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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E371E9 it is the complementary color #1C8E16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E371E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E371E9 shade: #E871E4, #F983F7, #FF95FF, #FFA7FF and #FFB9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E371E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E371E9 shade: #E371E9, #D25FD6, #C14DC3, #B03BB0 and #9F299D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E371E9 shade: #E371E8, #E871CE, #E871AE, #E8718E and #E87171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E371E9 shade: #E371E8, #C271E8, #A271E8, #8271E8 and #7171E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E371E9 shade matches the following richer shades: #E371E8 and #EE64F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E371E9 shade: #E371E8, #D77FDB, #CB8CCE, #BF99C1 and #B3A6B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E371E9 shade: #A371E8, #C371E8, #E371E8, #E871CF and #E871AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E371E9 shade: #D42ADD, #DB4EE3, #E371E8, #EA95EE and #F1B9F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E371E9 shade: #E371E9, #E88371 and #71E8B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E371E9 shade: #E371E9, #E8E371 and #71E8E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E371E9 shade: #E371E9, #E88371, #77E871 and #71D7E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E371E9 shade: #E371E9, #E8A771, #77E871 and #71B3E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 52 / 0 / 9

HEX #E371E9

RGB 227 113 233

HSL 297, 0.73%, 0.68%

LAB 64.98, 60.64, -41.52

 

Complementary color

CMYK 80 / 0 / 85 / 44

HEX #1C8E16

RGB 28 142 22

HSL 117, 0.73%, 0.32%

LAB 51.44, -52.34, 49.74

 

CMYK 0 / 51 / 2 / 9

HEX #E871E4

RGB 232 113 228

HSL 302.02, 0.72%, 0.68%

LAB 65.41, 61.12, -38.03

 

CMYK 0 / 47 / 1 / 2

HEX #F983F7

RGB 249 131 247

HSL 301.02, 0.91%, 0.75%

LAB 71.61, 60.53, -38.66

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 3 / 52 / 0 / 9

HEX #E371E9

RGB 227 113 233

HSL 297, 0.73%, 0.68%

LAB 64.98, 60.64, -41.52

 

CMYK 2 / 56 / 0 / 16

HEX #D25FD6

RGB 210 95 214

HSL 297.98, 0.59%, 0.61%

LAB 58.73, 61.14, -40.86

 

CMYK 1 / 61 / 0 / 24

HEX #C14DC3

RGB 193 77 195

HSL 298.98, 0.5%, 0.53%

LAB 52.49, 61.43, -40.01

 

CMYK 0 / 66 / 0 / 31

HEX #B03BB0

RGB 176 59 176

HSL 300, 0.5%, 0.46%

LAB 46.3, 61.37, -38.89

 

CMYK 0 / 74 / 1 / 38

HEX #9F299D

RGB 159 41 157

HSL 301.02, 0.59%, 0.39%

LAB 40.23, 60.74, -37.37

 

CMYK 2 / 51 / 0 / 9

HEX #E371E8

RGB 227 113 232

HSL 297.48, 0.72%, 0.68%

LAB 64.94, 60.46, -41.04

 

CMYK 0 / 51 / 11 / 9

HEX #E871CE

RGB 232 113 206

HSL 313.11, 0.72%, 0.68%

LAB 64.5, 57.51, -27.15

 

CMYK 0 / 51 / 25 / 9

HEX #E871AE

RGB 232 113 174

HSL 329.24, 0.72%, 0.68%

LAB 63.36, 52.82, -10.76

 

CMYK 0 / 51 / 39 / 9

HEX #E8718E

RGB 232 113 142

HSL 345.38, 0.72%, 0.68%

LAB 62.44, 48.88, 6.21

 

CMYK 0 / 51 / 51 / 9

HEX #E87171

RGB 232 113 113

HSL 0, 0.72%, 0.68%

LAB 61.79, 46.03, 21.93

 

CMYK 2 / 51 / 0 / 9

HEX #E371E8

RGB 227 113 232

HSL 297.48, 0.72%, 0.68%

LAB 64.94, 60.46, -41.04

 

CMYK 16 / 51 / 0 / 9

HEX #C271E8

RGB 194 113 232

HSL 280.84, 0.72%, 0.68%

LAB 60.87, 51.64, -47.71

 

CMYK 30 / 51 / 0 / 9

HEX #A271E8

RGB 162 113 232

HSL 264.71, 0.72%, 0.68%

LAB 57.38, 43.33, -53.47

 

CMYK 44 / 51 / 0 / 9

HEX #8271E8

RGB 130 113 232

HSL 248.57, 0.72%, 0.68%

LAB 54.43, 35.63, -58.36

 

CMYK 51 / 51 / 0 / 9

HEX #7171E8

RGB 113 113 232

HSL 240, 0.72%, 0.68%

LAB 53.11, 31.93, -60.55

 

CMYK 2 / 51 / 0 / 9

HEX #E371E8

RGB 227 113 232

HSL 297.48, 0.72%, 0.68%

LAB 64.94, 60.46, -41.04

 

CMYK 3 / 59 / 0 / 4

HEX #EE64F6

RGB 238 100 246

HSL 296.71, 0.89%, 0.68%

LAB 64.92, 71.5, -48.71

 

CMYK 2 / 51 / 0 / 9

HEX #E371E8

RGB 227 113 232

HSL 297.48, 0.72%, 0.68%

LAB 64.94, 60.46, -41.04

 

CMYK 2 / 42 / 0 / 14

HEX #D77FDB

RGB 215 127 219

HSL 297.39, 0.56%, 0.68%

LAB 65.55, 47.78, -32.98

 

CMYK 1 / 32 / 0 / 19

HEX #CB8CCE

RGB 203 140 206

HSL 297.27, 0.4%, 0.68%

LAB 66.45, 34.73, -24.45

 

CMYK 1 / 21 / 0 / 24

HEX #BF99C1

RGB 191 153 193

HSL 297, 0.24%, 0.68%

LAB 67.81, 21.12, -15.26

 

CMYK 1 / 8 / 0 / 29

HEX #B3A6B4

RGB 179 166 180

HSL 295.71, 0.09%, 0.68%

LAB 69.58, 7.27, -5.51

 

CMYK 30 / 51 / 0 / 9

HEX #A371E8

RGB 163 113 232

HSL 265.21, 0.72%, 0.68%

LAB 57.49, 43.59, -53.3

 

CMYK 16 / 51 / 0 / 9

HEX #C371E8

RGB 195 113 232

HSL 281.34, 0.72%, 0.68%

LAB 60.99, 51.91, -47.52

 

CMYK 2 / 51 / 0 / 9

HEX #E371E8

RGB 227 113 232

HSL 297.48, 0.72%, 0.68%

LAB 64.94, 60.46, -41.04

 

CMYK 0 / 51 / 11 / 9

HEX #E871CF

RGB 232 113 207

HSL 312.61, 0.72%, 0.68%

LAB 64.54, 57.67, -27.65

 

CMYK 0 / 51 / 25 / 9

HEX #E871AF

RGB 232 113 175

HSL 328.74, 0.72%, 0.68%

LAB 63.39, 52.95, -11.28

 

CMYK 4 / 81 / 0 / 13

HEX #D42ADD

RGB 212 42 221

HSL 296.98, 0.72%, 0.52%

LAB 52.81, 81.29, -54.2

 

CMYK 4 / 66 / 0 / 11

HEX #DB4EE3

RGB 219 78 227

HSL 296.78, 0.73%, 0.6%

LAB 58.09, 72.65, -49.12

 

CMYK 2 / 51 / 0 / 9

HEX #E371E8

RGB 227 113 232

HSL 297.48, 0.72%, 0.68%

LAB 64.94, 60.46, -41.04

 

CMYK 2 / 37 / 0 / 7

HEX #EA95EE

RGB 234 149 238

HSL 297.3, 0.72%, 0.76%

LAB 73, 45.57, -31.74

 

CMYK 1 / 24 / 0 / 4

HEX #F1B9F4

RGB 241 185 244

HSL 296.95, 0.73%, 0.84%

LAB 81.8, 29.88, -21.46

 

CMYK 3 / 52 / 0 / 9

HEX #E371E9

RGB 227 113 233

HSL 297, 0.73%, 0.68%

LAB 64.98, 60.64, -41.52

 

CMYK 0 / 44 / 51 / 9

HEX #E88371

RGB 232 131 113

HSL 9.08, 0.72%, 0.68%

LAB 65.42, 36.94, 26.77

 

CMYK 51 / 0 / 23 / 9

HEX #71E8B3

RGB 113 232 179

HSL 153.28, 0.72%, 0.68%

LAB 84.21, -45.75, 15.67

 

CMYK 3 / 52 / 0 / 9

HEX #E371E9

RGB 227 113 233

HSL 297, 0.73%, 0.68%

LAB 64.98, 60.64, -41.52

 

CMYK 0 / 2 / 51 / 9

HEX #E8E371

RGB 232 227 113

HSL 57.48, 0.72%, 0.68%

LAB 88.58, -13.17, 55.59

 

CMYK 51 / 0 / 2 / 9

HEX #71E8E3

RGB 113 232 227

HSL 177.48, 0.72%, 0.68%

LAB 85.39, -34.65, -7.86

 

CMYK 3 / 52 / 0 / 9

HEX #E371E9

RGB 227 113 233

HSL 297, 0.73%, 0.68%

LAB 64.98, 60.64, -41.52

 

CMYK 0 / 44 / 51 / 9

HEX #E88371

RGB 232 131 113

HSL 9.08, 0.72%, 0.68%

LAB 65.42, 36.94, 26.77

 

CMYK 49 / 0 / 51 / 9

HEX #77E871

RGB 119 232 113

HSL 116.97, 0.72%, 0.68%

LAB 83.35, -55.29, 47.74

 

CMYK 51 / 7 / 0 / 9

HEX #71D7E8

RGB 113 215 232

HSL 188.57, 0.72%, 0.68%

LAB 80.7, -25.19, -17.51

 

CMYK 3 / 52 / 0 / 9

HEX #E371E9

RGB 227 113 233

HSL 297, 0.73%, 0.68%

LAB 64.98, 60.64, -41.52

 

CMYK 0 / 28 / 51 / 9

HEX #E8A771

RGB 232 167 113

HSL 27.23, 0.72%, 0.68%

LAB 73.54, 17.91, 37.26

 

CMYK 49 / 0 / 51 / 9

HEX #77E871

RGB 119 232 113

HSL 116.97, 0.72%, 0.68%

LAB 83.35, -55.29, 47.74

 

CMYK 51 / 23 / 0 / 9

HEX #71B3E8

RGB 113 179 232

HSL 206.72, 0.72%, 0.68%

LAB 70.58, -6.48, -32.98

 

Description

Color code: HEX #E371E9 | qconv.com Color code: HEX #E371E9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 113 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 113 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 52 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 52% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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