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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E354E9 it is the complementary color #1CAB16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E354E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E354E9 shade: #E854E4, #F966F7, #FF78FF, #FF8AFF and #FF9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E354E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E354E9 shade: #E354E9, #D242D6, #C130C3, #B01EB0 and #9F0C9D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E354E9 shade: #E253E8, #E853C6, #E8539E, #E85376 and #E85353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E354E9 shade: #E253E8, #BA53E8, #9253E8, #6953E8 and #5353E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E354E9 shade matches the following richer shades: #E253E8 and #F143F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E354E9 shade: #E253E8, #D463D9, #C572C9, #B782B9 and #A992A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E354E9 shade: #9153E8, #B953E8, #E153E8, #E853C8 and #E853A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E354E9 shade: #C71ACE, #DC2EE3, #E253E8, #E878ED and #EE9CF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E354E9 shade: #E354E9, #E86953 and #53E8A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E354E9 shade: #E354E9, #E8E153 and #53E8E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E354E9 shade: #E354E9, #E86953, #5AE853 and #53D2E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E354E9 shade: #E354E9, #E89653, #5AE853 and #53A5E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 64 / 0 / 9

HEX #E354E9

RGB 227 84 233

HSL 297.58, 0.77%, 0.62%

LAB 60.39, 73.18, -48.76

 

Complementary color

CMYK 84 / 0 / 87 / 33

HEX #1CAB16

RGB 28 171 22

HSL 117.58, 0.77%, 0.38%

LAB 61.16, -61.27, 58.48

 

CMYK 0 / 64 / 2 / 9

HEX #E854E4

RGB 232 84 228

HSL 301.62, 0.76%, 0.62%

LAB 60.87, 73.51, -45.16

 

CMYK 0 / 59 / 1 / 2

HEX #F966F7

RGB 249 102 247

HSL 300.82, 0.92%, 0.69%

LAB 66.79, 73.49, -46.21

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 3 / 64 / 0 / 9

HEX #E354E9

RGB 227 84 233

HSL 297.58, 0.77%, 0.62%

LAB 60.39, 73.18, -48.76

 

CMYK 2 / 69 / 0 / 16

HEX #D242D6

RGB 210 66 214

HSL 298.38, 0.64%, 0.55%

LAB 54.5, 72.86, -47.54

 

CMYK 1 / 75 / 0 / 24

HEX #C130C3

RGB 193 48 195

HSL 299.18, 0.6%, 0.48%

LAB 48.75, 71.97, -45.94

 

CMYK 0 / 83 / 0 / 31

HEX #B01EB0

RGB 176 30 176

HSL 300, 0.71%, 0.4%

LAB 43.2, 70.25, -43.81

 

CMYK 0 / 92 / 1 / 38

HEX #9F0C9D

RGB 159 12 157

HSL 300.82, 0.86%, 0.34%

LAB 37.96, 67.32, -40.97

 

CMYK 3 / 64 / 0 / 9

HEX #E253E8

RGB 226 83 232

HSL 297.58, 0.76%, 0.62%

LAB 60.05, 73.17, -48.74

 

CMYK 0 / 64 / 15 / 9

HEX #E853C6

RGB 232 83 198

HSL 313.69, 0.76%, 0.62%

LAB 59.36, 69.33, -30.56

 

CMYK 0 / 64 / 32 / 9

HEX #E8539E

RGB 232 83 158

HSL 329.8, 0.76%, 0.62%

LAB 57.86, 64.12, -9.78

 

CMYK 0 / 64 / 49 / 9

HEX #E85376

RGB 232 83 118

HSL 345.91, 0.76%, 0.62%

LAB 56.73, 60.07, 12.08

 

CMYK 0 / 64 / 64 / 9

HEX #E85353

RGB 232 83 83

HSL 0, 0.76%, 0.62%

LAB 56.05, 57.55, 31.62

 

CMYK 3 / 64 / 0 / 9

HEX #E253E8

RGB 226 83 232

HSL 297.58, 0.76%, 0.62%

LAB 60.05, 73.17, -48.74

 

CMYK 20 / 64 / 0 / 9

HEX #BA53E8

RGB 186 83 232

HSL 281.48, 0.76%, 0.62%

LAB 54.5, 64.15, -57.92

 

CMYK 37 / 64 / 0 / 9

HEX #9253E8

RGB 146 83 232

HSL 265.37, 0.76%, 0.62%

LAB 49.65, 55.62, -65.99

 

CMYK 55 / 64 / 0 / 9

HEX #6953E8

RGB 105 83 232

HSL 248.86, 0.76%, 0.62%

LAB 45.66, 47.99, -72.65

 

CMYK 64 / 64 / 0 / 9

HEX #5353E8

RGB 83 83 232

HSL 240, 0.76%, 0.62%

LAB 44.02, 44.65, -75.39

 

CMYK 3 / 64 / 0 / 9

HEX #E253E8

RGB 226 83 232

HSL 297.58, 0.76%, 0.62%

LAB 60.05, 73.17, -48.74

 

CMYK 3 / 73 / 0 / 3

HEX #F143F8

RGB 241 67 248

HSL 297.68, 0.93%, 0.62%

LAB 61.21, 84.41, -55.67

 

CMYK 3 / 64 / 0 / 9

HEX #E253E8

RGB 226 83 232

HSL 297.58, 0.76%, 0.62%

LAB 60.05, 73.17, -48.74

 

CMYK 2 / 54 / 0 / 15

HEX #D463D9

RGB 212 99 217

HSL 297.46, 0.61%, 0.62%

LAB 59.83, 60.36, -40.81

 

CMYK 2 / 43 / 0 / 21

HEX #C572C9

RGB 197 114 201

HSL 297.24, 0.45%, 0.62%

LAB 60, 45.82, -31.65

 

CMYK 1 / 30 / 0 / 27

HEX #B782B9

RGB 183 130 185

HSL 297.82, 0.28%, 0.62%

LAB 61.25, 29.68, -20.79

 

CMYK 0 / 14 / 0 / 34

HEX #A992A9

RGB 169 146 169

HSL 300, 0.12%, 0.62%

LAB 63.22, 12.76, -8.88

 

CMYK 38 / 64 / 0 / 9

HEX #9153E8

RGB 145 83 232

HSL 264.97, 0.76%, 0.62%

LAB 49.54, 55.42, -66.17

 

CMYK 20 / 64 / 0 / 9

HEX #B953E8

RGB 185 83 232

HSL 281.07, 0.76%, 0.62%

LAB 54.37, 63.93, -58.13

 

CMYK 3 / 64 / 0 / 9

HEX #E153E8

RGB 225 83 232

HSL 297.18, 0.76%, 0.62%

LAB 59.91, 72.94, -48.98

 

CMYK 0 / 64 / 14 / 9

HEX #E853C8

RGB 232 83 200

HSL 312.89, 0.76%, 0.62%

LAB 59.45, 69.62, -31.57

 

CMYK 0 / 64 / 31 / 9

HEX #E853A0

RGB 232 83 160

HSL 328.99, 0.76%, 0.62%

LAB 57.92, 64.36, -10.84

 

CMYK 3 / 87 / 0 / 19

HEX #C71ACE

RGB 199 26 206

HSL 297.67, 0.78%, 0.45%

LAB 48.68, 79.8, -52.35

 

CMYK 3 / 80 / 0 / 11

HEX #DC2EE3

RGB 220 46 227

HSL 297.68, 0.76%, 0.54%

LAB 54.78, 82.76, -54.38

 

CMYK 3 / 64 / 0 / 9

HEX #E253E8

RGB 226 83 232

HSL 297.58, 0.76%, 0.62%

LAB 60.05, 73.17, -48.74

 

CMYK 2 / 49 / 0 / 7

HEX #E878ED

RGB 232 120 237

HSL 297.44, 0.76%, 0.7%

LAB 67.05, 59.38, -40.45

 

CMYK 2 / 36 / 0 / 5

HEX #EE9CF2

RGB 238 156 242

HSL 297.21, 0.77%, 0.78%

LAB 75.05, 43.88, -30.71

 

CMYK 3 / 64 / 0 / 9

HEX #E354E9

RGB 227 84 233

HSL 297.58, 0.77%, 0.62%

LAB 60.39, 73.18, -48.76

 

CMYK 0 / 55 / 64 / 9

HEX #E86953

RGB 232 105 83

HSL 8.86, 0.76%, 0.62%

LAB 59.78, 47.7, 36.22

 

CMYK 64 / 0 / 29 / 9

HEX #53E8A5

RGB 83 232 165

HSL 153.02, 0.76%, 0.62%

LAB 83.06, -54.74, 21.21

 

CMYK 3 / 64 / 0 / 9

HEX #E354E9

RGB 227 84 233

HSL 297.58, 0.77%, 0.62%

LAB 60.39, 73.18, -48.76

 

CMYK 0 / 3 / 64 / 9

HEX #E8E153

RGB 232 225 83

HSL 57.18, 0.76%, 0.62%

LAB 87.79, -14.29, 67.67

 

CMYK 64 / 0 / 3 / 9

HEX #53E8E1

RGB 83 232 225

HSL 177.18, 0.76%, 0.62%

LAB 84.48, -40.49, -8.24

 

CMYK 3 / 64 / 0 / 9

HEX #E354E9

RGB 227 84 233

HSL 297.58, 0.77%, 0.62%

LAB 60.39, 73.18, -48.76

 

CMYK 0 / 55 / 64 / 9

HEX #E86953

RGB 232 105 83

HSL 8.86, 0.76%, 0.62%

LAB 59.78, 47.7, 36.22

 

CMYK 61 / 0 / 64 / 9

HEX #5AE853

RGB 90 232 83

HSL 117.18, 0.76%, 0.62%

LAB 82.12, -65.78, 59.32

 

CMYK 64 / 9 / 0 / 9

HEX #53D2E8

RGB 83 210 232

HSL 188.86, 0.76%, 0.62%

LAB 78.32, -28.21, -21.21

 

CMYK 3 / 64 / 0 / 9

HEX #E354E9

RGB 227 84 233

HSL 297.58, 0.77%, 0.62%

LAB 60.39, 73.18, -48.76

 

CMYK 0 / 35 / 64 / 9

HEX #E89653

RGB 232 150 83

HSL 26.98, 0.76%, 0.62%

LAB 69.18, 24.69, 47.34

 

CMYK 61 / 0 / 64 / 9

HEX #5AE853

RGB 90 232 83

HSL 117.18, 0.76%, 0.62%

LAB 82.12, -65.78, 59.32

 

CMYK 64 / 29 / 0 / 9

HEX #53A5E8

RGB 83 165 232

HSL 206.98, 0.76%, 0.62%

LAB 65.42, -4.6, -41.11

 

Description

Color code: HEX #E354E9 | qconv.com Color code: HEX #E354E9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 84 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 84 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 64 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 64% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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