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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E36DF2 it is the complementary color #1C920D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E36DF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E36DF2 shade: #E86DED, #F97FFF, #FF91FF, #FFA3FF and #FFB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E36DF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E36DF2 shade: #E36DF2, #D25BDF, #C149CC, #B037B9 and #9F25A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E36DF2 shade: #E36DF2, #F26DDD, #F26DB9, #F26D95 and #F26D72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E36DF2 shade: #E36DF2, #BF6DF2, #9B6DF2, #776DF2 and #6D6DF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E36DF2 shade matches the following richer shades: #E36DF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E36DF2 shade: #E36DF2, #D97AE5, #CF87D8, #C593CB and #BBA0BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E36DF2 shade: #9C6DF2, #BF6DF2, #E26DF2, #F26DDE and #F26DBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E36DF2 shade: #D421EB, #DC47EF, #E36DF2, #EA93F5 and #F1B9F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E36DF2 shade: #E36DF2, #F2786D and #6DF2AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E36DF2 shade: #E36DF2, #F2E26D and #6DF2E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E36DF2 shade: #E36DF2, #F2786D, #7DF26D and #6DE7F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E36DF2 shade: #E36DF2, #F2A06D, #7DF26D and #6DBFF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 55 / 0 / 5

HEX #E36DF2

RGB 227 109 242

HSL 293.23, 0.84%, 0.69%

LAB 64.71, 64.12, -46.94

 

Complementary color

CMYK 81 / 0 / 91 / 43

HEX #1C920D

RGB 28 146 13

HSL 113.23, 0.84%, 0.31%

LAB 52.77, -54.01, 53.03

 

CMYK 2 / 54 / 0 / 7

HEX #E86DED

RGB 232 109 237

HSL 297.66, 0.78%, 0.68%

LAB 65.13, 64.52, -43.47

 

CMYK 2 / 50 / 0 / 0

HEX #F97FFF

RGB 249 127 255

HSL 297.19, 1%, 0.75%

LAB 71.24, 63.81, -43.61

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 6 / 55 / 0 / 5

HEX #E36DF2

RGB 227 109 242

HSL 293.23, 0.84%, 0.69%

LAB 64.71, 64.12, -46.94

 

CMYK 6 / 59 / 0 / 13

HEX #D25BDF

RGB 210 91 223

HSL 294.09, 0.67%, 0.62%

LAB 58.52, 64.52, -46.27

 

CMYK 5 / 64 / 0 / 20

HEX #C149CC

RGB 193 73 204

HSL 294.96, 0.56%, 0.54%

LAB 52.36, 64.68, -45.4

 

CMYK 5 / 70 / 0 / 27

HEX #B037B9

RGB 176 55 185

HSL 295.85, 0.54%, 0.47%

LAB 46.26, 64.42, -44.23

 

CMYK 4 / 78 / 0 / 35

HEX #9F25A6

RGB 159 37 166

HSL 296.74, 0.64%, 0.4%

LAB 40.32, 63.49, -42.62

 

CMYK 6 / 55 / 0 / 5

HEX #E36DF2

RGB 227 109 242

HSL 293.23, 0.84%, 0.69%

LAB 64.71, 64.12, -46.94

 

CMYK 0 / 55 / 9 / 5

HEX #F26DDD

RGB 242 109 221

HSL 309.47, 0.84%, 0.69%

LAB 65.78, 64.52, -33.46

 

CMYK 0 / 55 / 24 / 5

HEX #F26DB9

RGB 242 109 185

HSL 325.71, 0.84%, 0.69%

LAB 64.42, 59.26, -15.29

 

CMYK 0 / 55 / 38 / 5

HEX #F26D95

RGB 242 109 149

HSL 341.95, 0.84%, 0.69%

LAB 63.33, 54.88, 3.66

 

CMYK 0 / 55 / 53 / 5

HEX #F26D72

RGB 242 109 114

HSL 357.74, 0.84%, 0.69%

LAB 62.53, 51.55, 22.61

 

CMYK 6 / 55 / 0 / 5

HEX #E36DF2

RGB 227 109 242

HSL 293.23, 0.84%, 0.69%

LAB 64.71, 64.12, -46.94

 

CMYK 21 / 55 / 0 / 5

HEX #BF6DF2

RGB 191 109 242

HSL 276.99, 0.84%, 0.69%

LAB 60.27, 55.03, -54.25

 

CMYK 36 / 55 / 0 / 5

HEX #9B6DF2

RGB 155 109 242

HSL 260.75, 0.84%, 0.69%

LAB 56.4, 46.34, -60.65

 

CMYK 51 / 55 / 0 / 5

HEX #776DF2

RGB 119 109 242

HSL 244.51, 0.84%, 0.69%

LAB 53.24, 38.54, -65.9

 

CMYK 55 / 55 / 0 / 5

HEX #6D6DF2

RGB 109 109 242

HSL 240, 0.84%, 0.69%

LAB 52.51, 36.61, -67.13

 

CMYK 6 / 55 / 0 / 5

HEX #E36DF2

RGB 227 109 242

HSL 293.23, 0.84%, 0.69%

LAB 64.71, 64.12, -46.94

 

CMYK 6 / 55 / 0 / 5

HEX #E36DF2

RGB 227 109 242

HSL 293.23, 0.84%, 0.69%

LAB 64.71, 64.12, -46.94

 

CMYK 5 / 47 / 0 / 10

HEX #D97AE5

RGB 217 122 229

HSL 293.27, 0.67%, 0.69%

LAB 65.22, 52.77, -39.02

 

CMYK 4 / 38 / 0 / 15

HEX #CF87D8

RGB 207 135 216

HSL 293.33, 0.51%, 0.69%

LAB 66.18, 40.6, -30.41

 

CMYK 3 / 28 / 0 / 20

HEX #C593CB

RGB 197 147 203

HSL 293.57, 0.35%, 0.69%

LAB 67.31, 28.38, -21.52

 

CMYK 2 / 16 / 0 / 25

HEX #BBA0BF

RGB 187 160 191

HSL 292.26, 0.19%, 0.69%

LAB 69.09, 15.49, -12.26

 

CMYK 36 / 55 / 0 / 5

HEX #9C6DF2

RGB 156 109 242

HSL 261.2, 0.84%, 0.69%

LAB 56.5, 46.58, -60.49

 

CMYK 21 / 55 / 0 / 5

HEX #BF6DF2

RGB 191 109 242

HSL 276.99, 0.84%, 0.69%

LAB 60.27, 55.03, -54.25

 

CMYK 7 / 55 / 0 / 5

HEX #E26DF2

RGB 226 109 242

HSL 292.78, 0.84%, 0.69%

LAB 64.58, 63.86, -47.15

 

CMYK 0 / 55 / 8 / 5

HEX #F26DDE

RGB 242 109 222

HSL 309.02, 0.84%, 0.69%

LAB 65.82, 64.68, -33.95

 

CMYK 0 / 55 / 23 / 5

HEX #F26DBB

RGB 242 109 187

HSL 324.81, 0.84%, 0.69%

LAB 64.49, 59.53, -16.32

 

CMYK 10 / 86 / 0 / 8

HEX #D421EB

RGB 212 33 235

HSL 293.17, 0.83%, 0.53%

LAB 53.04, 85.33, -61.75

 

CMYK 8 / 70 / 0 / 6

HEX #DC47EF

RGB 220 71 239

HSL 293.21, 0.84%, 0.61%

LAB 57.99, 77.42, -55.98

 

CMYK 6 / 55 / 0 / 5

HEX #E36DF2

RGB 227 109 242

HSL 293.23, 0.84%, 0.69%

LAB 64.71, 64.12, -46.94

 

CMYK 4 / 40 / 0 / 4

HEX #EA93F5

RGB 234 147 245

HSL 293.27, 0.83%, 0.77%

LAB 72.86, 47.91, -35.77

 

CMYK 3 / 25 / 0 / 3

HEX #F1B9F8

RGB 241 185 248

HSL 293.33, 0.82%, 0.85%

LAB 81.93, 30.62, -23.39

 

CMYK 6 / 55 / 0 / 5

HEX #E36DF2

RGB 227 109 242

HSL 293.23, 0.84%, 0.69%

LAB 64.71, 64.12, -46.94

 

CMYK 0 / 50 / 55 / 5

HEX #F2786D

RGB 242 120 109

HSL 4.96, 0.84%, 0.69%

LAB 64.49, 45.87, 28.04

 

CMYK 55 / 0 / 29 / 5

HEX #6DF2AD

RGB 109 242 173

HSL 148.87, 0.84%, 0.69%

LAB 86.89, -52.04, 22.47

 

CMYK 6 / 55 / 0 / 5

HEX #E36DF2

RGB 227 109 242

HSL 293.23, 0.84%, 0.69%

LAB 64.71, 64.12, -46.94

 

CMYK 0 / 7 / 55 / 5

HEX #F2E26D

RGB 242 226 109

HSL 52.78, 0.84%, 0.69%

LAB 89.1, -8.97, 58.23

 

CMYK 55 / 0 / 7 / 5

HEX #6DF2E2

RGB 109 242 226

HSL 172.78, 0.84%, 0.69%

LAB 88.09, -40.27, -3.36

 

CMYK 6 / 55 / 0 / 5

HEX #E36DF2

RGB 227 109 242

HSL 293.23, 0.84%, 0.69%

LAB 64.71, 64.12, -46.94

 

CMYK 0 / 50 / 55 / 5

HEX #F2786D

RGB 242 120 109

HSL 4.96, 0.84%, 0.69%

LAB 64.49, 45.87, 28.04

 

CMYK 48 / 0 / 55 / 5

HEX #7DF26D

RGB 125 242 109

HSL 112.78, 0.84%, 0.69%

LAB 86.49, -58.01, 53.4

 

CMYK 55 / 5 / 0 / 5

HEX #6DE7F2

RGB 109 231 242

HSL 184.96, 0.84%, 0.69%

LAB 85.41, -31.05, -15.74

 

CMYK 6 / 55 / 0 / 5

HEX #E36DF2

RGB 227 109 242

HSL 293.23, 0.84%, 0.69%

LAB 64.71, 64.12, -46.94

 

CMYK 0 / 34 / 55 / 5

HEX #F2A06D

RGB 242 160 109

HSL 23.01, 0.84%, 0.69%

LAB 72.97, 25.3, 38.89

 

CMYK 48 / 0 / 55 / 5

HEX #7DF26D

RGB 125 242 109

HSL 112.78, 0.84%, 0.69%

LAB 86.49, -58.01, 53.4

 

CMYK 55 / 21 / 0 / 5

HEX #6DBFF2

RGB 109 191 242

HSL 203.01, 0.84%, 0.69%

LAB 74.14, -10.86, -32.91

 

Description

Color code: HEX #E36DF2 | qconv.com Color code: HEX #E36DF2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 109 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 109 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 55 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 55% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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