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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E356DD it is the complementary color #1CA922. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E356DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E356DD shade: #E856D8, #F968EB, #FF7AFE, #FF8CFF and #FF9EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E356DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E356DD shade: #E356DD, #D244CA, #C132B7, #B020A4 and #9F0E91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E356DD shade: #E353DD, #E353B6, #E3538F, #E35369 and #E35353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E356DD shade: #E353DD, #C253E3, #9C53E3, #7553E3 and #5353E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E356DD shade matches the following richer shades: #E353DD and #F343EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E356DD shade: #E353DD, #D364CE, #C274BF, #B284B0 and #A294A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E356DD shade: #9B53E3, #C153E3, #E353DE, #E353B8 and #E35392

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E356DD shade: #C420BD, #DD30D6, #E353DD, #E877E4 and #EE9AEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E356DD shade: #E356DD, #E37553 and #53E3AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E356DD shade: #E356DD, #DEE353 and #53DEE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E356DD shade: #E356DD, #E37553, #53E358 and #53C1E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E356DD shade: #E356DD, #E3A053, #53E358 and #5396E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 3 / 11

HEX #E356DD

RGB 227 86 221

HSL 302.55, 0.72%, 0.61%

LAB 60.08, 70.42, -42.53

 

Complementary color

CMYK 83 / 0 / 80 / 34

HEX #1CA922

RGB 28 169 34

HSL 122.55, 0.72%, 0.39%

LAB 60.55, -60.02, 54.74

 

CMYK 0 / 63 / 7 / 9

HEX #E856D8

RGB 232 86 216

HSL 306.58, 0.76%, 0.62%

LAB 60.58, 70.85, -38.87

 

CMYK 0 / 58 / 6 / 2

HEX #F968EB

RGB 249 104 235

HSL 305.79, 0.92%, 0.69%

LAB 66.55, 70.74, -39.96

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFE

RGB 255 122 254

HSL 300.45, 1%, 0.74%

LAB 71.1, 67.53, -43.22

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFF

RGB 255 158 255

HSL 300, 1%, 0.81%

LAB 77.84, 50.31, -33.3

 

CMYK 0 / 62 / 3 / 11

HEX #E356DD

RGB 227 86 221

HSL 302.55, 0.72%, 0.61%

LAB 60.08, 70.42, -42.53

 

CMYK 0 / 68 / 4 / 18

HEX #D244CA

RGB 210 68 202

HSL 303.38, 0.61%, 0.55%

LAB 54.13, 70.22, -41.27

 

CMYK 0 / 74 / 5 / 24

HEX #C132B7

RGB 193 50 183

HSL 304.2, 0.59%, 0.48%

LAB 48.31, 69.49, -39.65

 

CMYK 0 / 82 / 7 / 31

HEX #B020A4

RGB 176 32 164

HSL 305, 0.69%, 0.41%

LAB 42.68, 67.96, -37.51

 

CMYK 0 / 91 / 9 / 38

HEX #9F0E91

RGB 159 14 145

HSL 305.79, 0.84%, 0.34%

LAB 37.35, 65.26, -34.64

 

CMYK 0 / 63 / 3 / 11

HEX #E353DD

RGB 227 83 221

HSL 302.5, 0.72%, 0.61%

LAB 59.65, 71.6, -43.19

 

CMYK 0 / 63 / 20 / 11

HEX #E353B6

RGB 227 83 182

HSL 318.75, 0.72%, 0.61%

LAB 57.94, 65.78, -23.65

 

CMYK 0 / 63 / 37 / 11

HEX #E3538F

RGB 227 83 143

HSL 335, 0.72%, 0.61%

LAB 56.59, 60.98, -2.97

 

CMYK 0 / 63 / 54 / 11

HEX #E35369

RGB 227 83 105

HSL 350.83, 0.72%, 0.61%

LAB 55.62, 57.42, 18.08

 

CMYK 0 / 63 / 63 / 11

HEX #E35353

RGB 227 83 83

HSL 0, 0.72%, 0.61%

LAB 55.22, 55.9, 30.39

 

CMYK 0 / 63 / 3 / 11

HEX #E353DD

RGB 227 83 221

HSL 302.5, 0.72%, 0.61%

LAB 59.65, 71.6, -43.19

 

CMYK 15 / 63 / 0 / 11

HEX #C253E3

RGB 194 83 227

HSL 286.25, 0.72%, 0.61%

LAB 55.28, 64.96, -53.8

 

CMYK 31 / 63 / 0 / 11

HEX #9C53E3

RGB 156 83 227

HSL 270.42, 0.72%, 0.61%

LAB 50.45, 56.51, -61.81

 

CMYK 48 / 63 / 0 / 11

HEX #7553E3

RGB 117 83 227

HSL 254.17, 0.72%, 0.61%

LAB 46.33, 48.65, -68.68

 

CMYK 63 / 63 / 0 / 11

HEX #5353E3

RGB 83 83 227

HSL 240, 0.72%, 0.61%

LAB 43.61, 43.03, -73.23

 

CMYK 0 / 63 / 3 / 11

HEX #E353DD

RGB 227 83 221

HSL 302.5, 0.72%, 0.61%

LAB 59.65, 71.6, -43.19

 

CMYK 0 / 72 / 3 / 5

HEX #F343EB

RGB 243 67 235

HSL 302.73, 0.88%, 0.61%

LAB 60.84, 82.81, -49.01

 

CMYK 0 / 63 / 3 / 11

HEX #E353DD

RGB 227 83 221

HSL 302.5, 0.72%, 0.61%

LAB 59.65, 71.6, -43.19

 

CMYK 0 / 53 / 2 / 17

HEX #D364CE

RGB 211 100 206

HSL 302.7, 0.56%, 0.61%

LAB 59.36, 57.7, -35.34

 

CMYK 0 / 40 / 2 / 24

HEX #C274BF

RGB 194 116 191

HSL 302.31, 0.39%, 0.61%

LAB 59.64, 41.99, -26.57

 

CMYK 0 / 26 / 1 / 30

HEX #B284B0

RGB 178 132 176

HSL 302.61, 0.23%, 0.61%

LAB 60.87, 25.14, -16.3

 

CMYK 0 / 9 / 0 / 36

HEX #A294A2

RGB 162 148 162

HSL 300, 0.07%, 0.61%

LAB 62.9, 7.78, -5.47

 

CMYK 32 / 63 / 0 / 11

HEX #9B53E3

RGB 155 83 227

HSL 270, 0.72%, 0.61%

LAB 50.34, 56.29, -62

 

CMYK 15 / 63 / 0 / 11

HEX #C153E3

RGB 193 83 227

HSL 285.83, 0.72%, 0.61%

LAB 55.14, 64.73, -54.02

 

CMYK 0 / 63 / 2 / 11

HEX #E353DE

RGB 227 83 222

HSL 302.08, 0.72%, 0.61%

LAB 59.7, 71.76, -43.68

 

CMYK 0 / 63 / 19 / 11

HEX #E353B8

RGB 227 83 184

HSL 317.92, 0.72%, 0.61%

LAB 58.02, 66.06, -24.68

 

CMYK 0 / 63 / 36 / 11

HEX #E35392

RGB 227 83 146

HSL 333.75, 0.72%, 0.61%

LAB 56.68, 61.31, -4.6

 

CMYK 0 / 84 / 4 / 23

HEX #C420BD

RGB 196 32 189

HSL 302.56, 0.72%, 0.45%

LAB 47.55, 75.59, -44.33

 

CMYK 0 / 78 / 3 / 13

HEX #DD30D6

RGB 221 48 214

HSL 302.43, 0.72%, 0.53%

LAB 54.39, 80.48, -47.62

 

CMYK 0 / 63 / 3 / 11

HEX #E353DD

RGB 227 83 221

HSL 302.5, 0.72%, 0.61%

LAB 59.65, 71.6, -43.19

 

CMYK 0 / 49 / 2 / 9

HEX #E877E4

RGB 232 119 228

HSL 302.12, 0.71%, 0.69%

LAB 66.48, 58.28, -36.36

 

CMYK 0 / 35 / 1 / 7

HEX #EE9AEB

RGB 238 154 235

HSL 302.14, 0.71%, 0.77%

LAB 74.37, 43.65, -27.95

 

CMYK 0 / 62 / 3 / 11

HEX #E356DD

RGB 227 86 221

HSL 302.55, 0.72%, 0.61%

LAB 60.08, 70.42, -42.53

 

CMYK 0 / 48 / 63 / 11

HEX #E37553

RGB 227 117 83

HSL 14.17, 0.72%, 0.61%

LAB 61.38, 39.93, 37.99

 

CMYK 63 / 0 / 23 / 11

HEX #53E3AE

RGB 83 227 174

HSL 157.92, 0.72%, 0.61%

LAB 81.75, -50.81, 14.69

 

CMYK 0 / 62 / 3 / 11

HEX #E356DD

RGB 227 86 221

HSL 302.55, 0.72%, 0.61%

LAB 60.08, 70.42, -42.53

 

CMYK 2 / 0 / 63 / 11

HEX #DEE353

RGB 222 227 83

HSL 62.08, 0.72%, 0.61%

LAB 87.53, -19.36, 67.15

 

CMYK 63 / 2 / 0 / 11

HEX #53DEE3

RGB 83 222 227

HSL 182.08, 0.72%, 0.61%

LAB 81.64, -35.36, -13.54

 

CMYK 0 / 62 / 3 / 11

HEX #E356DD

RGB 227 86 221

HSL 302.55, 0.72%, 0.61%

LAB 60.08, 70.42, -42.53

 

CMYK 0 / 48 / 63 / 11

HEX #E37553

RGB 227 117 83

HSL 14.17, 0.72%, 0.61%

LAB 61.38, 39.93, 37.99

 

CMYK 63 / 0 / 61 / 11

HEX #53E358

RGB 83 227 88

HSL 122.08, 0.72%, 0.61%

LAB 80.45, -65.03, 55.32

 

CMYK 63 / 15 / 0 / 11

HEX #53C1E3

RGB 83 193 227

HSL 194.17, 0.72%, 0.61%

LAB 73.24, -21.2, -26.27

 

CMYK 0 / 62 / 3 / 11

HEX #E356DD

RGB 227 86 221

HSL 302.55, 0.72%, 0.61%

LAB 60.08, 70.42, -42.53

 

CMYK 0 / 30 / 63 / 11

HEX #E3A053

RGB 227 160 83

HSL 32.08, 0.72%, 0.61%

LAB 70.94, 17.29, 49.2

 

CMYK 63 / 0 / 61 / 11

HEX #53E358

RGB 83 227 88

HSL 122.08, 0.72%, 0.61%

LAB 80.45, -65.03, 55.32

 

CMYK 63 / 34 / 0 / 11

HEX #5396E3

RGB 83 150 227

HSL 212.08, 0.72%, 0.61%

LAB 60.96, 2.32, -45.36

 

Description

Color code: HEX #E356DD | qconv.com Color code: HEX #E356DD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 86 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 86 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 3 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 3% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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