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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E35E61 it is the complementary color #1CA19E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E35E61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E35E61 shade: #E85E5C, #F9706F, #FF8282, #FF9495 and #FFA6A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E35E61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E35E61 shade: #E35E61, #D24C4E, #C13A3B, #B02828 and #9F1615

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E35E61 shade: #E25E61 and #E25E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E35E61 shade: #E25E61, #E25E85, #E25EA8, #E25ECC and #D55EE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E35E61 shade matches the following richer shades: #E25E61 and #F14F52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E35E61 shade: #E25E61, #D36D70, #C47D7E, #B48C8D and #A59B9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E35E61 shade: #E25EA9, #E25E86, #E25E63, #E27D5E and #E2A05E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E35E61 shade: #CA2327, #DC3B3F, #E25E61, #E88183 and #EFA4A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E35E61 shade: #E35E61, #CCE25E and #5E97E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E35E61 shade: #E35E61, #63E25E and #5E63E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E35E61 shade: #E35E61, #CCE25E, #5EE2DE and #745EE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E35E61 shade: #E35E61, #A5E25E, #5EE2DE and #9C5EE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 57 / 11

HEX #E35E61

RGB 227 94 97

HSL 358.65, 0.7%, 0.63%

LAB 57.27, 52.01, 24.95

 

Complementary color

CMYK 83 / 0 / 2 / 37

HEX #1CA19E

RGB 28 161 158

HSL 178.65, 0.7%, 0.37%

LAB 60.07, -33.54, -8.11

 

CMYK 0 / 59 / 60 / 9

HEX #E85E5C

RGB 232 94 92

HSL 0.86, 0.75%, 0.64%

LAB 57.97, 53.37, 28.9

 

CMYK 0 / 55 / 55 / 2

HEX #F9706F

RGB 249 112 111

HSL 0.43, 0.92%, 0.71%

LAB 64.06, 52.34, 26.53

 

CMYK 0 / 49 / 49 / 0

HEX #FF8282

RGB 255 130 130

HSL 0, 1%, 0.75%

LAB 68.63, 47.4, 22.14

 

CMYK 0 / 42 / 42 / 0

HEX #FF9495

RGB 255 148 149

HSL 359.44, 1%, 0.79%

LAB 72.63, 40.23, 17.1

 

CMYK 0 / 35 / 34 / 0

HEX #FFA6A8

RGB 255 166 168

HSL 358.65, 1%, 0.83%

LAB 76.9, 33.09, 12.65

HEX #FFA6A8

CMYK 0 / 59 / 57 / 11

HEX #E35E61

RGB 227 94 97

HSL 358.65, 0.7%, 0.63%

LAB 57.27, 52.01, 24.95

 

CMYK 0 / 64 / 63 / 18

HEX #D24C4E

RGB 210 76 78

HSL 359.1, 0.6%, 0.56%

LAB 51.18, 52.9, 27.59

 

CMYK 0 / 70 / 69 / 24

HEX #C13A3B

RGB 193 58 59

HSL 359.56, 0.54%, 0.49%

LAB 45.19, 53.56, 30.73

 

CMYK 0 / 77 / 77 / 31

HEX #B02828

RGB 176 40 40

HSL 0, 0.63%, 0.42%

LAB 39.41, 53.74, 34.42

 

CMYK 0 / 86 / 87 / 38

HEX #9F1615

RGB 159 22 21

HSL 0.43, 0.77%, 0.35%

LAB 33.98, 53.08, 38.47

 

CMYK 0 / 58 / 57 / 11

HEX #E25E61

RGB 226 94 97

HSL 358.64, 0.69%, 0.63%

LAB 57.11, 51.66, 24.72

 

CMYK 0 / 58 / 58 / 11

HEX #E25E5E

RGB 226 94 94

HSL 0, 0.69%, 0.63%

LAB 57.06, 51.45, 26.38

 

CMYK 0 / 58 / 57 / 11

HEX #E25E61

RGB 226 94 97

HSL 358.64, 0.69%, 0.63%

LAB 57.11, 51.66, 24.72

 

CMYK 0 / 58 / 41 / 11

HEX #E25E85

RGB 226 94 133

HSL 342.27, 0.69%, 0.63%

LAB 57.91, 54.86, 4.81

 

CMYK 0 / 58 / 26 / 11

HEX #E25EA8

RGB 226 94 168

HSL 326.36, 0.69%, 0.63%

LAB 58.98, 58.98, -14

 

CMYK 0 / 58 / 10 / 11

HEX #E25ECC

RGB 226 94 204

HSL 310, 0.69%, 0.63%

LAB 60.37, 64.15, -32.48

 

CMYK 6 / 58 / 0 / 11

HEX #D55EE2

RGB 213 94 226

HSL 294.09, 0.69%, 0.63%

LAB 59.56, 64.48, -46.27

 

CMYK 0 / 58 / 57 / 11

HEX #E25E61

RGB 226 94 97

HSL 358.64, 0.69%, 0.63%

LAB 57.11, 51.66, 24.72

 

CMYK 0 / 67 / 66 / 5

HEX #F14F52

RGB 241 79 82

HSL 358.89, 0.85%, 0.63%

LAB 56.98, 61.97, 33.68

 

CMYK 0 / 58 / 57 / 11

HEX #E25E61

RGB 226 94 97

HSL 358.64, 0.69%, 0.63%

LAB 57.11, 51.66, 24.72

 

CMYK 0 / 48 / 47 / 17

HEX #D36D70

RGB 211 109 112

HSL 358.24, 0.54%, 0.63%

LAB 58, 40.31, 16.84

 

CMYK 0 / 36 / 36 / 23

HEX #C47D7E

RGB 196 125 126

HSL 359.15, 0.38%, 0.63%

LAB 59.81, 27.71, 11

 

CMYK 0 / 22 / 22 / 29

HEX #B48C8D

RGB 180 140 141

HSL 358.5, 0.21%, 0.63%

LAB 61.98, 15.32, 5.3

 

CMYK 0 / 6 / 6 / 35

HEX #A59B9B

RGB 165 155 155

HSL 0, 0.05%, 0.63%

LAB 64.81, 3.65, 1.3

 

CMYK 0 / 58 / 25 / 11

HEX #E25EA9

RGB 226 94 169

HSL 325.91, 0.69%, 0.63%

LAB 59.01, 59.11, -14.52

 

CMYK 0 / 58 / 41 / 11

HEX #E25E86

RGB 226 94 134

HSL 341.82, 0.69%, 0.63%

LAB 57.94, 54.96, 4.26

 

CMYK 0 / 58 / 56 / 11

HEX #E25E63

RGB 226 94 99

HSL 357.73, 0.69%, 0.63%

LAB 57.15, 51.81, 23.61

 

CMYK 0 / 45 / 58 / 11

HEX #E27D5E

RGB 226 125 94

HSL 14.09, 0.69%, 0.63%

LAB 63.05, 36.2, 34.04

 

CMYK 0 / 29 / 58 / 11

HEX #E2A05E

RGB 226 160 94

HSL 30, 0.69%, 0.63%

LAB 70.95, 17.64, 43.73

 

CMYK 0 / 83 / 81 / 21

HEX #CA2327

RGB 202 35 39

HSL 358.56, 0.7%, 0.46%

LAB 44.1, 62.7, 41.46

 

CMYK 0 / 73 / 71 / 14

HEX #DC3B3F

RGB 220 59 63

HSL 358.51, 0.7%, 0.55%

LAB 50.34, 61.81, 35.7

 

CMYK 0 / 58 / 57 / 11

HEX #E25E61

RGB 226 94 97

HSL 358.64, 0.69%, 0.63%

LAB 57.11, 51.66, 24.72

 

CMYK 0 / 44 / 44 / 9

HEX #E88183

RGB 232 129 131

HSL 358.83, 0.69%, 0.71%

LAB 65.35, 39.69, 16.59

 

CMYK 0 / 31 / 31 / 6

HEX #EFA4A6

RGB 239 164 166

HSL 358.4, 0.7%, 0.79%

LAB 74.61, 28.01, 10.24

 

CMYK 0 / 59 / 57 / 11

HEX #E35E61

RGB 227 94 97

HSL 358.65, 0.7%, 0.63%

LAB 57.27, 52.01, 24.95

 

CMYK 10 / 0 / 58 / 11

HEX #CCE25E

RGB 204 226 94

HSL 70, 0.69%, 0.63%

LAB 86.03, -25.35, 60.59

 

CMYK 58 / 33 / 0 / 11

HEX #5E97E2

RGB 94 151 226

HSL 214.09, 0.69%, 0.63%

LAB 61.66, 3.46, -43.67

 

CMYK 0 / 59 / 57 / 11

HEX #E35E61

RGB 227 94 97

HSL 358.65, 0.7%, 0.63%

LAB 57.27, 52.01, 24.95

 

CMYK 56 / 0 / 58 / 11

HEX #63E25E

RGB 99 226 94

HSL 117.73, 0.69%, 0.63%

LAB 80.66, -60.43, 53.06

 

CMYK 58 / 56 / 0 / 11

HEX #5E63E2

RGB 94 99 226

HSL 237.73, 0.69%, 0.63%

LAB 48, 34.84, -65.49

 

CMYK 0 / 59 / 57 / 11

HEX #E35E61

RGB 227 94 97

HSL 358.65, 0.7%, 0.63%

LAB 57.27, 52.01, 24.95

 

CMYK 10 / 0 / 58 / 11

HEX #CCE25E

RGB 204 226 94

HSL 70, 0.69%, 0.63%

LAB 86.03, -25.35, 60.59

 

CMYK 58 / 0 / 2 / 11

HEX #5EE2DE

RGB 94 226 222

HSL 178.18, 0.69%, 0.63%

LAB 82.94, -36.77, -8.91

 

CMYK 49 / 58 / 0 / 11

HEX #745EE2

RGB 116 94 226

HSL 250, 0.69%, 0.63%

LAB 48.52, 41.96, -64.56

 

CMYK 0 / 59 / 57 / 11

HEX #E35E61

RGB 227 94 97

HSL 358.65, 0.7%, 0.63%

LAB 57.27, 52.01, 24.95

 

CMYK 27 / 0 / 58 / 11

HEX #A5E25E

RGB 165 226 94

HSL 87.73, 0.69%, 0.63%

LAB 83.55, -40.16, 57.13

 

CMYK 58 / 0 / 2 / 11

HEX #5EE2DE

RGB 94 226 222

HSL 178.18, 0.69%, 0.63%

LAB 82.94, -36.77, -8.91

 

CMYK 31 / 58 / 0 / 11

HEX #9C5EE2

RGB 156 94 226

HSL 268.18, 0.69%, 0.63%

LAB 52.47, 50.67, -58

 

Description

Color code: HEX #E35E61 | qconv.com Color code: HEX #E35E61 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 94 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 94 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 57 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 57% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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