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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E362D0 it is the complementary color #1C9D2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E362D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E362D0 shade: #E862CB, #F974DE, #FF86F1, #FF98FF and #FFAAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E362D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E362D0 shade: #E362D0, #D250BD, #C13EAA, #B02C97 and #9F1A84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E362D0 shade: #E362D0, #E362AD, #E3628B, #E36268 and #E36262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E362D0 shade: #E362D0, #D362E3, #B162E3, #8E62E3 and #6B62E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E362D0 shade matches the following richer shades: #E362D0 and #F254DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E362D0 shade: #E362D0, #D471C6, #C580BB, #B68FB1 and #A89EA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E362D0 shade: #B062E3, #D262E3, #E362D2, #E362B0 and #E3628D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E362D0 shade: #CF24B6, #DD3FC6, #E362D0, #E986DA and #EFA9E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E362D0 shade: #E362D0, #E38D62 and #62E3C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E362D0 shade: #E362D0, #D2E362 and #62D2E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E362D0 shade: #E362D0, #E38D62, #62E374 and #62B8E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E362D0 shade: #E362D0, #E3B462, #62E374 and #6292E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 8 / 11

HEX #E362D0

RGB 227 98 208

HSL 308.84, 0.7%, 0.64%

LAB 61.33, 63.3, -33.24

 

Complementary color

CMYK 82 / 0 / 70 / 38

HEX #1C9D2F

RGB 28 157 47

HSL 128.84, 0.7%, 0.36%

LAB 56.65, -55.21, 46.13

 

CMYK 0 / 58 / 13 / 9

HEX #E862CB

RGB 232 98 203

HSL 312.99, 0.74%, 0.65%

LAB 61.83, 63.88, -29.58

 

CMYK 0 / 53 / 11 / 2

HEX #F974DE

RGB 249 116 222

HSL 312.18, 0.92%, 0.72%

LAB 67.95, 63.45, -30.58

 

CMYK 0 / 47 / 5 / 0

HEX #FF86F1

RGB 255 134 241

HSL 306.94, 1%, 0.76%

LAB 72.67, 59.77, -33.69

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 0 / 57 / 8 / 11

HEX #E362D0

RGB 227 98 208

HSL 308.84, 0.7%, 0.64%

LAB 61.33, 63.3, -33.24

 

CMYK 0 / 62 / 10 / 18

HEX #D250BD

RGB 210 80 189

HSL 309.69, 0.59%, 0.57%

LAB 55.19, 63.53, -32.14

 

CMYK 0 / 68 / 12 / 24

HEX #C13EAA

RGB 193 62 170

HSL 310.53, 0.51%, 0.5%

LAB 49.11, 63.41, -30.75

 

CMYK 0 / 75 / 14 / 31

HEX #B02C97

RGB 176 44 151

HSL 311.36, 0.6%, 0.43%

LAB 43.16, 62.73, -28.94

 

CMYK 0 / 84 / 17 / 38

HEX #9F1A84

RGB 159 26 132

HSL 312.18, 0.72%, 0.36%

LAB 37.44, 61.16, -26.5

 

CMYK 0 / 57 / 8 / 11

HEX #E362D0

RGB 227 98 208

HSL 308.84, 0.7%, 0.64%

LAB 61.33, 63.3, -33.24

 

CMYK 0 / 57 / 24 / 11

HEX #E362AD

RGB 227 98 173

HSL 325.12, 0.7%, 0.64%

LAB 59.96, 58.15, -15.37

 

CMYK 0 / 57 / 39 / 11

HEX #E3628B

RGB 227 98 139

HSL 340.93, 0.7%, 0.64%

LAB 58.91, 54, 2.77

 

CMYK 0 / 57 / 54 / 11

HEX #E36268

RGB 227 98 104

HSL 357.21, 0.7%, 0.64%

LAB 58.1, 50.7, 22.01

 

CMYK 0 / 57 / 57 / 11

HEX #E36262

RGB 227 98 98

HSL 0, 0.7%, 0.64%

LAB 57.99, 50.24, 25.32

 

CMYK 0 / 57 / 8 / 11

HEX #E362D0

RGB 227 98 208

HSL 308.84, 0.7%, 0.64%

LAB 61.33, 63.3, -33.24

 

CMYK 7 / 57 / 0 / 11

HEX #D362E3

RGB 211 98 227

HSL 292.56, 0.7%, 0.64%

LAB 60.01, 62.36, -46.15

 

CMYK 22 / 57 / 0 / 11

HEX #B162E3

RGB 177 98 227

HSL 276.74, 0.7%, 0.64%

LAB 55.71, 53.87, -53.23

 

CMYK 37 / 57 / 0 / 11

HEX #8E62E3

RGB 142 98 227

HSL 260.47, 0.7%, 0.64%

LAB 51.87, 45.54, -59.6

 

CMYK 53 / 57 / 0 / 11

HEX #6B62E3

RGB 107 98 227

HSL 244.19, 0.7%, 0.64%

LAB 48.77, 38.15, -64.76

 

CMYK 0 / 57 / 8 / 11

HEX #E362D0

RGB 227 98 208

HSL 308.84, 0.7%, 0.64%

LAB 61.33, 63.3, -33.24

 

CMYK 0 / 65 / 10 / 5

HEX #F254DB

RGB 242 84 219

HSL 308.73, 0.86%, 0.64%

LAB 61.94, 74.49, -38.32

 

CMYK 0 / 57 / 8 / 11

HEX #E362D0

RGB 227 98 208

HSL 308.84, 0.7%, 0.64%

LAB 61.33, 63.3, -33.24

 

CMYK 0 / 47 / 7 / 17

HEX #D471C6

RGB 212 113 198

HSL 308.48, 0.54%, 0.64%

LAB 61.55, 50.29, -27.39

 

CMYK 0 / 35 / 5 / 23

HEX #C580BB

RGB 197 128 187

HSL 308.7, 0.37%, 0.64%

LAB 62.42, 35.78, -20

 

CMYK 0 / 21 / 3 / 29

HEX #B68FB1

RGB 182 143 177

HSL 307.69, 0.21%, 0.64%

LAB 63.97, 20.55, -12.16

 

CMYK 0 / 6 / 1 / 34

HEX #A89EA6

RGB 168 158 166

HSL 312, 0.05%, 0.64%

LAB 66.16, 5.12, -2.86

 

CMYK 22 / 57 / 0 / 11

HEX #B062E3

RGB 176 98 227

HSL 276.28, 0.7%, 0.64%

LAB 55.6, 53.62, -53.43

 

CMYK 7 / 57 / 0 / 11

HEX #D262E3

RGB 210 98 227

HSL 292.09, 0.7%, 0.64%

LAB 59.87, 62.11, -46.37

 

CMYK 0 / 57 / 7 / 11

HEX #E362D2

RGB 227 98 210

HSL 307.91, 0.7%, 0.64%

LAB 61.41, 63.61, -34.24

 

CMYK 0 / 57 / 22 / 11

HEX #E362B0

RGB 227 98 176

HSL 323.72, 0.7%, 0.64%

LAB 60.07, 58.56, -16.94

 

CMYK 0 / 57 / 38 / 11

HEX #E3628D

RGB 227 98 141

HSL 340, 0.7%, 0.64%

LAB 58.96, 54.22, 1.68

 

CMYK 0 / 83 / 12 / 19

HEX #CF24B6

RGB 207 36 182

HSL 308.77, 0.7%, 0.48%

LAB 49.38, 75.91, -37.21

 

CMYK 0 / 71 / 10 / 13

HEX #DD3FC6

RGB 221 63 198

HSL 308.73, 0.7%, 0.56%

LAB 55.08, 73.83, -37.37

 

CMYK 0 / 57 / 8 / 11

HEX #E362D0

RGB 227 98 208

HSL 308.84, 0.7%, 0.64%

LAB 61.33, 63.3, -33.24

 

CMYK 0 / 42 / 6 / 9

HEX #E986DA

RGB 233 134 218

HSL 309.09, 0.69%, 0.72%

LAB 69.07, 49.45, -26.81

 

CMYK 0 / 29 / 4 / 6

HEX #EFA9E5

RGB 239 169 229

HSL 308.57, 0.69%, 0.8%

LAB 77.51, 35.02, -19.9

 

CMYK 0 / 57 / 8 / 11

HEX #E362D0

RGB 227 98 208

HSL 308.84, 0.7%, 0.64%

LAB 61.33, 63.3, -33.24

 

CMYK 0 / 38 / 57 / 11

HEX #E38D62

RGB 227 141 98

HSL 20, 0.7%, 0.64%

LAB 66.72, 28.5, 36.5

 

CMYK 57 / 0 / 15 / 11

HEX #62E3C1

RGB 98 227 193

HSL 164.19, 0.7%, 0.64%

LAB 82.59, -43.7, 5.93

 

CMYK 0 / 57 / 8 / 11

HEX #E362D0

RGB 227 98 208

HSL 308.84, 0.7%, 0.64%

LAB 61.33, 63.3, -33.24

 

CMYK 7 / 0 / 57 / 11

HEX #D2E362

RGB 210 227 98

HSL 67.91, 0.7%, 0.64%

LAB 86.76, -23.14, 59.8

 

CMYK 57 / 7 / 0 / 11

HEX #62D2E3

RGB 98 210 227

HSL 187.91, 0.7%, 0.64%

LAB 78.6, -27.07, -18.07

 

CMYK 0 / 57 / 8 / 11

HEX #E362D0

RGB 227 98 208

HSL 308.84, 0.7%, 0.64%

LAB 61.33, 63.3, -33.24

 

CMYK 0 / 38 / 57 / 11

HEX #E38D62

RGB 227 141 98

HSL 20, 0.7%, 0.64%

LAB 66.72, 28.5, 36.5

 

CMYK 57 / 0 / 49 / 11

HEX #62E374

RGB 98 227 116

HSL 128.37, 0.7%, 0.64%

LAB 81.18, -58.26, 43.48

 

CMYK 57 / 19 / 0 / 11

HEX #62B8E3

RGB 98 184 227

HSL 200, 0.7%, 0.64%

LAB 71.16, -13.79, -29.41

 

CMYK 0 / 57 / 8 / 11

HEX #E362D0

RGB 227 98 208

HSL 308.84, 0.7%, 0.64%

LAB 61.33, 63.3, -33.24

 

CMYK 0 / 21 / 57 / 11

HEX #E3B462

RGB 227 180 98

HSL 38.14, 0.7%, 0.64%

LAB 75.98, 7.71, 47.75

 

CMYK 57 / 0 / 49 / 11

HEX #62E374

RGB 98 227 116

HSL 128.37, 0.7%, 0.64%

LAB 81.18, -58.26, 43.48

 

CMYK 57 / 36 / 0 / 11

HEX #6292E3

RGB 98 146 227

HSL 217.67, 0.7%, 0.64%

LAB 60.52, 7.49, -46.01

 

Description

Color code: HEX #E362D0 | qconv.com Color code: HEX #E362D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 98 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 98 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 8 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 8% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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