYK 0 / 34 / 34 / 11

HEX #E39696

RGB 227 150 150

HSL 0, 0.58%, 0.74%

LAB 69.71, 28.96, 11.96

 

CMYK 0 / 34 / 12 / 11

HEX #E396C7

RGB 227 150 199

HSL 321.82, 0.58%, 0.74%

LAB 71.05, 36.03, -13.33

 

CMYK 0 / 34 / 4 / 11

HEX #E396DB

RGB 227 150 219

HSL 306.23, 0.58%, 0.74%

LAB 71.73, 39.45, -23.35

 

CMYK 6 / 34 / 0 / 11

HEX #D596E3

RGB 213 150 227

HSL 289.09, 0.58%, 0.74%

LAB 70.53, 36.53, -29.72

 

CMYK 15 / 34 / 0 / 11

HEX #C096E3

RGB 192 150 227

HSL 272.73, 0.58%, 0.74%

LAB 68.44, 30.06, -33.12

 

CMYK 24 / 34 / 0 / 11

HEX #AC96E3

RGB 172 150 227

HSL 257.14, 0.58%, 0.74%

LAB 66.62, 24.07, -36.08

 

CMYK 0 / 34 / 12 / 11

HEX #E396C7

RGB 227 150 199

HSL 321.82, 0.58%, 0.74%

LAB 71.05, 36.03, -13.33

 

CMYK 0 / 41 / 15 / 7

HEX #ED8BCA

RGB 237 139 202

HSL 321.43, 0.73%, 0.74%

LAB 69.99, 45.55, -16.48

 

CMYK 0 / 48 / 17 / 3

HEX #F880CD

RGB 248 128 205

HSL 321.5, 0.9%, 0.74%

LAB 69.33, 54.96, -19.02

 

CMYK 0 / 34 / 12 / 11

HEX #E396C7

RGB 227 150 199

HSL 321.82, 0.58%, 0.74%

LAB 71.05, 36.03, -13.33

 

CMYK 0 / 26 / 9 / 15

HEX #D8A0C4

RGB 216 160 196

HSL 321.43, 0.42%, 0.74%

LAB 72.05, 26.41, -10.31

 

CMYK 0 / 17 / 6 / 20

HEX #CDABC1

RGB 205 171 193

HSL 321.18, 0.25%, 0.74%

LAB 73.52, 16.07, -6.59

 

CMYK 0 / 6 / 2 / 24

HEX #C2B6BE

RGB 194 182 190

HSL 320, 0.09%, 0.74%

LAB 75.23, 5.69, -2.53

 

CMYK 5 / 0 / 3 / 24

HEX #B8C1BB

RGB 184 193 187

HSL 140, 0.07%, 0.74%

LAB 77.23, -4.22, 1.93

 

CMYK 6 / 34 / 0 / 11

HEX #D596E3

RGB 213 150 227

HSL 289.09, 0.58%, 0.74%

LAB 70.53, 36.53, -29.72

 

CMYK 0 / 34 / 3 / 11

HEX #E396DC

RGB 227 150 220

HSL 305.45, 0.58%, 0.74%

LAB 71.77, 39.62, -23.84

 

CMYK 0 / 34 / 12 / 11

HEX #E396C8

RGB 227 150 200

HSL 321.04, 0.58%, 0.74%

LAB 71.09, 36.2, -13.83

 

CMYK 0 / 34 / 21 / 11

HEX #E396B3

RGB 227 150 179

HSL 337.4, 0.58%, 0.74%

LAB 70.45, 32.91, -3.12

 

CMYK 0 / 34 / 30 / 11

HEX #E3969F

RGB 227 150 159

HSL 352.99, 0.58%, 0.74%

LAB 69.93, 30.11, 7.25

 

CMYK 0 / 59 / 22 / 18

HEX #D155A4

RGB 209 85 164

HSL 321.77, 0.57%, 0.58%

LAB 54.8, 57.42, -18.25

 

CMYK 0 / 46 / 17 / 15

HEX #DA75B5

RGB 218 117 181

HSL 321.98, 0.58%, 0.66%

LAB 62.48, 47.39, -16.27

 

CMYK 0 / 34 / 12 / 11

HEX #E396C7

RGB 227 150 199

HSL 321.82, 0.58%, 0.74%

LAB 71.05, 36.03, -13.33

 

CMYK 0 / 23 / 8 / 8

HEX #EBB6D8

RGB 235 182 216

HSL 321.51, 0.57%, 0.82%

LAB 79.66, 24.52, -9.68

 

CMYK 0 / 12 / 5 / 4

HEX #F4D7E9

RGB 244 215 233

HSL 322.76, 0.57%, 0.9%

LAB 88.79, 13.05, -5.13

 

CMYK 0 / 34 / 12 / 11

HEX #E396C7

RGB 227 150 199

HSL 321.82, 0.58%, 0.74%

LAB 71.05, 36.03, -13.33

 

CMYK 0 / 15 / 34 / 11

HEX #E3C096

RGB 227 192 150

HSL 32.73, 0.58%, 0.74%

LAB 79.75, 6.55, 25.82

 

CMYK 34 / 0 / 2 / 11

HEX #96E3DF

RGB 150 227 223

HSL 176.88, 0.58%, 0.74%

LAB 85.38, -24.48, -5.59

 

CMYK 0 / 34 / 12 / 11

HEX #E396C7

RGB 227 150 199

HSL 321.82, 0.58%, 0.74%

LAB 71.05, 36.03, -13.33

 

CMYK 12 / 0 / 34 / 11

HEX #C8E396

RGB 200 227 150

HSL 81.04, 0.58%, 0.74%

LAB 86.71, -21.58, 34.74

 

CMYK 34 / 12 / 0 / 11

HEX #96C8E3

RGB 150 200 227

HSL 201.04, 0.58%, 0.74%

LAB 78.07, -9.83, -18.64

 

CMYK 0 / 34 / 12 / 11

HEX #E396C7

RGB 227 150 199

HSL 321.82, 0.58%, 0.74%

LAB 71.05, 36.03, -13.33

 

CMYK 0 / 15 / 34 / 11

HEX #E3C096

RGB 227 192 150

HSL 32.73, 0.58%, 0.74%

LAB 79.75, 6.55, 25.82

 

CMYK 34 / 0 / 22 / 11

HEX #96E3B1

RGB 150 227 177

HSL 141.04, 0.58%, 0.74%

LAB 84.28, -34.1, 17.03

 

CMYK 34 / 19 / 0 / 11

HEX #96B8E3

RGB 150 184 227

HSL 213.51, 0.58%, 0.74%

LAB 73.75, -1.28, -25.22

 

CMYK 0 / 34 / 12 / 11

HEX #E396C7

RGB 227 150 199

HSL 321.82, 0.58%, 0.74%

LAB 71.05, 36.03, -13.33

 

CMYK 0 / 5 / 34 / 11

HEX #E3D796

RGB 227 215 150

HSL 50.65, 0.58%, 0.74%

LAB 85.57, -5.38, 33.61

 

CMYK 34 / 0 / 22 / 11

HEX #96E3B1

RGB 150 227 177

HSL 141.04, 0.58%, 0.74%

LAB 84.28, -34.1, 17.03

 

CMYK 34 / 29 / 0 / 11

HEX #96A1E3

RGB 150 161 227

HSL 231.43, 0.58%, 0.74%

LAB 67.67, 11.51, -34.59

 

Description

Color code: HEX #E396C7 | qconv.com Color code: HEX #E396C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 150 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 150 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 12 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 12% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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