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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E37ADA it is the complementary color #1C8525. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E37ADA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E37ADA shade: #E87AD5, #F98CE8, #FF9EFB, #FFB0FF and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E37ADA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E37ADA shade: #E37ADA, #D268C7, #C156B4, #B044A1 and #9F328E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E37ADA shade: #E278D9, #E278BC, #E278A0, #E27883 and #E27878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E37ADA shade: #E278D9, #CE78E2, #B278E2, #9578E2 and #7978E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E37ADA shade matches the following richer shades: #E278D9, #EF6BE4 and #FC5DEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E37ADA shade: #E278D9, #D585CE, #C892C3, #BA9FB8 and #ADADAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E37ADA shade: #B278E2, #CE78E2, #E278D9, #E278BD and #E278A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E37ADA shade: #D334C6, #DB56CF, #E278D9, #E99AE2 and #F0BCEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E37ADA shade: #E37ADA, #E29678 and #78E2C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E37ADA shade: #E37ADA, #D9E278 and #78D9E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E37ADA shade: #E37ADA, #E29678, #78E281 and #78C4E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E37ADA shade: #E37ADA, #E2B678, #78E281 and #78A4E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 4 / 11

HEX #E37ADA

RGB 227 122 218

HSL 305.14, 0.65%, 0.68%

LAB 65.99, 53.67, -31.61

 

Complementary color

CMYK 79 / 0 / 72 / 48

HEX #1C8525

RGB 28 133 37

HSL 125.14, 0.65%, 0.32%

LAB 48.46, -48.25, 41.59

 

CMYK 0 / 47 / 8 / 9

HEX #E87AD5

RGB 232 122 213

HSL 310.36, 0.71%, 0.69%

LAB 66.43, 54.3, -28.1

 

CMYK 0 / 44 / 7 / 2

HEX #F98CE8

RGB 249 140 232

HSL 309.36, 0.9%, 0.76%

LAB 72.71, 53.61, -28.76

 

CMYK 0 / 38 / 2 / 0

HEX #FF9EFB

RGB 255 158 251

HSL 302.47, 1%, 0.81%

LAB 77.68, 49.6, -31.38

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 0 / 46 / 4 / 11

HEX #E37ADA

RGB 227 122 218

HSL 305.14, 0.65%, 0.68%

LAB 65.99, 53.67, -31.61

 

CMYK 0 / 50 / 5 / 18

HEX #D268C7

RGB 210 104 199

HSL 306.23, 0.54%, 0.62%

LAB 59.64, 54.31, -30.94

 

CMYK 0 / 55 / 7 / 24

HEX #C156B4

RGB 193 86 180

HSL 307.29, 0.46%, 0.55%

LAB 53.26, 54.84, -30.13

 

CMYK 0 / 61 / 9 / 31

HEX #B044A1

RGB 176 68 161

HSL 308.33, 0.44%, 0.48%

LAB 46.89, 55.16, -29.09

 

CMYK 0 / 69 / 11 / 38

HEX #9F328E

RGB 159 50 142

HSL 309.36, 0.52%, 0.41%

LAB 40.58, 55.09, -27.72

 

CMYK 0 / 47 / 4 / 11

HEX #E278D9

RGB 226 120 217

HSL 305.09, 0.65%, 0.68%

LAB 65.45, 54.19, -31.91

 

CMYK 0 / 47 / 17 / 11

HEX #E278BC

RGB 226 120 188

HSL 321.51, 0.65%, 0.68%

LAB 64.35, 49.5, -17.3

 

CMYK 0 / 47 / 29 / 11

HEX #E278A0

RGB 226 120 160

HSL 337.36, 0.65%, 0.68%

LAB 63.46, 45.54, -2.72

 

CMYK 0 / 47 / 42 / 11

HEX #E27883

RGB 226 120 131

HSL 353.77, 0.65%, 0.68%

LAB 62.71, 42.11, 12.78

 

CMYK 0 / 47 / 47 / 11

HEX #E27878

RGB 226 120 120

HSL 0, 0.65%, 0.68%

LAB 62.47, 40.99, 18.73

 

CMYK 0 / 47 / 4 / 11

HEX #E278D9

RGB 226 120 217

HSL 305.09, 0.65%, 0.68%

LAB 65.45, 54.19, -31.91

 

CMYK 9 / 47 / 0 / 11

HEX #CE78E2

RGB 206 120 226

HSL 288.68, 0.65%, 0.68%

LAB 63.38, 50.11, -40.33

 

CMYK 21 / 47 / 0 / 11

HEX #B278E2

RGB 178 120 226

HSL 272.83, 0.65%, 0.68%

LAB 60.24, 42.31, -45.49

 

CMYK 34 / 47 / 0 / 11

HEX #9578E2

RGB 149 120 226

HSL 256.42, 0.65%, 0.68%

LAB 57.38, 34.56, -50.2

 

CMYK 46 / 47 / 0 / 11

HEX #7978E2

RGB 121 120 226

HSL 240.57, 0.65%, 0.68%

LAB 55.06, 27.69, -54.03

 

CMYK 0 / 47 / 4 / 11

HEX #E278D9

RGB 226 120 217

HSL 305.09, 0.65%, 0.68%

LAB 65.45, 54.19, -31.91

 

CMYK 0 / 55 / 5 / 6

HEX #EF6BE4

RGB 239 107 228

HSL 305, 0.8%, 0.68%

LAB 65.33, 65.73, -38.08

 

CMYK 0 / 63 / 5 / 1

HEX #FC5DEF

RGB 252 93 239

HSL 304.91, 0.96%, 0.68%

LAB 65.56, 76.51, -43.7

 

CMYK 0 / 47 / 4 / 11

HEX #E278D9

RGB 226 120 217

HSL 305.09, 0.65%, 0.68%

LAB 65.45, 54.19, -31.91

 

CMYK 0 / 38 / 3 / 16

HEX #D585CE

RGB 213 133 206

HSL 305.25, 0.49%, 0.68%

LAB 66.04, 41.67, -24.98

 

CMYK 0 / 27 / 3 / 22

HEX #C892C3

RGB 200 146 195

HSL 305.56, 0.33%, 0.68%

LAB 67.11, 28.41, -17.34

 

CMYK 0 / 15 / 1 / 27

HEX #BA9FB8

RGB 186 159 184

HSL 304.44, 0.16%, 0.68%

LAB 68.53, 14.35, -9.21

 

CMYK 0 / 0 / 0 / 32

HEX #ADADAD

RGB 173 173 173

HSL 0, 0%, 0.68%

LAB 70.72, 0, -0.01

 

CMYK 21 / 47 / 0 / 11

HEX #B278E2

RGB 178 120 226

HSL 272.83, 0.65%, 0.68%

LAB 60.24, 42.31, -45.49

 

CMYK 9 / 47 / 0 / 11

HEX #CE78E2

RGB 206 120 226

HSL 288.68, 0.65%, 0.68%

LAB 63.38, 50.11, -40.33

 

CMYK 0 / 47 / 4 / 11

HEX #E278D9

RGB 226 120 217

HSL 305.09, 0.65%, 0.68%

LAB 65.45, 54.19, -31.91

 

CMYK 0 / 47 / 16 / 11

HEX #E278BD

RGB 226 120 189

HSL 320.94, 0.65%, 0.68%

LAB 64.38, 49.65, -17.81

 

CMYK 0 / 47 / 29 / 11

HEX #E278A1

RGB 226 120 161

HSL 336.79, 0.65%, 0.68%

LAB 63.49, 45.67, -3.25

 

CMYK 0 / 75 / 6 / 17

HEX #D334C6

RGB 211 52 198

HSL 304.91, 0.64%, 0.52%

LAB 52.27, 75.01, -41.91

 

CMYK 0 / 61 / 5 / 14

HEX #DB56CF

RGB 219 86 207

HSL 305.41, 0.65%, 0.6%

LAB 58.25, 66.19, -37.57

 

CMYK 0 / 47 / 4 / 11

HEX #E278D9

RGB 226 120 217

HSL 305.09, 0.65%, 0.68%

LAB 65.45, 54.19, -31.91

 

CMYK 0 / 34 / 3 / 9

HEX #E99AE2

RGB 233 154 226

HSL 305.32, 0.64%, 0.76%

LAB 73.5, 40.49, -24.43

 

CMYK 0 / 22 / 2 / 6

HEX #F0BCEC

RGB 240 188 236

HSL 304.62, 0.63%, 0.84%

LAB 82.14, 26.5, -16.68

 

CMYK 0 / 46 / 4 / 11

HEX #E37ADA

RGB 227 122 218

HSL 305.14, 0.65%, 0.68%

LAB 65.99, 53.67, -31.61

 

CMYK 0 / 34 / 47 / 11

HEX #E29678

RGB 226 150 120

HSL 16.98, 0.65%, 0.68%

LAB 69, 25.24, 27.51

 

CMYK 47 / 0 / 15 / 11

HEX #78E2C0

RGB 120 226 192

HSL 160.75, 0.65%, 0.68%

LAB 83.02, -38.67, 7.18

 

CMYK 0 / 46 / 4 / 11

HEX #E37ADA

RGB 227 122 218

HSL 305.14, 0.65%, 0.68%

LAB 65.99, 53.67, -31.61

 

CMYK 4 / 0 / 47 / 11

HEX #D9E278

RGB 217 226 120

HSL 65.09, 0.65%, 0.68%

LAB 87.24, -18, 50.43

 

CMYK 47 / 4 / 0 / 11

HEX #78D9E2

RGB 120 217 226

HSL 185.09, 0.65%, 0.68%

LAB 81.35, -26.24, -13.31

 

CMYK 0 / 46 / 4 / 11

HEX #E37ADA

RGB 227 122 218

HSL 305.14, 0.65%, 0.68%

LAB 65.99, 53.67, -31.61

 

CMYK 0 / 34 / 47 / 11

HEX #E29678

RGB 226 150 120

HSL 16.98, 0.65%, 0.68%

LAB 69, 25.24, 27.51

 

CMYK 47 / 0 / 43 / 11

HEX #78E281

RGB 120 226 129

HSL 125.09, 0.65%, 0.68%

LAB 81.82, -50.41, 38.09

 

CMYK 47 / 13 / 0 / 11

HEX #78C4E2

RGB 120 196 226

HSL 196.98, 0.65%, 0.68%

LAB 75.43, -15.65, -22.25

 

CMYK 0 / 46 / 4 / 11

HEX #E37ADA

RGB 227 122 218

HSL 305.14, 0.65%, 0.68%

LAB 65.99, 53.67, -31.61

 

CMYK 0 / 19 / 47 / 11

HEX #E2B678

RGB 226 182 120

HSL 35.09, 0.65%, 0.68%

LAB 76.67, 8.15, 37.47

 

CMYK 47 / 0 / 43 / 11

HEX #78E281

RGB 120 226 129

HSL 125.09, 0.65%, 0.68%

LAB 81.82, -50.41, 38.09

 

CMYK 47 / 27 / 0 / 11

HEX #78A4E2

RGB 120 164 226

HSL 215.09, 0.65%, 0.68%

LAB 66.55, 1.72, -35.92

 

Description

Color code: HEX #E37ADA | qconv.com Color code: HEX #E37ADA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 122 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 122 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 4 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 4% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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