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Color name
HEX #E38E8C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E38E8C it is the complementary color #1C7173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E38E8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E38E8C shade: #E88E87, #F9A09A, #FFB2AD, #FFC4C0 and #FFD6D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E38E8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E38E8C shade: #E38E8C, #D27C79, #C16A66, #B05853 and #9F4640

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E38E8C shade: #E38E8C and #E38C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E38E8C shade: #E38E8C, #E3A58C, #E3BD8C, #E3D48C and #DAE38C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E38E8C shade matches the following richer shades: #E38E8C, #EE8380 and #FA7874

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E38E8C shade: #E38E8C, #D79997, #CCA4A3, #C0AFAE and #B4BABA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E38E8C shade: #E38CB9, #E38CA1, #E38D8C, #E3A48C and #E3BB8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E38E8C shade: #D34C49, #DB6D6A, #E38E8C, #EBAEAD and #F3CFCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E38E8C shade: #E38E8C, #D0E38C and #8CADE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E38E8C shade: #E38E8C, #8CE38D and #8D8CE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E38E8C shade: #E38E8C, #D0E38C, #8CE1E3 and #9E8CE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E38E8C shade: #E38E8C, #B6E38C, #8CE1E3 and #B98CE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 38 / 11

HEX #E38E8C

RGB 227 142 140

HSL 1.38, 0.61%, 0.72%

LAB 67.7, 32.02, 14.7

 

Complementary color

CMYK 76 / 2 / 0 / 55

HEX #1C7173

RGB 28 113 115

HSL 181.38, 0.61%, 0.28%

LAB 43.2, -23.32, -8.27

 

CMYK 0 / 39 / 42 / 9

HEX #E88E87

RGB 232 142 135

HSL 4.33, 0.68%, 0.72%

LAB 68.21, 33.34, 18.29

 

CMYK 0 / 36 / 38 / 2

HEX #F9A09A

RGB 249 160 154

HSL 3.79, 0.89%, 0.79%

LAB 74.58, 32.37, 16.95

 

CMYK 0 / 30 / 32 / 0

HEX #FFB2AD

RGB 255 178 173

HSL 3.66, 1%, 0.84%

LAB 79.68, 27.43, 13.86

 

CMYK 0 / 23 / 25 / 0

HEX #FFC4C0

RGB 255 196 192

HSL 3.81, 1%, 0.88%

LAB 84.25, 20.49, 10.15

 

CMYK 0 / 16 / 17 / 0

HEX #FFD6D3

RGB 255 214 211

HSL 4.09, 1%, 0.91%

LAB 88.95, 13.83, 6.82

 

CMYK 0 / 37 / 38 / 11

HEX #E38E8C

RGB 227 142 140

HSL 1.38, 0.61%, 0.72%

LAB 67.7, 32.02, 14.7

 

CMYK 0 / 41 / 42 / 18

HEX #D27C79

RGB 210 124 121

HSL 2.02, 0.5%, 0.65%

LAB 61.22, 33.02, 16.1

 

CMYK 0 / 45 / 47 / 24

HEX #C16A66

RGB 193 106 102

HSL 2.64, 0.42%, 0.58%

LAB 54.66, 34.12, 17.68

 

CMYK 0 / 50 / 53 / 31

HEX #B05853

RGB 176 88 83

HSL 3.23, 0.37%, 0.51%

LAB 48.05, 35.3, 19.53

 

CMYK 0 / 56 / 60 / 38

HEX #9F4640

RGB 159 70 64

HSL 3.79, 0.43%, 0.44%

LAB 41.41, 36.53, 21.74

 

CMYK 0 / 37 / 38 / 11

HEX #E38E8C

RGB 227 142 140

HSL 1.38, 0.61%, 0.72%

LAB 67.7, 32.02, 14.7

 

CMYK 0 / 38 / 38 / 11

HEX #E38C8C

RGB 227 140 140

HSL 0, 0.61%, 0.72%

LAB 67.26, 33.08, 14.09

 

CMYK 0 / 37 / 38 / 11

HEX #E38E8C

RGB 227 142 140

HSL 1.38, 0.61%, 0.72%

LAB 67.7, 32.02, 14.7

 

CMYK 0 / 27 / 38 / 11

HEX #E3A58C

RGB 227 165 140

HSL 17.24, 0.61%, 0.72%

LAB 72.98, 19.73, 21.99

 

CMYK 0 / 17 / 38 / 11

HEX #E3BD8C

RGB 227 189 140

HSL 33.79, 0.61%, 0.72%

LAB 78.82, 6.95, 29.86

 

CMYK 0 / 7 / 38 / 11

HEX #E3D48C

RGB 227 212 140

HSL 49.66, 0.61%, 0.72%

LAB 84.64, -5, 37.5

 

CMYK 4 / 0 / 38 / 11

HEX #DAE38C

RGB 218 227 140

HSL 66.21, 0.61%, 0.72%

LAB 87.84, -16.03, 41.47

 

CMYK 0 / 37 / 38 / 11

HEX #E38E8C

RGB 227 142 140

HSL 1.38, 0.61%, 0.72%

LAB 67.7, 32.02, 14.7

 

CMYK 0 / 45 / 46 / 7

HEX #EE8380

RGB 238 131 128

HSL 1.64, 0.76%, 0.72%

LAB 66.5, 40.57, 19.97

 

CMYK 0 / 52 / 54 / 2

HEX #FA7874

RGB 250 120 116

HSL 1.79, 0.93%, 0.72%

LAB 65.76, 49.29, 26

 

CMYK 0 / 37 / 38 / 11

HEX #E38E8C

RGB 227 142 140

HSL 1.38, 0.61%, 0.72%

LAB 67.7, 32.02, 14.7

 

CMYK 0 / 29 / 30 / 16

HEX #D79997

RGB 215 153 151

HSL 1.87, 0.44%, 0.72%

LAB 69.09, 22.95, 10.32

 

CMYK 0 / 20 / 20 / 20

HEX #CCA4A3

RGB 204 164 163

HSL 1.46, 0.29%, 0.72%

LAB 70.89, 14.54, 6.1

 

CMYK 0 / 9 / 9 / 25

HEX #C0AFAE

RGB 192 175 174

HSL 3.33, 0.13%, 0.72%

LAB 72.84, 5.92, 2.71

 

CMYK 3 / 0 / 0 / 27

HEX #B4BABA

RGB 180 186 186

HSL 180, 0.04%, 0.72%

LAB 75.06, -2.08, -0.73

 

CMYK 0 / 38 / 19 / 11

HEX #E38CB9

RGB 227 140 185

HSL 328.97, 0.61%, 0.72%

LAB 68.45, 39.1, -9.43

 

CMYK 0 / 38 / 29 / 11

HEX #E38CA1

RGB 227 140 161

HSL 345.52, 0.61%, 0.72%

LAB 67.77, 35.68, 3.02

 

CMYK 0 / 38 / 38 / 11

HEX #E38D8C

RGB 227 141 140

HSL 0.69, 0.61%, 0.72%

LAB 67.48, 32.55, 14.4

 

CMYK 0 / 28 / 38 / 11

HEX #E3A48C

RGB 227 164 140

HSL 16.55, 0.61%, 0.72%

LAB 72.74, 20.27, 21.67

 

CMYK 0 / 18 / 38 / 11

HEX #E3BB8C

RGB 227 187 140

HSL 32.41, 0.61%, 0.72%

LAB 78.32, 8.01, 29.2

 

CMYK 0 / 64 / 65 / 17

HEX #D34C49

RGB 211 76 73

HSL 1.3, 0.61%, 0.56%

LAB 51.27, 52.94, 30.66

 

CMYK 0 / 50 / 52 / 14

HEX #DB6D6A

RGB 219 109 106

HSL 1.59, 0.61%, 0.64%

LAB 59.01, 42.7, 21.87

 

CMYK 0 / 37 / 38 / 11

HEX #E38E8C

RGB 227 142 140

HSL 1.38, 0.61%, 0.72%

LAB 67.7, 32.02, 14.7

 

CMYK 0 / 26 / 26 / 8

HEX #EBAEAD

RGB 235 174 173

HSL 0.97, 0.61%, 0.8%

LAB 76.65, 22.15, 9.27

 

CMYK 0 / 15 / 15 / 5

HEX #F3CFCE

RGB 243 207 206

HSL 1.62, 0.61%, 0.88%

LAB 86.07, 12.45, 5.18

 

CMYK 0 / 37 / 38 / 11

HEX #E38E8C

RGB 227 142 140

HSL 1.38, 0.61%, 0.72%

LAB 67.7, 32.02, 14.7

 

CMYK 8 / 0 / 38 / 11

HEX #D0E38C

RGB 208 227 140

HSL 73.1, 0.61%, 0.72%

LAB 87.12, -19.84, 40.39

 

CMYK 38 / 24 / 0 / 11

HEX #8CADE3

RGB 140 173 227

HSL 217.24, 0.61%, 0.72%

LAB 70.18, 2.04, -30.75

 

CMYK 0 / 37 / 38 / 11

HEX #E38E8C

RGB 227 142 140

HSL 1.38, 0.61%, 0.72%

LAB 67.7, 32.02, 14.7

 

CMYK 38 / 0 / 38 / 11

HEX #8CE38D

RGB 140 227 141

HSL 120.69, 0.61%, 0.72%

LAB 83.15, -43.24, 33.96

 

CMYK 38 / 38 / 0 / 11

HEX #8D8CE3

RGB 141 140 227

HSL 240.69, 0.61%, 0.72%

LAB 61.62, 21.14, -44.08

 

CMYK 0 / 37 / 38 / 11

HEX #E38E8C

RGB 227 142 140

HSL 1.38, 0.61%, 0.72%

LAB 67.7, 32.02, 14.7

 

CMYK 8 / 0 / 38 / 11

HEX #D0E38C

RGB 208 227 140

HSL 73.1, 0.61%, 0.72%

LAB 87.12, -19.84, 40.39

 

CMYK 38 / 1 / 0 / 11

HEX #8CE1E3

RGB 140 225 227

HSL 181.38, 0.61%, 0.72%

LAB 84.47, -25.16, -9.1

 

CMYK 30 / 38 / 0 / 11

HEX #9E8CE3

RGB 158 140 227

HSL 252.41, 0.61%, 0.72%

LAB 62.99, 25.75, -41.85

 

CMYK 0 / 37 / 38 / 11

HEX #E38E8C

RGB 227 142 140

HSL 1.38, 0.61%, 0.72%

LAB 67.7, 32.02, 14.7

 

CMYK 20 / 0 / 38 / 11

HEX #B6E38C

RGB 182 227 140

HSL 91.03, 0.61%, 0.72%

LAB 85.39, -29.42, 37.83

 

CMYK 38 / 1 / 0 / 11

HEX #8CE1E3

RGB 140 225 227

HSL 181.38, 0.61%, 0.72%

LAB 84.47, -25.16, -9.1

 

CMYK 19 / 38 / 0 / 11

HEX #B98CE3

RGB 185 140 227

HSL 271.03, 0.61%, 0.72%

LAB 65.45, 33.51, -37.81

 

Description

Color code: HEX #E38E8C | qconv.com Color code: HEX #E38E8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 142 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 142 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 38 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 38% 11% C M Y K

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Provide designers and agencies with accurate color values.

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